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#one day i might write it
thormanick · 1 month
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All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:
(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)
1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).
And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.
Feelings, emotions and shenanigans ensue.
TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).
2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.
One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.
TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.
3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.
Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).
Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.
And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.
TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.
4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).
They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.
Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)
The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.
When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.
After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.
As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.
When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.
Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.
Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.
Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.
At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.
Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.
When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).
Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.
Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)
TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.
5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).
As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.
As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.
When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).
TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).
6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).
TLDR: I just think that this setting could facilitate some character exploration that would be very fun.
7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!
But of course Alhaitham has to come back and turn his world upside down once again.
TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.
8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,
Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).
He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.
Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?
TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).
In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.
The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).
So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.
Eventually, life goes on.
Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.
Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.
The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).
TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.
That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨
Maybe in the future I will unpack some of these aus. who knows.
#if you made it till the end you're officially a hero#sorry for so many words lol#genshin impact#afinna explores teyvat#genshin impact kaveh#genshin impact alhaitham#kavetham#haikaveh#alhaitham x kaveh#genshin impact writing#genshin impact writing ideas#magical birds au my beloved (can you tell lol)#maybe one day#one day i might write it#i was sure i'd never write the inquisitioner x witch kavetham AU but guess what#istg the first chapter should be ready sometime this year. probably. i hope. i dream of it...#pacific rim au is also something i just cradle gently in my hands. weird apocalyptic-esque setting but make it more a piece of life thing#in order to better unpack the relationships between people and various internal turmoils#and the fatui au!!! i want fatui to be weird menacing coworkers that end up being weirdly decent!!! sometimes!!!#idk i just think kaveh and sandrone could be a great work duo#and just the interactions with others could be sooooo much fun#anyways hope these ideas are. decent#also lowkey i need more dori-kaveh-alhaitham shenanigans#like alhaitham is canonically banned from seeing dori as far as i remember [well. blacklisted from the market or something similar]#granted it's probably bc he's with the Akademiya but like. Are We Sure [glances at Kaveh's debt]#anyways i just think there can be some exploration done here lol#also a hot take probably but. we need more 'Dori the Scary Businesswoman that Seems Inhumane But is Actually Wise'#like I want her to push others to their limits for mutual/personal gain BUT doing so knowing exactly when to stop and not cross the line#she is The Monkey's Paw for people who come to her. anyways i just find her interesting#yay that's it thanks for reading all of it have a great day byeeeeeeeeeeeee!
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becca-e-barnes · 3 months
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The need that I have for early morning, tender sex with Dbf!bucky that gets a little frantic and really passionate 😵‍💫
Especially if you tend to drift apart in your sleep. It feels so much nicer to curl up against him again the next morning, stealing some of his heat and enjoying the way that he smells so familiar to you now.
You can't help but feel a softness in your chest when he sleepily pulls you closer, placing a gentle kiss on the top of your head with his eyes still closed. If nothing else, you feel incredibly safe with your bare chest pressed to his and your limbs tangled together comfortably.
The sunlight has just managed to creep through a gap in between the curtains, illuminating the few grey hairs peppered across your partner's hairline and you swear he's never looked more beautiful.
He's more awake than he'd lead you to believe though. His eyes are barely even open before he's tilting your chin up, making it easier to capture your lips with his.
"Good morning." He mumbles in his deep morning voice when his lips part from yours.
"Hi." You can't help but smile, wiggling your body against the bulge in his underwear. "It's a great morning."
He can't help but roll his eyes at your enthusiasm.
"Didn't I take good enough care of you last night? You still want more." He pretends he's insulted but secretly, he's pretty damn pleased. You want him; plain and simple. You don't dress it up or play it off. Don't we all want to be wanted?
"See, that's the problem. You were too good to me last night. And now. I'm all worked up." You slip kisses to his neck and shoulders in between your sentences, hoping that it really drives your point home.
"You're a handful." Bucky teases, tilting your chin up once more, letting his lips collide with yours before allowing his tongue to do the same. It feels like his hands are all over your body at once, teasing and rubbing and gripping you, getting you even more worked up.
It's not long before he's got your leg hooked up over him and he's slipping his cock into you. The glide is that much easier given that he finished inside you just a few hours ago and the thought of that alone makes you even wetter.
Bucky's low groan as he slides into you is addictive. He's clearly still sensitive but it feels too good for either of you to stop now.
"Such a good girl. You take me so damn well." He's babbling already, eyes rolling back as he presses as deep inside you as possible, giving you a chance to take a breath before he starts to work your body in a way that no one else has ever managed.
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sallow-gaunt · 11 months
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Headcanon
Sebastian is a good student. He’s bright, he’s charming, and it’s no wonder his teachers think he’s capable because his parents were both professors so it would make sense that he’s grown up well-read and educated.
But then Anne gets cursed before the end of their fourth year and stops attending Hogwarts - as his fourth year draws to a close, his grades begin to slip because he’s not paying attention in class, he starts breaking curfew because he’s staying up after hours to research cures, all he can think about is how to help his sister and it negatively impacts his studies. He puts on a facade in class, but his smiles are fake, and when he thinks no one is looking, he turns sullen. The only friend he spends much time with anymore is Ominis, and while their friendship is admirable, it’s a far cry from the boy who used to banter with everyone, the boy who always had something to say. The professors try to be understanding given his circumstances, but they’re all undeniably worried about him.
At the beginning of fifth year, this behaviour continues - but there’s something different, if only slightly. Hecat notices it first in the first DADA lesson of the year when he duels the new fifth year; despite the fact he loses this duel, she notices the way he grins at the new student, his boyish face bright in a way it hasn’t been since his sister was cursed. It’s nice to see him smile again, she thinks.
The next to notice it is Professor Weasley, when she comes to fetch him from detention with a “special task”; he looks surprised but relieved to be out of detention, and listens as she explains that she wants him to take the new fifth year to Hogsmeade for supplies. She doesn’t miss the way he beams ear to ear upon hearing that the fifth year asked for him specifically when encouraged to go with a friend, and as he goes to meet them in the entrance hall, there’s a sudden bounce to his step. It makes her smile to herself, pleased that he seems genuinely happy.
It doesn’t take long for all of the faculty to notice it, and it becomes a hot topic of conversation among them. Garlick insists that she keeps seeing him and the new fifth year laughing together on their way to Herbology, even on days they don’t work together; Sharp notes that while Sebastian still works with Ominis, he’s often seen at the potion station of the new student, the two of them talking in low teasing tones that suggest a friendly banter. Ronen disclosed that while the new student often chooses to sit with Natty or Poppy for Charms, he’s caught them and Sebastian looking at each other from across the classroom; everyone has a good chuckle when even Fig remarks that he’s often seen Sebastian waiting outside of his classroom when the new student leaves, as if the Slytherin boy has been waiting to see them. Many of the other teachers also recall seeing the two in each other’s presence around the school constantly, sharing sweets and talking.
They all agree that the presence of the new fifth year student is the cause of Sebastian’s uplifted mood, there’s no other explanation quite frankly. He’s not completely the same as he was before - he is still breaking curfew, still not focusing completely on his work, still seems sullen on most days - but when he’s around the new student, he’s definitely happier and more like his old self.
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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cloudcountry · 1 year
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the ultimate neige smackdown
SUMMARY: So it follows the storyline of book four, only when the reader sees Neige's commercial for the first time, they say the first thing that comes to mind about him...and it's that Vil is obviously the best of the two.
CHARACTER: Vil Schoenheit.
WARNINGS: None!!
COMMENTS: this request is so funny because neige weirded me out when i first played. its like what jamil & azul said, nobody is THAT NICE??? HES SO CONFUSING but anyway mon pote means my close friend I looked it up on Google (I was too lazy to ask my friend who studies French about pet names again.) This is just you inflating Vil's ego (WHICH HE DESERVES!! TELL HIM HES BEAUTIFUL.)
~~~~~
“Do you see that radiance, mon pote?”
Vil stopped outside the door as your uninterested hum sounded from inside the room. The mandrakes in his hand wouldn’t have waited for Rook, but knowing you were inside that room made him want to enter.
Before he could, you spoke again.
“I mean, he’s okay I guess.”
“What do you mean?! He is picturesque! The perfect example of delicate beauty!” Rook cried out, causing you to sigh.
“Vil is more beautiful in my opinion. This Neige guy kinda creeps me out. I mean, doesn’t his beauty seem…fake? I know he’s a celebrity so a part of him is going to be artificial, but Vil is so blunt and truthful with his admirers. Neige is just…too sweet. It’s weird.”
Vil felt a light fluttering in his chest at your admission. Right, of course it wasn’t just him that thought Neige was…creepy, as you put it. But still.
You thought he was more beautiful than Neige.
“Oh, mon pote…” Rook sighed, and Vil could tell he was shaking his head dramatically, “I suppose we all have our own ideas of beauty.”
“Rook, you cannot sit here and tell me Vil isn’t more beautiful than Neige. I will fight you on this.” you huffed, “I mean, come on! Vil is so confident, and he expects the best out of everyone, and he pushes himself and the people around him to do better and better! Neige is just a pretty face as far as I’m concerned. Vil holds himself with sophistication that sends chills down my spine. That’s beautiful.”
“Oui, I do not disagree, but you must admit that Rui de Neige has his own charms as well!”
“Mmm…I don’t see the appeal. Sorry.”
Vil chuckled. You didn’t sound sorry at all.
“Flattery will get you nowhere, my dear.” he deadpanned, finally opening the door and stepping into the room. 
Rook had the gall to smile shamelessly up at him, rattling off some speech about his entrance. However, all Vil could focus on was the slightly embarrassed expression you had on your face, and the fact that his beauty was enough for you.
Deep down, he knew the jealousy he felt towards Neige was only temporarily satisfied, but he had to be content with that for now.
“Vil.” you blurted, as if forcing yourself to speak, “Uh, hey.”
He laughed airly, tucking two fingers under your chin and tilting it up.
“Hello yourself.” he smirked.
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halfagone · 3 months
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Before The Wayne Came A Kane
Martha Wayne née Kane came from a very prestigious family even before she married her husband, the illustrious M.D. Thomas Wayne. Sadly, her family never supported her union with Thomas, so she largely cut them out of her life once she married and that certainly had not changed when she had a son.
Her strained relationship with the rest of her family is particularly apparent when it's revealed, at the release of her and Thomas' respective wills after their unexpected, tragic deaths, that she would not give her brothers or sisters-in-law custody of Bruce. They may be the last of his living relatives, but even in death she would never allow them to touch her baby boy. Hence, his care is left to the head butler, one Alfred Pennyworth.
She did have two sister, though. Two baby sisters, one who had been disowned and disavowed from the family long before her, named Alicia. And one who was far too young to take in her son, even if Martha had allowed it. Her name is Madeline Kane. As the only other acknowledged daughter left from Roderick and Elizabeth Kane, she is left to carry the burden of her older sister's legacy. And what a burden it was, to be constantly compared to a dead woman her family seemed to adore and loathe in strides.
It's really no wonder that the moment she gets the chance, she leaves her family in Gotham to attend a university in Wisconsin. There, she meets Jack Fenton. He can be a little clumsy sometimes, but he has an eye for engineering and doesn't like her for her family's name or wealth. He calls her "Maddie" when she says so, and he doesn't ask about the change.
She falls in love and the two are wedded in the blink of an eye, Maddie pregnant with their first child only a few years after graduation. In her family's eyes, it just further proves that any Kane daughter is cursed and doomed to failure. (Beth understands this. Bette learns this. Kate knows this.)
And all too similarly to her elder sister, when her son is just fourteen years old, she is killed: yet another unexpected, tragic death. Her husband and her daughter perish along with her. Just like her older sister, the only one left is her baby boy.
Only, Maddie wasn't nearly as forthcoming with her will, and there is no guardian marked for custody in his papers. The Kanes, who proclaim they are his rightful family, are more than happy to take advantage of this.
Bruce isn't close to his family, beyond perhaps Kate. But if there is one thing that he knows it's that his parents didn't give his estranged relatives custody of him for a reason. Alfred is stingy with the details, but he can confirm that much.
Bruce is left to fight an uphill battle, helping a mourning boy heal from his loss and fighting his extended family's attempts for custody at every turn.
More ramblings under the cut:
See this guy right here?
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This is Jacob Kane, Kate's father, Martha's brother, and Bruce's uncle. He's got the distinct red hair and do you know who else has red hair? Maddie. Jacob is a respected military officer and Maddie, in general, has always given me strong former U.S. agent vibes. But regardless, it makes sense that Maddie would know things or learned how to fight at an early age if her older brother left for military service.
Also, I just love showing Bruce's extended family and how twisted, complicated his family was long before he adopted so many children. And this also helps explain why Maddie is so cagey with her background. She only has Alicia left really, all the rest she keeps out and away for good reason.
But she can't protect Danny from them forever.
Plus, there's this really cool possibility for Danny to stay with the Kanes for a while and explore that avenue before he's ultimately brought into the Wayne fold. Danny gets to see what the upper crust Gotham elites look like with his own two eyes, beyond Sam's stories.
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finntheehumaneater · 15 days
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thinking about Eddie, who because of the upsidedown was in a coma for effectively the rest of '86. When he woke up he had to re-learn a lot of shit, since even after he could open his eyes and sit up, moving was still hard.
Steve and Robin go with him to all of his PT appointments as he works on moving and standing up, but not walking yet. The therapist overhears him complaining to Steve about how he misses writing, since his hands are too shaky for the words to be legible.
She tells him that if he wants to write better he should practice more, and maybe pick something else up that requires small, repetitive movements, like sewing or crocheting.
Eddie is about to open his mouth to say that sewing might be a good idea, because he can work on putting his old patches onto the new vest that the kids bought him as a "we're glad you're not dead present", when Robin comes back from the bathroom and pipes up that she has some crocheting stuff from when she and Steve tried to learn together a few years back, and that's the end of that conversation.
crocheting is his least favorite part of the night, even if Robin and Steve are patient and let him pick the movie in the background and don't get frustrated when he drops the hook between the couch cushions for the thirtieth time in an hour.
Eventually he gets the hang of it, but--out of spite--refuses to make anything other than a very long line with his yarn, telling Steve and Robin he's going to strangle them with it when he's done, because crocheting "is literally the least metal thing in the world."
He stops threatening to strangle Robin after she makes him a little bat.
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tent-house-and-bees · 5 months
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Another doodle that people like in the discord server :D I hope to see more wings in season 3!
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vegaly-art · 6 months
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"I will not judge you for what you are. Just as I will not judge you for what you've fashioned yourself out to be. Or what you've lost in pursuit of that."
"Rest Easy. Your soft heart is safe in my grasp."
"I am born of cruelty but that isn't all I am"
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coolnonsenseworld · 5 months
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Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰
linktr.ee/Mezzy
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teecupangel · 3 months
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[Desmond Miles has successfully saved a Levantine village during the Third Crusaders after waking up in the past.]
Grateful civilian: Thank you, stranger! You have saved our village from the cruelty of war. May we ask who you are so we may know the name of our savior?
[Desmond Miles believes he cannot say ‘Desmond Miles’ because that might accidentally create a ripple effect in the future.]
[Desmond Miles believes he cannot use any of the names of the ancestors who haven’t been born yet especially the Kenways because of how important they are to his history.]
[Desmond Miles has not yet processed the shock of dying a painful death and waking up in the past and his brain is blanking.]
Desmond: Altaïr Ibn-La'Ahad.
[The people Desmond Miles have saved now believed their savior’s name is Altaïr Ibn-La'Ahad.]
[Desmond Miles has committed identity fraud.]
[… and he will continue to commit identity fraud.]
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becca-e-barnes · 3 months
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thinking about mating press with beefy!bucky. all that weight on top of you, knowing for certain he’s about to breed you?? ughhh
Oh God yes, the thought of this makes me fucking purr 🤤
Just the thought of his thick, slightly curved cock sliding as deep inside as you can take. The feeling of his tip rubbing against your cervix before he withdraws, pulling almost entirely out of you before he glides back in again.
"Good girl, 'm so proud of you. Cum nice and hard for me, I've got you. You're safe." He holds you so close, letting you sob your pleasure against his neck while he works you through another orgasm. It's tender and romantic and loving and you're beyond aware that this man makes you insanely wet.
Your thighs are still trembling as you come down from your high. Each thrust now feels like it's almost too much but with the way Bucky's groaning, he might not be able to keep it up for much longer.
"Fuck, you feel like Heaven. This pretty little pussy was made for me. Made to be mine." His thrusts are punishing but it's an addictive feeling. "I'm going to fill you. I'm not going to pull out. Going to give you a baby."
You're almost surprised how badly you want that but it's very hard to find the words to tell him; not when his thrusts are beginning to stutter and his high seems to get closer and closer.
"I'm going to fuck a baby into you." His hand holds your chin, making sure he can see your eyes. The evidence of pleasure written all over his face might've been enough to convince you that you could handle another orgasm but you'll still not quite sure that's a good idea.
Within a few more seconds, his cock is throbbing inside you, shooting stripes of hot, thick cum right against your cervix. He looks entirely content with his decision, pressing as deep as he can so you can feel him pulse and twitch.
There's not much you need to say to each other for a few seconds. Instead, it's nice to just listen to you both trying to catch your breath while your partner floods your waiting, fluttering sex with his cum.
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osamusriceballs · 9 months
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Last-Minute Plans
Ushijima x fem reader
Warnings: NSFW (cockwarming, rather soft)
Words: ~ 1,5 k
About: Wakatoshi got a ring for you, and he needs to make sure it fits.
A/n: Happy Birthday to our beloved Wakatoshi-kun~
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"It fits,"
he mumbles with a sigh of relief, one he hadn't realized he was holding. He looks contently at the jewelry now adorning your ring finger.
Ushijima knows that he's late with this. He should have attempted this plan a long time ago; he despises last-minute actions. Lately, however, you've insisted on waiting until he returns home late from practice due to extended training sessions just before the crucial match, making it impossible for him to secretly slip that ring onto your finger to see if it fits. He's aware he hasn't been giving you the time you deserve lately, but he's determined to make it up as soon as he can. He intends to spoil you as soon as the match is over and his schedule finally allows him to have more free time, treating you like the princess you are.
He had nearly abandoned the idea of trying the ring on your finger. He considered simply hoping for the best, planning to alter the ring quickly after proposing if it didn't fit. He knows you wouldn't have minded, but he wanted this moment to be perfect. The first difficulty he had encountered, however, was that you had rings in various sizes in your jewelry box- probably for different fingers, but even after sorting through them, he was still not convinced that he chose the right size.
Relief washes over him as he sees the ring fitting comfortably, and for a short moment, he envisions your future together. He dreams of having you sleep beside him every night, of going on the vacation you've always dreamed of, and of giving you the beautiful wedding ceremony you've always wanted. He's already asked Tendou to be his best man and informed his parents of his plans. He even decided to send his father a notice that his son will be getting married soon—hopefully.
The ring looks stunning on your hand. It's noticeable yet subtly elegant. He's confident you'll love it; you've often praised his taste, describing him as simple in his choices, which you adore.
His gaze drifts to your peaceful sleeping form. You must be exhausted not to have woken up yet. Normally, you'd wait until he returns or awaken when he quietly lies down beside you, an act he's yet to master. You'd always greet him with a tender kiss, a gesture he cherishes most during his days and misses the most when he's away. Yet, you sleep soundly, your face soft, breathing steady. You're wearing one of his shirts, the old Shiratorizawa jersey you claim is the comfiest—adorable on you, he agrees.
He's fairly certain you're wearing only flimsy panties beneath, but he'll take his sweet time tomorrow to explore every inch of your body.
"Toshi," your sleepy voice pulls him from his daydreams, and he quickly hides the ring, clutching your hand in his. You stir, turning towards him, brows furrowing as you reach out blindly.
"Y/n, go back to sleep. It's late," he murmurs in a soothing tone, knowing you find his voice calming.
"I missed you," you groan, squinting your eyes as you try to make out his face in the dimly lit room.
"I missed you too," he replies, smiling softly and leaning down to press a tender kiss to your lips. You smile in return, bringing your free hand to his cheek, a bit clumsily—almost slapping his face, but he doesn't mind; he is simply happy having you close.
"You haven't shaved today," you mumble as you caress his cheek. He hums in response. "I forgot. Does it bother you?"
"No, it doesn't. But you never forget to shave. What was on your mind today?"
You, he thinks, but for once, he refrains from sharing his thoughts. He needs to distract you, to take back the ring unnoticed. How you haven't noticed it so far surprises him.
"I was thinking about…" he begins, his voice trailing off, unsure how to respond without you getting suspicious.
"Wakatoshi, come to bed. You seem really tired," you yawn, and he suddenly knows what he needs to do.
Ushijima leans down to kiss you again, this time deepening the kiss with more passion. He feels your response, your body arching into his touch, your lips moving in sync with his.
"Toshi," you're already breathless after a few kisses, and he finally feels your hand relax, fingers intertwining with his with the metal still on your finger. He typically holds your hand more firmly, but now he keeps his grip gentle, ensuring you don't feel the ring on your finger. With his free hand, he traces the hem of your shirt, his fingers gliding beneath the fabric, encountering the softness of your skin.
"Want you, but I'm tired," you whisper against his lips, prompting him to nuzzle against your neck. "Should I pleasure you? Should I make you feel full?" You moan softly and weakly nod, your eyes barely open in the dark room. Unbeknownst to you, a wave of relief washes over him. This may not be going exactly as he planned, but making love to you with the ring already on your finger is better than he could have imagined.
He quickly runs through potential scenarios in which he could smoothly slide the ring off your finger, deciding to position himself behind you while maintaining a hold on your hand in front of your body. Shifting his body weight, he maneuvers behind you until his chest presses against your back. He skillfully settles beneath the blanket without releasing your hand, making sure not to tighten his grip around your fingers. His lips find your neck, where he places the gentlest kisses against your skin, earning the softest, most beautiful moans from your lips. His hips begin to rhythmically move against your backside, and he feels how he hardens in his pants.
You contently hum while you lean into his touch, raising one leg to allow him to slip his thigh between yours. "Feels good," you murmur as he starts a grinding motion against your pussy. He feels his growing need, a nearly instinctive response to your body. His earlier suspicion about you wearing only his shirt and panties appears accurate; that much he notices when his shorts ride up and his bare thigh grinds against your cunt. As much as he wants the feeling of your bare skin against his, he knows that undressing might raise too much suspicion. Instead, he guides his free hand downward, gently tracing circles against your clothed center.
"You're so perfect. So beautiful. I love you so much," he whispers into your ear, causing you to shudder in his arms. Your grip on his hand tightens, while your other hand softly clutches the sheets. He understands your needs. Grateful that he's still wearing the soft shorts, he pushes them down slightly, quickly freeing his cock.
"Should I use some lube?" he asks, concern lacing his voice, worried about hurting you since he hasn't fully prepared you yet—a truly challenging task when ensuring your hand remains held and he can only use one hand properly.
"Think I'm wet enough," you mumble, and he dips two fingers between your folds to confirm, and he is rewarded with enough arousal to forget about his worries.
As much as he wants to ravish you right now, he knows you would probably drift off to sleep if he makes love to you tenderly—so that's precisely what he does. He gently spreads your legs further with his thigh, allowing his cock to rest between your legs. It has almost become a routine for him to set aside your panties and gradually ease his cock inside you- a practice that you often do after he comes home late from his practice sessions.
A breathy moan escapes your lips at the stretch, and he feels his own body tensing at the sensation of your soft walls around him. He continues to push until he's fully inside of you. You always take him so well—it feels breathtaking to be buried deep inside you. He still hopes you'll succumb to sleep in this embrace, even though he's surely wide awake himself.
"Feels good," you hum, your breathing gradually returning to a steady rhythm. He pulls you closer, inhaling the soothing flowery scent of your hair- a scent that always brings him comfort and calms his mind when he can't seem to rest. You might not fully grasp how much he loves you—how every fiber of his being yearns for you, how he wishes for you to be happy and to be his. This is precisely why he plans to propose to you tomorrow and to place the ring back on your finger. You wouldn't refuse him on his birthday, would you?
"Sleep well, my love."
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sciderman · 1 year
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teplavecernice · 3 months
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I saw your screenshot talking about how czech tourists are dumb, and now I'm very curious as to why? I feel like those are problems with tourists in general sometimes
we are not dumb in the way most tourists are, we are special little boys. most tourists act dumb because they don't do enough research - if they did they would reconsider. we on the other hand can do however much research we want yet we will always choose the worst course of action. not only are we underprepared and overconfident, we are underprepared and overconfident intentionally. there are no rational thoughts in our head, only ego and spite.
when we go to tatry, we understand the language of the locals (although it is silly goofy) and we do talk to them about the mountains and what to wear, where to go, but when they tell us that you need proper gear and not to stray off path, we chuckle and intentionally try to prove them wrong. silly locals! they don't know you can climb ďumbier in the winter in one day, wearing the godawful checkerboard shorts, sandals and socks and with a big tesco bag in hand. and ofc we can't forget the fanny pack of good luck. we have been to sněžka before (in the summer, went by cableway, stayed for 30 minutes), we know what mountains are like. the locals tell us that's not the same, we know nothing about actual mountains and we will die? no we won't, it's fine. there is a clearly marked path? oh but i think this way is gonna be a shortcut! there's a fence stopping us from going to the nice panorama view spot? haha fences are meant to be climbed over.
that is how tatry got the nickname "biggest czech graveyard"
you can imagine what happens when we go to the alps and don't understand the locals
(i invite every czech and every person that has experience with czech tourists to reblog and add their personal experience)
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incorrectskywalkers · 1 month
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Fallen Order AU where Cere is killed and Cal is taken by Darth Vader with the intention of making him an Inquisitor. But when Cal’s psychometric abilities are revealed, Vader has a different plan in mind, one that causes certain truths and revelations to come to light. Cal didn’t know what he was getting into when he showed Vader what he saw through those echoes, but he really didn’t sign up to accompany said Sith Lord while he went through a midlife crisis.
Essentially, Vader finds out the truth about how Palpatine lied to him and how Padmé really died and also the fact that he has twins out there somewhere and decides “fuck palpatine” and drags a bewildered Cal - who becomes his unofficial apprentice of sorts - with him as he plots a way to take the emperor down and also, find his kids.
Also a Darth Vader redemption of sorts. He’s still a pretty shitty guy at the start and his whole reason for wanting to kill the Emperor is solely to avenge Padmé. He also has some murderous intent towards Obi-Wan for hiding his children from him and also, leaving him to burn. He’s in the mindset of believing that he wasn’t at fault and blames others for everything that happened, including his actions. But gets a hard wakeup call from Cal when he shows him just how shitty things are and what the Empire, what he has done and finally thinks “oh, I’m the problem” and from then on his slow redemption starts as he sets out on attempting to repair the damage done as he starts back on the rocky path towards the light. He also trains Cal, who at first goes “fuck that and fuck you” but eventually the two become a duo. Like Vader and Starkiller if Vader was going through a crisis, stumbling through a path of redemption and Starkiller was his tired, annoyed, unofficial apprentice who was unwillingly dragged along for the ride.
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