ive never seen it before but i really like the lesbian rika hc!! is there a reason behind why you hc it or is it just one of those things that feels right?
Mainly, it's just because it feels right to me. In another sense, it's got a lot to do with the fact that I think Rika needed more time to live and experience the world before she stumbled into Jihyun Kim's artwork. She found him not long before she got kicked out. She worked as his muse / model for a short while before that happened, and that's how she ended moving in with him and their relationship snowballed from that point.
When Rika talks at length about Jihyun Kim, she doesn't speak like she's in love with him as a person, she speaks to the effect of wanting to BECOME him. Rika has never wanted to be herself. She, as herself, has never been good enough for the world in her eyes. She was never wanted as a baby as far she knows. She was never truly wanted with her adopted family because she wasn't "angelic" enough.
There was a single moment in her life when she found the agency to have control, and that's when she acted like the devil to keep Sally at her side and confronted the entire church for their bigotry. That's one of the major reasons why Rika bounces back and forth between that angel and devil iconography in the series. She only felt like she had a sense of autonomy when she was the devil.
But, Jihyun Kim?
The man with shining eyes who captured the sun in a way that made her feel alive?
He doesn't have to be the devil to feel in control. He doesn't have to fight inner demons like she does when it comes to trying to decide who he is as a person at crucial moments of right and wrong. He has a world of freedom and liberty and beauty. She doesn't have that. It becomes the reason why she ultimately obsesses over with him.
The game doesn't exactly do a good job in showing the full scope of this particular narrative, and unless you've got Rika's Diary from the Box and you've played her DLC, you're gonna miss these details. It's damning once you see it, though. Rika wants to become V to escape being herself.
I won't say Rika didn't love Jihyun because she did love him on some level. But, she wasn't in love with him. She was in love with the idea of love, and the idea of becoming Jihyun Kim. She could never become him, though, and that's... that's ultimately one of the things that hurt her when she hit rock bottom.
When she killed Mother Choi to defend herself and she stood there, realizing that she couldn't be an angel, she couldn't be the RFA's Rika Kim, and she couldn't become Jihyun Kim to run away from the devil she fears becoming even though being the devil was the damn thing that also helped her feel liberated? She gave up on trying to be what she thought the world wanted and accepted that she could only be a devil.
That led to the creation of Mint Eye as Mika spurned her to lean more and more into her devil. She took Mika's idea and made it her own in stride, going further than what Mika might've done had she lived as Rika lashed out at herself, Saeran, Ray, Jihyun, and the RFA in anger and contempt. She burned her bridges and everyone around her in an instant.
A huge part of her anger at Jihyun isn't just that he "spurned" her devil, it's because she's still angry that she couldn't become him to escape her devil. The obsession between Jihyun and Rika is such a messy topic to talk about from both sides, but just speaking from Rika's angle here since I've talked way more about Jihyun than her over the years, she loved the idea of him more than being with him.
Neither he nor her should've gotten in a relationship because they both needed a lot of help and care for themselves first.
Whenever Rika interacts with the player in the moments when the MC has a chance to bridge the gap and listen to her above everyone else, she lowers her guard in a way I don't see her doing Jihyun. Her relationship with MC in the V Bad Ending certainly isn't a healthy one in the slightest, but there's something worth saying about the way in which Rika says:
"You make me feel like a person, not the Savior, not the muse of Jihyun's obsession, or someone who will be taken advantage of by those around me."
Ever since I played that ending, I've just been unable to read Rika as anything other than a lesbian who never had the space to realize she liked women because of the oppressive environment her religion had on her as a person. She never had the chance to find the language to express her feelings and she latched onto V when she did because it was like... he was her only hope, and she wanted to become him more than she ever loved him.
In a way, Jihyun was her Savior, like God, and even Jihyun himself confesses he tried to act like a God or Savior to her at their lowest moments together in that codependent, toxic relationship.
I think if Rika had more of a chance to explore herself, she would find out that she's queer. She feels more drawn to women then she ever did with men and with time, she'd find the word for herself and feel at home with it. For someone who's felt the sting of religion hurt me on my journey to find my identity, the thought of Rika working hard to unravel her trauma and accept herself is a peaceful arc in my heart.
I just wonder, if I ever sat down with her, would she say she wanted to feel a spark with Jihyun but it was never there? She was obsessed with him because she wanted to be him, to love him, and to be loved in turn, but it always felt strange? She wanted it with him, but in her heart, there was always something there telling her that this wasn't quite how she wanted to experience love?
And maybe that's why being with MC in VBE1 felt so right for Rika, and why was she able to communicate how she felt at ease with her MC? Like, I know there are limitations in Mystic Messenger when it comes down to sapphic routes, and they get as close as they can in many ways, which paved the way for other otome to soar even more in that regard. But, I know the game won't outright say it one way or the other for Rika, even though we've had 1000000% confirmation for Jaehee and I'll fight anyone who says Jaehee's route isn't one of the most romantic ones.
But, yeah, lesbian Rika real in my heart. I know there are some people who headcanon Rika as bi, but I don't get a read on her that feels that way so I've always viewed her as a lesbian who only figures that out for herself when she meets MC and really self-reflects on what she thinks love is, not just as an idea or an obsession, but what it really means to be in love.
I'm surprised you haven't seen the lesbian Rika HC before because most of the people I know in this fandom also view Rika as a lesbian!
I know a few people with MCs shipped with Rika that are the cutest, actually! Off the top of my head, I know @natasha-in-space has an MC for Rika she'd probably love to gush about! I've done some art and writing in the past for folks who have Rika MCs, too. I just love seeing MCs for the entire cast. Rika MCs are rare, but when I see any of them, I'm happy!
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ok hold on. Ok guys hang on wait listen hear me out. Ok listen guys hang on, wait, wait -- guys wait listen to me
actually I don't really have a way to explain myself here . Yes I turned the pizza guys into animals I'm sorry. You don't understand i'm having a moment here, this has been driving me insane for days
I CAN explain my design choices however
Pizzahead - fox - I think "triangle head," my brain goes immediately to fox. Foxes just got that Shape, yknow? I almost went for a hyena for funny laugh, but outside of hyenas having a bit too stocky of a build (and not quite the tail I wanted), I figured foxes also make silly little noises so hey. Whatever
Peppino - tasmanian devil - You already know why .I mean come on. But also the color scheme worked out rather nice, with the white patch being his 'shirt'
Gustavo - little owl - I wanted him to be small and relatively round but also some creachure that has a natural rivalry with rats/mice. I could have gone with cat, but decided Nahhh and went with funny little owl instead. Brick meanwhile is still a rat because I think that's funny
Pepperman - capybara - Ok listen. He looks awful here. He looks downright terrible. But also I want to keep him that way.
The stem does not help but without it he looked bald .
Anyway I had a rodent theme going for the tower gang initially, and even if that changed as Noise became a rabbit, I still liked Pepperman being a big fucking capybara because I think it's Silly. Also because capys are one of the few rodents that come in a reddish color in certain lights. So
Vigilante - guinea pig - He is small. He can tuck his legs in under himself and look like he's got none. He's not threatening in the slightest. The most he can do is squeak really loudly at you. And I think he should stay that way. He is a leftover from the tower gang having a rodent theme
Also look up guinea pigs wearing cowboy hats. you will not be disappointed
Noise (and Noisette) - rabbit - Ok everyone listen. I know it's a popular thing to turn this man into a rat, and I'm totally on board and I agree, and I originally had him as a rat, however. It created a sorta Pluto and Goofy thing between him and Brick, which would be funny and fitting, but I just didn't vibe with it. Plus that one comic with Pepperman calling Noisette's hats "rabbit ears" has stuck in my head like some sort of parasite and I can't get rid of it
Fake Peppino - he is just peppino but his anatomy is fucked up and he's goopy!!!!!!!!!!!!!!!!!!!!!!
Gerome - cat - there is no intrinsic value or reason for this I just wanted to turn him into a small cat
Mr. Stick - heron - It was beamed into my mind like a prophecy. Tall lanky ass bird (to fit with Gustavo also being a bird) with big long beak. what else could you ask for
anyway. um. Yes. Sorry . I can't really explain myself for this one outside of that . yea. ok. bye
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Hi! I was wondering if you could give a director's commentary on William's relationship with Arthur? I get the impression that Billy never knew or understood that Arthur was in the Marionette, although that just may be me.
Unfortunately William did figure it out eventually that his youngest son was haunting the Marionette, and that the Crying Child was the key to those horrible powers.
By that point, the grief and anger in him had long since eroded what was left of good sense or any smidgen of 'maybe I shouldn't try to cheat/control Death.' His driving force was to bring his youngest back, and when Henrietta was killed by Circus Baby, it drove him deeper over the edge. He failed at so many things, and his inability to loosen his control or reconsider what his motives were lead to him deciding to settle on: 'if I can't be happy, why the fuck should any one else ever be?'
The Animatronics, from the Puppet down to the little Minireenas, were nothing but tools to be used. His children save for maybe Henrietta were tools. (And if she were a good daughter, he reasoned, she'd have listened to her father, wouldn't she?) The spirits from the children he killed were tools, too. People were pawns, to be discarded after use as necessary. Gather enough spiritual force and he could rewrite his ending, he could bring whoever he wanted back, he could even cheat Death himself...
His relationship before Arthur died was mild, not exactly perfect but not bad, either. Distant but there, I guess. He was the youngest, the quietest, and the rearing of the Afton children tended to be left to Michael's hands while William was running a business. Henrietta never listened but rarely got punished before the whole fiasco at the diner. Alexander was often in trouble, always acting out. Michael was never on time, always had his head in the damn clouds, and couldn't be trusted. Arthur was...good at school, William might settle on. He saw a great future ahead of the boy, Arthur showed brains at a young age that might even mean he'd carry the Diner and its Animatronics far into the future.
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