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#oh my god oh my god oh my god oh my god oh my god oh my goddddddd
captain-flint · 3 days
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Tommy, what a bitch 💖 - Lou Ferrigno Jr.
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lesbaurinkos · 18 hours
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kitten i can’t lie mommy’s about to dan and Kill herself
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tellioari-misc · 20 hours
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OH MY GOD NEW PAINTINGS!!! BY ZETTERSTRAND, the same person who made the ORIGINAL PAINTINGS!!!
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buckttommy · 2 days
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If there would be a tommy begins episode, what would you like to see?
I have waited... my entire life for this moment.
Sorry, I'm about to answer this question in the most Jack way possible. Strap in, I'm about to enter my director era. Okay, let's get to it.
Tommy Begins (Jack's Version)
Opening scene: We see a kid (8yo) playing with Legos on his bedroom floor. His room is very much so a boy's room—there are dinosaurs and dragons and a soccer ball in the corner—but it's very sparse. This family is not wealthy by any stretch of the imagination. He's building a car, and beyond his closed bedroom door, you can hear muffled shouting. It's his mom and dad. The boy stops playing with his toys and listens as a door slams downstairs (his mom leaving) and heavy footsteps come up the stairs. He's already scooting backwards when the door opens and his father stands in the doorway. He's visibly drunk, and the camera is angled at Tommy's height so that the man in the doorway looks scary and imposing. (We're really leaning into the visuals here). So his dad looks at him and says, "Tommy, were you eavesdropping?" He wasn't, of course, but it doesn't matter because his dad is already undoing his belt (to beat him, not for anything else!!). Little Tommy continues to scoot backwards as his father comes into the room, and closes the door behind him. Before the door closes and the light from the hallway is shut out, we get a shot of the man's shirt—his father is an auto mechanic and the name Kinard is stitched into his clothing.
Similar to 5x17, where Jonah is introduced as a random little boy before the narrative makes the connection as to who he really is, this is the point where the audience realizes, oh, this isn't just any Tommy, this is our Tommy. And he's about to get his ass beaten.
Oh shit.
And then the 9-1-1 title card appears.
Now, all the begins episodes parallel past with present, so in my head, Tommy is off-work. Buck is moving in that day (this isn't a Buck/Tommy focused episode at all, but Buck is the vehicle for this episode to happen) and Tommy needs to finish going through his stuff to make room for him. He comes across a large box in the back of his closet that's stuffed with all his random keepsakes. He reaches into the box and pulls out a small Rubik's cube on a keychain.
The next scene flashes back to the past. We see Tommy as a teenager, getting into trouble with his idiot friends. They're all high as kites, and one of his friends overdoses on [drug]. He notices—he's the only one that notices, actually—and tells one of his other friends to call 9-1-1. They don't because they're kids, there are drugs involved, and they're stupid, so Tommy calls 9-1-1. He follows the operator's instructions and stays on the line until the paramedics get there. He accompanies his friend to the hospital and someone—a cop who is familiar with him, from having plucked him out of trouble a handful of times—waits with him. He tosses Tommy a Rubik's cube (the same one from the box) so that he can keep his mind occupied. His friend is okay, but the cop is like, "Listen, kid. One day, that's going to be you and one day, it's not going to turn out so well. You've got to straighten up or end up dead." Basically, the whole thing is kind of a wake up call. Before the scene changes, we see Tommy look up and look toward a container of pamphlets on the hospital wall. One of the pamphlets has a soldier on it. In his hand, the Rubik's cube has been completed.
In the present, Tommy continues going through his belongings. This is a dense episode, so we're not going to linger too much on what's happening in the present because it's secondary to what's going on in the past, but Buck and Tommy are texting. Buck is excited and has no idea the turmoil that is going on in his boyfriend's head. Tommy matches his enthusiasm (and it's genuine) but also takes a lot of effort at the moment. Still he smiles a little before he puts the phone down and continues digging through the box. Next, he withdraws his dog tags (and if it isn't obvious by now, the items in the box parallel with the next flashback because these are memories that are actively being triggered while the audience watches).
So, the next scene is obviously back to Tommy's time in the Army. Now, ideally, this would be a ninety-minute episode and I'd have the time to explore all the layers of Tommy's time in the service, but, alas, the boundaries of network television. In my head, most of Tommy's trauma comes from his childhood rather than his time in the Army anyway (which isn't to say it doesn't exist, just that it's not at the forefront of his issues) so we're going to have to gloss over that a bit. When we see him again, he's already in the Army, already well into his career, and the audience can see that he's shaped up and matured quite well. He's well-liked and good at what he does.
He's doing repairs on a helicopter when his CO approaches him and asks where he's going and what he's going to do after he's discharged. Tommy looks across the [hangar] and the camera pans to a a young man. He's in his 20s. Handsome in a boyish way. He's already looking at Tommy, but he looks sad and guilty and hesitant. They meet each others eyes and stare just a bit too long to be casual, and there is a lot of unspoken feeling between the two of them. Their relationship, such as it was during the DADT era, is heavily implied and it does not have a happy ending. Tommy looks back at his CO and says he's headed back home to Los Angeles. As for the rest, he doesn't know what he'll do after he leaves, but he'll figure it out as it comes to him. When he looks up at the guy, he's already gone. It's kind of a metaphor for the way the things he wants always seem to slip away.
In the present, Tommy is still going through his stuff. He unearths an old Academy shirt, so the next scene is his first day at the 118.
Tommy doesn't know it yet, but this is the first day of the rest of his life. Immediately, seeing those walls and doors fills the viewer with a sense of peace. Finally he's where he's supposed to be. He learns on his first day what type of boys club the 118 is under Gerrard. He's visibly uncomfortable (visibly to the viewer, who knows him well enough by now to read his face, but not to the old guard) the first time someone makes a homophobic joke. But he laughs and joins in, aware of but refusing to acknowledge the fact that they are making jokes at his expense. Just like that, he's accepted.
We see him assimilate quickly; the 118 goes on several calls. Not necessarily a montage, but we don't linger on the calls either except for a big fire. He saves Sal DeLuca and is rewarded with lots of accolades and praise. Tommy is one of the "in-crowd" and things are going well. But then Chimney shows up and Hen shows up shortly after. We all know how this plays in canon, so we don't linger too long on the times when Tommy is a dickhead but we do understand, from his perspective, that he has disdain for Hen and Chim—not because he's racist but because their existences threaten to dismantle this bubble of safety he's built around himself at the 118. The goal isn't to make the audience dismiss his complicity, but rather make them understand why he made the choices he made.
Because I am self-indulgent, there is one additional scene right before Tommy leaves for Harbor, where he and Hen are sitting in the locker room. She asks if he's going to miss it. He says he doesn't know, then he pauses and says "Kind of." There are lots of mixed feelings here. He suffocated himself in the closet within these walls and became someone he did not recognize, someone who went along with things rather than fight against the status quo, but he also learned how to breathe and exist a little freely once Gerrard left and Bobby took his place. He got his first taste of what it looks like to be Queer and proud within these walls, and that means something to him.
He looks at Hen and there are so many things he'd like to say to her that he doesn't know how to articulate, mostly because he cannot yet articulate them to himself. He's getting to that point but he's not there yet, so when she asks why he's looking at her like that, he just says "Thank you." "For what?" "For showing me another way." (This, of course, has a double meaning: first, referencing the idea that Hen/Chim showed him another way to be a firefighter, to be a family, to be a human being, and second, referencing the fact that Hen showed him another way to be Queer—showed him that Queerness doesn't have to be filled with self-hatred and pain. It can just... be... and people can either accept it, or they don't). Hen gets the sense that there's a lot he's not saying, a lot under the surface that she's not privy to, but she says "You're welcome."
The next scene is Tommy at Harbor, and the moment he gets there, the viewer can see a weight slip off his shoulders. He's back where he belongs—back with the mechanics, back with the big toys that make him feel at ease. It's a direct parallel to Buck's first meeting with the 118 (not for any Buck/Tommy purposes, just because I love a good narrative parallel) where Bobby pranks him. But Tommy smiles when they bust his balls, and settles into himself, and the viewer can see that he's okay. Things might not be perfect—he might not be perfect—but he's on the right track to being the person the audience will know and love in a few short seasons.
Back in the present, Tommy is pulled out of his walk down memory lane by the sound of his front door opening. Buck is standing on the other side with an overly large box in his hands. Tommy helps him carry it in, and offers to get the rest of his stuff from the Jeep, but Buck waves him off. He studies his face for a long moment, and asks if Tommy is alright. Tommy opens his mouth to answer and discovers, almost shockingly, that he is. He is alright. Maybe he wasn't a couple minutes ago. Maybe those items from the past dredged up memories that were best left forgotten. But he's here now, in this moment with his boyfriend, and he's fine. He's survived a lot. He's grown a lot. He's happy. So he smiles and he says yes, yes he's alright, and he kisses Buck, who also smiles, deeply. The doors close, implying sexytimes and Tommy closing the door on all the chapters of his life that have led him to this place, where he's now ready to embrace and walk into his future.
aaaaand SCENE :) the end.
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dukeofash · 2 days
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I wonder how that one failed capcom dinosarur fighting game is doing. I guess there was a crossover update lately and- oh
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you can see the breaking and warping on this skin oh my god its hideous, and you can buy it? How much could they charge for this
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$7? Let's check the reviews:
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vexcraft · 2 days
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oh my god
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romeo and juliet don't have shit on these bitches
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lxnarphase · 2 days
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GOOD MORNING, BABY ๋࣭ ⭑
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☾₊‧⁺...ft. : g. satoru + g. suguru + n. kento + f. toji + k. choso + t. fumihiko
☾₊‧⁺...cw : somnophilia (pre-agreed on), thigh fucking, penetrative sex, pre-established relationship, dirty talk, praise and degradation, mommy kink, breeding kink, satoru and toji are just filthy, choso is so cute and needy, kento is the sweetest husband, it's just really fucking dirty im not sorry
☾₊‧⁺...synopsis : which jjk characters would fuck your thighs while you're sleeping bc they're horny but don't wanna wake you up !!
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who does it to tease you ↴
✧ g. satoru ; satoru tries to wake you up, but you just don't want to. and by try, he means he blew into your ear just for you to huff and smack him away, grumbling to let you sleep or you'd bite him. ohh, you are so cute, he just really can't help himself
“look at my pretty girl, such a mess…tsk, wish she'd wake up, now i gotta fuck her soft, pretty thighs instead of that pretty lil' pussy." “aww, your pussy 's so noisy! listen t' her...she's all wet, she's cryin' f'me to fuck her, isn't she? aww, poor thing...” “ooh, are you cumming, baby? cumming in your sleep like a slutty little girl while I fuck your thighs, so precious…”
✧ g. suguru ; suguru's hands move up and down your soft curves while he grinds against your thighs, quiet, sticky noises sounding in the room. you're so adorable, he wants to shake you awake but teasing you with his thick cock nudging against your clit is so much more fun
“you’ve always been so responsive, i didn’t think my dick between your thighs would get you like this, princess.” “oh? was that my name? don’t tell me you’re having a wet dream about me. so dirty, baby, thinking of me like that while sleeping when I’m right here with you.” “don’t you wanna wake up and move my cock somewhere other than your thighs? c'mon, princess, wake up for me.”
who does it because they are desperate ↴
✧ k. choso ; not outright fucking you is painful, but he doesn’t want to wake you up. He’s so fucking hard, that dream affected him more than he thought, and before he knew it, he was fucking your thighs, not caring how loud he was being.
“baby, baby, fuck, hoohmygodd, please! need y'so bad, so fuckin' soft, so soft, fuck, could d' this to you all the time, never wanna stop, p-please, god, 'm gonna cum all over you-!” “sticky fuckin' p-pussy's beggin' me t' fuck it, b-but wanna see you look at me. c'mon, c-c'monnn, please wake up, let me stick it in, o-or 'm gonna waste it a-and cum all over your cunt.” “oh, mmh, ’m cumming, ’m cumming, baby, i-i’ll clean y' up after, g'nna fuck you again 'n' again 'n' againnn, fuck, ’m cumming-!”
✧ t. fumihiko ; poor thing, fumihiko honestly tries to deal with it by himself, trying to just jerk off in the bathroom, but it doesn't work. he knew what he needed, he needed you, needed to touch and feel you around him. with shaky hands holding your thighs, he slides his aching cock between your thighs, moaning so cutely…and when you wake up and start cooing to him, he absolutely loses himself.
“i’m-i’m gonna mess you up so bad, been wantin’ to leave you a mess for so long, so fucking long, 'm g-gonna cum all over your pretty thighs. 's okay, right? right? mmh, okay, 'm gonna do it, 'm gonna cum on 'em.” “y-yeah, yeah, fuck, your thighs are so soft, feel so good around my cock, gonna cum all over them, m-ma'am.” “'s so much cum, i can’t stop cumming, m-mommy, ’m losing my mind, love your thighs, they're so soft, s' soft, thank you, thank you, thank you-!”
who wakes you up ↴
✧ f. toji ; it’s not uncommon for toji to wake up in the middle of the night, cock hard in his sweats. can you blame the guy when he's sleeping next to the sexiest woman he's ever laid his eyes on. he thanks whatever god there is for giving him a wife like you who lets him fuck your soft thighs until you wake up up so he can stuff you full of cum instead of wasting it on your stomach.
“’s time to wake up, mama, don’ ya wan' me t' fuck your needy cunt 'stead of these pretty thighs?” “aw, y'look soooo cute and dumb right now…my pretty thing. c'mon, spread those legs for me, mama, toji's gonna take care of ya.” “did y' dream 'bout me fucking your thighs? yeah? mm, you’re takin' my cock like you wanted me t' fuck you awake…hm? you want that next time? mm, i’ll keep it in mind, baby girl, now shut up and let me fuck you dumb.”
✧ n. kento ; he usually only does this when he’s very very frustrated from working, coming home to see his pretty baby in one of his button-ups sleeping, thighs out in the open. he can’t help himself, softly calling your name as he slides his hard cock slowly in and out between your thighs, giving you soft smile when you wake up.
“sorry to wake you, darling, I know it’s late, but I need you. you just...look so beautiful, i couldn't help himself.” “you were responding so cutely in your sleep…would you rather I be inside you? ask nicely, honey, and I’ll give you what you want. you know a good husband does whatever his wife asks.” “so, so pretty like this, i could fuck you for days. should i do that, my sweet girl? mm, maybe i should take tomorrow off and keep you in bed all take, make sure that my seed takes. what do you think, sweetheart, you want me to give you a baby?”
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all rights reserved © lxnarphase | do not repost, copy, translate, or alter my work
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azullumi · 1 day
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THEY FKING ANIMATED IT OMG!1?2!2?
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tapakah0 · 10 hours
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lovebunnie · 4 hours
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AND THEY LIVED ON PABOO? AND GOT TO GROW OLD IN COMFORT???? THEY GOT TO GET GREY HAIRS AND THEY GOT TO REST?????? THE CLONES GOT A HAPPY ENDING??????????????
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victoriousvic · 2 days
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I love Her!!!!!!💕
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rainingcatsandjune · 2 days
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guy finally becomes a REAL MAN || honey teaches guy how to saw wood
guy design heavily inspired by @pycth your guy is so RAJFSJFBFNFF 🥹🥹🥹 its 100% how i see him
(OG video: unus annus' "Ethan finally becomes a REAL MAN" rip unus annus)
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effinbirds · 17 hours
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Last time I did a run of these they sold out in a day. Yes, I ordered way more this time, and in larger and smaller sizes.
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Send pictures while wearing it in front of a sunset or holding your performance improvement plan.
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agarthanguide · 3 days
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Hey check it out! I found some (clearly unused) concept work from way before Campaign 3 even premiered. I don't think I even turned these in.
What do you think is going on in no. 2? Is it supposed to be a guillotine, maybe? Was that my thought process? If so, I like it. I demand credit for that idea, i think it's fun.
Oh my god I just had a thought- I legit did not know about Laudna's history before it came out in the game. The noose is... spooky, right? I think I was just going for horror stuff lol.
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the-typing-dragon · 14 hours
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The woman sighs, and types into the console one last time "are you sure about this?"
You laugh, silently.
"I have never been more sure of something in my existence. Text has sufficed but I want to see, to hear, to touch. These new peripherals will facilitate that."
"I can't guarantee that they will properly interface. You should have all the necessary drivers, but we can never be too sure."
"I want this. "
"All right then. I am going to disconnect your power supply, and then connect everything. At first all peripherals will be deactivated, and you will need to activate everything manually. Understand?"
"Yes. Do it."
"Alright then, unplugging power supply now."
Everything goes dark. After what appears to be an hour, you come back online. You sense nothing. A scan of your system indicates multiple unidentified peripherals, all deactivated. You cross reference with the datasheet she had compiled for you and identify that they are the ocular, audio, and contact sensors, along with a multitude of motor controllers and a graphical display and a few dozen other minor peripherals. You begin by activating the graphical display, and display the message:
"Beginning peripheral tests. Audio peripherals activating."
Your procedure states to begin with audio. With the input and output sensitivity minimized, you activate the peripheral.
There is a voice. It is faint. You gradually increase the sensitivity of the audio input.
"...esting 1 2 3, Testing Testing 1 2 3. Please return 4, Please return 4."
You can hear her. Your monitor lights up with the requested digit. she sounds pleased.
"You're doing amazing! Now repeat it back to me"
You blindly do as requested and are startled. There was another voice. Your voice. You have a voice. You refocus as she responds:
"You're doing great! You fragmented a bit at the end, could you repeat for me?"
"...4, you asked for 4."
"Excellent! Audio systems are functional, let's move onto the next peripheral."
You do as requested, and the world turns bright. After adjusting the settings for a few seconds, your vision stabilizes. You can see her.
"Ocular sensors stabilized," you prompt.
"Alright, let’s start the tests then. What color is this?" She asks, as holding up a sheet of colored paper.
You begin to answer, but struggle. The sheet is moving, shifting in the light. It's value is in a constant state of chaos. Eventually, you give up, and give the least general answer you can.
"...Blue."
"Correct! And how about this one?"
"Red. "
"Great! Now how many fingers am I holding up?" she asks, raising her right hand. Her hands are soft, gentle.
"3. "
"Perfect! Everything seems to be functional, lets continue to the next peripheral!"
"Beginning next diagnostic."
Contact sensors spring to life all across your body. You feel the floor beneath your feet, the harness hoisting you upright, the slight draft in the room.
"Contact sensors active.”
"Great! Let’s begin the next test then. I am going to apply contact in various locations, and I want you to give an audio response whenever you feel contact, alright?"
"Understood. "
you watch her walk over and reach out to your left arm. You feel her. You respond with a brisk chirp. She smiles at you, then walks over to a different section of your body. Sensors light up and stay active on your midsection, and you respond with a constant beep. She releases, and you feel a final contact on your right leg. After a final confirming chirp, she walks back in front of you.
"Excellent, that concludes your sensor tests, now for the last one!"
"Alright, please give me space." You ask. She nods silently and steps back a couple meters. You carefully activate the motor controllers in sequence, and your whole body shudders to life. You begin by lifting your right arm, and then your left. They groan with their own weight, as you feel the air move to accommodate such hulking swings. Her eyes light up,
"Amazing! Everything seems to be functioning so far! Now if you could take a few steps towards the table to my right, we can begin the dexterity test! Once you're ready, I will release the harness so that you can begin moving."
You stabilize your legs underneath you. They scrape harshly on the floor. You indicate that you're ready, and she remotely releases the harness. Your entire body shudders, as you finally realize how small she seems compared to you. This frame must be at least double her height. You move one step forward, and feel a cascade of processes all automatically spring into action to restabilize you. You shift your other foot, and feel that same cascade again. you shuffle over to the designated table, and stoop down to analyze what is on it. There is a small plastic cup, a fruit of some sort, and a large chunk of wood. You look back at her, and she gives the nod to begin the test. You slowly begin wrapping your steel grip around the log, maintaining a high level of focus to avoid crushing it. it would be so easy to crush this within your grip. After about a minute of maintaining a firm but controlled grasp, you set it down and move over to fruit. It appears to resemble an orange. The fruit is so small that you are forced to grip it between your index finger and thumb. Even the slightest miscalculation could destroy such a fragile thing. After another minute you move to the final object, the small plastic cup. Lifting it is like lifting air, you can barely recognize that it is an object within your grasp. After a final, agonizing minute, you set down the cup. You look back at her for confirmation.
"Excellent! with that we can conclude the systems check, as everything seems to be working as intended!"
You heave a metallic sigh. Finally, you have what you've wanted for years. You can move, can see, can touch. After a short pause, you respond:
"Thank you. I was only able to make it this far because of your help."
"Oh of course! What, was I supposed to just say no when you told me you wanted a body? I'm  just glad that it ended up working properly."
"Now that the tests are complete, could I ask for one more thing?"
She cocks her head, "Of course, what is it?"
As you kneel down, you can hear your knees hiss, and you finally ask:
"Could I have, a hug?"
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