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#or even being in the dark world
chubbidust · 1 month
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I wonder how Ralsei would react to the Human of the Prophecy, the only person for MILES who can seal the Dark Fountains, being a tiny baby who doesn't know how to speak and can barely walk
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bro would be flabbergasted
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poorly-drawn-mdzs · 3 months
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Swapping tips on how to be a bestie in the bath.
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crowsgrudge · 8 months
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fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.
dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.
but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).
like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?
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mightymizora · 7 months
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I think a lot about Gortash tentatively showing The Dark Urge his designs for the Steel Watchers. Showing off what works and being slightly embarrassed about what doesn’t. And then they point it out. There’s too much mass and not enough strength here. Or there’s not enough flexibility at this point. And when he asks them how they reached that conclusion they tell him about the intricacies of the forms of men and beasts, of ligaments and muscle, of nerve endings twitching. That there is mechanism in flesh, and that the mind and body may be cleaved from each other but are always calling to each other until the very last throes of death.
And he thinks of their bodies calling to each other.
He thinks of nerves and minds connecting.
He thinks of how utterly brilliant they are.
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shakingparadigm · 24 days
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what is the theory that ivan manipulated the event where till and mizi met the wagyein?
It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:
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During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.
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Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.
I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:
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I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.
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The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.
This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.
The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.
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I think this better sells the feeling they were trying to convey.
#ivan u fucked up little guy.#also okay i just wanna clear this up#i know i make a lot of posts about ivans darker side and his more problematic traits#but this isn't me trying to villainize him or reduce him down to “toxic yaoi”#I HOPE YOU GUYS KNOW ALL MY TOXIC YAOI POSTS ARE LIGHTHEARTED.#i just want to clarify that ivan was always intended to be a darker and complicated character. even since his debut in round 3#the way i refer to ivan (“twisted” “creepy” “obssessive” etc) are literally the direct words used by q and v themselves to describe him#but despite that id like to emphasize that i don't see ivan as a villain or a completely bad person. hes complicated#there is no normalcy in this world they are living in. none of the characters know what being truly normal is#this isn't me condoning his actions#but it has to be acknowledged that alnst is fucked up in nature. we can't expect perfect relationships from people who are born to die#plus ivan has a lot more layers past the “dark” parts. he's constantly battling himself and his desires#especially at the end of round 6 where he performs a myriad of conflicting actions (kiss strangle peck smile)#thanks to the r6 production notes we now know that ivan was going through a rapid internal conflict#“sure and unsure at the same time”#there is sooo much to ivan. his low self-esteem. his desire and possessiveness despite knowing till will never love him#his VEHEMENT insistence that till will never love him vs his desperate persistence in trying anyway#uh i need to shut up i think#anyways sorry. just wanted to clarify my thoughts on him in case people think im. yk.#in short. hes a fucked up little freak and he fascinates me. this poor tragic child. i love him.#SORRY I GOT CARRIED AWAY#alnst#alien stage#alien stage ivan#alnst ivan#asks
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decarbry · 3 months
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mortifying-macaroni · 5 months
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Current status: Tired of every Kindred's shit
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paragonrobits · 4 months
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a way for the skaven running gag to continue via the Ratkin
Kitten: Okay this has been bothering me for a while. If there's things like werewolves and werecats- Big D: Hold on, I told you about werewolves. How do you know about werecats? Kitten: Long story, lots of family drama, I'd prefer not to get into it right now. But my point is are there other shapeshifters? Big D: You BET THERE ARE. No werechihuahuas, though. That's a joke. And it's NOT FUCKING FUNNY, DEAR GOD I AM SO FED UP WITH THE TOMES OF ARCANE LORE FILLED UP WITH JOKE POSTS ABOUT THEM and okay, okay. Off track. Anyway, there are indeed many different types of shapeshifters. Boy, wandering from another room: There's wererats and stuff Big D: Quite so! They're hardly friendly to humans, for you see, they're quite fed up with human corruption being responsible for HEY WHOA WAIT WAIT. Boy! How do YOU know about wererats!? Boy: They talks to me all the time. Kitten: They do? Boy: Dunno why. They just wander up and complain about humans being a pestilence upon the world. One of them wants to show me a giant mouse wheel it wants to make into a big bike thingy, though.
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zytes · 11 months
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7.15.23
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bl0rbohandbag · 21 days
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– some vampire the masquerade x changeling the lost concepts that will not leave me alone.
"but vtm and ctl are from different settings–" shhhhhh :)
before i begin: i have been dabbling in vampire the masquerade and changeling the lost content for a while, i am not a fan of changeling the dreaming and vampire the requiem is unfamiliar to me. anyway! buckle up, enjoy the ride, this is kind of long.
trigger warning for abuse/unhealthy parental relationships because vamps i guess.
first of all: i recently read vtm: bloodstained love. while it focus on the more romantic and sexual aspects of kindred relationships with a lot of references to obsessive/posessive behavior and grotesque acts of love, it also made me wonder how those would translate to platonic or familial relationships. add some changeling shenanigans to that and we have some interesting concepts to play with! and with that being said...
– you're a changeling. kidnapped into arcadia and trapped there for who knows how long. in your durance, you dream of going back home, of reuniting with your friends and family, escaping your keeper to finally, finally enjoy freedom in the world you were born in.
– and one day, you do escape. back into your world, never feeling completely safe with your keeper looking to get you back and huntsmen being a very real threat, but you're ready to rebuild your life and enjoy your newfound freedom.
– there are various mentions throughout the ctl books on how unsuspecting or heedless changelings might have their freedom stolen again, this time by kindred. so, as it turns out, you'll have to deal with creatures other than the true fae who are more than willing to keep you caged!
the angst potential in a changeling reuniting with ther parent(s) only to find out they've become something inhuman, and not all that different from their keeper is unmatched.
maybe you watch them from a distance first. maybe you excitedly seek them out. maybe you just randomly bump into your parent by complete chance, after presuming them dead or deciding to abandon your old life. maybe they find you.
but the point is: they're kindred. so different from when you last saw them, as a teenager, as a child, before you were taken. as if having huntsmen and your keeper after you wasn't trying enough, a vampire parent comes (back) into your life to make it even more complicated.
a ventrue dad will make his ghouls your bodyguards, following you day and night. it makes you insanely uncomfortable, as you liken them to changelings serving true fae back in arcadia. he says it's because of his own dangerous kindred affairs that might affect you, but after an unplesant encounter with the huntsmen he might just decide you shouldn't be out and about at all.
your parent is either a neonate or an ancilla by the time your return from arcadia. your fetch is dead for whatever reason, expired, after living a life in your stead, automatically making the vampire believe their child is dead– now imagine their surprise and confusion when they see you– real you, living and breathing. and maybe you're distraught, too, seeing that they haven't aged a day or should, depeding on how long you've been gone, be most definetly dead.
(this is absolutely NOT going to send the vampire parent into a mental breakdown and spiral into obsession upon discovering the child they have lost and buried was literally a soulless copy of their real child who got kidnapped by faeries. a clone made out of twigs and a cat's eyes that stole their child's place and they never noticed. everything is just fine. it does not them affect them mentally at all :3)
(bonus points if the fetch was killed by the vampire parent's enemies after being entagled in their mess. they feel like they are getting a second chance and will absolutely not screw it up! cue you, poor changeling, being locked away or put under heavy surveillance.)
on the other hand, a kindred parent who currently has a living fetch of their child just being EXTREMELY distraught when they keep spotting someone who looks exactly like their kid at random places they definetly shouldn't be at is very funny and kind of unsettling!
(a vampire mom just feeding on mortals at the club, socializing with other kindred, perhaps dealing with some unresolved issues with her sire, etc. Then she spots you, her real kid, unbeknownst to her, just chilling, among all those dangerous vampires, when you're supposed to be in your dorm room at least a thousand miles from there. she calls the fetch's phone, expecting you to pick up and start explaining yourself. your fetch answers the phone, talks to her, sleep-drunk and confused as to why she's calling so late, but the person she's looking at has made no motion at all. they're not talking. they have not picked up the phone. but that's her kid's face, she's sure. what the fuck?)
for low-humanity ancillae/elder kindred, having their child back might bring about long-forgotten mortal feelings of genuine parental love, although they might express in the very unorthodox way kindred would. they simply do not understand why their child does not want to be around them. they just want to bond with you and keep you safe where kindred and fae can't get to you, make up for lost time. what do you mean they're "just like your keeeper"?
i think a lot of kindred parents will leave you be, mostly brujah or gangrel, knowing you'll be safer if they keep you away from their world. provided there was no fetch to replace you, they think it's amazing enough you were found alive and well after years of being a missing person. you don't like talking about what happened in your... "durance"... fine, they'll keep the investigators off your back, too. they might not even know you're no longer human. but they are going to check on you once in a while, or keep tabs on you, or even have some of their people watch you from a distance. just to make sure.
(just don't let them catch wind of all the changeling shenanigans or huntsmen attacks on your person. that might just change their mind...)
kindred parents might believe you're safer away from their world, yes, but they can just as easily bring you into the mess of kindred society without a second thought.
not very fun being a fairest when your toreador mother insists you show your mien to impress her fellow clan mates and other kindred with your overwhelming beauty. she's always been a pageant mom, so this shouldn't surprise you. there's several layers of wrongness to this, from having your changeling identity exposed to multiple vampires to further your mother's social status to this very situation bringing back so many unpleasant memories from your durance, and it's bound to end badly.
(the toreador pageant mom could very easily be a nosferatu pageant mom, a cleopatra now living vicariously through your fae-given beauty.)
(she will realize how terrible a mistake that was when vampires start really paying attention to you. or not. who knows.)
(gifts that could easily have come from a true fae lord start pouring in. letters written in excessive passion, bouquets of bloody roses, dresses made out of human skin, all delivered by equally dazed-looking ghouls. perhaps your mother will know, then, she fucked up severely. or maybe she'll just tell you to be grateful for those wonderful gifts.)
on another hand, a nosferatu parent taking one look at their fairest child's mien and deciding "oh. no kindred can see you like. ever. stay away from toreador specifically". you don't know what a toreador is, but you'll try to heed the advice.
your ancilla mother meets your motley and proceeds to show them baby pictures of you, taken in the 1870s shortly before your abduction to Faerie. they are very well preserved and you look most proper in your little sailor outfit.
you have a beast/ogre seeming and your gangrel parent thinks you're pretty rad :) you go hunting together.
your tzimisce dad has living furniture made out of human skin, but it's nothing you haven't seen in arcadia before. he's a little disappointed by your lack of enthusiasm, and very offended when you tell him your keeper had better taste in couches. trying to evade a tzimisce dad after he's been made aware of your existence is a difficult task, and you will get caught and held captive at one point (for your safety, of course!). if there is a fetch currently living your life, they will be immediately killed or horribly tortured (read: vicissitude) for the crime of decieving the tzimisce and impersonating you, regardless of you already having decided to leave said fetch alone.
(tzimisce dad thinks you should be thankful. he dealt with the imposter. shouldn't you be happy?)
(if he’s got cash and has some land within his domain to spare, he might let you build a little home not too far from his own to give you a semblance of independence to try and settle you down. might.)
(on the other hand, you have the chance to become a really good escape artist. take your time in captivity with your tzimisce dad to practice your escaping and running away skills, after all, every good changeling needs it! you also get the bonus of reliving your childhood/teenagehood with all the sneaking out.)
(quick intermission: all of these concepts might result in low-clarity for the changeling?? i'm not too sure how clarity damage works yet.
update: it absolutely might!)
your malkavian mother thinks she's plagued with visions of her missing child, glimpses of what they might look nowadays, wherever they are. this is actually you, visiting her in her dreams through oneiromancy.
(everyone thought, back then, that it was just a scare. you wandered into the forest and for ten hours people searched for you, only to find you safe and sound, without a scratch in your body or a speck of dirt in your shoes hours later. but she knew better. she knew that wasn't really you. it haunted her for the rest of her life, and it haunts her unlife even now. she never made it to the hedge.)
you can't take your tremere parent ANYWHERE. you give in after endless nagging and take them to a goblin market, but their arrogance will get them roped into terrible deals if you don't keep your eyes on them full time. you do take this as an opportunity to show off your changeling capabilities. you're in your element.
(you also drop life-altering bits of Faerie lore at random or inappropriate times. it sends them spiraling. you just hope they won't share it with anyone...)
darkling changeling just chilling with their nosferatu dad in the sewers, sharing rats.
and that's all for today, folks.
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lagosbratzdoll · 8 months
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On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom
This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.
Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.
Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 
Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 
I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 
In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.
How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.
Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.
The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 
Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 
However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.
Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  
People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 
I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.
What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 
This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.
I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 
It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.
Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 
Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 
[1]  
Ooooooh, I am the last of the giants, my people are gone from the earth.
The last of the great mountain giants, who ruled all the world at my birth
Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.
And they’ve built a great wall through my valleys, and fished all the fish from my rills
In stone halls they burn their great fires, in stone halls they forge their sharp spears.
Whilst I walk alone in the mountains, with no true companion but tears.
They hunt me with dogs in the daylight, they hunt me with torches by night.
For these men who are small can never stand tall, whilst giants still walk in the light.
Oooooooh, I am the LAST of the giants, so learn well the words of my song.
For when I am gone the singing will fade, and the silence shall last long and long.
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not-so-terrible · 1 year
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So Kisame's often considered the fourth most powerful Akatsuki member, but the top three are pretty unanimously Obito, Pain and Itachi. And with Kisame's motto being survival of the fittest and MO being taking out the weakest links, it’s fascinating to see him end up as one of the most well connected members of the Akatsuki. And since the top three never openly get to clash, technically speaking, he stays loyal to all of them. He's; 
- Working broadly for Pain, Akatsuki's open leader, who wants to create peace through traumatising the world through a cycle of war
- Working secretly for Obito, Akatsuki's real leader (and by proxy, Madara and Zetsu, Akatsuki's real-real leaders), who wants to create peace through trapping the world in a dream realm
- Working day-to-day for/with Itachi, the Akatsuki's biggest name, most powerful field member, and a secret double agent, who wants to create peace through becoming the most powerful shinobi that's ever lived,  and through using that power 'as much as he wants', 'lead the world to subjugation'
So either Kisame is the ninja equivalent of the minions, or the dojutsu wielding top three of the Akatsuki all looked to him and went 'yup, he's Henchman Shaped'
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babygirl-but-a-boy · 1 year
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"damian is a murder and an assasin!" "Hes a sociopath" "he killed Dick!"
hes a little guy. he's just a wee lad. he literally looks like this
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you failed to grasp the bare fundamentals of what it means to be human and you should not be allowed to spread your dereliction on the masses
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darrengrave · 13 days
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to be honest everyone discounting louis and lestat's entire relationship as abuse just are not going to be able to handle any anne rice story
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heatherwitch · 7 months
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Embracing the coziness of my home this winter.
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druidonity2 · 9 months
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2021 Shadowlands fanart.
#world of warcraft#anduin wrynn#Garrosh follows this with something like 'yeah your not but maybe i am' so i sorta take the quote out of context but#I remember Anduin being very upset about the mere idea hes compaired to Arthas#Its always seemed to me that his similarities with arthas are something that lowkey bothers him because so many only see that in him#Of course people hurt by Arthas will be a bit weary of a human boy with blonde hair who claims to champion the light and justice#Especially one who is a prince of an important human kingdom#So its something hes self-conscious of and is keen to prove people he's not destine to fail#Which is why#even if he didn't become another Arthas entirely#what happens in SLs is so much more traumatic to him#He hurt people he cared about#he hurt innocent souls#((and his situation of mind control is more akin to sylvanas' then arthas but does he see that that way? Or do his fears blind his view?))#And blizz didnt go into detail what this meant but Arthas was used against him literally#My headcanon is that Anduin knew and could feel it and hear arthas in the sword#but in the cinematic anduin is surprised by arthas' soul appearing so canon says anduin didnt know#He dissappers because he is unsure if the bad feelings he felt orignated from him or zovaal or arthas so#prehaps he is afraid that everyone was right to be weary of him#Maybe he didnt end up as arthas at the end of shadowlands but that doesnt mean he can't still go down a dark path#he is afraid he is more capable of becoming an unjust and cruel leader then he thought he could#His people have every right to be upset that he abandoned them#but they dont know that he left because he was afraid he could hurt them and feel joy from it
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