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#ok spoilers below this point
fredkinnie · 6 months
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FNAF MOVIE SPOILERS ‼️
The timings off a bit and the endings a little shit, but like idc she actually means EVERYTHING to me
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fishofthewoods · 11 months
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saw this in a dream and felt the need to make it a reality
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morgana-ren · 1 year
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Hate when various forms of media reveal the climax of their story via comic books or strips you have to buy separately 
#morgana whinings#ive been sick so ive just been watching assassins creed playthroughs cause... idk i can#And I realized when I got to three that I just... never found out the conclusion#LONG rant below lmao#AC3 and beyond spoilers for a fucking 12 year old game#I just was like 'ok so desmond dies saving the world from the solar flare or whatever but unleashes Juno to do it'... and then nothing#I haven't played every single game since then#But I have played a lot and I realized I never knew the conclusion to the PENULTIMATE THREAT OF THE SERIES#Well turns out Juno is somehow defeated by Miles' illegitimate son or something Elijah#and he's a Sage conveniently#and Juno THE WORLDS BIGGEST THREAT just kinda dies#never having really been an issue if I recall#I never knew because they came out in the form of COMICS#Not in the ORIGINAL FUCKING MEDIA#like ok?#Assassins Creed has a very compelling story but there's assloads of holes#for starters#Juno is ONE ISU. ONE#And her entire RACE struggled to subjugate humans to the point the war was so bad that they ignored EVERYTHING ELSE#But Juno alone can somehow do it???#Then they started releasing games from the Templar's point of view after spending numerous games explaining why they are evil and bad#I get 'everything is true and nothing is permitted' but their goal is ultimately enslavement and you can't rationalize that for me to care#So idc about the templar players#I get that there's nuance to it but like they spent games 1- like 5 saying 'look how bad these guys are#they're so evil and they want to enslave mankind because of our vicious nature or something#The Isu are flawed in a way that makes me actively dislike even the helpful ones#Minerva is arrogant and just generally nasty#but she cares about the humans for some reason insofar that shes willing to let the world BURN and kill EVERYONE#just to keep Juno from getting free from her weird prison thing#seems more like vendetta to me
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FINALS - Catholic Character Tournament
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Propaganda below ⬇️
Wolfwood
I love him. Man who has no faith in himself or humanity or god with so much blood on his hands, fighting for something he knows he can never see come to fruition in person. He carries his own literal cross and grave marker on his back. Just… he’s so iconic to me.
I'm sure I'm not the first to submit him. But I did it anyway. I hope he wins and I'll do anything in my power to make sure he does
Dude is literally a priest who carries around a giant cross. Yes he uses the cross to murder people but that is besides the point. Also he has a mini church he carries around for on-the-go confession services.
hes literally a priest(hes not a priest in the reboot but he is in the original and thats what matters to Me). he carries around a cross that is actually secretly a gun with guns inside that gun. he runs a church/orphanage. he carries around a portable confession booth and charges people money for it because he is broke as fuck. he dies bleeding out over an alter begging to god for forgiveness he doesnt think he deserves. he is everything to me.
look at this man he's a priest with a cross shaped gun that (spoilers) dies against the side of a church while waxing poetic about life and redemption (/spoilers), this is the Catholic ever.
Wolfwood is liiiiiterally Judas coded in the text. AND his weapon is a massive cross that turns into a machine gun and a LASER. Not to mention his religious trauma. Oh baby. The religious trauma.
Homeboy literally walks around with a giantass 300lb machine gun shaped like a cross called the Punisher. Hes a priest/undertaker depending on what version of trigun you reference. Grew up in a church orphanage. Also literally walks around with a portable confessional box for people to pay to confess to him. Need i say more.
HE IS LITERALLY JUDAS. he is literally leading the jesus allegory to his doom. hes also in love with the jesus allegory (vash). he is also carrying arouns a giant cross rhat is also a gun. hes literally catholic and judas and his tits are perfect. in one piece of official art he's wearing a cross choker. also the catholicism on gunsmoke is about making vash submit. wolfwood looking at that pathetic wet mess of a man oh i can make him submit easily.
He literally carries around a giant cross and is referred to as a priest by multiple characters. also he offers people confessionals
He carries a huge machine gun that is in the shape of a cross that is really heavy (he is strong) and his boobs are huge. So you know hes serving cunt in a god honoring way. Also in trigun 1998 he brings around a small chapel that he uses as a portable confessional and in trigun stampede he holds funeral services as an undertaker which are way overly priced. Also he dies very gayly (basicly confessing his love to his best boy friend forever)
Nick's funny bc he's probably the least Christian acting guy but is literally a preacher. There's a running gag with Vash asking some variation of "what the hell kinda churchman are you?" His gun is a gigantic cross. He rides a shitty motorcycle in the middle of the desert.
ok so thematically the main conflict in trigun is about peace vs violence and its represented by the characters vash and knives respectively. the two aren't /technically/ angels but thematically and through imagery they are and are comparable to michael and lucifer specifically. ANYWAYS. vash and knives are the characters who are constantly pushing and pulling at wolfwood's morality, sort of like a "the devil and god are raging inside of me" kinda deal. his grappling with his morality and faith is a big factor in his character. also he has a giant fucking gun shaped like a cross. and he dies in a church while praying.
Bros an orphan who grew up at a Catholic orphanage and taken away to be trained and genetically changed into a supercharged assassin for interworldly beings that have lots of angel imagery attached. Guy thought he was just going to be taken to become a missonary...instead he got 6 years of religious trauma. He still wears a cross necklace and holds it often. His gun is a literal cross "full of mercy" (its a missile launcher). He never really believed fully in the faith or anything, but the way he interacts with it is FASCINATING. He's jaded by the planet he lives on and his upbringing, and makes him say his most iconic quote: "We're nothing like God. Not only do we have limited powers, but sometimes we're driven to become the devil himself." He prays to a God he doesn't know if he actually believes in, asking for another day— for hope for the human race. The organization hes part of (The Eye of Michael) works for an interdimensional otherworldly being that has an incredible amount of angelic metaphor and imagery attached who intends to purge the planet of humans... and ends up siding with that guy's twin brother who is so Jesus coded it's insane. They are best friends even as Wolfwood is acting under instructions to babysit and watch him for his twin brother. He dies after facing down against his old mentor (named Chapel) and his pseudo brother from the orphanage who was taken into the Eye as well and his Jesus bestie buries him and sticks his cross-gun in the ground after losing his shit crazy style and using his pseudo alien angel Jesus powers to lash out at his brother for being the cause of Wolfwood's death. Rest in peace king
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Sister Michael
She drives a DeLorean. She does judo on Fridays. She likes a good statue and despises the French. Her full nun name is Sister George Michael, after the guy from Wham!. She is the fiercest nun you’ll ever come across and, if you’re attending Lady Immaculate College, she’s the woman in charge. So whatever you do, if you’re feeling anxious or worried or just need a chat: don’t come crying to her.
joined the nunnery for the free accommodation?
she does love a good statue it has to be said
She is the headmistress of a catholic school <3
sister michael so reminds me of the nuns who taught me. they're tough and sometimes a little harsher than a woman who dedicated her life to god should be but they're also wonderful people. i had a nun teacher who was 60 years old and would do handstands. another nun (also in her 60s) told me god was nonbinary. another was really mean and made me cry. (so did the handstand nun.) while the catholic girls school is The Catholic Experience, the school wouldn't have been the same for me or the derry girls without at least one nun who seemed to have sprung up out of the ground fully formed, ageless.
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doorhine · 6 months
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Ok so I wanna talk about the guy we all know and hate, Abijah Fowler, because there are three scenes that do a fantastic job at characterizing him and speaking to the story’s themes.
*SPOILERS BELOW
The Chapel Scene: Fowler’s whole “prayer not prayer” is so interesting because he presents it as a business deal (which says a lot about how individualistic and apathetic he is). And honestly, that speaks really well to the use of christianity in imperialism, colonization and capitalism. If anyone here is familiar with Antoine Fuqua’s version of The Magnificent Seven (which is based on Seven Samurai), Bogue’s speech in the beginning of the film does a similar thing. In the case of Blue Eye Samurai, Fowler basically says, “we’re not friends but these people are ‘godless’ and if things go my way you’ll have a nation of souls to convert.” And I really liked that wording “a nation of souls” because it shows how imperialism and colonization, in the process of stealing other country’s natural resources, are, by design, meant to pose a threat to the entire culture and livelihood of the people that live there in order to do that. And a major way it’s done is through the spread enforcement of the colonizer’s religion over the ones of the people they invade. Which leads me to…
The Finale Monologue to the Shogun: because Fowler literally spells it out how the process of these systems, how white supremacy, is meant to twist and erase the culture and beliefs of those they invade to the point where they conform and assimilate to the invader’s culture and view them as superior. It also creates the idea of a white race in the first place that has its own ethnic and religious hierarchy that determines what the “best” kind of white is. I really liked the detail where he mentions spreading their shame because so much of white culture and its interpretation of christianity, whether or not it was the dominant form in its country of origin before being enforced on others, thrives on shame and enforcing that on other people (just look at the US). Lastly there’s…
The Famine Monologue: Something I really like about Fowler’s character is how he was written to be Irish rather than some posh English guy. It’s a nuance that adds a whole level of depth to his character and role in the story. Ireland was colonized by the English, which Fowler discusses when he mentions the Tudors. One of the ways that colonization was enforced was by replacing catholicism with protestantism. In this scene though, Fowler talks about the intentional famines that killed his parents and sister. It’s a graphic memory that shows how a victim of colonization will sometimes use the same tools used against them, to gain a sense of autonomy and control at the cost of other people’s livelihoods. This is compounded by the fact that Fowler is able to assimilate into the concept of a white race that was created to justify these systems and the oppression/exploitation of people of color that maintained them. Fowler is fictional but there were plenty of Irish people who took part in Britain’s colonization of other people one way or another. You’ll hear elements of Irish vernacular in places like Barbados for a reason to bring up a small example of the consequences of that. On a side note, this is also an interesting video on how the habitual “be” is used in both AAVE and Celtic languages. 
Long story short, Abijah Fowler is a very nuanced and well written villain.
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angel-eyes05 · 11 months
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to leave the warmest bed i've ever known (part 3)
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PREVIOUS CHAPTER
pairing: spider-woman!reader x miguel o’hara 
summary: a fight you've been waiting for arises in front of you, but can you keep your guard up long enough to reunite with your teammates again?
warnings: ANGSTY (the next chapter is smut i promise), HUGE ATSV SPOILERS DO NOT READ THIS IF YOU HAVEN'T SEEN THIS MOVIE, mentions and descriptions of blood and injuries, this is so against canon its insane
word count: 1.8k
notes: ok ok i promise that the next chapter will have smut in it, i just wanted to do some enemies to lovers before we got to that point so thanks for sticking around during the past two chapters i know its not easy lmao. you guys will be rewarded well though, trust trust😌 😌 😌 
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Bright ruby liquid dripped from your tricep as Miguel’s claws ripped through the fibers of your suit, slamming you into the cement floor. Any false confidence you went into this battle with quickly disappeared when each futile attempt to get Miguel off his feet failed. You’re not sure how long you’ve been stalling him, but it felt like hours. You were still putting up a fight though, managing to bruise one of his cheekbones that you used to love so much. But compared to the state you were currently in, it didn’t exactly mean much. You were bleeding from all sorts of places. The most noticeable places were where his claws has dug into you, first your thigh, now your tricep. At this point in the fight, you were just focused on defending yourself.
Images of your favorite moments with him flashed inside your eyes in between his strikes at your face. How gently he would hold you, the way he would whisper your name sometimes and moan it others. How nervous he would get if you took longer than usual to come back from a mission. But even with his mask on, you could see it in his face that that was all gone now. Any ounce of love he had for you was whisked away with you when you walked into that elevator away from him. Just like you, feelings of betrayment flooded his brain, making him lose all sense judgment as he sliced his claws across your stomach. He didn’t feel anything for you anymore. Which only made it easier for you to harm him.
He had you pinned to the floor below him, no escape in sight other than you to physically push him off of you, which didn’t seem like very much of an option considering his size and weight. Plus, he had your hand pinned down with his knees. He had taken a break from punching you to catch his breath, heaving hot pants into your face below him. His mask faded off in order to let him breathe better. 
Your struggle out had suddenly paused.
Then you saw it. His mask had been hiding it from you before.
His eyes were red. And not his iris’ natural crimson glow. The pure white sclera of his eye had been stained with red. Had he been…crying? You felt your heart drop into your stomach. He had. A lot. You felt so guilty, knowing it was most likely you who caused this. You managed to slip your arm out from under his knee, but instead of using it to pushed him off, you placed it gently on the side of his cheek, brushing your finger over the horrible bruise you put there, blemishing his perfect skin.
His only movements from then on out were slight flinches from when your thumb would press too hard on the bruise. You wanted to badly to leave this all behind. To just go back home with him. To crawl into bed with him and pretend none of this ever happened. You wanted to embrace him again after all this time, you wanted to place your lips onto his again and remind him of your love. Both of you had been so full of hate the past few months. You needed to love again. You wanted to love again.
But you couldn’t. Not right now. And not in good conscious. To let go of this now would be to let go of everything you stood for. You couldn’t go back with him. Not like this. So while it was your heart that screamed out for him, it was your head that acted next as you grabbed his arm with your free hand and ripped his claws through his stomach. As he growled out in pain, he leaned over to his left side more, giving you your way out. You jumped to your feet and raced for the whole in the wall. You made it out, but not before Miguel made his final attempt to grab you.
He fell down in pain before you were in his clutch, but his reach out for you caused four large gashes to form into your back. You yelped out in agony as you felt his claws ripped through the fabrics of your skin. You kept running though, refusing to look back to see if he was following you. You prepped up the portal on your watch, sending out the Earth you were jumping to to the rest of your teammates. You had zero idea where they were or if they were okay, but your one concern right now was getting away from Miguel. Your back shot pain through your entire body with every step you took, but you had to ignore that right now. You had bigger matters at hand. For example, the growing sound of footsteps behind you.
Fuck, he was up again already? This was bad. Your allies were all missing, the portal wasn’t ready yet, and you could feel your consciousness leaving your body as pain overtook your mind. You had to keep running, but each step was sloppier than the last. God fuck, you couldn’t get caught now. He was close you could feel it. You looked at your watch with fuzzy vision, basically praying for it to work at this point. You tried to run faster, but that proved to be a fatal mistake. Panic zoomed through your body as you felt yourself trip over your own feet.
You looked behind your back mid fall to find a demonic sight, Miguel bounding towards you on all fours at full speed, a trail of blood leaking behind him. Just as you thought it was over for you, your savior appeared. A bright neon orange portal. You attempted to get back onto your feet to make it through, nearly scrambling, but it was no use. Every movement was more painful than the last, the lacerations on your back reminding your body of all your other injuries, all of them coming to life suddenly at once. This was it. You lost. Sorry Miles, you thought to yourself, I really did try. But you’re going to have to fight this battle without me. 
You weren’t sure if the pain was making you hallucinate, but you could’ve sworn that you saw Hobie jumping into the air behind Miguel, and slamming his guitar into his face. Miguel was knocked off of his fours and onto his back, tumbling away into a building to your right. Your vision was confirmed when you felt Pavitr’s and Gwen’s hands latch onto your arms and drag you into the portal, Peter B. and the rest of the team behind them. The last thing you saw before fully passing out was Miguel’s limp body laying against the brick wall as you floated through the portal into whatever Earth you would crash into next.
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The sky grew a dark gray as your team gathered in a dark alley in whatever Earth you landed in this time. Peter B. had you in his own separate corner, Gwen taking care of Mayday as he stitched up your gashes with some spare thread Margo bought at the drugstore. Your tricep and and thigh were painful, but over faster than expected. Now he was on to your back. And fuck did it suck. Being the deepest of all three attacks, it was still bleeding while Peter was stitching it up, causing the thread to get stuck to your skin at some parts. You bit at your tongue through the pain, while Pavitr asked and answered questions to keep you distracted. “What happened?” he asked first. “Got..ambushed. Fought Miggy- Miguel I mean. Managed to hit him….before he tore my back..o-open. Yo-u guys s-saved me. Now w-we’re…where are we?” you said, gritting through your teeth. “Earth-42,” Margo stated, looking at the slightly orange glow on her wrist. You nodded slightly, but winced once Peter accidentally got the thread stuck on dried blood, and started yanking at it. 
“Jesus Peter, have you never done this before?! Mayday could do a better job than this!” you yelled at him. You got a slight giggle out of the baby, as Gwen placed her in your lap to distract you. 
“Who are you with right now?” Pavitr asked, pulling your attention away from your wounds again. “Uhh, Pavitr, Mayday, Peter B., Gwen, Hobie, Ham, Noir, Margo, and Peni,” you answered, playing with Mayday’s hands. “How are you feeling?” he asked next. “Other than the growing urge to punch Peter B. in the face-” “I’m doing my best here!” he shouted from behind you, getting a chuckle out of you. “I feel fine.” 
You felt everyone’s eyes glue onto you. You stared back confused for a second. “....What, I do.” You were the only one severely injured out of the whole group, the rest of them making it out with scratches at the worst. Meanwhile you were sitting there, blood leaking out of nearly every crevice of your body and bruises quickly forming around your face. They had a right to not believe you. Because they were right. You weren’t okay. You felt a new emotion towards Miguel that you hadn’t felt towards him before. You were terrified of him. Watching him pounce towards you like a coyote hunting its prey. You now understood how all of his enemies felt towards him. Because you were one of them now.
You felt stupid for thinking you could beat him, much more kill him. Stupid for thinking for some reason he would go easy on you. You saw how he acted towards you. He pounded his fists into your body as if you single handedly killed his whole family. He didn’t care for you anymore. But then you remembered. How his eyes were for that split second you saw them. Why was he crying? Was it stress? Was it joy that he was about to finish his mission? Or…was it you? It felt self centered to think that was the reason. That he had been crying over the fact he lost you. You could imagine it now. Miguel sitting lonelily in front of all his monitors and scanners looking for you, ashamed in himself for letting you go as easily as he did. You dragged yourself out of that thought fast, convincing yourself that thats not what you were to him. You were just a pawn in his game. And you were done playing.
Pavitr decided to not push the question anymore and began to talk to you about other stuff until Peter finished up with your back. You stood up, ignoring the ache in your back, to peek out of the alley and into the city. Everyone’s attention turned to Margo’s wrist as it blinked a light orange. When her eyes lit up, you knew it had to be good news. 
“Miles.” she said. “He’s here.”
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NEXT CHAPTER
a/n: OK OK NEXT CHAPTER IS THE LAST ONE AND EVERYTHING WILL BE WRAPPING UP THERE I PROMISE (there'll be smut too dw dw🤭🤭🤭). i also have a new idea for a miguel fic so ill be getting started on that after i finish with chapter 4 (it'll be oc x miguel cause i wanna get my character writing out there, but dw you can imagine youre her lmao). so be on the lookout for that whenever it drops, id appreciate the continued support!!!!
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I’m gonna write this down now so I can look like an absolute genius later (or look like a clown, but at least I said it with my full chest!)
❌ Spoilers for the FNAF Movie below! ❌
Ok, I might be huffing hopium here, but in my heart of hearts I STILL think Mike Schmidt is Mike Afton. If (or when) they make a sequel, there’s a way they can reveal this
So the most obvious thing from this movie is when Mike is in “Steve’s” office, and when “Steve” is reading Mike’s name out loud from his résumé, he stops mid-sentence. He looks at Mike for a weird amount of time, almost studying him, before completely changing the subject. There’s no way in hell “Steve” recognizes Mike from when he saw him as a kid when he kidnapped his brother Garrett 10+ ago, no chance. Also why would he go to Nebraska (unclear where the movie takes place, but let’s assume Utah because of the books) to kidnap a random kid and just drive off? Here’s what I think is going on…(also I’m gonna call him William from now on cuz we all know lol)
William fingered out that Mike is his son during that interview. My theory is that at some point, William was married and him and his wife have a son named Mike. And for one reason or another, they got divorced. This is when Mike was too young to really remember which is why he doesn’t recognize William during their meeting. Mike’s mom gains custody of Mike and remarries, she marries Mr. Schmidt. They have a child together, Garrett. Sometime after the divorce, William adopts a child, trying to cope after losing his only son. He adopts Vanessa.
William finds out about his ex-wife having another kid. He wants to cause her pain and suffering for leaving him. He follows the Schmidt’s and takes Garrett during the camping trip. Unable to handle the pain, Mike’s mom takes her own life, leaving Mike and his stepdad. Mr. Schmidt marries a little later to another woman, and she has a daughter named Abby. Sometime after this, both Mr. Schmidt and his new wife die, leaving Mike to care for Abby.
Vanessa owed William so much, he had adopted her while she had suffered in an orphanage for years. She would do anything he told her, even if it meant covering up his crimes. Years later, realizing what she was doing was wrong, she left her father and became a police officer, hoping to stop people like her father as she had failed to stop him.
Here’s another thing. Scott Cawthon knows that the fans are obsessed with the lore of FNAF. I think he knew he could make more movies, this isn’t going to be a one and done deal. Plus, he had his hand on this project every step of the way, he wouldn’t agree to anything that he didn’t want to happen in the story. Mike being William’s some is CRUCIAL to the story of FNAF (at least in the games). I think he’s trying to fake us out, you know how he loves to troll the fans!
Again, this is just a theory (A GAME THEORY lol), but I don’t think the idea of Mike being an Afton is dead just yet. Hoping and praying so I can look incredibly smart if or when the sequel drops 🙏🏻
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dnd-smash-pass-vs · 1 month
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Have you seen Dungeon Meshi? Laos is such a monsterfucker I can’t get over it. He asks one of his companions if it felt good to be caught by the tentacle-vine plant monster. He waxed poetic about how cool animal-hybrid monsters are. (I’m sorry if you don’t like a show or this feels irrelevant to your blog, but also I can’t tell my friends ‘hey I like this character because I also think it would feel good to be caught by the tentacle monster’)
Anyway he’s how I imagine this blog’s audience would approach an IRL dungeon expedition
Sorry to take this way too seriously, I mean no ill will. But I've been a MASSIVE fan of dungeon meshi for... oof, almost 7 years apparently, It's a perfect storm of everything I love with fantastic writing and characterization, and I don't think I could disagree with that more. I think you missed a primary running gag of the series. He keeps saying lines that, if anyone else said them would be sexual, but the people around him know he's just a super obsessed wildlife researcher. He does not want to fuck monsters, that's kinda the entire point. Like you need to understand that some biologists will happily and unnecessarily lick poison, get bitten, and pick up dangerous things without hesitation. It's not that they get off to poison play, it's that they love the topic so much that it's their life and they want to know every aspect. When he's zealously asking what it's like for the vine monster to grapple and stab you with seeds, he's saying that because he's just that into learning and wants the firsthand experience! He's here because he doesn't want to just read about his special interest, he wants to live it, be PART of the ecosystem!
...actually, incredibly relevant spoilers below for a monster later on (chapter 58-60, so likely end of this season or start of the next)
They later find straight-up succubi. Chilchuck talking about how they turn into your perfect match, you ALWAYS have to fight them as a pair or you're just screwed because of irresistible magic charming powers. One finds Laios alone...and he's completely unaffected, immediately chokes it and goes to kill it without any issue. The only hesitation is a bit of embarrassment that "Oh no, it misinterpreted my feelings as attraction, if the party finds this it'll lead to a HUGE misunderstanding. This could ruin my friendships, I need to immediately kill it and hide the body." That gives it enough time to convince him "hey, it's impossible to resist a succubus, so obviously I'm not a succubus right?" And it works because he knows that yes, nobody can resist a succubus charm. Except apparently him. Even trying again by combining his thoughts with his all time favorite monster didn't daze him like it did the others. It had to convince him that it could turn him INTO a monster, and that everyone else was ok with it too, to get him to hesitantly submit to being drained. They didn't have to reason with marcielle or chilchuck, but lust just didn't work with Laios, not as a person or as a monster. It's like how nobody gets panty shots except Senshi. it's a subversion joke. There are quite a few in this series, especially ones centered on Laios.
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Darling, please.
Pairing: Husband!John Price x Wife!Reader Summary: You should know better, better than to let him back into your home. You should know better, but once again, you dash yourself against the rocks for John Price. Warnings: Grief, PTSD(Implied), Trauma(Implied), Mention of character death (IYKYK), MW2/3 Spoilers, Broken Marriage Dynamics, Angst, No happy ending, Self-Destructive Behaviours (Price and Reader), Blood, Violence, Gore(soft), smut, Unprotected PiV (wrap it up folks), Crying, Regret, Dubcon (it’s not extreme but it’s worth mentioning that neither are really in a place to consent (high emotions etc.)), A little Coercion(again not egregious but it’s there).
Let me know if I missed anything!
A/N: My first Price fic, and totally inspired by the below scene. Thank you @pinkypromisepascal for beta-ing this for me! ILU for indulging my CoD delusions. W/C - 1,450
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CoD Masterlist | AO3
You straddle his thighs, sleep shorts and loose t-shirt already stained with another man’s blood as you dab the wet flannel over his bruised body. The side of the bath creaks behind him as he shifts his weight. 
He won’t tell you what happened. He’s barely said a word since stumbling through your front door an hour ago.  
There’s so much blood. 
“John,” you plead, “Please, just tell me if you’re hurt. I won’t take you to A&E, I just need to know if you’re ok.” 
“M’fine, not my blood,” he growls, eyes fixed somewhere over your shoulder as he refuses to look at you. 
You sigh, throwing down the flannel on the floor as you try to rise to your feet. A large hand wraps around your right ankle, anchoring you in place as you glower down at the broken man. The heat that explodes from the point of contact has your breath catching in your throat. 
You’ve missed him. Really missed him. 
“Please, don’t go,” it’s his turn to beg as he finally meets your gaze. The whites of his eyes are stained pink, raw from crying. His dark blue irises are chasms of despair as he sucks you back in. 
“John, I can’t keep doing this,” you say softly as you slump back onto his lap, eyes downturned as it’s your turn to avoid those baleful eyes of his, “I can’t stand by and watch as you slowly kill yourself.” 
“I’m sorry,” he mumbles as he skims his fingertips up your sides, under the fabric of your t-shirt, “So sorry,” he repeats, and you let out a shuddering breath as he drags the rough pads of his calloused fingertips over your ribs. 
“S’not enough John,” you say, your voice trembling as his thumbs swipe over your nipples, pulling a soft mewl from your lips as he brings them to stiff peaks under his touch. 
“It was my fault,” he breathes, voice thick with emotion as you look up into his eyes, tears flowing freely now as he finally breaks, “He’s dead because of me, might as well’ve pulled the trigger myself.” 
“Oh John,” you sob as tears prick at the corners of your eyes, “Come here,” you insist, throwing your arms around his neck, pulling him against you as he slides his hands around to your back, pinning you to him as he begins to cry. 
You run your fingers through his too-long hair, lips pressed to his temple as he buries his face in the crook of your neck. His beard tickles at your skin as the wet evidence of his grief collects on the collar of your t-shirt. His hands roam your back, blunt nails scraping down your spine as his sobs begin to abate. Through the ferrous tang of blood, you can smell him. His caffeine shampoo, notes of pepper and sandalwood. His sweat, fresh and raw, conjuring memories of being pinned beneath his wide frame. Flashes of the way his skin tastes when you bite into his flesh to stymy your own screams. 
It seems he’s losing himself to your body too. His fingers press possessively into the small of your back as you feel his arousal pressing through the fabric of his jeans, nudging at your clothed core. 
“Need you darling,” he mumbles against the slope of your neck, “Please.” 
You want to say no, you can’t let him in again, he’ll drag you down with him. It’s why you told him to leave, why it’s been six months of no-contact. But you know what today is. You know why he’s so strung out. 
It’s been a year since Johnny died. A year since you lost your husband to grief, rage, and despair. 
“Darling,” he urges again, a darkness to his tone as his nose presses into that spot behind your ear that makes your cunt clench around nothing, “Please.” 
His teeth nip at the shell of your ear as his thick, hot tongue laves over the sting to soothe you. You want to say no, but you can’t. 
“Ok,” you whisper, trembling hands cupping his bearded cheeks as you pull him away from your neck, only to crash your lips into his. His eyes go wide – as if he expected you to go through with your rejection – before they flutter closed. 
He growls against your lips as he tugs your shorts down, leaving them stretched and tangled around your knees as you fumble with his belt buckle. He lifts his hips so you can pull his boxer briefs and jeans down in one. His thick length slaps wetly against his blood-stained stomach. You moan into his mouth as his tongue slips past your lips, claiming it for his own as he grips your hips. 
You whine as he pulls you down onto his cock, you wince at the stretch, you’re not as wet as you’d like. But you soon forget the discomfort as he seats himself fully inside you. You break the kiss with a cry as your head lolls back. You’re so full.
“There’s my pretty girl,” he rasps as he sucks hard against your pulse point, rocking you up and down on his cock, his grip near-bruising on your thighs, “Missed you so much.” 
“Missed you too John,” you weep in tainted bliss as you aid his efforts to impale you on his dick. You move in tandem with his thrusts, bouncing on his cock as you dig your nails into his pectorals. Blood and grime forcing themselves into your nail beds. 
“I love you,” he breathes your name as he slams you down harder, your ass cheeks slapping obscenely against his muscular thighs. 
“I love you too John,” you pant into his open mouth as you press your forehead to his, “Never stopped loving you, never will.” 
His tongue slips into your mouth as he plants his feet on the floor, elevating you as he starts to pound up into your slick hole. You clench around him, drawing desperate gasps from him as you tug on his hair. Your other hand drops to your clit as you roll the sensitive bud with desperation as you feel your orgasm building. 
“You like that, Captain?” You snarl as you yank his head back, drawing a yelp from him as he slams you down on his cock, “Yeah, you do,” you purr as you shudder and clench around him harder this time. 
“Let me come inside,” he begs, and you moan as you feel the heat build in your navel as you increase the pressure on your clit, “Please.” 
“Do you deserve to come inside me, Captain?” You goad and he groans louder at the repeated use of his rank. 
“No,” he chokes out as he sobs, still thrusting up into you, making you cry out in rapturous desire, “Don’t deserve you darling, but I need you.” 
There’s an unspoken plea in his voice and you relent. You push aside the agony you know you will feel tomorrow. Both physically and emotionally, this will ruin you. But as always, you throw yourself at the feet of Captain John Price. 
“Come for me John, come inside me,” you whine as you come hard. Your pussy is like a vice, choking John’s cock as you cry his name again and again in a pleasure-ridden dirge. 
John roars, his head thrown back as he ruts up into you again and again, splitting you in two as he chases his release. You’re putty above him, face buried in his damp, bloodstained hair as your pleasure bleeds into him. 
“Love you,” he whispers your name as he comes, and you grind down onto his cock as he buries himself deep inside you. 
“Love you too John, always.” 
You stay there for some time, knees scuffed and sore, thighs ablaze with exertion. John mutters sweet nothings, promising to get his shit together. You humour him as you bury your face in the crook of his neck. The blood and sweat that clings to his skin disguise the way your tears flow in rivulets down his chest. 
You know he wants to mean it; you know he loves you. You want to believe him, you want to love him back, the way he thinks he loves you.  
But you know that it’s a fantasy. You know he’s going to slip the moment he wakes up tomorrow with the same cavernous hole in his chest. He’ll leave without a word, any remnant of your love for him eaten away with shame. And the cycle will start again. 
But for now, you can pretend. 
For the next few hours you have your husband back. 
And for now, that’s enough. 
CoD Masterlist
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justagalwhowrites · 2 months
Text
Yearling - Ch. 31: Warmth
You cope with the aftermath of patrol. A continuation of Yearling ch. 1-30 found on Tumblr here.
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Pairing: Joel Miller x Female Reader
Warnings: Fall out from canon-typical violence. Plot points from TLOU2. No use of Y/N. Minors DNI 18+ Only 
Length: 8k
A/N: Hi y'all. This does have a continuation of the spoilers from TLOU2. Again, I'm so sorry for not warning about these further in advance. If you have any questions, feel free to shoot me a DM (or you can always yell in the comments or in my asks. I don't delete things if they're not the kindest so I'll leave whatever you want to send my way up, I totally get it.) Thanks for being here ❤️
AO3 | Chapter One | Previous Chapter | Next Chapter
It shouldn’t be this hard to stay conscious when the world is ending. 
You’d had the thought before, in the early days of the outbreak. When you were trying to find someplace safe and had no idea where to start, when you were just riding and riding and hoping you’d be alive to see the next morning. 
But now was different. It wasn’t your life, it was Joel’s. His was so much more important than your own and the fear of losing him was keeping you awake. You’d nod off for a second - you thought, anyway - only to jerk back awake when your grip on his wrist slipped and his pulse wasn’t a constant - if weak - drumbeat below your fingers. 
You weren’t quite sure how long you’d been on the floor with him. Things were fuzzy. You’d lost a lot of blood, you were familiar with that sensation now, you could identify it even as your mind was foggy. You still weren’t entirely sure what had happened. You remembered Joel screaming - you didn’t think you’d ever forget that horrific sound - and running to find him. You remembered watching as that girl swung the golf club down on his body. It wasn’t until you were already in the room, fighting for control of your gun with someone who looked like he was about Ellie’s age that you realized this was probably a mistake. You’d charged in without a plan to get backup, you were hugely outnumbered, no one knew where the fuck you were. You should have at least gone back for your horse, you were pretty sure she could have fit down here and you could have used sheer size and weight to clear the room. 
But they were killing him. That’s all that could force that sound from someone, life and death, and you couldn’t risk it. If there was a chance, even a tiny one, that you could save him, you were going to take it. Even if it killed you, you were going to take it. 
The threat was gone now - or you hoped it was, at least. Gatling was still on guard. You could feel how tense she was behind you, her body engaged and ready to strike. If they came back armed to the teeth before help arrived, though, you’d be finished. 
Joel’s wrist, the one you’d been holding, relaxed some and you forced yourself to sit up. 
“Joel?” You managed, adjusting your hold on him. His whole arm was limp now. Your heart beat faster. You released his wrist and pressed your fingers into his neck, where you liked to kiss him and feel the vital thrum of his pulse through his skin. It was faint but it was there. You adjusted yourself, propping yourself up on your elbow as your cut side screamed in pain, and you ran your fingers through his hair. You took comfort in the fact that you still could do that. While the rest of his body had been brutalized, Joel’s head was intact outside of where it looked like someone had landed a punch on his cheek near his eye, a bruise blossoming on his skin but no blood shed. It was like the girl had been saving his head for last, like she was trying to draw it out, make sure he was alive and awake while she hurt him. It turned your stomach. 
“You’re OK Joel,” you held face gently in your hand. “Gonna get you out of here, get you back to Ellie. You’re OK.” 
You stayed propped up like that for a while, just talking to him and running your fingers gently through his hair and feeling his breath on your skin until you were too weak to hold yourself up anymore. You collapsed alongside him then, trying to shield his body with yours as much as you could in case the people came back. 
Just a little sleep. That’s all. That’s what you needed, just enough rest to be able to think straight. Then you could figure out how to get Tommy and Joel back to Jackson. 
“Gatling,” you managed before you passed out. “Guard.” 
You woke up to snarling. 
Your head was swimming and you could feel the strength of the dog at your side, her body pressed back against you as she growled and barked. You tried to get your bearings as quickly as you could, fumbling for the rifles you’d brought to Joel’s side. 
“Bambi!” You recognized Ellie’s voice. “Bambi, call off Gatling, she won’t listen to me, we can’t get close enough…” 
“Gatling,” you gritted your teeth, your cut side burning and pulling as you tried to sit up. “Down.” 
You felt her relax and she gave a little whine before curling up against you and giving you a lick. You managed to prop yourself up on your uninjured side, eyes fighting to focus as Ellie, Jesse, Julie and Gene came in. Ellie ran for Joel, Gatling giving a little whine as she tracked her with her eyes.
“Jesus Christ,” Gene said as he got a good look at Joel. 
“He’s alive,” Ellie said, her voice cracking. “I thought…” 
“I know,” you adjusted so you could see him, check on his bandages. Your side protested, damaged skin pulling painfully. “But we have to get him to the doctor, we have to move him now…” 
“I don’t know that we can,” Gene knelt next to Ellie, looking Joel up and down. 
You frowned. 
“The fuck do you mean you don’t know.” 
“I mean,” he said gently. “We need to move quick, already been here too long, and we only have so many hands. I don’t know that he can make it back to Jackson and we should focus on…” 
“Fuck you,” your teeth were clenched, sweat starting at your temples from the strain of sitting upright. “We are not just gonna leave him out here…” 
“If we can save you and Tommy?” Gene said. “Then that’s what we should do. That’s what he’d want.” 
“Fuck you!” Ellie looked murderous. “Bambi’s right…” 
“C’mon,” Julie’s hands gently enveloped your shoulders. “Let’s try to get you up…” 
“I’m not going!” You wrenched yourself out of her grip and cried out in pain, a gush of blood coming from the wound at your side. “I’m not going without him, I’m not leaving him here!” 
Julie’s hands were on you again but you pulled yourself free, forcing yourself to your knees. 
“You’re gonna get yourself hurt,” Gene warned, moving for you, too, but you ignored him. 
“Gatling!” You managed through clenched teeth. Her head sprang up. “Guard!” 
She jumped to her feet and jumped between you and Gene. 
“Bambi,” he said cautiously, hands up, as your dog snapped her jaws and snarled at him. 
“I’m not going anywhere without him,” you were panting for breath. “You can’t make me, not with her like this. She’ll kill you and I’ll fuckin’ let her. Take him. Now.” 
Gene looked back at Jesse, who was helping Tommy sit up. He just shrugged. Gene looked back to you. 
“Fine,” he said. “But you gotta give us some space to work, can’t move him with her like this…” 
You struggled to your feet, using Julie’s shoulder as leverage, and you limped to the wall, all but collapsing against it. Gatling stayed on you, staring Gene down, seeming to trust Julie as you leaned against her. 
“She’s guardin’ me,” you said. “Won’t bother you over there. Move him. Do it.” 
You watched as Gene, Jesse and Ellie got Joel off the floor and out of the room. There was a perverse spot on the ground where his body had been, his blood pooled there. There was so much of it, so much it didn’t seem like there would be any left inside of him. You remembered, suddenly, Justin on the night of the outbreak. How you’d tried to put his blood back inside of him in the hopes that it would save him. How could you save the man you loved if all his blood was on the floor? 
“He’s alive?” Tommy asked from his place propped against the wall. There was a streak of blood down his face. 
“He’s alive,” you said. He closed his eyes and nodded, leaning his head against the wall. 
“Thank you,” he said, quietly enough that you could barely hear him. “I can’t…” 
“It’s OK,” you said. “We’ll get him back. He’ll be OK. He will.” 
You weren’t sure you believed it.
Jesse came back down and helped Tommy up before stopping near the door, keeping a safe distance from you and Gatling. 
“We got him on a horse,” he said. “We gotta move.” 
You gave him a nod and watched him get Tommy started on the stairs before you looked down at Gatling, her body drawn tight, ready to spring into action. 
“Gatling. Heel.” 
She looked up at you, muscle relaxing, and licked her lips. 
“You’re a good girl,” you said, trying to imbue as much praise into your voice as you could manage. “You did real good.” 
She wagged a little uncertainly and watched, waiting to follow you. Julie looped your arm around her shoulders while hers slipped around your waist and she helped you toward the stairs, taking it slow. You had to stop and rest once, not able to breathe, the warm gush of your blood when you pulled the air down low in your lungs making your head spin. 
“Think you can make it?” Julie asked, concerned. 
You nodded, wincing. 
“I’ll make it,” you said. “I know, we have to move.” 
She held you a little tighter and the cold air burned your lungs when you made it outside. Joel was draped over Ares, Gene mounted up behind him. Tommy was on his own horse, blood still on his face as he stared blankly at Joel’s limp body. 
“You can ride with me,” Julie said but you shook your head. You weren’t about to not be in control of a horse, not in this situation. You needed to have the power if something went wrong. You couldn’t trust anyone else to make Joel a priority if there were infected or raiders or, worst of all, the people who had attacked him to begin with. You needed to be able to move to protect him. 
“I’m fine,” you said through gritted teeth, even though you knew getting on Renaissance was going to hurt something fierce. “Don’t need to be slowin’ us down any more by putting two of us on a horse.” 
She went to protest but you pulled away from her and swallowed the sounds of your pain as you went to Renaissance and pulled yourself onto her. You called Gatling onto your saddle, too, and she settled there, still on high alert. You guided the horse to be alongside Gene and Joel and stared Gene down, almost daring him to fight you on it. 
“I want to get everyone back,” he said gently. “But if it’s not everyone, I want as many as I can get.” 
“Then let’s go,” you bit out. 
The ride back to Jackson felt long, longer than it really was, you were sure. Every step Renaissance made was painful. It was hard to stay conscious when you’d lost so much blood and the pain was blinding. You were terrified that something was going to happen, that someone was going to pick now to attack people from Jackson and that you wouldn’t be strong enough to save Joel. The thought was constant and overbearing, hollowing out your chest and making your stomach clench. 
By the time the walls of the city were in view, you were barely able to stay on your horse. Dina had ridden ahead to tell the doctors and the council what was happening and you were thankful for it as your head spun and vision grew spotty as you neared the gates. You were too out of it to notice that someone was there to catch you as your strength started to give out.
“Woah there!” You vaguely recognized Ryan, a guard you regularly saw when he went out on patrol, stomach turning as he lowered you to the snow. “Hey Doc! Got one here!” 
“No,” you shook your head, words starting to slur. The blood on your clothes was cold against your skin. “M’fine… Joel, need to help Joel…” 
“They’re getting him,” he said, looking down at you. He had a nice face, you thought. Pleasant and calming. “You got him back here, it’s OK. We’ll get you taken care of, it’s alright…” 
“Joel,” you closed your eyes. At least things were warmer here. It hurt less. “Need… Joel…” 
“We’ve got him,” Ryan said. His voice sounded so far away. “It’s alright, we’ve got him.” 
You barely remembered nodding before you passed out. 
You were warmer when you woke up. 
Sound came first. It took a moment before you could open your eyes but you could hear the muffled sounds of bickering not far away. For half a moment, you thought you were in Joel’s bed. That he and Ellie were in a tiff just outside his bedroom door, going back and forth about some harebrained scheme that one of them had latched onto. You thought about pressing your face into the pillow and trying to go back to sleep, hoping that Joel would come in once one of them wore the other down. He did that sometimes when he woke up before you, bringing you a cup of tea and setting it on the nightstand before wrapping around you, pulling you into his broad chest and burying his face in your hair or your neck, kissing you and breathing you in until you stirred in his arms. 
And then you remembered. Waking up next to Joel. Going on Patrol. The storm. The blood. 
You tried to sit up before your eyes were open, side pulling and head spinning. 
“Hey guys, she’s waking up!” 
Your eyes had never been heavier but you forced them open anyway, already reaching and groping to figure out where you’d ended up. 
The room was bright, the bed soft. It was the third time you’d managed to dodge death and awoken, confused and lightheaded, in Jackson’s clinic. The other bed was empty.  
“Joel,” you started trying to get up but two small hands held you in bed and you frowned, ready to fight whoever was holding you back, but it was Savvy, her eyebrows drawn tightly together, curls springing in every direction. 
“Mom, you have to be calm, you’ll rip your stitches…” 
She was here. She was with you, willing to talk to you, touch you. The sound of her voice, all gentle concern, made your chest tighten. You just looked at her for a moment, seeking out the minute changes in her since you’d gotten a chance to see her - really see her - last. You thought she might be having her last growth spurt. She looked a little longer, her face a little thinner. There was a scratch on her cheek that you wanted to kiss like you did when she was little. There were tears in her eyes. 
“Savvy…” 
“I was so scared,” her voice cracked. “I thought you might be dead, I thought…” 
“Oh honey,” you pulled her against you and held her to your chest, one arm looping around her waist, the other hand cradling her head to you, the wet of her tears on your neck. You kissed her temple and tried to keep the tears that were starting to cling to your eyelashes from falling. “It’s OK, you’re alright, I’ve got you. Don’t have to be scared, you’re OK.” 
“I’ve never seen you like that,” she sniffed from her place against your skin. “You’re always so strong, you’re never hurt, not like that…” 
“I know,” you said softly, rocking her gently. “I’m sorry, Honey, I wish you hadn’t seen that. I promise, I’ll do everything I can to make sure you never see it again and we can talk all about it but baby, I need to know where Joel is. Is he here? Is he OK? Is he alive?” 
She sniffed and started to pull back from you as the door opened, Ellie, Tommy, Maria and Dr. Livingston coming in. They moved slowly, cautiously. Like they were worried you would startle if they behaved normally. Tommy looked washed out, Ellie exhausted, both with grim looks on their faces. Your arms went limp and Savvy sat back from you, looking between you and them. 
“No,” you shook your head, a lump growing in your throat. “No, no, you’re wrong, he’s not…” 
“He’s alive,” Dr. Livingston said gently. “Barely. But you got him here just in time, it was very very close while we worked on him…” 
“Where is he,” you tried to get up again but Savvy held you down. “I need to see him, just for a second, please…” 
“He’s still unconscious,” Dr. Livingston continued. 
You frowned, looking between everyone. 
“That’s bad,” you said, reading their expressions. “Why… How long has it been?”
“We’ve been back about two and a half days,” Tommy said, his arms crossed over his chest. 
You nodded slowly. That made sense to you.
“He was hurt bad,” you said, looking between them again. “He lost a lot of blood…” 
“He did,” Dr. Livingston said. “But… well, we’d normally expect to see more from him by now. He’s breathing on his own - we don’t have the facilities to keep him alive if he can’t - but that’s the best we can really say for him. He’s… he’s unresponsive.” 
You processed what she said for a moment.
“You’re sure?” 
She nodded, her mouth a thin line. 
“Are you…” You had to close your eyes and focus for a second. None of this came easy or naturally. It was utterly unnatural, thinking of Joel in that way. He was so strong, so vital. He couldn’t just stop being like that. He couldn’t just fade away into nothing like that. “Are you saying he might not wake up?” 
“The longer he’s like this, the more likely it becomes,” Dr. Livingston said. 
“But he’s still alive,” you said, looking back toward Ellie and Tommy again, looking for that reassurance that you weren’t crazy. They knew him, they knew that he wouldn’t just disappear from his body like that. “He’s still breathing.” 
“He’s alive,” she said. “But he might be brain dead, we have no way of knowing right now, no way of scanning for brain function like we did before… I’m so sorry, but you have to consider the possibility that…” 
“Take me to see him,” you cut her off. She looked at Maria, worry in her eyes, like she thought you might be unstable. “Please.” 
Dr. Livingston sighed. 
“You’ve got a fair few fresh stitches and you’re still down plenty of blood yourself. We’ll have to take it slow.” 
Ellie and Savvy helped you stand up and you could feel the wounds on your leg and stomach protesting the movement. For a moment, you thought you might be able to count the number of stitches in your skin because the way it pulled and strained. You hissed and clutched the girls’ hands, squeezing their fingers so hard that you could only hope it didn’t hurt them. 
They helped you across a short hallway to a room that was almost identical to the one you’d been in, just with one fewer bed, giving people more room to work. Joel was there, flat on his back, his arms down straight at his sides over the top of the blanket. But he looked strange, unnatural. 
It took you a moment to recognized the part of it that was wrong. His chest rose and fell, the worst of his injuries hidden by the quilt. He looked like he was sleeping. But it was off. He never slept like that, straight as a board with his arms at his sides in that way. It wasn’t like him, it wasn’t the way his body arranged itself when he was relaxed. Even when he wasn’t curled around you, he slept on his side or, if he was on his back, his hands were folded and resting where his chest met his stomach. He napped on the couch that way sometimes, when he was sleeping lightly, waiting for you. You could come in and press a kiss to his forehead and he would open one eye and cock a smile at you, just big enough that his cheek would dimple. 
But if your lips touched him now, you knew he’d be still. He wouldn’t look at you like you made him happy just by existing. His cheek wouldn’t dimple. 
You made your way to a chair near the head of the bed and lowered yourself into it slowly. His skin was pale, his face totally lax in a way that wasn’t peaceful and was, instead, like an echo. 
“Oh God,” you breathed, one hand going to your lips. 
“We’re doing everything we can,” Dr. Livingston said gently. “We have ways to get him fluids and nutrients but… it’s nothing long term. We’ll just have to hope he makes a turn for the better.”
You nodded, not able to stop looking at him. His body was so empty, so unlike him. 
“Can I stay with him?” You asked quietly. You weren’t sure when you’d started crying but you were. 
“Sure,” she said. “For now. But you need rest…” 
You just nodded. You’d fight that battle when the time came. 
The doctor left you with the girls, Tommy and Maria. Joel’s family and yours. All the people you had in the world in this one, small room. 
“I was going to go home and get changed, take a nap…” Ellie said quietly. “Can I bring you something?” 
“One of his shirts?” You asked. 
“Sure,” she said. You heard the door open and she paused. “You did everything you could, Bambi. We all did.” 
You nodded, not willing to argue with her. 
“I think Tommy and I will get out of here for a bit, too,” Maria said. “Give you some time. We’ll be back in a few hours unless I can actually get my husband to get some real sleep…” 
“He wouldn’t be sleepin’ if it were me,” Tommy said, voice sharper than you were used to hearing. 
Maria sighed. 
“Come on, honey,” she said. “You need rest, too.” 
The room was quiet for a moment, so quiet you could hear the sound of Joel’s shallow breaths. You wanted to put your head on his chest and listen to the life inside him, reassure yourself that he was still in there somewhere, but you didn’t want to hurt him. You’d already done enough. 
“Mom?” Savvy’s voice was soft. “Is it… can I stay? For a bit?” 
You managed to pull your eyes away from Joel to find her, standing to the side, her arms tight over her chest. 
“Of course baby,” you said, looking for another chair. She found one first, moving it to be beside yours. She settled in there, taking a deep breath and letting it out in a heavy sigh. She was looking at Joel, her face drawn. “How have you been?” 
She shrugged noncommittally. 
“Alright, I guess,” she said. “School is OK. Math is stupid.” 
You laughed lightly once. 
“Math’s not stupid but… I know what you mean. Wasn’t ever my strong suit. I liked history best. And music, of course.” 
“Course,” she smiled a little. “I like Ellie and… I like staying where I have been but… I missed you. Missed home.” 
You swallowed the growing lump in your throat. 
“I missed you, too,” you said, voice wet. “So much. More than anything.” 
She nodded slowly, not looking at you. 
“I heard the doctors and some other people talking,” she said hesitantly. “What they were saying… It’s not the first time they’ve seen you hurt like this.” 
You waited for a moment, to make sure she was done. 
“It’s not,” you said. 
She nodded again. 
“How did you end up here?” She asked quietly. 
“I…” You sighed and tried to find the best way to phrase it. “I’d wound up with some bad people. I got hurt. Joel found me when I was in real bad shape. He brought me here. He saved me.” 
“When was that?” 
“About two years ago,” you said. 
“So you weren’t just here the whole time,” she said, more like a statement than a question. 
“No,” you said softly. “I wasn’t.” 
She nodded again. You could see her processing the information, her eyes slightly squinting as she did, so like her father used to do. It still tugged at your heart, bits and pieces of a man you’d loved still alive in his child. 
“I’m still not sure how I feel,” she said, gnawing on her lower lip. “But… I don’t want to keep being mad at you. I miss you. I’d… I’d like to find a way to see you. At least some. For now.” 
“I’d like that,” you said, sniffing a little. “I’d like that a lot. As much time as you want, honey, I’m here.” 
“OK,” she smiled a tight lipped smile at you before looking to Joel. “Do you really think he’ll wake up?” 
You sighed, looking at him, too. 
“I don’t really know anything about medicine,” you said. “But… I do know Joel. And I don’t knot that there’s anything that can keep him from taking care of the people he loves. And I know he knows Ellie needs him, you need him. And I…” your voice cracked. “I need him. He’s strong. He can pull through.” 
She nodded and slowly, gently, rested her head on your shoulder. You froze for a moment, not wanting to disturb her. But, eventually, you had to take a breath and she stayed there beside you, keeping vigil over the man who had become her guardian. 
Savvy ended up staying until after dark. Ellie came back only about an hour and a half after she left, bringing some clothes for you. You immediately put on the shirt, pressing your nose to the collar and breathing in Joel’s scent. She told you then that Savvy hadn’t left the clinic since you’d come in, always at your bedside, nearly ripping off the doctors’ heads when they dared suggest that she go home and get some rest. 
Ellie got her to go home that evening, though, after she gave you a delicate hug that, you thought, might be one of the best ones you’d ever gotten. Dr. Livingston wanted to keep you there for another few days, not something you were going to argue with since you weren’t about to leave while Joel was still there, anyway. She did make you move back to the other room and you gave up the fight quickly, waiting until you heard her leave for the night before going back across the hall, anyway. It was tricky, walking on your own when you were still healing, but you made it without any more blood leaking from you. You pulled your chair close to Joel and looked him over, tracing one finger over the soft skin of his cheek. He still looked so unnatural in this position, so unlike himself. You ran your fingers through his hair, arranging it just so, before you gently took his hands and put them at the base of his chest, one on top of the other. Not quite right, but better. It felt like his body was more his that way. 
“I’m here, Joel,” you said quietly, wanting more than anything to be able to curl up in his lap. “I’m here.” 
You sat on the floor next to the bed - not able to get comfortable enough in the chair to doze off - and rested your head on the mattress near his hip. This wasn’t exactly ideal, either, your stitches itching and pulling as you settled in, but you didn’t care. You had to be close to Joel. Some pain was worth that. 
The next day, you were shaken awake by a frustrated Dr. Palmer who was taking over so Dr. Livingston could get some rest. 
“You are bound and determined to be your own worst enemy,” she muttered, forcing you back to your own bed. She checked you over, reluctantly told you that you were healing well with no sign of infection. The second her back was turned, you were back in Joel’s room. 
Ellie, Tommy and Maria came by again, all of you sitting in near silence, watching Joel, waiting for him to do something - anything - to indicate that he was still in there. 
The next day was less quiet. You were in your usual position in the seat by the head of Joel’s bed when Tommy and Ellie started getting into it. It didn’t sound like a new argument and, you realized, the bickering you’d been only vaguely aware of as you regained consciousness was probably them. 
“I’m not going to sit around here and fucking wait forever,” Ellie snapped. “I’m going out there, I’m going to find them and I’m going to kill every last fucking one of them.” 
“We need to wait,” Tommy said, voice strained. Ellie didn’t seem to care. 
“Wait for them to get further and further away?” She snapped. “Wait for them to come back with more people? No, it’s too big of a fucking risk. I’m going out there.” 
“Need to wait until I can go with you,” Tommy snapped. “Need to wait until we know…” 
Tommy’s voice trailed off. 
“Until we know what?” Ellie demanded. “Until we know whether or not they successfully murdered him? No, fuck that, I’m going to beat the shit out of her with a goddamn golf club, make her fucking feel it…” 
“No, you won’t,” you cut her off. 
“I won’t?” She asked, brows raised, almost daring you to argue with her. “You’re not my fucking mom, Bambi, you don’t get to tell me what the fuck I do or don’t get to do.” 
“You ever killed anyone, kid?” You asked, chin resting on your fist as you watched her. She just blinked at you for a moment. “And I mean people. Real people, not infected.” 
“Yeah,” she said, though her voice was less sharp. “Yeah, I have. Two.” 
“Alright,” you replied. “You torture them? You like killing them?” 
She was silent and just looked at her feet.
“That’s what I thought,” you looked back to Joel. “You’re not going after shit, kid…”
“I’m not a fucking kid!” 
“You’re his kid,” you shot her a glare before looking back at Joel. “And he wouldn’t want you murdering and torturing people for him.”
“But…” 
“No,” you said. “If… If he… If someone needs to handle it, it will be me and Tommy. We can take them and we can make it hurt. You’ll stay here. Not gonna just let you turn into a killer for him, he’d never forgive me. He’d never forgive either of us. One of the last things he said to me was to look out for you and you better goddamn well believe that’s exactly what I’m gonna do. You’re not going any damn place.” 
She stormed out but Savvy came that evening. She brought a deck of cards and the two of you played Go Fish like you used to when she was little. She told you Ellie was cooling off but she thought she’d be OK. 
“I don’t blame her,” she said, arranging some cards in her hand. “If someone did that to you, I’d want to kill them, too.” 
You looked at her for a moment. 
“I wouldn’t want you to,” you said gently. She looked at you over the cards, skeptical. “I mean it. You hear that something bad happened to me, you take it and move on. Don’t hurt yourself thinking that will fix it. It would only make it worse.” 
The day after that, Ellie brought you your guitar. It made Dr. Palmer look nervous but you promised to take it easy and that music was how you relaxed. 
“Just don’t get all worked up and play Freebird,” she muttered, leaving you alone with Joel and your instrument. 
“Why is everyone so obsessed with Freebird?” You asked a silent Joel as you delicately arranged the guitar on your lap, dodging the stitches in your stomach and leg as you did. “There’s better shit out there…” 
You played for him whatever came to mind. The song you’d written for him kept cropping up. So did the songs you’d played with him, slower and gentler things that you tried to pull from memory, even Take on Me because it got stuck in your head. 
“Do you think he can hear me?” You asked Dr. Palmer that afternoon. 
She stepped back from him and sighed for a moment, looking at you as though she were going to gauge her answer around your demeanor. 
“No one knows for sure,” she said eventually. “But… if he could hear anybody, I think it would be you.”
By the end of the second day with your guitar, your whole body was sore and tired but you didn’t move to go back to your own room. Both doctors had given up on forcing you. You nearly ripped their heads off when they suggested you go to your house for a day or two, try to get some real rest. It was bad enough that they’d surrendered to your stubborn need to be where you could see Joel at all times, no longer willing to fight over what they thought was better for you. 
It was quiet, dark. You weren’t entirely sure what time it was but you thought everyone in town besides those on watch were at home. You were as close to home as you got now, home could only be where Joel was. You weren’t sure how to find home without him now. 
You played the song you’d written for him one more time, soft and slow, before propping the guitar against the wall and sitting delicately on the edge of the bed, careful to not disturb him. You adjusted his arms a bit, putting them where you knew he would rest them if he could move them on his own. You gently brushed his hair back. His patchy beard was getting long in spots and you wondered if Ellie could bring scissors and a razor the next time she came so you could trim it for him, keep it how he liked. You drew the shirt of his you wore tighter to yourself and just looked at him for a moment. He was so beautiful, even like this. You needed him so badly, needed him to be OK. You needed to be able to wake up next to him again, kiss him on your way out the door again, make love to him again. He couldn’t be gone, not now. Not like this.
“Joel,” you said softly, barely even a whisper. “I know… I know I should probably tell you that if you need to go, it’s OK, that we’ll be OK but… I don’t think I can. I don’t know how to do this without you, I don’t want to do this without you. I need you, I’m not sure I can be a real person without you. If you’re already gone then… then knowing you was one of the best things that ever happened to me and I’m thankful for every goddamn second of it. But if you’re still there, if you can hear me… I need you to come back to me, Joel. Just… please. Don’t leave me, don’t leave the girls, I just… I will do whatever you want, just stay. Just come back to me. Please.” 
He was still below your touch but you leaned forward and pressed a kiss to his forehead, anyway, his skin soft and warm. A tear slipped from your eyelash and fell to his cheek but you didn’t move to wipe it away. You had the odd thought that maybe he would absorb it, that his skin would soak up your salt and your sadness and then, even if he didn’t come back, at least he’d have part of you in him when you put him in the ground. You wondered if you’d be able to join him. You slid off the bed and tucked your legs up against yourself, crossing your arms atop the mattress and resting your head there, drifting off to the sound of his breathing. 
***
All Joel really knew was that he was somewhere warm and soft. Warm and soft and kinder than where he’d been before, though the memory of just before was fuzzy. He remembered you, waking up with you, being inside of you, kissing you goodbye. He remembered watching Ellie ride off with her friend for their patrol. He remembered laughing with his brother about something but didn’t remember what. Everything after that was a haze of blood and pain. 
But he was warm now, somewhere that was familiar but he was having a hard time placing it. Grass and trees and a park bench that was more comfortable than it had any right to be, the sound of birds and cicadas on the air. But there were no other people. None that he could see, anyway. 
He heard voices now and then. There were some he knew were familiar but he couldn’t quite place. Others he’d have known anywhere. You, Ellie, Savvy, Tommy, Maria. It was a haze, he could make out the tones and the melodies of your speech but not the words. But that was OK. He knew all of you were close and that was enough. 
There was music, too. He would have recognized your playing from anywhere but it still seemed so obvious from wherever he was. But your music sounded sad, some kind of longing in it that wasn’t there when you usually played for him. He wanted to fix it, wanted to come from wherever he was and make it better. He just wasn’t sure that he could. But he kept hearing the song you made for him. That song was clearer than any other, so present he almost thought it was the version of it you’d recorded for him. But it wasn’t followed by the words he’d come to know so well in the months without you, the ones you’d added to the end of the tape that he listened to every night since you left. Every night until the one you came back to him. 
Come back to me, Joel. 
“Dad?” 
Joel looked around for a moment, heart pounding. He knew that voice, had heard it inside his head so many times through the years. But never like this, never this close. And then Sarah was in front of him, her curls a halo around her head, skin almost glowing in the golden sun. 
“Baby girl.” 
He realized where he knew this place from. It was a park in Austin that he took her to all the time when she was a little girl. The skyline was at his back if he could turn to face it, a playground down the hill to the right. She’d loved the open field, though. She loved being able to just run and run and run with nothing to hold her back. He tried to make himself get to his feet but he couldn’t. She just smiled. It was warm, gentle but more knowing than he’d remembered it being. But then, maybe he’d forgotten. Because otherwise, she looked exactly the same as the last time Joel had seen her, down to the clothes. Except her purple shirt wasn’t bloodstained now, her ankle wasn’t hurt. She was whole, healthy, the way she always should have been.
“Long time no see,” she sat beside him on the bench and he was able to reach her then. He reached for her slowly, cautiously, but he didn’t need to worry. She reached back, putting her arms around his neck. He held her, close and tight. She was warm and soft but the heat wasn’t coming from her. Instead it was like she was part of the place where he was, warm like the sun. She pulled back from him before too long but left a delicate hand on his knee. He tried to memorize her, make sure he knew the precise constellations of her freckles and the way her lashes framed her eyes. She looked him over and smiled that beautiful smile of hers. “You’re getting old, old man.” 
“Yeah,” he laughed a little, still not sure what to say to her. “Yeah, I know, baby girl. I know.” 
“I’ve missed you,” she was still smiling but it was sadder now. “A lot.” 
“I’ve missed you too,” he said, his voice wet. “So, so much. You have no idea how much…” 
“I know,” she said. “I’ve seen. You’ve been through a lot, Dad. So much. I wish I could have been there, I wish I could have helped you.” 
“That’s not your job…” 
“I know,” she said again. “But I still wanted to.” 
“How are you?” He asked. “I want to know everything, everything…” 
“I’ve been good,” she smiled. “I met your friend Tess. I like her. I liked her before, too, but even more now. She’s a lot like you, I’m glad you had her.” 
“How…” 
“Dad, I would love to tell you everything,” she cut him off. “But we don’t have time.” 
He frowned. 
“No,” he shook his head. “No, we didn’t get enough time before, but we should now, we…” 
“We will,” she reached out and took his hands. “Eventually. But not yet. You’ve gotten old, old man, but not old enough. You’re not supposed to be here yet. You still have a lot to do. You have people who need you, people who love you. They really, really love you, Dad. You need to go back for them. You’ve been here long enough.” 
Don’t leave me.
He looked up, looking for where your voice was coming from. Sarah just smiled. 
“She needs you,” she said. “And you need her.” 
She was right. He could feel that in every inch of him. He wanted to be next to you, wanted the life that he could have with you that had been so close when he’d left Jackson that morning. Just you and him and your girls. He wanted it so much it hurt. But how could he leave his daughter? His baby girl, the first baby girl he’d held, the first one he’d failed. How could he leave her again?
“Baby girl, I love them, too but I can’t just leave you here alone…” 
She smiled gently. 
“I’m not alone, Dad. And it’s OK if I’m not your whole world anymore,” she gave his leg a squeeze. “It’s OK if you have another purpose. I want you to be happy. Her, Ellie, Savvy… they make you happy. They’re your purpose now. You deserve that. Go be happy. I’ll be here when you’re done. We’ll have time then, too. I promise.” 
Just stay. 
“Go be with them, Dad,” she said. “Go be happy. We’ll be together when it’s time.” 
Just come back to me.
“I love you so much, Sarah,” he said, reaching out and holding her face in his hand. “So, so much.” 
Please. 
“I know,” she smiled. “And I love you too.” 
There was a wet spot on his cheek but he wasn’t crying. He frowned, touching his skin there, a tear clinging to his finger when he pulled it away. The place he was glowed brighter. Sarah’s face was somehow further away though neither of them had moved. He could feel himself fading from here, going back to where he was before. Part of him hurt with that, clinging to Sarah so hard that it seemed as though he was going to leave that part of him behind. But the rest of him was bringing him back, desperate to get to you, be beside you. That’s where he was supposed to be. He knew that now. He was always supposed to live. He was always supposed to flinch. He was always supposed to find you. 
“I’ll see you around,” she said. “Take care of yourself. Take care of them. I love you.” 
“I love you, too.” 
He didn’t have a chance to say goodbye.
Everything hurt. 
It was sudden and sharp, the place where he was abruptly dark and cold. He wasn’t sure he could move much, every part of him impossibly heavy. But he forced his eyes open, at least. He was flat on his back and in a bed. It took him a moment to realize where, but the fact that there was medical equipment near his head narrowed it down. He heard a soft, sleepy sound and forced himself to lift his head enough to look for it. It didn’t take him long to find you there, head resting near his waist. He smiled to himself. Part of him was just relieved that he hadn’t dreamed you coming back to him, relieved that you’d want anything to do with him at all now. 
He forced his arm to move, the limb unnaturally clunky, every motion pulling and tugging on damaged skin but he didn’t really care. He rested a hand on your head, smoothing your hair down, thumb brushing against your forehead. You startled and jerked awake, sitting up quickly and blinking sleep from your eyes. His hand fell to your arm when you did and looked around for a moment before your eyes fell on him, the glow of the moon on the snow illuminating your face in the dark. You frowned for a moment, your brows knitting together. 
“Hey sweetheart,” Joel managed, his voice dry and cracking. 
“Joel!” You scrambled to your feet, taking his hand and clinging to it as you did. “You’re here, you’re alive, you’re…” 
“I’m alright, baby,” he said gently. You sank slowly onto the bed at his waist, clutching onto his hand. “You OK?” 
“I’m OK,” you nodded quickly, your voice wet. “Tommy’s OK, Ellie’s OK, we’re all OK. I was so afraid, Joel. I was so afraid. I thought you were gone, I thought I lost you…” 
“I know,” he winced as he reached the hand you weren’t latched onto over to cup your face. “I’m so sorry, baby. Wasn’t tryin’ to go anywhere…” 
You lifted his hand to your lips and kissed his knuckles before holding his arm to your chest, clinging to it like a child does to a security blanket. 
“How are you feeling?” You asked, looking him up an down. “I can go wake up a doctor and…” 
“M’fine sweetheart,” he said, brushing a thumb over the arch of your cheekbone. “Don’t… don’t go anywhere, need you close. Just…” He did his best to shift himself so he wasn’t in the middle of the bed, wincing as he did. “Just be here. Let me hold you, OK?” 
“I don’t want to hurt you…” 
“You won’t,” he said gently. “Need to feel you. Just stay with me, baby. Please.” 
You sniffed but nodded before you moved gingerly to slip into bed beside him. You lay your head gently on his chest and he wrapped an arm around your shoulders, giving you a squeeze. It took a moment but he felt you relax against him, body molding to his own. He turned his head enough to brush his lips against your forehead. 
“I can’t lose you, Joel,” you said softly. “I can’t, I need you to stay.” 
“I’m here, baby,” he whispered, holding you as close as he could, everywhere your body met his a welcome distraction from the pain. “Not going anywhere.” 
Next Chapter
A/N: Yeah, sorry, I can't bring myself to kill Joel lol I love him too much, I need to let him have all the beautiful things he deserves to have.
Thank you so so much for being so patient with this chapter. I promise, I didn't intend to leave you hanging for weeks on end and I feel so bad that I did. Thank you for still reading and for being here. I feel like I've messed up a lot on how I've handled this fic lately - between not understanding how many folks didn't know the TLOU2 stuff and not giving proper warning and then posting that last chapter and not having this one lined up and ready to go - so thank you for not ditching me and this fic. It really does mean so much that you spend your time here with these characters.
Thank you again ❤️ Love you!
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smilesthroughfandoms · 3 months
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So I have a theory about who Alastor made a deal with. It’s pretty flimsy but there is some slight merit to it, I think. (Spoilers AND theory below cut)
So someone pointed this out on Twitter and I went back to see for myself and, yeah, there are eyes watching Alastor during his little soliloquy in the Finale song
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(Thank you Viv for favoring Red, helps the blue stand out nicely here)
Now we know Lilith was in Heaven for the Past 7 years so she could have put eyes on Alastor to watch him but… they don’t look like her eyes. Like, at all.
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“But wait, it could be Eve!” “What if Eve took Lilith’s place for blah blah blah plot reasons and yadda yadda she’s a twist Villian!” Ok and while those do have some merit as well it’s still to early to tell. The last time we saw Eve was the intro story and she looked like this
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Not enough information to say Yay or Nay one way or the other. But, I have a third option.
What if it’s Roo? The Root of all Evil? A character Viv created early on and said would be a Big Scale Villian of the series? You know
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This Roo?
Still don’t believe me? Compare the eyes I circled in the screenshots to her eyes here. I’m sure her design has changed over the years but, they’re still a near perfect match.
Could I be proven wrong? Absolutely! It’s season 1 of who knows how many. But I still think this would make a lot of sense. It explains Alastor’s ridiculous levels of power, why he’s so desperate to get out of his deal (look me in the eye and tell me you’d work willingly for that woman), and all the actual eyes on him.
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Round 5 - Catholic Character Tournament
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Propaganda below ⬇️
Wolfwood
I love him. Man who has no faith in himself or humanity or god with so much blood on his hands, fighting for something he knows he can never see come to fruition in person. He carries his own literal cross and grave marker on his back. Just… he’s so iconic to me.
I'm sure I'm not the first to submit him. But I did it anyway. I hope he wins and I'll do anything in my power to make sure he does
Dude is literally a priest who carries around a giant cross. Yes he uses the cross to murder people but that is besides the point. Also he has a mini church he carries around for on-the-go confession services.
hes literally a priest(hes not a priest in the reboot but he is in the original and thats what matters to Me). he carries around a cross that is actually secretly a gun with guns inside that gun. he runs a church/orphanage. he carries around a portable confession booth and charges people money for it because he is broke as fuck. he dies bleeding out over an alter begging to god for forgiveness he doesnt think he deserves. he is everything to me.
look at this man he's a priest with a cross shaped gun that (spoilers) dies against the side of a church while waxing poetic about life and redemption (/spoilers), this is the Catholic ever.
Wolfwood is liiiiiterally Judas coded in the text. AND his weapon is a massive cross that turns into a machine gun and a LASER. Not to mention his religious trauma. Oh baby. The religious trauma.
Homeboy literally walks around with a giantass 300lb machine gun shaped like a cross called the Punisher. Hes a priest/undertaker depending on what version of trigun you reference. Grew up in a church orphanage. Also literally walks around with a portable confessional box for people to pay to confess to him. Need i say more.
HE IS LITERALLY JUDAS. he is literally leading the jesus allegory to his doom. hes also in love with the jesus allegory (vash). he is also carrying arouns a giant cross rhat is also a gun. hes literally catholic and judas and his tits are perfect. in one piece of official art he's wearing a cross choker. also the catholicism on gunsmoke is about making vash submit. wolfwood looking at that pathetic wet mess of a man oh i can make him submit easily.
He literally carries around a giant cross and is referred to as a priest by multiple characters. also he offers people confessionals
He carries a huge machine gun that is in the shape of a cross that is really heavy (he is strong) and his boobs are huge. So you know hes serving cunt in a god honoring way. Also in trigun 1998 he brings around a small chapel that he uses as a portable confessional and in trigun stampede he holds funeral services as an undertaker which are way overly priced. Also he dies very gayly (basicly confessing his love to his best boy friend forever)
Nick's funny bc he's probably the least Christian acting guy but is literally a preacher. There's a running gag with Vash asking some variation of "what the hell kinda churchman are you?" His gun is a gigantic cross. He rides a shitty motorcycle in the middle of the desert.
ok so thematically the main conflict in trigun is about peace vs violence and its represented by the characters vash and knives respectively. the two aren't /technically/ angels but thematically and through imagery they are and are comparable to michael and lucifer specifically. ANYWAYS. vash and knives are the characters who are constantly pushing and pulling at wolfwood's morality, sort of like a "the devil and god are raging inside of me" kinda deal. his grappling with his morality and faith is a big factor in his character. also he has a giant fucking gun shaped like a cross. and he dies in a church while praying.
Bros an orphan who grew up at a Catholic orphanage and taken away to be trained and genetically changed into a supercharged assassin for interworldly beings that have lots of angel imagery attached. Guy thought he was just going to be taken to become a missonary...instead he got 6 years of religious trauma. He still wears a cross necklace and holds it often. His gun is a literal cross "full of mercy" (its a missile launcher). He never really believed fully in the faith or anything, but the way he interacts with it is FASCINATING. He's jaded by the planet he lives on and his upbringing, and makes him say his most iconic quote: "We're nothing like God. Not only do we have limited powers, but sometimes we're driven to become the devil himself." He prays to a God he doesn't know if he actually believes in, asking for another day— for hope for the human race. The organization hes part of (The Eye of Michael) works for an interdimensional otherworldly being that has an incredible amount of angelic metaphor and imagery attached who intends to purge the planet of humans... and ends up siding with that guy's twin brother who is so Jesus coded it's insane. They are best friends even as Wolfwood is acting under instructions to babysit and watch him for his twin brother. He dies after facing down against his old mentor (named Chapel) and his pseudo brother from the orphanage who was taken into the Eye as well and his Jesus bestie buries him and sticks his cross-gun in the ground after losing his shit crazy style and using his pseudo alien angel Jesus powers to lash out at his brother for being the cause of Wolfwood's death. Rest in peace king
John
he’s a priest. he can punch your lights out. he would never hurt a fly. he has connections in the black market. he gives everything he can to the local orphans. he will not hesitate to play pranks on you. he wants everyone to be happy. he has daddy issues probably. he wants a promotion sososososoooooo bad.
I accidentally submitted the last 5actors name but it’s the same guy
Hey everyone please vote for this man I love him he truely is what we need more of in this world the kindest most relatable character has flaws etc etc. Deserves the world
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bananami · 1 year
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Good Things Come to Those Who Wait
characters: dabi x reader (x hawks sort of)
synopsis: you've never "finished" before and apparently dabi is the first person you thought to ask to help rectify that issue. somehow hawks gets roped into all of this, and not even in the way he wishes. poor hawks. maybe next time bby. (2k)
warnings: 18+/mdni, MAJOR SPOILERS BELOW IF YOU'RE NOT CAUGHT UP ON THE LAST SEASON, anyways onto the good stuff - fingering, masturbation, a LOT of dirty talk, dabi says fuck a lot, implied threesome, recording and technically sexting, praise kink AND degradation kink, dabi is a little mean at certain points, somewhat implied yandere on hawks and dabi's end if you squint, reader is referred to with feminine pronouns and terms, reader is implied to have female anatomy
a/n: this took on a whole ass life of it's own. seriously hawks was never going to be a part of this but then I thought hmmm that could work. SERIOUSLY SPOILERS AFTER THIS. i am not responsible for what you read. you are responsible for the media that you choose to consume. i've given ample warnings on content and spoilers. if you're sticking around, HAVE FUN. and no i did not proof read this... xxx
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"You want me to do what?"
"I'm not gonna say it again."
"Then I'm not gonna teach you."
"Touya!" You whined. "C'mon, I never ask you for anything- don't give me that look, I don't! I've never enjoyed it, I'm not asking you to show me, just maybe give me some pointers."
Dabi opens his phone to scroll through anything he can to distract himself from the effects of the conversation. It's bad enough hearing you talk about sex, let alone having to make eye contact with you at the same time. "Doll, I hate to break it to you, but if I'm being honest, it's probably got nothing to do with you and everything to do with the fact that you tend to date morons who think that if they grope around enough the clit will magically appear."
You scrunched your nose. "That was crass."
"Are you fucking kidding me?" He pokes at your forehead, knocking you off kilter and falling back onto the other side of the couch, before going back to scrolling through his phone. "You want me to help you get off and you think me mentioning the clit is crass? Make it make sense."
You wished he wouldn't word it that way, even if it technically was exactly what you were asking from him. "Like I said, I'm not asking you to show me how to do anything, I just a little advice to make it better."
"It takes two to tango, baby. You being good at it doesn't mean they will be. You're putting it all on yourself and you can't do that."
"Ok..." you pause for a moment, gathering the courage to even whisper the next few words that cross your lips, "what about when I do it myself?"
That makes Dabi pause, his attention drawn immediately away from his phone and back onto you. "What do you mean when you do it yourself?"
You huff, getting slightly irritated with his line of questioning, as though it isn't obvious what you're saying. "Ok look, we've been friends for a long time and there's no one else that I trust enough to have this conversation with." Your fingers together as you attempt to keep eye contact with him while speaking. "I have a hard time...finishing."
"Why?" There it was. No judgment, no laughing, no making you feel uncomfortable or awkward. Dabi was straightforward and you knew that no matter what you asked, he would find a way to accommodate for you.
"I don't know," you admit, "it's like I get right there and think it's gonna happen and then it just doesn't."
Dabi is silent for a long time. He looks lost in his head, leaving you unsure on what to say. When he finally speaks it leaves you with a bit of relief. Because he again sounds genuinely curious. Although a little strained.
Unbeknownst to you, that may be because of the raging hard on Dabi is trying to keep from getting any worse or more noticeable.
"What are you using?"
"I've tried literally everything. I even bought one of those cute little vibrators from that place you and Keigo always talk about."
Fuck. That's the last thing he needed to hear. Wait until he told Hawks. He'd probably kick Dabi's ass for not calling him immediately. He'd probably do a lot worse after finding out what Dabi was about to offer without shooting the fucker an invite.
"Maybe you just need someone to walk you through it."
"What, like...like you do it for me."
"Like I'll tell you what to do, and if that still doesn't work then we can improvise."
You sit stock still, wondering what this would mean for your friendship with Dabi if you were to go through with it. But he was offering, he wouldn't do that if he thought it would be a bad idea. Would he?
No.
No, you trusted Dabi. That's why you came to him for this. And if he thought this was a good idea, then it had to be.
So you shook your head. You swore his eyes turned five shades darker.
"Lay down."
You do as your told almost immediately, and it doesn't go without acknowledgement.
"Good girl, I'm not gonna touch you just yet, I'm just gonna help you out of these. That alright, baby?" And you shake your head without any hesitation this time.
Dabi's finger skim the top of your jeans until they find the button to undo them. He pulls them do slowly, your panties with them, until they're completely off your legs. He drops your jeans to the floor but your eyes widen just a bit when he brings your panties to his nose and he takes a deep breathe. The embarrassment hits you full force. He slips them into his pocket, and you just know you're not getting them back.
"Open those legs and let me see you, doll." Clearly you don't move fast enough, because Dabi grabs both of your ankles to pull them apart, setting one leg up over the top of the couch, and the other bent in the opposite direction, your foot and ankle laid against his lap.
"Show me what you usually do, pretty girl. Put on a show for me."
You don't know how you can be both so embarrassed and confident at the same time, but it's something about his words that make you feel so much at once. Your fingers begin their usual dance against your skin, and it does nothing but spur him on.
"There you go, pretty baby just needs some guidance doesn't she? Fucking rub your clit for me, just how you like it, show me."
Your fingers rub against your clit, and it makes your body hot having his eyes right on your most sensitive parts. You can feel it building inside you, heightening when his eyes find yours and he smirks. "What do you want? Need me to tell you how pretty that pussy is? You want some praise, you little slut? A little degradation? You like when I call you my good little slut? I bet you fucking do. Shove two fingers into the pussy, let me see you take them."
Your head is fuzzy as you do what he says. Your fingers aren't very long, but they get enough of the job done. Dabi's words do more of the work than anything.
"Fuck, listen to the wet cunt, pull your fingers out, rub your clit again. That's right, baby, make a mess for me."
You keep at it for a while, but it's not until you get to the closest you've ever been to cumming that you realize it's not gonna work. You can feel it, and you want it so bad you're practically crying, but there's just something missing.
Dabi catches on quickly. "No go, baby?" He teases you. "You need to cum so bad, don't you?" You can't do anything but keep moving your fingers and shaking your head.
He lets you go a little longer, savoring the tears glistening in your eyes. And then he's pulling at your wrist, yanking your hand up toward his face, and wrapping his lips around your fingers. The same two that were just inside you.
The audible gasp that falls from your mouth does nothing to quell the growing excitement inside him. He's licking your fingers clean, groaning at the taste of you on his tongue. He pulls them from his mouth, his eyes heavy with lust.
"Any of those shitty little boyfriends get a taste straight from the source?" You look at him with confusion written all over your face, and he rolls his eyes. "Your pussy, any of them ever eat it? Or did they skip the foreplay? The look on your face is telling me all I need to know. Their loss, doll. Taste so fucking good, could spend hours with my tongue inside you."
It's his fingers ghosting over your clit that makes you almost choke. You have to shove your hand against your mouth to keep from being too loud.
"Don't you fucking dare," Dabi's voice is practically seething, "let me hear every fucking noise I make come from those lips. Made me wait this fucking long, you owe me that."
Your hand is forcibly removed from your hand and pinned at your side.
"Keep it there." He commands. And then two of his fingers are slipping inside of you. "Such a fucking cocktease, you know that? Have me and Keigo practically drooling over you and you wanna choose a bunch of fuckboys instead? They can't even get you off. Now you're coming to me wanting to cum. Fuck you. Beg."
"Please, please, please," you don't hesitate. And all of a sudden all you can think about is Keigo. And Dabi. And Keigo and Dabi. "Need to, please, please-"
"Fuck, you're squeezing. So fucking tight. What are you thinking about, huh? Is it because I mentioned Keigo." You can't help it. "There you go again, baby, does he make you wet too? I bet you wish he was here to help too."
It's a fleeting thought, but Dabi can't help himself. Hawks would be pissed if he missed this. He tries facetime, but no answer. Sorry fuck. The next best thing will have to do.
Dabi pulls up his camera and hits record at the same time that his fingers curl and he snaps, bordering on too much and not enough.
"That's right, want it dripping all down my hand. Cry for me, little mouse, let me see those tears." His thumb plays with your clit as he focuses the camera right on the place where you and him meet. "Can't tell you how many times him and I have had to jack each other off to the thought of your pussy."
You choke on your tears, "Touya-"
"Need you to come all over my fingers, baby. Show Keigo how good I'm making you feel. You'll let him help out next time, won't you?" You don't understand why, but your brain is so foggy, and you nod vigorously, maybe to agree, maybe to clear your head, it didn't really matter at this point. "Yeah? You'll let him eat that little pussy, right? He's been dying for a taste. Is that what you want, you want us to share you?"
The thought of them sharing you is what does it. Dabi swears he's never heard a more beautiful noise than the sounds you make when you orgasm. He doesn't let up, his fingers still relentless inside you. You almost panic when you begin to feel the next wave pass over you, similar but different from the last one.
"He can lick your pretty cunt while I pound into you, hmm. Or maybe I'll let him have your pussy first since he missed out today, so long as I get to take your ass while he does. Or you think you can squeeze the both of us inside this tight pussy? A little effort, but I bet we can make it work, doll." The chuckle that leaves him is almost sadistic, and all of a sudden, you feel your body snap.
"Look how she squirts," you hear him saying, "pussy's a fucking dream." He lands a slap against it that makes you flinch from how oversensitive you feel, and hits send on the video.
The next couple of minutes are spent in silence, except for Dabi, who is whispering things like did so good, perfect for both of us, such a good girl.
Dabi makes sure your cleaned, having to pick you up and carry you to the bathroom, where he sits you against the countertop and begins running a rag over the inside of your thighs. It's distracting enough that you don't hear the vibration of his phone against the granite counter.
His smirk only grows at the message that lights across the screen.
Hawks: dICK
Hawks: im gonna kick your ass
Hawks: i'll be right over
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robinwinged · 4 months
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escapism in "the boy and the heron"
Interrupting my regularly scheduled programming of Good Omens brainrot for this attempt to process the wonderful, fantastical, and distinctly discombobulating experience of watching Hayao Miyazaki’s “The Boy and the Heron.” 
Miyazaki’s films, at least to me, have never been straightforward to follow. Spirited Away, for example, is a beautiful masterpiece whose meaning is difficult to decipher on a first watch, and is only fully unveiled when you dive headfirst into research of Japan’s context and the movie’s many symbolic themes. The Boy and the Heron takes this typical Miyazaki complexity and ineffability and turns it up to eleven. There are so many elements that seem random, so many narrative arcs and characters all warring for attention (what is the tower? why are the parakeets so goddamn bloodthirsty? why is the blue heron such a creepy old man?), that combine to create a whimsical but overall also very strange landscape. 
I know that art in general does not have to have “meaning” or “a message” to be deserving of our love and attention. Art can be touching, affecting, disturbing, provoking - any number of things that would give it credit - and damn it if The Boy and the Heron isn’t all of these combined. But. 
But.
This is also a Miyazaki movie, and he has proven once and time again why he is the master of hidden meaning, and so here, in no particular order, are my half-formed rambles on what I have personally think each movie detail that I struggled to puzzle out initially is about. 
(spoilers below, so proceed with caution!)
The tower, time, and escapism 
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The tower is the central mystery point of the movie - a literal mystical rock that crashed down from the heavens and later lured Mahito’s grand-grand uncle (let’s call him the Tower Master for convenience’s sake) into its depths. Within the tower is a mirage world filled with magic but no real living beings, controlled by the whims of the Tower Master and nothing else that remotely resembles logic or reality. The tower also contains a series of doors that seem to lead to different points in time, if the ending is to go by and how the 13 blocks are meant to be pieces of worlds the Tower Master has visited. So what is this strange and fantastic realm, and what role does it play in the overarching narrative? 
My hypothesis is that the Tower is a pocket free from the influence of time (think like the TVA in Loki) - a separate island running parallel to the fabric of the universe that contains portals to different points of past, present, and future. By itself, the pocket has no life or substance; it must be filled by the imagination - pure imagination, untethered to reality - of its main (human) inhabitant. This is why most of the ships are illusions rather than real objects, why the parakeets are so ridiculously odd and behave nothing like real
birds, why the fish is the size of Kiriko’s damn ship. Anything that is real, has to be brought in from the real world (see: the pelicans, Himi, and Kiriko). This is also why the parakeet king immediately topples the tower: yes, he is not the Tower Master’s descendant, but he is also not inherently a real sentient being, and an imaginary object cannot in itself sustain a further imagination. 
So why does the Tower Master choose to sequester himself in this alternate space, where he can only exist alone with his own mysterious creations? I think the Tower Master represents those of us who wish to escape from reality, to inhabit worlds which we can control, where pain doesn’t have to touch us if we don’t wish for it (whether I’m projecting reallyyyyy hard at this point does not matter ok). He is an insanely avid reader, with books literally piled in small mountains throughout his living quarters, and don’t we readers (i.e me, again) always wish for escapism? The Tower Master, then, is an example of those who would rather become entrapped in our own minds rather than deal with the world beyond us - maybe, even in a way, a little like Miyazaki himself, whose imagination is so powerful but is also extremely singular and all-consuming, anchoring him to his creative work without reprieve of retirement until his reserves run dry (not to imply that the man is a hermit or that I want him to retire, quite the opposite in fact, but parallels, no matter how shaky, can still be drawn). 
This, too, explains why the Tower Master needs Mahito to control the world for him. It is not because he’s grown old, since he cannot be affected by time in the Tower, but it is because his imagination is stagnating - he is no longer capable of finding new ways to balance the tower, he cannot sustain the fantasy any longer. In itself, this can already serve as a message from Miyazaki - we cannot hope to live only within the confines of our minds if we do not interact at all with the real world, because then at some point we will run out of material, of lived experiences to build on top of, and threaten to crumble the fragile imaginary world we have created. 
Himi and her fire powers
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Himi is a strange hiccup in the system - a rare occurrence of a living person in this fantasy playland that wasn’t brought into it during Mahito’s own entrance, like Kiriko. This theory is a little bit out there, I can totally appreciate that myself, but remember that one year in which Mahiko disappeared from the real world and then came back completely unchanged? I think she chose to stay there for much longer than a year, knowing that time didn’t work the same in this pocket world and she always had the chance to return to her original timeline through the handy door-portals. I think Himi has stayed there essentially until she met Mahito - so long that she actually grew into a part of the fantasy, developing impossible pyrokinetic powers and becoming a set part of the landscape in exchange for extended youth. But this stay didn’t come without consequences. In the real world, Mahiko passes away in a fire, at a younger age than would be expected. Perhaps this, in itself, is a punishment for cheating time - the universe reclaiming the years that Himi spent in the Tower. It’s also definitely not a coincidence that Himi can control fire in the Tower, and dies by fire in the real world; a form of lethal poetic justice, if you will. Seeing Mahito was the trigger for Himi to leave, to embrace her own destiny, because she could now see and be proud of the outcomes of her life and not have regrets about missing out on the life passing her by. (This interpretation would then necessarily imply a deterministic version of life and time, so it’s probably not everyone’s cup of tea, but I think it makes sense in this version because you see doors way farther down than the present which Mahito steps into.) 
The starving pelicans 
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The pelicans are another anomaly because they, too, are not figments of the Tower Master’s imagination, but instead have been brought into this fantasy world, for one reason or another, likely against their will. And this is where the Tower Master’s escape from reality cracks and burns at the foundation - he creates harm rather than good when he brings in the pelicans, because he does not account for the fact that they cannot exist without a source of food, and they then are forced to eat the Warawara to survive. The movie states that the Warawara are like baby souls, who ascend to become new lives, but I think it’s a little more metaphorical than literal rebirth. For me the Warawara are metaphorical ideas or seedlings of inspiration, the only parts of the Tower Master’s creations which aren’t fully formed, but allowed to grow by themselves and escape into the world - like passing the spark of creation to others outside the Tower. And the pelicans, involuntary prisoners of the Tower Master’s fantasy world, must prey on the Warawara before they have the chance to become real. This can be seen (if you squint real hard and do some violent spins so your vision is hella blurry) as the beginning of the end of the Tower Master’s reign - the forceful inclusion of other sentient beings inside his imagination doesn’t help him enrich his internal realm, but rather snuffs out the genuine inspiration that he could be passing onto others, creating pain where the Tower Master hoped to be spared from it. 
Mahito’s rejection of the Tower
So with this central “Tower as escapism” theory, what does Mahito’s rejection to take over for the Tower Master mean? There is a moment that was so subtly powerful in that final exchange between the two, when Mahito stops denying the truth by telling everyone that he got his scar from falling, and instead admits that self-harm was the actual cause. At the beginning of the movie, I viewed that moment of very painful self-harm as Mahito’s wish to withdraw from the challenges of life - to live in isolation away from the grief over losing his mother, the challenges of being the rich new kid in town, the overwhelming discomfort of seeing his father shack up with his aunt. His reality is agonizing for him, and the fantasy land is so beautiful in its strange way that it could become a safe haven away from his trauma. But when Mahito says “no”, he is choosing reality; he is choosing to do the hard work, to face all the hardships life can throw at him, because he feels finally strong enough to not need to use imagination as an escapist crutch. In those final moments, Mahito is choosing to live in a world that he cannot control, because no matter how tough things get, he doesn’t have to do it alone - and that’s what I think Miyazaki is telling us too. 
Of course, the movie also deals with themes of class conflict and war profiteering; grief and acceptance; continuing your ancestors’ legacies versus paving your own path, which many have already discussed and I don’t particularly have anything new to add to. Regardless, these themes are masterfully woven into the plot, as per usual, and serve to elevate the movie’s emotional impact into something heart-twisting and truly unforgettable. 
Alright, ramble over - back to fandom lurking! 
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simply-whump · 4 months
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Gyeongseong Creature (경성크리처) - Whump List
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Whumpee : Jang Tae Sang played by Park Seo Joon
Synopsis : Jang Tae Sang is a wealthy man. He is also a reliable source of information around the area. His talents, including the ability to react quickly to situations, a keen insight, and sociability, have led him to his current position. He soon gets involved with Yoon Chae Ok who arrives in Gyeongseong to find her mother. They follow a series of mysterious missing person cases, and they come upon a terrible reality. (MDL)
Genres : Action, Thriller, Historical, Sci-Fi
Note : I made an edit on this show that you can watch on my youtube channel >> Here
Warning! Possible spoilers below!
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Jang Tae Sang
Ep 1 : (11:13) Tortured by electrocution, tied to a chair, shaky breathing, electrocuted again, screaming in pain — (16:50) Splashed with water, still tied to a chair, kicked repeatedly — (20:26) Threatened — (22:11) Comes home looking really bad, concern for him — (43:05) Fighting, hit multiple times — (47:10) Slapped
Ep 2 : None
Ep 3 : (34:43) Beaten up, at sword point, fighting, cut by a sword, beaten again — (43:48) Comes home once again looking beaten up and hurt, treats his wound, in pain, concern for him, refuses to go to the hospital
Ep 4 : (06:27) Wincing in pain — (37:52) Wincing in pain — (39:45) In pain because he keeps moving around while injured — (50:12) Wincing in pain — (51:12) at gunpoint, kicked, pistol whipped, fighting — (53:32) Heavy breathing, bleeding, looking exhausted — (55:07) Wound treated, in pain (Gif Set)
Ep 5 : (07:26) Attacked, arm injured, running away — (14:47) Captured — (19:50) Tied, manhandled — (29:20) Put in prison
Ep 6 : None
Ep 7 : (02:48) Appears and seems injured and in shock, half collapse, starts mutating (it was all in the female lead’s dream) — (04:51) Unconscious in an unknown place — (15:05) Shot at, arm hurt — (22:35) Stays behind to allow his friends to escape, concern for him — (26:02) Shot at, glass falls on him, in a desperate situation — (30:00) Running away, chased, falls through some vents, lands unconscious — (37:46) Wakes up, heavy lidded eyes, in pain, gun at his head, gunshot heard but nothing shown — (55:20) Wakes up, gets up with difficulty, shaky breathing, can barely walk 
Ep 8 : (09:19) Bloody and just not in good shape, exhausted, heavy breathing — (14:00) Barely standing, passes out (poor guy has been through a lot) (Gif Set)— (22:31) Wakes up in bed, told he was unconscious for four days — (27:25) Reappears when everyone thought he was dead — (42:30) Female lead’s reaction to seeing him alive and well — (51:00) Attacked, choked 
Ep 9 : (58:10) Teary-eyed — (59:25) Sits down in shock, crying 
Ep 10 : (26:05) In an explosion — (47:05) Attacked, fighting, stabbed, cut, keeps fighting, surrounded, saved — (53:30) Worried for someone, panicked, screaming — (01:06:00) Teary-eyed
>> More Whump Lists
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your-local-grubdog · 9 months
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Wait actually can we talk about Leaflings real fast. Because. What the actual fuck.
Also sorry if I curse a lot more here than usual but like 90% of my genuine reactions to this topic is "what the FUCK" so uhh get used to it I guess.
Huge thanks to @saihahas for helping me with some image transcripts as well.
Major story spoilers below you have been warned. Ok let's go.
So you're able to just rise from the dead in pikmin 4. No, seriously. You can do that.
At the end of Olimar's side story we get this scene and associated line:
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[Image transcript: White text on a black screen that says "But at that very moment, my life support system failed" END TRANSCRIPT]
Like. He died. His life support system failed. He DIED. And moments later, he was revived as a leafling. He died and came back from the dead. Like, what the fuck????
It even fixed up his injuries he got prior to becoming a leafling. Just a full on revival.
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Image transcript (one leads into the other naturally)
Collin: By the by, Olimar, is there anything you remember from right before or after you became a leafling? Any additional details?
Olimar: Not particularly. It didn't feel bad or anything like that. In fact, it was quite revitalizing.
Olimar: My chronically stiff shoulders and all the injuries I'd sustained during my explorations healed immediately.
Yonny: Hmm... Perhaps leafification has highly restorative effects...
Yonny: This is definitely something worth looking into, eheheh. END OF TRANSCRIPT.
Now we don't know if everyone who was a leafling had to die before hand, though there is a common thread that they were at least unconscious... And had just escaped deadly situations... I think Olimar found them moments before they died and, not knowing any other way to save them, leafed them as well. Something they bear no ill will towards him for - in fact, they're thankful for him.
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Image transcript:
Jin: When I was leafified, I could not stop thinking about the art of Dandori. It was like an endless meditation.
Jin: A leafling appeared in front of me after the ship crashed and I had used up all of my flagging energy.
Jin: My intuition told me they were not a bad person. I also felt as though they were determined to achieve something
Jin: I am afraid I do not recall much of what happened after that, as I lost consciousness. END TRANSCRIPT.
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Image transcript:
Corgwin: I was attacked by a creature, and right before I lost consciousness, I saw something overhead. It was a leafling
Corgwin: They had such sad eyes, but there was more going on in there. Their eyes were full of determination.
Corgwin: I have to believe there is a reason why they do what they do. Turning castaways into leaflings, I mean.
Corgwin: Your time is limited, so think it through! END TRANSCRIPT.
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Image transcript:
Bernard: You need anything else?
Bernard: Even when Olimar was leafed out, he was still trying to RESCUE folks!
Bernard: And there I was with my head focused on nothing but Dandori stuff. HOO, he's one tough cookie!
Bernard: You need anything else? END TRANSCRIPT.
Ok Bernard's conversation doesn't add to the "he found them in deadly situations" point but it DOES show that all of his "victims" think highly of him for the fact that he had saved them and others. (Also, side note, Olimar had sad eyes... Poor bastard thought he was never going home to his wife and kids, was visibly depressed over this, and STILL was trying to save people. Olimar is like, genuinely such a good fucking person God damn.)
Now being a leafling is undead and comes with its own slew of problems. Namely, the fact Dandori takes over your brain (probably the pikmin survival instinct) and the fact you can no longer leave PNF-404. It's not even an air thing, it's not being on the planet that causes sickness, so not even spacesuits can fix it.
But then you're able to cure yourself of being a leafling. And just. Go back? To your normal life?????? Like nothing ever happened. You died and came back. What the fuck.
And to make that point worse. One of the key ingredients is Glow Sap. Which is produced by the Luminknolls. The only other thing the Luminknolls make is uh. Glow pikmin. Which.
“Although they've been named Glow Pikmin, it's not entirely clear whether or not this species is actually a type of Pikmin. These creatures possess the same fundamental behaviors of Pikmin, like carrying things, propagating, and fighting. They also share special characteristics, such as the leaf atop their head. Yet they do not spawn from an Onion but a Lumiknoll, and they are only active at night or underground. During the day, they revert into seeds and enter a resting state. What's even more surprising is that they exhibit no signs of life. When a Glow Pikmin "dies," if that word can even be used, it does not expire in the typical sense. Instead, it just becomes a form of light-or perhaps a photon-and returns to the Lumiknoll. Putting aside my "scientist" hat for a moment...it seems to me that this creature or entity may not be a living organism at all but some manner of spiritual substance.”
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[Image Transcript: a screenshot of the Piklopedia showing the very end of the above quote. END TRANSCRIPT]
And just as some icing on the cake:
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[Image transcript: Louie's piklopedia notes on the glow pikmin. All it says is "Doesn't smell alive." END TRANSCRIPT]
Cool they're fucking ghosts. Sorry I can't be convinced otherwise, they're clearly some sort of supernatural entity at MINIMUM. I just think spirit is most likely. They don't have to be the spirits of dead pikmin... Although... You can convert a Glow Pikmin into normal pikmin via a candy pop bud. I've done it before, I have no video of it but you can go and try it yourself if you'd like. And if they are spirits of pikmin then that means that we can also bring pikmin back from the dead. What the FUCK.
Anyways. I got side tracked sorry. My point was the Luminkolls make two things: Glow Sap and Glow Pikmin, which have similar names and similar appearances and. Are we using ghost juice to cure leaflings???? Which is used to reverse all negatives of being leafed. Which can be used to bring the dead back to life.
I don't know how to end this. I really really don't know how to end this. I just need someone else to scream about this with because it's so. It's so fucking WEIRD like what the hell. It's not enough that they may be humans, noooo, there's also undead creatures (excluding the mushroom guys those freaks have an explanation at the very least). This game is weird as hell but tbh I love it.
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