DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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there's a lot of Jason as a fanfic writer headcanons (which I love) but we're sleeping on the bat that is canonically not just a huge nerd but also a great writer: duke
where's he's at now he doesn't do hobbies he barely does humaning, he's The Signal practically full time, all his fics are on permanent hiatus
theres a better future where he learns to take breaks and has a note on his mega fic like "life ya know?" like No duke we Don't know
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"I figured hey, if I'm here, I might as well be honest with myself. So I dug into the archives. And I found teenage Dan. Do you remember HELLO INTERNET? There I was, eighteen years old, your average caucasian British boy with your problematic vocabulary, just wanting so desperately to be liked. I then saw myself age twenty, as a student. Not that I was actually studying anything other than the male anatomy. I had no plan. No prospects. I was in desperate need of a haircut. Jesus Christ. No, look, that was not a hairstyle. It was geometry. My hair was a square. I then saw myself age twenty-two as an adult, just trying to make my way in the world, taking any job that I could, no matter how inauthentic or degrading. And look. I don't hate these past versions of myself, alright? Apart from the square one, it can get in the fucking bin. Mainly, I just feel sorry that it took them so long to work out who they are. I then stumbled across the video titled Existential Crisis. In which I utter the optimistic nihilistic epithet: 'embrace the void and have the courage to exist'. Embrace the void and have the courage to exist. It sounded nice when I said it but for some reason it just didn't hit. I had accepted the absurdity of the world but at that time, I hadn't accepted myself. Looking back at it, it finally clicked. Anyone who has suffered with depression or any kind of trauma that seriously affects your self-worth hopes that one day you're going to have this sudden revelation and then everything is fine. I had my revelation alright. I am unapologetically gay! Don't know if you hadn't picked up on that, so far in the show. But just having this revelation did not immediately fix all of my problems, because I still feel that inherent burnt-on brand that I am wrong. And that doesn't just go away. No, I know what my problem is, alright. My problem I am always living for the future. Every day I am thinking about this dream future where all of my dreams have come true and all of my problem have gone and everything's fine. And so, every day in the present of my life can be this joyless unrelenting grind towards that future. But it's okay. It's going to come any day now, right? Learning to look yourself in the mirror and being honest about what you've been through and keep living in spite of that can be hard. It takes a long time and a relentless persistent resistance against the way that you've been trained to feel by the world. But that doesn't just mean you should give up. Because, sure, sometimes in life, you may feel trapped. I felt trapped by my sexuality. You could feel trapped by your culture or your community. Hell, you could be literally trapped in an elevator but that doesn't mean that you shouldn't try to get out. 'cause, sure, when I look at the state of the world, I am very tempted to just go: You know what - we're all doomed. But that isn't courageous. That is cowardly. It's the easy way out. Even if it is, as I hope you'd all agree, a really fucking cool name for a show. So that's the thing. You can either say to yourself, every day is just a discontent emoji or you can find the courage to force your inner smiling cowboy hat, ye-motherfucking-haw! And just try to find in everyday life. Which is why I made this show. So I'm not living in the future but I'm just right here, right now, with you, just trying to have one good night. And look. Hey. Who knows, huh? We may all be doomed. Death may be inevitable. But first, we get to live. Life might at times be a struggle but just being here, to put one foot in front of the other every day is living. So please, do not let the doom drag you down. You are important. You matter. Please, stay hopeful for the future. Appreciate life. Embrace the void and have the courage to exist." - Dan Howell, closing monologue of his show "we're all doomed" (2022-2024)
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See you in hell.
[ID: A series of gifs from the Good Omens 2.2 minisode "A Companion to Owls."
Sitis looks disbelieving as she says, "…No. God wouldn't!" Crowley gives an exaggerated frown and replies, "Are you sure?"
Sitis looks horrified and says, "But they've done nothing! They're innocent!" Crowley nods impassively: "So were the goats." Sitis stares at him in horror.
In the cellar, Aziraphale looks back over his shoulder, seeming offended. "God's [side], of course!" Crowley reclines, raising his eyebrows and nodding. "Oh, really. Same God that wants me to whack the kids?"
Aziraphale looks very uncertain, and slowly says, "…Yes. But…" Crowley grins slowly, gesturing to Aziraphale and saying, "That's just how it started for me."
Back in the house, Sitis looks devastated and desperate. "If my children are dead, then… I will curse God, and—"
Crowley swings abruptly around the doorframe and rushes over to interrupt Sitis. "WHOA! That never ends well."
At the cliff's edge overlooking the sea, Aziraphale looks on the verge of tears but determined. "Well. I'm ready to go." Crowley asks: "Go where?" Aziraphale swallows. "To hell."
Crowley sits down on the rock and says, "I'm not taking you to hell, Angel." Aziraphale looks over at him, his tearful expression turning confused. "Why not?" Crowley replies mildly, "Well, I don't think you'd like it."
End ID.]
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