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kiwanopie · 2 months

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A Lucky Find.

Pure luck, isn’t it? (Geto Suguru x fem!sorcerer!Reader)

cw: yandere if you squint. mention of misogyny and inappropriate work place relationships, graphic descriptions of curses and body horror, death by mutilation involving a curse (Not you), mention of religion, only specifics about reader is that she’s visibly very attractive and may have long hair (no descriptors though, it could be a lace) Suguru is out of his mind. You will not be called a monkey in this one.

wc: 3.9k

You’re not a very talkative assistant.

Granted sometimes you’re inclined to wonder if talking would’ve made so much of a difference to the position you’ve been put in, but you’ve never been a particularly choosy assistant either. You’re great at handling quick business, the calls your boss can’t be bothered to take - studious in your evening planning and you can quick work a coffee run like nobody's business. — You don’t complain about the thin heels they put you in, or the pencil skirts. Mired businessmen with filthy smirks and wondering eyes, or the routine baby talk you get from your degenerate boss. You don’t blink an eye at it. - You sit when you’re told to sit and bark when Mr. Minoru decides to hold that pretty little bone over your head.

“You could use a bonus, huh?”

Today it’s a back rub.

You’re silent as your nimble fingers start to press little groves in his upper back, impassive when he groans. Mr. Minoru, your boss, is a very rich man. He’s the successor of a retired tycoon who was once the successor of another and so forth. He’s an amalgamation of power and fortune and a small legion of nepotism babies that regularly walk in through those mahogany doors just ahead of his desk. An investor, you think. Most conversations he has are about money and the best way to double it; fewer are the ones where he’s actually taking the time out of his schedule to distribute it.

It’s all elite talk. Big men following big men following a perv who believes he’s god. Long outstretched legs that extend as he relaxes himself in his seat and hopes that the movement is enough to encourage you to start on his shoulders.

You like to think you got this job out of pure luck. Met the right man at the right time and stumbled over the deal of a lifetime all for the small cost of a little bit of your dignity. — Not like it was much of a trade from your part time job busing tables at that high-end restaurant. Being yelled at by bratty celebrities at a fraction of the price and coming home smelling reminiscent of a meat locker. Now you’re standing on the top floor of a penthouse suite. Smelling of expensive perfume that your boss totally didn’t break worker/boss relation code for and looking down at the entirety of Tokyo from its bay windows.

Pure luck.

The creature hooked to the upper side of his shoulder unfastens its teeth with a firm graze of your fingers. The steam it emits as it fizzles away is sour.

Mr. Minoru has a pension for starting fights with the wrong people, it seems. With bitter people - scornful people. People who hate him and can’t do anything about it, other than wish him harm or hex him in some way. — Worst are the people who don’t hate him, who envy him. Step into his office with painted smiles and clenched teeth. Who curse his name the moment they leave and leave you to deal with these little “bugs.”

Your nose twitches as its rotten smell encombers. For a moment your pretty face is twisted up in a scowl.

The massages started from an offhand graze of your fingers during a dinner at your old job. Pretty little waitress bending over him in that little work dress and running your finger down his felted coat. You apologize for your familiarity, someone must’ve spilled something on his jacket. ~ But the weight on his back is gone from just that little touch and now he’s offering you a job. You don’t regularly make a habit of helping those you’ve already deemed “afflicted.” But the fucker making goo trails on his back at the time was just disgusting enough to hinder your train of thought, and there’s no way you could’ve gone through your shift without reviling every time you passed his table.

So, now you’re his assistant - and today it’s just a back rub. Thankfully not a request to play with his hair and try not to cringe at the way he shutters from it. A subtle pat on the cheek for his good luck kiss, or a request to sit on his lap while he tells you a story he doesn’t care if you’re listening to. Because you’re quiet.

His not talkative, non-fussy, no complaints assistant.

Like always he fills the empty air in place of your silence. “Ah. By the way, princess. We’ve got a guest coming around after lunch. A real traditional fella. So, we’ll need to be on our best behavior,”

“Apparently he’s got some sort of business opportunity for me in exchange for a few investments,” He sighs when your fingers dip a little under his collar. “Says that in his big fuckin’ haori. Probably cost a few thousand bucks,”

Mr. Minoru shifts his shoulders under your firm touches. “To be completely honest, I don’t really know about it aside from the gag of seeing him in person again. Guy has this weird energy about himself that gives me the creeps. — Says he’s avant-garde. — I just think he’s a weird fuckin’ guy.”

“But,” The exhale he lets out is tempered and whisky tinted, clears out the fresh space in his chest that usually frees up when you’ve got your hands on him. “My old man likes ‘em. Says he’d be good for my health if I kept him around. At the very least build some sorta relationship with him.”

“Too bad my health’s in tip-top shape! Eh, doll-baby?” Minoru twists his head to flash you an expensive smile. Faintly defined cheekbones turning rosy when you return it like you know you’re supposed to. “Got my little guru at my side!”

And your simper, although gentle, is forced. Distantly you wonder if you’re the reason these bugs have become so habitual.

——-

This man is very ill.

Though he walks in with his head held high and a particular spring in his step, your diagnosis is that he must be terminal. He must be diseased and irremediable. In a constant state of agony and so stricken with unwellness that he can’t even think straight. You’ve seen your fair share of “bugs” and rabid disfigured animals that grow out of their hosts like fungus. Some that trail behind like lost children with broken crackling legs - a stench that only accompanies the open wounds whose maggots reach out so helplessly. Disturbing things. For all of it you’ve seen, you’re lucky to say that those cases are few and far in between.

But this,

It has many hands and many faces.

Each accompanied by its own set of teeth. Curling lips that stutter as they rise, etched in lipstick and gum; you find mint leaves hidden in the valley of its tongue, coiling as it softly sings. Watching from afar as it hobbles on its haunches like a drunken man, or of fawn newly grazed. It is steady - and constantly moving. It buzzes like a million bees and yet the man standing next to it is seemingly unaffected.

And so are you.

Your gentility becomes you as you politely bow for the man who you’ve so gracefully led to Mr. Minoru’s office. A practiced curtsy is usually enough to get your usual guests commenting under their nose at your bosses taste in assistant’s, but this man is quiet as he walks past you. So above your head that it almost feels like he doesn’t even know you exist. And that feeling is… off putting to say the least.

You close the door behind him as your boss starts on introductions.

“Ah, so you’ve met my beautiful assistant!” He reaches out his hand. “Minoru. Nice to meet you.”

The genuinity in the man’s smile fastens his eyes into slits as he steps forward to return the shake. “Geto, likewise.”

“Geto, huh? I heard the old man sent you for an investment proposition. My guess is it’s something… traditional?” Minoru gestures toward his garbs.

He’s somewhat clinical in his attempt to look lighthearted, but the sigh he blows out feels trusting. “So this isn’t selling “contemporary” huh?”

Minoru laughs and the thing beside him whimpers.

Your fingers twitch against your work skirt.

You’re a distant shadow lingering behind the conversing men as you step to your post on the far side of the office wall, heels clicking quietly when you bend to fix yourself adjacent to Mr. Minoru’s desk. — You’re not expected to listen much to the conversation, or even understand the matters on which they talk about. Just straighten your back when your boss snaps his fingers and follow obediently when he coos an order.

But even if that weren’t the case, you’d say it’d be hard to pay any attention to anything other than whatever the fuck that is hunched beside the man standing just a few feet away. Singing quietly under its breath and repeating the tune like a prayer. Fearful, shaken, pleaful, dread inducing; overlapping in its many mouths. Your fingernails quietly scrape against each other in your attempt to remain neutral but from a keen eye you’re jarred. Disquietingly moving your eyes from the two men still talking adjacent from you and then it again.

It’s looking at you.

You force down a swallow when Minoru calls your name.

“Quiet thing, isn’t she?” Your boss comments amidst the conversation as you approach them. “Could almost forget she’s here if it weren’t for the eyecandy,”

You smile at him like he’s flattering you but it’s muscle memory. “Sir?”

“Gather up those papers from your desk over there, sweetpea. And hand it to the nice man.”

You almost don’t even wanna turn your back on it.

But against your own anxieties you do as you're told. Even with your nerves frayed as they are. You keep your posture as you hastily skirt to your desk and back across the room again. Nimble, slightly shaken fingers lowering to place it in Geto-san’s hand but he doesn’t acknowledge you even when you smile. Vacant eyes. Bored of you already. —- You don’t know if you should feel more offended or alarmed. But in your curtsy before backing away you decide to split the difference and go for disturbed.

Avant-garde. This guy just gives you the fuckin’ creeps.

He works in health, apparently. From what you’ve gathered in the continuing conversation, he’s a spiritual man who offers health by spiritual means. It’s not a very groundbreaking admission, especially from a man in traditional garb, but he assures that his practices have long surpassed ground theory and have been proven to guarantee actual results. From refractory diseases, mental illness, visible injury; his methods could completely eradicate the need for traditional medicine and take the health industry by storm.

But money is a long factor, longer in the doubtful and non-spiritual. “Non-worthy.” It sounds pointed the way he slips that in, but your red flags aren’t shared with your less than convinced boss.

“Spiritual healing sounds great and all, Geto buddy. But you’re directing services to a pretty biased market.” Minoru crosses one of his legs over the other from his perched position against his desk. “Even with the facts, the money’s in objectivity. You’d get more bang for your buck just saying any Yamada worth his salt can walk in and get rid a’ his sniffles for the right price. - Religion ‘ll just turn people off.”

Geto smiles patiently. “Ah, Minoru-san, we’re not religion based. Religion promotes powerlessness. Our services come from practical people.”

You watch as the creature messily swivels on its crooked legs when he invades its space by leaning back a little. “But to insert certain biases kind of sweetens the deal, doesn’t it? People like things that make them feel special. Even the most useless people should wanna prove themselves in some way, right?”

What a crooked way of thinking.

At your quiet displeasure the mass behind Geto wheezes painfully, wincing when you lock eyes with it. Its song pitches and warbles, chops a little like it’s weeping; but even in its effort to resume its discontent is palpable.

You could almost feel acknowledged by it. By its wandering eyes and its tightened misshapen shoulders. Almost as off put as you are from its spot in the middle of the room. The more you look at it, the more it starts to evoke pity. Even in its unsightliness, it looks misplaced and afraid. - Its song breaks like a cry for mercy and the closer you look at it the more recognizable its purpose becomes.

There are knots in its balmy skin so engorged they bleed and tear. Fabric mincing over fictional scabbing and prayer beads hanging out of its gashes. Every twitch it makes reverberates ricey out of rhythm beats akin to maracas and its song, as out of key as it is, is reverential. Powerlessness. Anodyne through faith. You barely find yourself pitying the afflictions of affected people but in the context of this conversation - it’s watering eyes; you feel empathetic toward this thing and by extension Geto-san.

You assume something awful must’ve started that way of thinking.

Should you even stick your neck out for this guy? You’ve dealt with bigger, more violent ones in any case. But this creature seems peaceful. Following faithfully on its hosts haunches as it waits patiently beside him. You’ll have to be fast and unflashy about it, hopefully the stench from that thing won’t make you hurl on impulse. But if not out of mercy, it would be nice to have it out of your line of vision.

Your eyes cross it again. It’s many eyes well with anguish. You decide that at your next opportunity you’ll get rid of it promptly.

As luck would have it Mr. Minoru’s personal phone rings.

He’s quick in his apologies as he fishes it out of his pocket. Passing a smile to Geto as he quickly bows and makes the few long strides it takes to step out of the door and into the hallway, and a few short snaps in your direction as he points you to the concessionaires reserved for his clients near the door.

You’re practiced as you dip for the little fridge on your left, carefully sliding out a glassed bottle of water from the door and a plastic bag of sliced apples.

“Would you like a snack while you wait, Geto-san?”

He ignores you.

Through a quietly exasperated sigh does he slide his phone out of his hakama and pointedly decide not to acknowledge your awkward stance at the far end of the room. — You know he ignores you because the silence that otherwise permeates the spaciousness of your boss's suite is momentarily disrupted by the sound of your voice bouncing off the walls; followed again by that frigid silence.

This is the guy you’re trying to help.

Even so, your embarrassment is brushed aside in favor of making your way to the small coffee table between him and the other leather seat parallel to his. Thin pencil skirt riding a little as you take wide steps to the little spot that separates him from the empty seat - and you from the thin sliver of carpet standing between he and the now quivering mass.

You bend to place the treats gingerly beside him.

And when you rise you reach for it.

There are practiced fingers circling around your wrist before you can even touch it.

Your fear is potent enough to turn its broken hums into racking sobs as you freeze in his sudden grip. Firmly clasped onto you as he raises your arm over your head and forces you to jolt back with a stuttered breath. Faint greyed markings on the palm of your hand fade but they’re caught under his watchful eye, and through your shock you watch his expression switch.

From confusion, to intrigue, to pure excitement.

Your shock teeters on horror as his pupils dilate. “Now, just what were those pretty fingers planning on doing?”

He seems to revel at the sheer bewilderment that colors in your pretty face from where you nervously stare up at him. Doe eyes lit up by headlights, and the radiative heat of suddenly being this close to his predatory gaze. You stammer. “Wh-? Y-You know it’s-“

“Brought it with me, didn’t I?” He speaks lowly as he circles his thumb over your wrist. “Can’t say I don’t appreciate your concern though, sweetheart.”

You shrink. The absurdity of intentionally carrying a burden like this is as mind boggling as it is chilling. Dread inducing, even. With the kind of bad juju that thing emits there’s no other reason to purposefully let it fester beside you than for motives deeply depraved. Deeply disturbed. The way the air around him murkens and electrifies, and a glint in his eye that makes you feel like prey. — He’s looking at you like you’re dinner right now. And something about that feels trillions of times more frightening than any typical rubbernecking.

After being treated like a ghost by this man this whole time. Now he’s looking at you like you’re a slab of meat spread out for him. Succulent and tenderized, pliant under his fingers. Your soft eyes are rigid with fear as his other hand reaches for you blithely, larger fingers dipping in your loose hair and scooping it gently forward. You glance at it from the corner of your eye.

Smoke curls around his palm.

You suppress with a quiet intake of breath.

Geto-san’s cheeks pinken as he gleefully smiles, emboldened by a genuine tinge of ardor. You do your best not to flinch but it’s futile, his chilled fingers consolingly caress your face as he tuts; and gazes at you like he’s committing you to memory.

“Be patient for me, yeah? I’ll be done in a minute.”

You can’t even begin to guess what that means.

But before you can inquire he’s shushing you with a finger up to his lips. Playfully shooing you away as Mr. Minoru’s footsteps patter closer, and you clumsily re-fit yourself into your professional mask.

“Sorry ‘bout that, pal. Forgot about another meeting I was supposed to attend a little earlier,” He pockets his phone. “No one’s fault.”

He leans against the cliff of his desk where Geto-san’s planted himself again. Minoru glances at the unopened bag of apple slices. “Ah, _____, baby. You were supposed to hand him the good stuff.”

“I’m so sorry, sir.”

“No worries.” Geto laughs airily. “How could anything look nearly as appetizing when you’ve got an assistant like that walking around?”

Your ears burn as Mr. Minoru snorts in kind. “Yeah, fair enough,”

He rolls up his sleeves. “A’right, princess. How bout you hop on over to my lounge and break open the good brandy for my guest and I. Bring us the crystal set. Can you do that?”

—-

The decanter in your hand falls with a dull thump.

There’s no… logical explanation for what you’re looking at right now — Who you’re looking at right now. In any other circumstance deep purples would be expected. Blotched boysenberries and flossy reds, dotted with strained blues. You’d expect tearing - bleeding, audible ginger snaps of tendons and extended bone. A scream even, no matter how silent; all are logically expected. Death is logically expected.

But seeing your boss stretched out like leather, not a full five minutes after leaving him alone with this man, is not.

Your eyes frantically skirt over your boss's heaving corpse from your exposed position at his closing entrance. Watching in repulsed terror as his skin tears and bruises, familiar prayer beads falling out of his flesh like stuffing. - His eyes are rolled agonizingly into the back of his head, mouth opened in a scream. His blood sizzles against the maple of his desk and you can do little but stare in horror.

You flinch as the mainline on his desk starts to go off but you’re no sooner cringing at the way his arm breaks just to reach for it. Bloody fingers pushing the receiver, and cheeks tearing just to respond.

His unchanged voice somehow makes it all the more horrifying. “Hi, Souza. Thanks for getting back to me,”

“Yeah, do me a favor,” You back into the door. “Route about ten million to Geto-san’s organization under investment. And be a dear and sign the invoice for me, would ya?”

You’re gonna be sick.

“So, you’re out of a job now, huh?” You nearly yelp.

Geto-san’s standing just over you. “I’ve got a pretty similar position opened up,” He says casually. “‘Wanna work for me?”

You can barely push out a word. Which, kind man that he is, helps you out by deciding for you. “Ah, Great! I can break you in on Sunday. Here’s my card.”

He smiles kindly as you hesitantly pluck the laminated card from his fingers. Looking at you under mirthful eyes that chill more than they comfort.

“If you’re worried about pay, I can give you double of whatever that monkey gave you. Maybe a little extra if you’re as good as he says you are.”

But before you can recoil at the thought of being stuck under the same kind of boss, with the extra caveat of being a psychopath; he adds with a hint of challenge. “That is, if you can get rid of our friend for us.”

You follow his glance to the creature wearing your boss like a hand puppet.

Do you even have a choice?

Geto-san watches with a keen eye as you warily approach the blinking, bleeding corpse behind your late boss’s desk. Heels clicking slowly against his wooden floors, skin prickling at the thought of even getting close to this thing let alone touch it. There’s a smell that you notice as you move closer. A rotten, discrepant smell that pushes as much as it pulls. Aging, airless skin, barreling toward cell death; only marginally slowed by the alkaline smell of embalming fluid. Too old. Too sour.

But there’s something about it that almost — Hypnotizes. Evokes a kind of nostalgia that almost completely disarms you. Church pews and goatskin, leather hardbacks under frilly gloves; and those damn prayer beads. You can almost hear your grandmother’s voice. The minty sweet taste of stale candies tinted by the perfume in her purse. ~ Watching worship but not understanding it. A contact high of conviction. Your boss’s blood spills and it means something sacred, something reverent. And the closer you get, the more that sacrifice feels for the better.

You flicker a glance in Geto-san’s direction. This guy had this shit on standby?

It’s clammy when your fingers finally graze its skin. Sweaty and twitching, like every touch is a pinched nerve; like every stroke stimulates. There’s movement under the first layer, a hissing under the second. It’s mania seeps off of it in droves and the more you linger on it, the more your stomach twists.

You draw back your hand and rub over the difference in texture.

The room is temporarily endowed with smoke at the snap of your fingers.

They’re both gone when the vapor quickly dissipates, blood formerly staining expensive maple now replaced with its originally polished shine. As well as his chair, his area rug, and any other evidence that could connote what truly horrific fate the man in question had suffered in this very room.

Which is enough to send Geto-san into an ecstatic flurry of applause. “H-Holy shit. Where have you been all my life?”

He’s more focused on the way the weight in your lips shift rather than that being because of a frown. Regardless, you’re still a picture despite it. “You’re gonna fit nicely. — My address is on the card. Come by nine? I’ll have breakfast ready by then.”

He turns with a relaxed lilt toward the exit. “You and I are gonna have a lot of fun.”

The door clicks as the lock disengages.

“Don’t make me come looking for you.”

reblogs are appreciated <3

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astrophileous · 7 months

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if reader is bug, their son is little bug and their daughter is little bug, what is derek's bug related nickname? or is he disappointed about not having one?

OKAY I personally think Derek's usually fine over not having a bug-related nickname (after all, he's the one who came up with them for his lil family 🥺) but I just imagined a scenario that wouldn't be ooc for him to feel jealous of not having a similar nickname and I hope this is to your liking <3

Love Bugs Masterlist / Criminal Minds Masterlist

It was bound to happen.

With how often Derek dropped the sweet nickname for you every single day, you knew that it was only a matter of time before it was bound to happen.

But that didn't mean you weren't absolutely floored when it happened for the first time.

"Bah."

Derek's eyes caught yours from across the room. "Did she just--"

"Bah. Bah."

In front of you, your daughter stood on wobbly legs. Your face was the exact twin of Derek's stunned expression as you saw your daughter pointing her fingers towards you and said--for the nth time that afternoon--a word that made your brain reduce into a mush.

"Bah."

"Is she--" your voice caught around a disbelieving chuckle, "--is she saying Bug?"

As if confirming your suspicion, your daughter took hold of your hand before pressing it to her face. "Bah."

Derek was laughing as he crossed the room. He picked up his daughter and lifted her in the air, earning a series of delighted giggles from the 1-year-old.

"My smart baby. Who's a smart baby? Yes, you are!" Derek cooed.

"We're gonna have to explain to people why our daughter's first word is Bug." You laughed as you watched your husband smother your daughter in kisses.

"Well, we can just tell everyone that we have the smartest 1-year-old in the world. Isn't that right, Baby Bug?"

"Bah."

For the next few weeks, your daughter's adorable murmurs of bah became the new constant in your home. She started learning to use the word as a means to attract your attention. But it wasn't the only thing that your daughter had managed to learn.

"Lil bah."

"That's right, baby!" Your son clapped his hands ecstatically, his sister mirroring him with an exhilarated grin. "I'm Little Bug. Good job!"

You followed the interaction between the two from the couch, a permanent smile on your lips. Derek was lying with his head on your lap when you heard him sigh.

"You okay, Mister?"

"I'm the only one she's still refusing to call."

The pout Derek had on his face nearly made you chuckle, and you probably would have done it if you didn't know just how devastating the whole thing was for him.

"You should take it as a compliment," you said instead, trying to put a balm on his wounded heart. "She only said Bug as her first word because she listens to you so much. She just wants to mirror everything you do, hun."

Derek exhaled another long breath. "Should I find myself a bug-related nickname just so she would call me?"

You snorted. "Like what? Mr. Bugkeeper?"

Derek pinched your thigh. "Very funny. I'm hurt and all you do is make fun."

That last statement of his actually made you laugh. Derek proceeded to grumble something under his breath, but you were too busy trying to keep your bellowing laughter under control to pay attention to it.

From across the room, your daughter suddenly stood on her chubby little feet before staggering over to where you and Derek were lounging on the couch while your son continued to play with his toys.

"Bah," your daughter said once she had reached you.

"Hi, baby."

"Bah." She proceeded to turn towards Derek after that, tracing the features on her father's face with exploratory fingers and a cute curiosity in her eyes. "Bah?"

"That's not Bug, baby," you told her. "That's Dada. Can you say Dada?"

She stared blankly at your face in response.

"Say Dada," Derek encouraged. "Come on, Baby Bug. Say I love you, Dada!"

Your daughter blinked and tilted her head to the side.

Derek sighed in disappointment. "This is hopeless. She's never gonna--"

"Da."

You and Derek both froze in shock.

"Da." Your daughter grabbed a hold of Derek's cheeks. "Da. Wuv yu."

You didn't think you ever saw Derek sit up so fast in his life.

"Baby Bug." Your husband's voice was laden with bewilderment. "Can you say that again, sweetheart? Say that again for Dada?"

"Da. Wuv yu."

The laughter that rumbled from Derek's chest spoke of the greatest joy you had ever seen radiating from a person. He picked your daughter up in his embrace, spinning her around until the baby shrieked in glee.

"I told you it would happen, Mr. Bugkeeper," you said around your own jubilant laughter.

If it were any other day, Derek would have given you a side eye over the ludicrous nickname. But at that moment, Derek couldn't find it in his bones to care.

After all, his daughter had just told him that she loved him for the first time.

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kenandeliza · 2 months

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More Captain Marvel Club Shenanigans

after doing the first post, and reading the wonderful fanfiction by @im-not-buying-it-ether

i got inspired doing more stuff related to these three children

captain marvel didn’t know that he accidentally gave blessings to children whenever he gives them his cape

Billy forgot his feral-ness applies to his fan club too

Not only the fanclub, but he also gave his capes to other children, he had just realized this has become a habit of his

(For those wondering, freddy was the president of a newsboy organization in his cmj comics, it’s why the boy called him prez’)

Little jerry (the first kid on the fanfiction) plays with his mr mind doll

Lil jerry and his friends caught the real mr mind in a bug jar, lil jerry intends to bring him for show and tell (and proceeded to get in the time-out corner because apparently you're not supposed to use an arch nemesis of your town's hero as a show-and-tell subject)

again, very special thanks to @im-not-buying-it-ether for the fanfiction you wrote, I love all the kiddos, you brought them all to life ;w;

#dc comics #captain marvel #shazam #billy batson #dc characters #kenandeliza's art #freddy freeman #procreate #Halftone practice #The captain marvel club au #Captain marvel club au #Clark kent #superman

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inthedayswhenlandswerefew · 24 days

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1968 [Chapter 3: Hermes, God Of Thieves]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 4.5k

Tagging: @arcielee @huramuna @glasscandlegrenades @gemmagirlss1 @humanpurposes @mariahossain @marvelescvpe @darkenchantress @aemondssapphirebussy @haslysl @bearwithegg @beautifulsweetschaos @travelingmypassion @althea-tavalas @chucklefak @serving-targaryen-realness @chaoticallywriting @moonfllowerr @rafeism @burningcoffeetimetravel-fics @herfantasyworldd @mangosmootji @sunnysideaeggs

💜 All of my writing can be found HERE! 💜

They say it’s the most dangerous job in Vietnam. That’s why I wanted to do it.

Chinooks transport men and equipment, Cobras are gunships, Jolly Green Giants are used in search-and-rescue missions. But the Loach—Light Observation Helicopter—is a scout. We have to fly low enough to spot fresh footprints in mud, glints of sunlit metal, blooms of firelight from smoldering cigarettes in the primordial maze of the jungle. And when you go looking for the enemy, sometimes that’s exactly who you find. U.S. Army regulations decree that each Loach must be inspected after 300 hours of flight time, but they rarely make it that long. I’ve been shot down twice already. You roll out of the wreckage, grab your buddies, and book it out of the area before the Vietcong kill you, or worse: drag you back to the Hanoi Hilton so you can die slow.

Currently we’re just north of Pleiku, coasting close enough to the treetops that I could reach out and touch them. I’m in the back seat with my M16, no door between me and the outside world, my hair tied back with a green bandana, the wind hot and sticky. It’s so fucking humid here. Why can’t the communists be trying to take over Malta or Sweden or Monterey Bay, California?

It was the old men who suggested I might be of greatest service to the family by enlisting. I was 25, newly graduated from Columbia Law—a family tradition—and dreading the desk job that awaited me at the Department of Justice. Some people are born to type their lives away in some leather-upholstered office with a view of Pennsylvania Avenue, but not me, and I know this like I know the sun or the stars, ancient truths that can never be changed. And so when Otto and Viserys sat me down—my father had only had one stroke by that point, and was still relatively involved in the day-to-day minutia of putting a Targaryen in the White House—and said Aemond having a brother in Vietnam would make him more relatable, more sympathetic, more noble, not an observer to the carnage of the war but a fellow victim of it…I told them I’d go.

Everyone needs a project. If you don’t have something to distract you from the futility of human existence, it’ll break you in half. I have the Loach. Otto and Viserys, both immigrants ineligible to serve as president of the United States, have their shared ambition of getting their bloodlines in the Oval Office. Aemond has his legacy. My mother has her children, and Criston has my mother. Helaena has her gardens, her bugs, quiet gentle things that she tends with her own thorn-pricked hands. Aegon doesn’t have a project, he never really has, and it’s driven him to the cliff’s edge of insanity. See what I mean?

Anyway, let me tell you something about Vietnam. The Army gives us all the steak, beer, and cigarettes we can handle, but I’d kill for a lemon-lime Mr. Misty—

“Daeron, get down!” the guy to my left screams over the noise of the rotors. His name is Richie Swindell, and he’s from Omaha, Nebraska, and now he’s plummeting out of the helicopter as bullets riddle his chest. I duck low and cover my head as we spiral sideways into the trees, snapping branches, shredding leaves like confetti. I can hear the pilot yelling something, but I can’t tell what. When we hit the earth, the lightweight aluminum skin of the Loach does exactly what it’s supposed to, crumpling to absorb the shock of the collision and reduce trauma to us mortals inside. I scramble out of the rubble on my hands and knees and go to check on the pilot, but it’s too late. He’s already being hauled out by the Vietcong and gets a bullet to the brain. I reach back into the ruins of the Loach to grab my M16, but there are hands around my ankles yanking me out. And now I’m next, and there’s nowhere left to run, and I’m hoping Criston will be there to hold my mother when she gets the Western Union telegram.

One of the soldiers shouts and stops the others, shoving them aside to get a better look at me. With the barrel of his AK-47, supplied by either China or the Russians, he prods at the patch displaying my last name: Targaryen. His compatriots don’t seem impressed. Again, he batters my nametag, speaking to them in Vietnamese.

He knows who I am, I realize. He knows Aemond is running for president.

Now there is a hell of a lot of excitement. The men are talking rapidly amongst themselves, marveling at me, poking and examining me. Then two of them grab me by the arms. I look to the soldier who knows English, at least enough of it to read those nine fated letters. He smiles at me, not like a friend. Like a wolf baring its teeth.

He says: “It is okay, Targaryen boy. We just have some questions for you.”

Guess I’ll be checking into the Hanoi Hilton after all.

~~~~~~~~~~

You wake up to Aegon strumming an acoustic guitar and singing Johnny Cash. The guitar must be new. The one he left at Asteria is plain maple wood and covered in stickers; this unfamiliar instrument is a vivid, Caribbean blue and has Gibson written across the headstock.

“I hear the train a-comin’, it’s rolling ‘round the bend

And I ain’t seen the sunshine since I don’t know when

I’m stuck in Folsom Prison, and time keeps draggin’ on…”

“Let me die. I’m ready to go.”

Aegon laughs, setting his new guitar aside.

“Is Ari okay?”

“Yeah, he’s doing great. And I got the stuff you asked for.”

Sure enough, there are three roomy sundresses hanging from the coatrack—you wanted to have options in case you had trouble finding one that fit correctly, though you gave Aegon a general neighborhood for sizes—as well as an array of cosmetics on the nightstand, including a bottle of shimmering champagne-colored nail polish. “I’m really impressed. You barely forgot anything. Though I will look odd with blush but no foundation.”

“Ohhhhh. Fuck.”

“And this isn’t human shampoo. It’s for dogs. That’s why it has a mastiff on the label.”

“I thought it looked like you,” Aegon says, smirking mischievously.

“Well, thanks for trying.”

“And I found this at the gift shop.” He tosses a card at you like a frisbee. You open the envelope to see a cartoon cow on the front, black and white and wearing a huge copper bell and a party hat. Inside is printed: May your graduation be legenDAIRY! Aegon has crossed it out and written instead I thought this was blank…congrats on the new calf! followed by his illegible scribble of a signature.

“A cow,” you say, smiling despite yourself. “Because I’m Io.”

“You’ve got about a million of those pouring in from all over the country. Congratulations cards, get well soon cards, we really hope your husband gets elected so we aren’t consumed by nuclear Armageddon cards. And then Richard Nixon sent a pipe bomb.”

You set Aegon’s card on your nightstand, half-open so it will stay standing upright. Then you drink the apple juice from the tray the nurses left for you. “Aemond’s not here yet?”

“Uh, no, not yet,” Aegon says vaguely, kicking his feet up on the ottoman. He’s been shopping for himself too. He’s wearing a denim jacket over a black The Kinks t-shirt, ripped jeans, moccasins. He uses the remote to turn on the television: The Dating Game. “So, what did you study in college? You went to Manhattanville, right?”

You chuckle, shaking your head. “You really don’t listen when I talk, do you?”

“I try not to.”

“Yes, I went to Manhattanville. And I studied math.”

“No way. You didn’t major in math.”

“Women can’t do math?” you tease. “That’s sexist.”

“I didn’t say women can’t do math. I’m saying there’s no way your parents sent you to a housewife factory like Manhattanville College of the Sacred Heart to get a math degree.”

“They didn’t, which is why my bachelor’s is in math education. So half-math, half-kid stuff. Makes it a little more…domestic.”

“Cool. Teach me math.”

“What, really?”

“Yeah. Really.” He digs around in the pockets of his jeans until he finds a receipt, then locates a pen in the nightstand drawer. He hands both to you and then stands so he can watch over your shoulder as you work. You can smell him: cigarette smoke, rum, the cool grey rain that is falling outside. It drips off his hair, carelessly slicked back from his face.

“What’s something you don’t know how to do?” you ask, expecting to get an answer like exponents or calculating the volume of a pyramid.

“Uh. Long division.”

You raise your eyebrows. “Going all the way back to 4th grade. Alright then.” You begin writing. “So let’s take a large number—this year, 1968—and divide it by…hm…how many kids you have. So five.”

Aegon whistles. “Five kids. Goddamn.”

“Yes, and you probably couldn’t name them, but there are indeed five. Trust me, I’ve counted.”

“Okay, this is the part I don’t get. Five goes into 19 almost four times. But there’s no way to say almost four.”

“There certainly is not. Five goes into 19 three times, so we put a three up top and then subtract 15 from 19. We get four, drop down the six from 1968, and now we’re dividing 46 by five.”

“Nine.”

“Right. Five times nine is 45. So the nine goes up top and we subtract 45 from 46.”

“45 is basically 46. Let’s call it a day. Close enough.”

“No,” you insist. “We get one, then drop down the eight from 1968, which makes 18.”

“And five goes into 18 three times.”

“Where’s the three go?”

“Up top,” Aegon says, observing fixedly.

“And then we subtract…”

“15 from 18, which is three. So the answer is 393.3.”

“Wrong. Loser.”

“What! How am I wrong?!”

“You don’t just put the three after the decimal,” you say. “You drop down a zero—”

“A zero?! Where the fuck did a zero come from?”

“From the fact that 1968 is a whole number, so it’s actually 1968.0.”

“Oh.” Aegon blinks a few times. “Gotcha.”

“Add the zero after the three to get 30—”

“And 30 divided by five is six. So the answer is 393.6.”

“I am so proud. You are officially as smart as an average nine-year-old.”

He takes the receipt from you and studies it. “This was super enlightening.”

“You want to try calculus now?”

He cackles and sinks back into his plush salmon pink armchair, his miniature dominion in your hospital room kingdom. “You like teaching?”

“I love it,” you admit. “I had to do a semester of student teaching the spring before I graduated, and at first I was kind of petrified. But the kids are so hilarious and interesting and full of excitement about everything, and they’re sweet in totally unexpected ways. They’d chatter all through a lesson and make me want to jump out a five-story window, and then bring me some of their Easter candy. That’s when I realized they weren’t trying to torture me. They’re just kids.”

Aegon is meditative. “Yeah, kids are fun.”

“I wasn’t aware you had much interest in them.”

“No, I do.” And something about the way he says it makes you feel bad for taking the shot. He runs his fingers through his hair, perhaps debating how much he wants to share. “You know Viserys made us all do these little missions after college so we could learn about the real world, right?”

“Right.” Daeron spent his on lobster boats up in Maine, Helaena learned horticulture in France, Aemond helped register voters in Mississippi and Alabama. You can’t recall ever hearing about Aegon’s.

“I got sent to Yuma, Arizona to teach on the reservation there. When I stepped off the bus, I thought it was hell on earth. And then when my time was up I didn’t want to leave.”

“What did you teach?” And then you add: “Hopefully not math.”

“No, definitely not math,” he says, smiling but distant, remembering. “English. Books, poems, all that. But my favorite thing to do was take a song and break it down line by line, really get them curious about what the author was thinking. And then of course we’d all sing it together. I’d play guitar, they’d run around jumping on the furniture, it was a good time.”

“But you couldn’t stay.”

“No,” he sighs. “I had to come back here so I could get dragged kicking and screaming through law school and then married off.”

“And elected mayor of Trenton,” you say, trying to make him laugh. It works.

“Oh God, we are not talking about that. Most miserable two years of my life.”

“So far.”

“Yeah. If Aemond wins and makes me the attorney general, that might be worse.”

“Knock knock!” comes a cheerful trill from the doorway, and then Alicent and Mimi rush in. They descend upon your hospital bed, cooing and soothing, squeezing your hands and trying to smooth your untamed hair.

“What did it feel like?” Mimi is morbidly fascinated, swaying a little, eyes bleary with gin. “When they were digging around in there?”

“Well, obviously she was sedated, hon,” Aegon says, a bit impatiently. He and Mimi share a nod in greeting, no warmth, no depth. You wonder what it must be like for someone you spent so much time tangled up with to become a stranger.

“Oh, darling, I barely recognize you!” Alicent says. “You poor thing, you must be in such awful pain. I’ve never seen you like this before. Your face, your hair…”

Aegon gives her a quick, disapproving look and then lights a cigarette of the traditional variety. He puffs on it as he gazes at the window, like he’s counting the raindrops on the glass.

“I’m feeling a lot better now,” you assure Alicent.

Her eyes flick down to your belly, still swollen beneath your blankets. “Will it scar terribly, do you think?”

You shrug; you haven’t thought much about that part yet. “It’s a battle scar. Aemond gets them in the real world, I get them in here. Same war, different arenas.” You peek out into the hallway. “Is Aemond…is he with you…?”

“He wanted to be,” Alicent says, like it’s a consolation. “But, Washington, you know…the primary there is so close. So, so close. He kept saying that he and Humphrey were neck and neck, and they still are, I believe. Every vote counts, and he’s campaigning all over the Puget Sound.”

“He’s still in Washington?” Your voice is flat with disbelief, with disapproval.

“He wishes he could be here with you and the baby,” Alicent insists, stroking your hair. “I’m sure he’ll fly back as soon as he’s able. But he’s thinking of you so, so much. That’s why he let me and Mimi leave this morning.”

“Right,” you reply numbly. And then you remember what you’re supposed to say. “The election is important. It affects everyone, our son included. For the greater good, personal sacrifices are necessary.”

“We saw him,” Alicent tells you, radiant with joy. “Aristos Apollo.”

“So precious,” Mimi says. “But so small! And trapped in that hideous machine! We could only see him through those little round windows.”

Aegon casts her a violent glare. You are alarmed. “He’s not in an incubator?”

“They have him in a…what was it called, Mimi?” Alicent asks. Mimi has nothing useful to contribute. “A hyperbaric chamber, I think. To help him get more oxygen.”

“But he’s fine,” Aegon says firmly, giving his wife and mother a warning. “Didn’t the doctor say it was a precaution?”

“He did, he did,” Alicent promises you. “Yes, just a precaution, that’s what we were told. The doctor has been trying to reach Aemond, apparently, but since he landed in Washington, he’s never in one place for long…”

“We should buy gifts for the baby,” Mimi says excitedly. “Adorable hats and shirts and trousers. Although even the tiniest clothes might be too big for him right now.”

“Yes, gifts! We must shop for gifts. Oh, it’s all been such a whirlwind. We hurried off the plane to come straight here, love,” Alicent tells you. “Can Mimi and I get you something for dinner?”

“Sure, sure.” You are distracted, still thinking of Ari. “Anything is fine. Wherever you end up.”

“Would you like me to bring a priest to pray with you? Saint Nicholas Church is right around the corner.”

You smile. “That’s very kind, but I think I’d prefer some books.”

“Baby clothes, dinner, and books. We can do that. Can’t we, Mimi?”

“We absolutely can,” Mimi agrees with tipsy, girlish enthusiasm.

As an afterthought, Alicent says: “Aegon, have you been here all this time? You must be exhausted. We’re going to book a suite at the Plaza, there will be plenty of room for you too. We can drop you off there on our way to go shopping, if you’d like.”

“I’ll stay,” he says softly, watching the rain again.

Alicent’s brow furrows; her dark doe-like eyes are puzzled. “Alright, dear.” Then she and Mimi disappear into the hall.

“Is he really okay?” you ask Aegon when they’re gone.

“Yes. That’s exactly what the doctor told me, just a precaution. I wouldn’t lie to you.”

“Aegon,” you say, and don’t continue until he meets your eyes. “Why are you still here?”

He lights a fresh cigarette. “I don’t think you should be alone.”

“I’m not alone anymore. Alicent visits me, Mimi visits me.”

“Yeah, but you feel like you have to put on a show for them. Play the perfect Targaryen wife with all that stoic, dignified, unshakable faith. You hate me, so there isn’t as much pressure.”

“I don’t hate you, Aegon.”

“Yes you do. You always have. You don’t have to be polite about it.”

“Well…I have valid reasons to hate you.”

He smiles, exhaling smoke. “Right.”

“And you hate me too.”

Now he shrugs, avoiding your gaze. “Everybody worships you, everybody thinks I’m a waste of chromosomes, is it really that hard to psychoanalyze?”

“No one worships me. They worship Aemond.”

“But you’re a package deal. Jack and Jackie, Franklin and Eleanor.”

You trace the lines in your palm with a fingertip, not knowing what to say. You’re so close to Aemond, so inseparable, and yet so vastly far. “Will you wheel me downstairs to see Ari after dinner?” It’s best to go at night when there are less staff around to try to stop you.

“Sure. You want a Mr. Misty?”

“Yeah. Lemon-lime.” That’s what he brought you last time, and it wasn’t bad for a cardboard cup of florescent green sugar water.

“Got it,” Aegon says, and leaves you alone.

You look at the phone on your nightstand. You’ve tried to call Aemond to no avail, though you spoke to Criston twice; on both occasions he said Aemond was in the middle of an interview. It’s understandable that you would have difficulty getting ahold of your husband while he’s off campaigning, leaping from town to town like an electric current. There’s nothing unusual about it at all. But Aemond could call you anytime he likes. You haven’t moved; he knows exactly where you are.

You keep staring at the phone. It doesn’t ring.

~~~~~~~~~~

It’s night again, and you swim up from morphine-soft dreams into your hospital room, dark except for the flashing color of the television, low volume, NBC news. Aegon is curled up in the chair he’s claimed, snoring and half-covered with a cheap, pale blue hospital blanket. And it’s a strange feeling—a foreign language, a new religion—to realize that you’re relieved to see he’s still here, that there’s a comfort in it, a safety.

Suddenly, Aemond is on the television screen. You sit up in bed as gingerly as you can, leaning in, listening close. He’s rarely looked better: blue suit, prosthetic eye, rested and measured and sharp. He’s giving a speech at the Hotel Sorrento in Seattle, three hours behind the time you’re living in on the East Coast. Flanking him on the stage are Criston, Otto, Helaena, Fosco, the eight charming children. Five-year-old Cosmo keeps waving at the camera.

“Right now, my wife and newborn son are at Mount Sinai Hospital in New York City,” Aemond says, beaming, and the audience whistles and cheers. You should smile, but you can’t. He’s not supposed to be there. He’s supposed to be on his way home. “But tonight I’m here with all of you, fighting with everything I’m made of to win the great state of Washington. And I won’t leave until the job is done, because I know the greatest act of devotion that any of us can show our children is to ensure they grow up in a better America than the one we find ourselves in today…”

You look over at Aegon and see that his glassy eyes are open, watching the television just like you are. You don’t know how long he’s been awake. The two of you exchange a glance, and there is a silent, shared recognition of what won’t be said. You can’t criticize your husband. Aegon isn’t going to kick you while you’re down. You are grateful for this. It is a conviction he has only recently acquired.

Aegon pulls his blanket up to his chin and rolls over, turning away from you. You close your eyes and dream of being a child back in Tarpon Springs, mesmerized as you watch Greek sponge divers emerge from the bubbling depths in their suits of rubber armor.

~~~~~~~~~~

It’s the afternoon of the 13th. The Washington State Democratic Convention is being held tonight, and so win or lose Aemond will be walking into Mount Sinai Hospital tomorrow. He has to, he doesn’t have a choice. He’ll have no excuse to be anywhere else, and journalists will be swarming at the entranceway like bull sharks in the Gulf of Mexico.

It’s raining again. You’re reading one of the books that Alicent brought you, Dr. Spock’s Baby and Child Care. You had been meaning to get a copy before you were consumed by Aemond’s campaign and then his near-assassination, his maiming, his fleeting brush with oblivion. Aegon is cross-legged in the salmon pink armchair and plucking lazily at his guitar, singing so low no one outside the room would be able to hear him. It’s a Rolling Stones song, slow and mournful.

“You don’t know what’s going on

You’ve been away for far too long

You can’t come back and think you are still mine.”

As you flip a page and raindrops patter gently against the window, you find yourself thinking how easy this is, your hair undone and your feet bare, no photos to take or lines to remember, no practiced smiles, no overwrought itineraries, only compassion that is quiet and small and real.

“Well, baby, baby, baby, you’re out of time

I said, baby, baby, baby, you’re out of time…”

Aegon abruptly stops playing, cutting off with a twang. You look up at him. He’s gazing back with eyes that are filling up his face, glistening with horror. You turn to find out what he’s seen. There’s a doctor standing in the doorway, but he’s not alone. There’s a Greek Orthodox priest with him.

“Mrs. Targaryen,” the doctor begins, then glances to the priest. The holy man—black robes, gold chains, clasping a komboskini like the one Aemond keeps in a box on his writing desk at Asteria, stained with his own blood—gives an encouraging nod. “We’ve tried to reach your husband. We’ve called his hotel in Tacoma several times, but the senator must be out campaigning, and…” Again, he looks to the priest. Aegon is setting his guitar on the floor, covering his mouth with his hands.

Ari. Too early, too fragile, too defenseless in a world full of wolves.

Your words come out in a whisper. “He’s gone, isn’t he?”

“We must remember, child,” the priest tells you, vague patronizing pity. “That the Lord giveth and the Lord taketh away, but what is lost to us in this life is never truly gone. Those we love wait for us on the other side in paradise—”

“Please leave. I don’t want to talk to a priest. I don’t want to talk to anyone.”

I just gave birth to him. I just started to believe he was mine.

The doctor begins: “Ma’am, I’m so sorry to have to deliver this news—”

“I don’t want to talk to anyone, I want to be alone. So please leave,” you beg, your voice breaking. “I want to be alone. Please leave me alone.”

The doctor looks to Aegon. A man’s permission is sought. “Go,” Aegon manages, raspy and strangled, and the doctor obeys.

“God bless you and your husband, Mrs. Targaryen,” the priest says as he departs with a swift bow. You can’t reply. You’re biting back sobs as the tears begin to slither down your cheeks, scalding and furious, not just grief but the bottomless rage of Nemesis.

Aegon is watching you, not knowing what to do, not knowing what you need.

Aemond would want you to be stoic. Aemond would want you to have faith, forbearance, grace. “It is God’s will.”

“Hey.” Aegon reaches across the space between you, grabs your hand, holds it so tightly your bones ache. Still, you wouldn’t want him to let go. “You’re allowed to be fucked up about this. I am too.”

When your eyes drift to him, they are glaring and heartsick and poisonous. “Where’s Aemond?” Why isn’t he here?

Aegon sighs deeply and picks up the phone with his free hand. He spins the rotary dial with his index finger and then holds the handset to his ear. He waits as it rings. “Pantages Theater, Tacoma, Washington,” he tells the operator. A minute or more crawls by. “I need to speak to Senator Targaryen immediately. Yes, I know there’s a convention underway there, that’s why I’m calling you. Go get him.” More minutes, eternal, terrible beyond description. “What do you mean you can’t find him?!” Aegon snaps. “Okay, give me someone else. Anyone travelling with him. Criston Cole, Fosco Viviani, Otto Hightower, Helaena Targaryen. Hurry up. Let’s go.”

Outside the rain grows heavy and loud; it falls in sheets against the misty windows. In the distance, thunder growls.

“Hi, Criston, it’s me. He needs to come home now. Right now.”

Aegon closes his eyes. Criston must be arguing with him.

“No, you don’t understand,” Aegon says, forcing the words to leave his lips and ride the wires to the West Coast, to where the sun sets, to where the future is dawning. He’s still holding your hand. “Aemond doesn’t have a son anymore.”

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ilikekidsshows · 5 months

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The Totally Spies-ification of Adrien

Okay, it's been long enough that I can actually discuss how Adrien's slavery is depicted in the show without anger-fueled exaggerations and hyperbole. I want to discuss how Miraculous treats Adrien's slavery very flippantly and how it is, like everything in this show post-retool, all about Marinette. The show has a lot of stuff that hints that the writers intend for Adrien to be viewed a very certain way. I believe the writers made Adrien a slave for Marinette’s benefit and I will explain how I came to this conclusion.

I’ve joked before about how Astruc has worked on Totally Spies, “one of the kinkiest cartoons ever made”. I’d like to tackle this idea and how it relates to Miraculous more seriously. I’d like to tackle the topic of titillation and how it relates to how this show approaches slavery with such flippancy. My claim is that Adrien being a slave is not meant to be horrifying, which is why the story doesn't treat it as such; it's meant to be titillating.

I usually don't use Read Mores, since they can lead to broken links later, but this is really long. Strap in, folks.

Titillation for the context of this analysis means “content with the intention to excite romantically or sexually”, basically it’s about “kinky” stuff. The purpose of talking about sexuality in relation to Miraculous is not to paint the writers as some kind of fiends, but to present the fact that many teenagers are curious about romance and sex and will think about sex unprompted. This means titillating content in cartoons doesn’t even need to be related to sex to be titillating. And Astruc has a history of putting titillating stuff in his work, with Totally Spies being a very notable example of how you can include non-sexual titillating content in a kids’ show.

It all comes down to expected audience reactions. Adrien is meant to be sexy. I don’t mean that in a “the writers think this is sexy” way, but a “the writers think the projected audience of straight teenage girls will think this is sexy” way. He gets put into bondage three times in ‘Copycat’, ‘Anti-Bug’ and ‘Reverser’ and all three times the camera seems to like to show him off. He is meant to be an object of attraction for the audience. The people criticizing this show have been pointing out how Ladybug's costume accentuates her butt for years, but this is not something that occurs with just Ladybug. When he isn't posing for the viewers, Cat Noir gets whacked around by Akuma’s a lot, but a lot of the time it ends with him in a prone position that is also titillating, in ‘Pixelator’ it goes as far as having his butt jut out. However, the idea that Cat Noir is the one who gets hit when an Akuma needs to show off how dangerous they are is also part of the power dynamic where Marinette or Ladybug gets to show off, so it’s not purely for titillation, which is why other examples, like ‘Stormy Weather’ are more comedic.

It’s likely that Adrien-as-Adrien doesn’t get to participate in the show’s slapstick much, since that aspect of the character is presented as the perfect beauty, a role usually reserved for female characters who only ever get a little bit flustered or banged up to make sure they keep looking attractive. Marinette screams "waack" and runs face first into a wall in the same episode where the silliest thing Adrien gets to do is sneeze (Mr Pigeon). Adrien is meant to be attractive, sexy, titillating, in different ways in his different forms. As Cat Noir he is more active and more sexy, as Adrien he’s more passive and pretty, much like how female love interests can fall into these categories. It’s the Betty and Veronica dichotomy; in the Archie franchise Betty and Veronica are shown as the wholesome and sexy romance options and the reason the writers go out of their way not to resolve the love triangle is to keep the appeal of these both options going. People’s tastes differ, so it would alienate some audiences to pick one over the other. With Miraculous they solved the problem by having the two romance options be the different identities of a single character.

Frankly, as of the season five finale, Adrien is approaching “sexy lamp” levels of replicating sexist ways of writing a female character but just changing the gender. What else do you call him lying on the floor in despair while his love interest gets his superpowers and uses them to beat up his abusive father, while somehow being perfectly fine and happily kissing Marinette later after said father is dead and gone? Adrien’s trauma is debilitating when it serves the writers’ purposes, but stops being a problem as soon as they need him to smile and look pretty. The main reason Adrien’s trauma is so inconsistent is so that he can act as Marinette’s trophy so that Marinette has somebody to kiss in the final shot. If Adrien was despairing about not being good enough for her, or grossly crying about being an orphan, Marinette wouldn’t have a fun time kissing him. And if Marinette isn’t having fun, the members of the audience projecting onto her aren’t having fun either.

Speaking of how Adrien’s depiction relates to Marinette, here comes the controversial part of this post: while Marinette is not depicted as a literal slave owner in-story, narratively, she is very much treated as Adrien's owner from a meta perspective. We, the viewers, are meant to see Adrien as Marinette's property, and the twist of Adrien being a part of a slave race in a dynamic where Marinette holds all the cards is meant to be a good thing. We have been primed to view everything about Adrien to actually be about Marinette, because Marinette is the center of the universe of Miraculous and Adrien belongs to her because he’s the main character’s love interest. Adrien being revealed to be a slave that Marinette could control but then chooses to “merely” manipulate is meant to be glorifying to Marinette and titillating to the viewer. I will elaborate.

Marinette has been incredibly possessive of Adrien since day one and she is only occasionally depicted as being in the wrong about this, when she goes too far by the show’s standards. She stalks Lila and Adrien whenever she sees them hanging out together and she’s unreasonably jealous of Kagami. The only time she is depicted as being in the wrong is not when she's sniffing Adrien's pillow after breaking into his room, but when she actually bullies Kagami out of jealousy, and even that is depicted as more of an unfortunate misunderstanding than Marinette actively doing something wrong. Marinette is more sympathetic towards Kagami when she finds out she and Adrien aren't as close as she thought, that Kagami’s pursuit of Adrien is more hopeless than hers. Basically, Marinette is only in the wrong because Kagami isn't a threat, not because she was doing anything wrong by bullying her to defend her “territory”.

This gets flipped near the end of the season, though. When Adrien and Kagami do start dating, it's depicted as this big tragedy even more so than Master Fu losing his memories. Master Fu going missing is an afterthought, while Adrien choosing someone else over Marinette is the big “darkest hour” moment of the season three mid-finale, the cliffhanger moment of her crying in Luka’s arms while all hope is lost. Marinette isn’t directly crying about this, she is crying from “all the pressure”, but Marinette breaking down happens immediately after a scene of Kagami leaning in to kiss Adrien that has a somber dirge playing in the background. The first part of the finale has everything going wrong at the end; Master Fu is missing, Chloé gets willingly Akumatized, Marinette breaks down, and Kagami leans in to kiss Adrien. These scenes being put closely together is telling us that these are all bad things to happen.

Adrien ending up with Marinette is a given, but it's also taken for granted. Every girl with an interest in Adrien is depicted as an antagonist, while Marinette can do whatever she wants in pursuit of Adrien and will still be morally correct. Chloé and Lila, even Kagami to a degree, are villainized for their attraction to Adrien in a way Nathaniel, Luka or Zoé are not with their attraction to Marinette. Chloé and Lila are full-blown villains while Luka and Zoé are some of the most selfless members of the cast. Kagami is aggressive and socially awkward in a way that is used to justify Marinette's initial distrust and dislike of her (in ‘Ikari Gozen’ Alya voices her pity towards Marinette for having to spend time with her) while Nathaniel is just the pitiful bullied loner who’s still a liked member of the class friend group. Girls who want Adrien are bad for trespassing on Marinette’s territory and trying to “steal” something that “belongs” to Marinette.

The writers thinking Adrien belongs to Marinette is also not just subtext. Later in season five, when Marinette and Adrien finally start dating, Marinette even outright states that Adrien “kinda does a little” belong to her when she’s scared that Zoé has a crush on him. The fumbling of the line means that the writers are aware of how toxic it is to consider your partner your property, but they want to include that sentiment anyway, because that’s how they view the situation. Marinette’s boyfriend is her property and other people can’t even look at her property. ‘Emotion’ continues on this increased possessiveness by having the entire Marinette plot happen because she can’t conceive Adrien keeping things from her, because he isn’t allowed privacy from her while Marinette lying to Adrien (or Cat Noir) is a show staple.

This same attitude of Adrien not being allowed to have romantic options outside of Marinette has also been in the fandom for years. Every time a new female character was introduced, there was a worry that she’d “try to steal Adrien from Marinette”. Marinette and Adrien are endgame, the writers know this and the fandom knows this. The characters don't know this, but it doesn't matter because Adrien was already seen as Marinette's (future) boyfriend even back in season one when he barely knew her. And this attitude the writers and audience have is extended to the characters more and more as the show goes on, as almost every single character becomes an Adrinette shipper in support of Marinette in season five, while no one thinks to ask Adrien what he thinks about this. Only once, in ‘Desperada’ did Alya suggest that Adrien could make his own choice on who to date, but it was implied the choice should be Marinette specifically (Marinette smiles at this, while Kagami frowns). The cast is lucky the writers have decided Adrien already is Marinette's, or he’d be really uncomfortable.

Season five episode ‘Pretension’ goes as far with this as having Marinette basically ask Gabriel for permission to be with Adrien, convinced that she and Adrien can be together with no problems if she can just get him to approve of her. And then Gabriel tells her he’s promised Adrien to Kagami. You know, like a piece of property women were treated as before women were allowed to live without a man to control them. The finale then ultimately does have Gabriel agree to hand Adrien over to Marinette by dying and leaving her in charge of Adrien. Just because she uses the privilege to do some things for Adrien’s benefit doesn’t make what happened any less of a patriarchal transaction. In fact, the writers wrote it that way on purpose, with the knight and princess parallels they set up between Marinette and Adrien earlier in the show being something they are prominently proud of (the “reverse fairytale” as they put it). Adrien is the princess the dashing hero Marinette gets to earn with her feats of bravery; he’s handed to her like a piece of property and Marinette is too happy with her acquisition to even be outraged on Adrien’s behalf. And Adrien wasn’t even allowed to know about any of this, instead it gets handled solely between Marinette and Gabriel, like his opinion on the matter didn’t even matter. And why would his opinion matter, since he already is ready to promise himself to Marinette, even as the writers deny him the agency to actually make such a promise.

The goal of making it obvious that Adrien is cool with being objectified like this is probably why they make Adrien so obsessed with Marinette in season five, constantly repeating her name to himself and saying stuff like: “I can’t stop thinking about you” in ‘Pretension’. They need to drive it home to the audience exactly how okay Adrien is with everyone forcing him to be with Marinette. After all, you can’t force the willing. As of ‘Confrontation’, Adrien’s official goals for the future are: “I love Marinette Dupain-Cheng.” I guess, from the perspective of the writers, the childhood dream of wanting to be what his parents wanted from ‘Wishmaker’ wasn’t sad because of Adrien’s lack of agency; it was sad because he wasn’t forsaking all of his personal pursuits for Marinette specifically. As far as the writers are concerned, Adrien should only care about Marinette and nothing else.

This same entitlement is also present in Ladybug and Cat Noir's relationship. Every time Cat Noir is upset with Ladybug, like in Frozer, Glaciator, Syren, The New York Special or even Kuro Neko, they never talk about what caused it. This is especially blatant in cases where Ladybug has wronged Cat Noir personally, like Kuro Neko or the NY Special, where she never has to face up to what she did wrong because Cat Noir comes back because she “needs him”. Cat Noir will always come back to her without her having to do anything because she is the main character and she says she needs him. He exists for her and her needs. He exists for her; it’s just another way he’s hers.

Speaking of how Adrien is treated affects Marinette, even Adrien’s trauma actually belongs to her in the writing. I pointed out earlier that Adrien’s trauma shows up when the writers need to put him out of commission, but disappears as soon as he needs to be Marinette’s trophy, but it goes further than just inconsistency. The early seasons spend several episodes on how Adrien is being locked up by his father and unable to hang out with his friends and, between him and Marinette, Marinette is the one shown to be more upset and hurt by this. They don’t do this in every episode, as ‘The Bubbler’ actually does a phenomenal job of making Adrien’s upset actually about him, but the big point in ‘Glaciator’ is that Marinette is so upset that she can’t see Adrien that she accidentally leaves Cat Noir on read so he’s upset about that. Adrien is only upset because he didn’t get attention from Marinette, while Adrien’s literal abuse at the hands of his father is only important because it makes Marinette upset. Even Adrien himself gets in on this action in ‘Conformation’ when the writers go as far as having Adrien chastise himself of not being more worthy of Marinette’s love when his dad is once again busy ruining his life. Even Adrien himself makes his abuse about Marinette; him being abused is bad because it’s inconveniencing Marinette and inconveniencing Marinette makes him less worthy of her.

‘Cat Blanc’ is possibly the worst offender of all, though. This episode should be all about how Adrien is abused by Gabriel, culminating with Gabriel turning him into a monster that destroys the world. And yet, what is the episode actually about? It’s about Marinette. The worst thing that could happen to Adrien is about Marinette. Only Marinette gets to remember or even know about the possibility of Cat Noir getting Akumatized and only Marinette is traumatized by it happening. After all that the writers later dare to use this event that didn’t actually happen anymore, that Adrien doesn’t know about, to justify him giving his powers to Marinette, because he’s “scared of getting Akumatized” when something like that has never happened as far as he knows. But the writers had him reason this way anyway, because apparently the culmination of Marinette’s character development in the show means taking Adrien’s power as her own and then failing to win even with that at her disposal.

Another note about ‘The Bubbler’ that has to be pointed out is that it’s also the first example of Marinette being presented as good for Adrien simply because she treats him better than Gabriel. The final scene of Marinette giving Adrien his best birthday present yet and letting him think it comes from Gabriel is done to show how selfless Marinette is by letting Adrien keep thinking good things about his abuser. This idea that Marinette is morally good simply because she’s better than pond scum Gabriel is also present in the season five finale, where Marinette manipulates, gaslights and keeps important information from her abused slave boyfriend. Marinette is presented as being in the right because at least she didn’t literally control him with a magical geas like Gabriel did and gave him the object with which to do so (while notably not telling him what it does). Marinette will do the bare minimum of not taking literal ownership of Adrien and we’re meant to see her as a paragon of goodness for it, while she still has no respect for Adrien’s autonomy and hasn’t had any since the show started.

The way the Sentimonster “reveal” is handled shows this utter lack of respect for Adrien’s autonomy that the writers, and Marinette by extension, have. The reveal is not for Adrien, but for Marinette, just like every other piece of Adrien has been made to be about Marinette. Marinette gets to know and she gets to decide if Adrien gets to know, and she decides “no”. She will manipulate him and lie to him to keep him happy for herself, she will keep important information about him to herself that he might never find out if anything happens to her, because Adrien is hers and no one else’s and she has the right to make that decision because the world revolves around her because the world of Miraculous was created to be her playground. “Adrien” is just a toy on that playground for Marinette to play with as the writers see fit.

Now we’re coming back to Adrien’s role as the sexy, titillating love interest character that I talked about at the start of this essay. If Marinette granting Adrien the bare minimum of freedoms as a slave while manipulating him “for his own good” is meant to be a good thing, why is Adrien even a slave? Well, outside of the writers wanting to add a plot twist that doesn’t come with any messy plot they’d have to write about characters other than Marinette, Adrien being a slave is also meant to be titillating. What really is magical super slavery than very, very off the wall bondage and power play stuff? The idea that Marinette could rob her love interest of his free will with ease but won’t because she cares about him so much is very empowering in two different ways. It gives Marinette all the power in the relationship and it makes her out to be such a good person that even having ultimate power over another person won’t corrupt her. Adding to that, we have Adrien’s people pleaser abuse victim personality, which makes him fawn over the people he loves. If Marinette ever wanted to have control over Adrien, Adrien would give it to her of his own volition, no need for magical super slavery or unbreakable geases.

As I stated earlier, Marinette is meant to be the point of view main character the audience of teen girls projects themselves onto. So, really, Adrien’s slavery and abuse responses are all about that fantasy of having a cute boy you have all the power over but not needing to use it because the boy is so nice and devoted to you anyway. Adrien really is “perfect”, the perfect object of attraction, a being who technically has free will but whose free will you never have to take into account because he’s been designed and trained to value other people’s wants and needs over his own.

Marinette doesn't literally own Adrien within the story, but the writers make it very clear that they think she should. In fact, in all ways except the literal, she already does.

#ml critical #ml writing critical #miraculous ladybug critical #ml meta #ml salt #zagulous fandom #adrien agreste #just like with my 'adrien gets disrespected' post none of these things would be THAT bad by themselves #but it's this much stuff all at once

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miraculousfanworks · 10 months

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Fanfiction Prompt

In a non-Akuma related incident, Marinette breaks her right hand. Ladybug contacts Chat Noir, she's hurt her hand, and is worried she won't be able to perform her duties as ladybug until it heals. Chat offers a solution, they'll kwami swap. Yes, she'll still be less effective with that Black Cat with one hand down, but surely a full function Mr. Bug and a hampered Lady Noire is better than the other way around. So they swap Miraculouses. Oddly, when she detransforms later, Plagg's ring doesn't look like it did previous times they swapped. It's silver and a bit chunkier. The next day at school, Alya makes a noise like a stream whistle. Marinette is confused, until Alya spells it out... She's clearly wearing Adrien's ring. On her ring finger. On her left hand...

Prompt by Tiwaz

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hoppityandco · 2 years

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more bugs

#not mr. bug related #my art #gif

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carnivalcarriondiscarded · 9 months

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saw some speculation on FranklyDear in relation to the audios and i want to toss my two cents in

so all the thing's i've been seeing have been people talking about how they're a couple, but they're not acting like it, so that must be Playfellow's influence making them put distance between each other

but i immediately interpreted it as - they're not there yet. there might be feelings, but they aren't Together. cause in the 14 bug audios, i feel like it's pretty clear that these are snapshots of the neighborhood outside of the show. cameras aren't rolling, there are no influences, it's the neighbors just Existing on their own dime

'cause the conversations are more natural! the characters seem more nuanced! there aren't any sound effects! so if FranklyDear is already established, wouldn't we have "seen" that in their shared audio 8-14? wouldn't Eddie have just called Frank Frank, without the immediate (and somewhat flustered) correction to Mr. Frankly? and wouldn't Frank call him Eddie instead of Mr. Dear? plus, idk about y'all, but that scene was a lil romantically charged. a little flirty - especially from Frank's side. the kind of tension you get from budding emotions, not fully-realized ones

they just seem to be in a before state. the beginning stages. and anyway, i remember Clown saying that revealing FranklyDear as an endgame couple was sort of an Accident? i think we were meant to watch it evolve and figure it out along with the characters, the way we will with any other relationships (that we Definitely are not aware of / confident about yet).

we're still only in the prologue of the story, so it'd make so much sense if Frank and Eddie are not yet Involved. we're on this journey With them

#in a parallel universe there are people arguing over whether or not frank & eddie are a Thing #im kinda thankful that's not our reality lol #i think it's going to be fun just sitting back Fully Aware and watching these two Go Through It #i just highly highly HIGHLY doubt they're already together #plus how much more fun would it be to watch it Happen?#to see them experience the conflict and feelings and realizations and how their interactions will likely Change Accordingly #homebogging #welcome home theory #welcome home speculation #before the audios i had a feeling that it would be eddie being the more up-front flirty go-getter of the two #based on clown's art of them & such #but then with the audios eddie is a little more... reserved isnt the right word....#polite? restrained? trying to keep things Amicable and Professional?#cause in 8-14 frank was the more relaxed teasing one while eddie was a bit of a flustered mess #which might've been because of the bug #but yk... he Did rush to correct himself on how he addressed frank...#and the way frank spoke... idk it just sounded like a slightly different Tone than what they usually speak with #more of a casual drawl. more forward - there was a Weight to it #and the 'you don’t need to be that familiar with them in order to get to know them better'#imo that line stuck out as a kind of a wink wink nudge nudge thing #like a Hey. We Could Get To Know Each Other.#twas a classic 'talking about one thing while saying another' phrase - again imo #oh and also its just occurring to me #if the bug audios are 'present day' like i suspect #its entirely possible that franklydear can only 'now' develop bc theyre - well theyre not exactly Free #but playfellow is no longer 'ruling' over them. the influence and pressure - no matter how subconcious it was - is no longer there #freeing them up just enough to maybe... just maybe... truly Feel and perhaps Express interest in each other #just a thought!#that would be another tally in the box explaining why their interaction in the 8-14 audio was Different #there isn't anything holding them back anymore beyond their (possible) own internalized biases & fears & expectations etc

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skitter-queen · 6 months

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Worm Patch Notes v1.103

• Added more bugs (6 new species of insect can now be found in Brockton Bay)

• Vista now acknowledges Browbeat's death

• Added another Tooth to the Teeth (The Grinner)

• Adjusted Brian's Summer of the Forest to be slightly more memorable

• Implemented AMV support

• Fixed an error that could sometimes cause Lisa's face scar to remain, even after being healed

• Reverted the Mrs. Knott description from Gestation 1.1 to its original state

• Removed Interlude 11h

• Added a Cody epilogue

• Inserted a chapter of Twig at the end of every arc in a desperate bid to get more people to read it, please for the love of god read twig

• Amy Dallon is no longer eligible for use in Jackbox games

• Fixed a potentially story-breaking bug* related to giving Atlas human teeth

• For consistency with last update's Contessa patch, the Simurgh now wears modest clothes and is described as "not especially attractive" by Taylor

#wormblr #parahumans #*pun not intended

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suugarbabe · 7 months

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Hi! Congrats on 1k!!!!

i was wondering if you could do a Fred Weasley x reader

but the reader is Sirius blacks daughter 🤷🏼‍♀️ It takes place abt Prisoner of Azkaban

but so the reader was raised by Remus because Sirius chose him as the godfather and the reader is extremely touch starved like it’s crazy

and she is rlly anxious abt everything and (almost) everyone at hogworts shuns her because she’s Sirius blacks daughter and they believe she helps him in the school or is like him. But she’s not and it all just really gets to her. and she talks to Remus abt all of it (they def gossip together lol) and he tries his best to make it better for her but she kinda left one part out, about Fred. They had been friends for a while but they kinda drifted for whatever reason. He was with her all the time out of no where and she was a bit paranoid abt it but he just wanted to make sure she was ok and because he really missed her. And he was in love with her but he didn’t quite know how to tell her, and he didn’t really know what all he felt. I guess like a slow burn situation lol

sorry that’s a whole lot lol and it jumps all over the place I’m terrible at explaining things

absolutely love your work tho 🫶🏻🫶🏻

so i took a little creative liberty with this to make it work as a blurb so if you hate it, sozz, but I kind of like it??

The door to your godfather's office opened before you even had a chance to knock. You let out a sigh as you walked into the classroom, "Uncle Rem, you know I hate it when you watch me on that map." You walked up to his desk at the front of the classroom, sinking into the large chair sitting behind it.

"You know I only do it when I'm worried about you. And your father would have my head if I didn't keep a good eye on you," Remus's voice came from behind you, walking down the steps from his office before joining you in the main classroom.

You tried your best not to roll your eyes, "There's no need for him to be worried. Haven't you heard, Rem? I'm letting him into the castle so he can murder our precious Harry Potter." You slumped further into the chair, "I'm sorry. I know Harry doesn't know the truth, but you don't know how hard it is to keep this secret."

"Bug," Remus was smiling at you, "if anyone knows about the trials and tribulations of keeping a secret at Hogwarts, I think i'd be able to relate." You couldn't help but smirk, "Okay, you've got me there. But no one suspected your dad to be a murderer."

Remus nodded, "Not everyone thinks you're so terrible, Bug." You couldn't help but scoff, "I love you, Uncle Rem, but unfortunately you don't count in this scenario."

Remus just shook his head, "M'not talking about me, love."

You tilted your head in confusion, "What are you talking about?"

Your godfather couldn't contain his smirk, "I'm referring to one Mr. Weasley. Fred to be more specific."

You huffed out a little, "Fred? Worried about me? Please, Uncle Rem, he's not worried, he's just stalking to try and find out how I'm letting dad in."

"You know that's not true, Bug. Fred's been a good friend of yours for many years. Why would this year change everything?" Remus was sitting on the edge of his desk now, looking down at you in the chair. You felt like a young child again when you used to sit with Remus in the living room and talk to him about everything and anything.

"I just feel like we've been drifting. We don't talk as much, but he's always kind of around? I just know he thinks the same thing as everyone else. His brother is best friends with Harry for Godric's sake, like of course he hates me now, how could he not?"

Remus looked at you with those eyes, the eyes he gives you when he's about to tell you how wrong you are. You closed your eyes in response, only causing Remus to chuckle, "What on earth are you doing?"

"If I don't look at you, I can't see you silently telling me how incorrect I am," this answer only made Remus laugh harder.

"Bug," he said your nickname lovingly, "Bug, look at me please, it's important." You peeked one eye open. "Uh-uh, both eyes, full attention."

You huffed out a sigh before complying. Remus folding his arms over his chest, "Mr. Weasley is quite fond of you and ah, ah-," Remus cut himself off, holding up a finger to you to stop you from replying before continuing himself, "and I think you should go have a chat with him. He came to me earlier today, telling me how worried he was about you, that he's been keeping an eye on you to make sure that you're safe. He's quite fond of you, Bug."

Your cheeks burned red, not knowing what to say in response. "Maybe," Remus stood from his desk now, "you should go have a chat with him." He started ascending up the stairs now, essentially leaving you no choice to but listen to his suggestion.

"I don't even know where he is right now," you tried, but you knew your efforts were futile when you heard your godfather mumbled the retched spell to open his map.

"He's in the astronomy tower," Remus called from his office. You rolled your eyes, "Thank yooou, Uncle Remus." You pushed off the the comfy chair that essentially had your imprint in it before heading out the classroom door, Remus calling after you that he loved you and wishing you good luck.

On your walk to the astronomy tower, you replayed the last couple months in your head. How Fred was always checking up on you, asking you how you were doing, if you needed him to walk you to class, if you had any plans later that day, if you wanted to take a break and go to the lake with him.

You assumed he was checking your schedule, seeing if you were trying to plot something for your father or were making plans to help with him getting into the castle. You were so clouded by paranoia and fear of judgement you failed to see that, beyond your godfather, Fred was the only person that was actually trying to be there for you.

You tip toed up the astronomy tower, not wanting to be fully discovered before you were ready. When you reached the top you saw Fred leaning against the railings. You walked slowly up to him, placing a tentative hand on his elbow causing him to turn his head toward you.

"Oh, hello, darling," he smiled sweetly at you, though you could tell it didn't quite reach his eyes like it normally did. You were cursing yourself internally, not believing how you could be so stupid. You didn't hesitate to wrap your arms around him, squeezing him like you didn't want him to float away, "I'm so sorry, Freddie. I've been so stupid."

It took just a second for him to respond before he was hugging you back, rubbing your back gently, "Darling, what are you talking about? Stupid about what?"

You pulled back slightly, craning your neck to look up at the tall man, "I've been pushing you away when you're the only person who's been there for me, truly. The only one who hasn't been blaming me, who's been looking out for me, checking in on me, making sure no one else bothers me. I've been so stupid and paranoid that I thought maybe you were doing those things to keep an eye on me for the wrong reasons."

The more you rambled the more Fred began to smile. "Freddie," you pouted, "i'm serious, I've been so awful to you."

Fred just shook his head, large hands cupping your face and wiping your tears, "You're right, angel." You're heart stopped for a moment, thinking he was going to tell you how terrible you were to him and how much you hurt him, "You're right that I care about you, that I've just been trying to protect you. M'not mad at you for being cautious. Hell, I expected it really." You couldn't help to laugh sightly.

He smiled at your small laughter, "There she is, there's my girl." Fred tilted your head so you were looking him in the eyes now. And you saw it, his admiration for you, how much he cared, that he loved you, all in how he was looking at you right in this moment.

"Kiss me, Freddie." It was a statement, not a question. He hesitated, looking in to your eyes to make sure that's what you really wanted. But you were done being patient, done waiting to see what others were going to do.

You fisted to front of his jumper, pulling his down to you. His lips met yours quickly, one of his hands shooting down to your waist as his other found solace on the back of your neck. Your lips moved together effortlessly, his so soft and plush against yours.

You tilted your head slightly, allowing him to deepen the kiss. Your hand fisted his red hair at the base of his neck, pulling him impossibly closer before you both had to eventually break away for air.

Fred's cheeks were beat red, lips slightly swollen and you were sure you looked the same. "Wow," was all Fred was finally able to say. You nodded, "Wow."

"I should've done that weeks ago," Fred laughed lightly. You wrapped your arms around his neck, "Well, now you can do it whenever you want." He nodded, smiling, leaning down to go for another kiss.

#nonny bo bonny #fred weasley #fred weasley x reader #fred weasley fluff #wolfstar!reader #fred weasley x you #fred weasley blurb

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henrysglock · 4 months

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Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]

You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.

Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.

It all started with Henry's self-proclaimed superhero name: The Stardust Spider.

Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).

Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".

However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.

There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":

For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.

Specifically, though, these few stanzas hit me weirdly:

You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead

The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.

Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)

So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):

And when we revisit some of the on-film classics:

I start to think it's time we revisit the concept of time-travel and trying to change your own fate.

It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.

Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.

Not 20, not 30...

Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.

For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:

The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.

However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:

It's a set of real events, just portrayed on a different time scale.

So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:

— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.

— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.

When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.

This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:

Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.

Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.

This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:

If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.

We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.

Here comes the first "hear me out".

My questions are:

Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?

How did "Henry" get involved with Dimension X in Nevada in the 1950s?

Unless, by some chance:

Dimension X exists all the time simultaneously (i.e. it's a space outside time)

The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.

There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.

Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.

Those addressed, let's fast-forward 4 years: 1956/1983.

Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.

In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.

* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.

Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.

"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:

Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.

We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).

The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.

Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.

Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)

That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)

We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.

At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:

Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.

The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.

Remember those thoughts I asked you to hold?

TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.

Hence:

Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.

- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.

2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:

3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.

4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).

All this laid out, some questions remain:

Why do Henry's visions show him the genuine, terrifying reality of his future?

Why are these visions generally lacking in coercion?

Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)

Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)

And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.

But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.

The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"

Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?

Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.

There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.

Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.

Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?

His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.

The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?

The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.

We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:

d) The ending of the vision doesn't match with reality:

At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.

Remember those thoughts from a bit ago that I asked you to hold?

Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:

Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").

Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.

These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.

IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.

Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.

It's starting to become my favorite thing in the world: A pattern of behavior.

In summary:

Henry's are visions are visions of his future, and they're being shown to him by someone.

They are separate from, but piggybacking on, the Mindflayer's possession attempts.

The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.

So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...

I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:

Someone...from the future.

Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.

A traitor. A spy, if you will.

"A spy...from the future?"

[gestures at the Signs] Yeah, you heard me.

A spy from the future.

So, on that note: The point in this section wherein I ask you to hear me out.

I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.

And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"

I mean, yeah. Of course it is. However...

There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.

Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.

We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.

The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.

I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?

No.

TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.

So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.

[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]

With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.

We all know how TFS ends, though. Hence:

[EPIC FAIL COMPILATION]

This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.

I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.

"It does?"

Yup! Let me explain.

On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.

For example: Vecna told Nancy his backstory, and then he immediately went

"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".

Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.

I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:

We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.

In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.

Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.

It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.

It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.

Some of my favorite examples:

...and it's all topped off with Max's line:

"He's been telling us his plan this whole time".

That is to say...You're telling me:

The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?

Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?

El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?

The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?

Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?

Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?

None of that makes any damn sense...until we hit this last point:

Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.

Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).

So, with that in mind, I'd like you to chew on this:

"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."

By which I mean: "He's been telling us some other man's plan this whole time."

[Mike voice] Superspy.

As a parting thought, I made it all into a nice, neat set of collages:

Not to mention this final, parting bit:

#henry creel #time loop theory #st: tfs

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