literally in another universe snowbairdplinth could've been THE revolution. they wouldn't even really need any allies, lbr.
like, between coryo's cunning, sej's conscience, and lucy gray's charisma? the snow name, the plinth fortune, the baird d12 but neither district nor capitol pedigree?
coryo could've actually been like, panem's first 20-year-old president, who outlaws the hunger games and who the districts still listen to because he has sej and lucy gray on side. and yeah maybe coryo still kills a bunch of people but like whatever, no one really bats an eye -- who's gonna mourn gaul, anyways? no one in the districts, that's for sure. even if gaul didn't suck ass they'd be busy with cool covey music and awesome new legislation.
in a better universe i am 100% certain snowbairdplinth could've managed a fairly bloodless revolution, six decades early.
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jane immediately recognising that her confidence in rochester is dead after the whole attic wife thing gets revealed — indeed, all throughout their engagement, noticing little red flags about his behaviour, which she wilfully ignores even as the more sensible part of her knows that she needs some form of financial independence, that rochester treating her the way he treated celine varens isn’t going to bode well for their marriage at all…….
i’m just saying. she’s young, but she’s not stupid. there’s a reason they can’t be together until jane’s inherited her fortune and rochester has been humbled by the loss of his financial status and physical ability — indeed, until rochester wholeheartedly embraces a christianity close to jane’s own, which doesn’t resemble the hypocrisy of brocklehurst or the puritan self-denial of st. john.
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Am I writing the Meereen scenes as essentially "1776" with less singing and more threats of burning each other alive? Look,
x
Just then a group entered the library, arguing at and over each other. They were the most unlikely hodgepodge collection of people Tyrion had ever seen in his life: a young man in the rough spun smock favored by Meereen's freedmen, a tall bearded fellow wearing ornate robes that identified him as a member of one of the "great families," a woman dressed in the silk sleeveless tunic of a prostitute, and a half-dozen others, each more surprising than the last.
"All I am saying, my lord Hizdahr," said one woman, wearing a flowing dress and the choker that signaled her status as a Red Priestess, "is that your ridiculous notion of religious 'persecution' is so broad as to render any religious judgement meaningless!"
The tall bearded one slammed the door shut behind them and followed the group as it meandered its way over to a large oval table near a window, piled high with scrolls and books and half-written sheets of paper. "And all I am saying, my lady Kinvara, is that reducing the population via pyrotechnics is directly contradictory to achieving peace and stability, as well as freedom for all Meereenese!"
"Both of you shut up," sighed the man in the smock as they all settled into what seemed to be their usual seats. Thus far none of them had taken notice of either their queen or of him. One of the group, an old man with a white beard and a limp, got up almost immediately to totter over to one of the bookshelves, pulling out an alarming number of tomes with a thoughtful expression on his face. "And stop calling each other 'my lord' and 'my lady' when you're irritated, it makes my hands itch and I just want to wrap them around your throats."
"And you would be free to do so, were we followers of the Drowned God," snapped the one called Hizdahr as he rose to his feet, striding over to the old man and taking the pile of books. This evidently didn't put much of a damper on his ability to argue, however, as he twisted round to glare at the Red Priestess. "Any blood shed by a faith is fine, so long as it's your own devout you're killing? That seems to be your definition of 'religious freedom.'"
"Does the Drowned God punish its criminals by strangling them?" asked a young person surrounded by papers, fingers blue from ink and scribbling madly. "I thought it would be. Well. Drowning."
This seemed to side-track the conversation for a bit, and Daenerys moved away toward the door at the opposite end of the library.
"Who in the hells are they?" asked Tyrion as he followed her, before remembering his audience and wincing.
"Meereen's new Governance Charter Council," replied Daenerys, looking torn between annoyance and amusement. "They're drawing up a new system of laws and regulations for the city, as well as a system to choose their leaders."
"Is that all?"
"Yes, well, it seemed like a good idea at the time. It still does," she added, somewhat reluctantly. "But tyranny has its advantages."
"For the tyrant, certainly," he agreed, and winced again.
Fortunately, she laughed. "Certainly. But I mean for everyone. A just form of government will still fail its people, after all. And then who do they blame? Themselves, for choosing their own leaders? At least with me, Meereen has someone to hate."
"Do they hate you?" asked Tyrion, somewhat surprised. Granted, he'd not had much chance to mingle among the hoi polloi, but the crowd at the fighting pits had seemed quite approving of their new queen.
"They don't love me."
Tyrion rolled his eyes. "Well, love. That always fades in the end, doesn't it?"
"Does it?" Daenerys looked thoughtful. They had arrived at the other door and a librarian opened it for them. She did not bow, he noted; simply nodded and closed the door behind them. Daenerys seemed not even to notice, mulling over his question as though it had been a serious one.
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For example, we can imagine ourselves participating in good faith conversations on a new social media platform about a particular social issue. This platform is structure, of course, by designers employed by the company owners, who build and manage algorithms that direct the traffic of posts and courage consumer engagement. As we talk on this platform, its feature begin to affect our behavior: simpler takes attract comments and shares, affecting what people say on the platform. The tech-company owners get the lion's share of the revenue generated by the site's traffic, driven by our conversations, and a small number of site participants get the lion's share of attention directed the activity on the platform. An elite emerges.
It would be a mistake, however, to understand everything that happens on the platform as a process orchestrated by the elites. They are its results, like the platform's unequal distribution of the profit and attention itself. Elites do often make the environment worse and block solutions, but to blame the problem of elite capture entirely on their moral successes and failures is to confuse effect for cause. The true problem lies in the system itself, the built environment and rules of interaction that produced the elites in the first place.
— Olúfẹ́mi O. Táíwò, Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else)
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*Sigh* Ok, ok, firstly, I just wanna know where the people who don't mind the culture shift, but also still don't really like the show are. Like — I actually really like the casting choice for The Addams They're really cool and I really like them. Personally, I'm particularly fond of Wednesday and Gomez but still.
I just… don’t really like some aspects of this remake. One being that the actors for Gomez and Morticia felt so...uncomfortable while performing. Like the 1991 & 1993 movies, Gomez and Morticia were so clearly and so fondly in love and were very comfortable with expressing that, with their over-dramatic expressions of love feeling very easily expressed and normal for them. Here, I don't think the actors were quite as comfortable in performing that kind of expression of love, which just kinda made their romantic interactions just uncomfortable to watch.
Also, it's disappointing that they kind of just... abandoned the murderous core of the Addams? Like, I understand that there may be more appeal in having the Addams keeping the torture to themselves rather than bestowing it onto unwilling victims, but I think it just feels a lot like... telling us that they enjoy torture and fighting rather than showing it. In all the scenes where we see them, the Addams seem so uncomfortable when it comes to causing or receiving torture or harm. They flinch at needing to kill someone, and yet they say that they revel in it? Gomez takes insult at being told he isn't a person capable for murder and yet as far as we know, he is?
It makes their whole torture ordeal seem like it's just for show which feels disappointing and sad. It just makes it feel like this show is trying to call the old 1991 Addams family fake. As if they too were only ever really putting on a show to impress or (more accurately) surprise people, which I just really, really hate. Originally, the Addams family felt like a group that cried out that you did not have to conform to the ideals of the people around you to be happy, which speaks a lot to queer communities and neurodivergent people—even people of color. By implying that they're just... faking being strange or odd, it just makes me feel like I'm attempting to exclude myself.
Thing, I think is practically their only indication for being odd or strange and yet he's often set aside, and just acts like a strange yet funny sidekick amidst these Addams. He kinda feels like the token character to remind the audience that these are the Addams who have very strange and murder-y things with them.
I think, largely the issue here is that we don't know these Addams. here, the Addams are an entirely new set of characters separated from the older 1991 and 1993 movies, but because of the opening with Wednesday and Wednesday's typical demeanor amidst the entire thing, I kinda felt like I was led to assume that it would comply with the older movies, only to be unpleasantly surprised.
I know they're trying to set up a huge mystery surrounding who the Addams are and how that's tied into this school and the town, but with the way the story is currently going, I feel like we may never know.
It feels like I'm reading an alternate universe (AU) fanfic where the characters are represented differently than in the original source material, but it is not readily obvious. Like sure, the setting is a little different, and their situation seemed to have changed a bit, but the story implies that it's the same characters who have lived through the same events as they did in the source material. While some people may be interested to witness or understand why this change exists, most people will feel like the characters are being OOC and will quickly abandon the story because they don't understand why their favorite characters are so different.
Because this story is so clearly different from the 1991 Addams family, the show probably should have established not only how and why the family was different but also how they are tied into the original Addams. They should have been introduced as if they were entirely new characters. Show what they're like when they're in their element. When they're killing and murdering or if not that, torturing and being tortured. If they don't kill, establish that. Maybe make a statement along the lines of, "Addams don't Kill, we don't want to cut their torture off short, do we Wednesday?" which would help us to better understand why Gomez and Morticia would react that way to a murder.
Idk, maybe I'm just biased because I liked the 1991 Addams family and the 1993 Addams family values movies, and because I know that version of the Addams family so well, I just can't appreciate this new iteration of them.
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