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sapphroditewrites · 1 year

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Introduction Post!/DNI List

Hi, my name is aurora, im 24, and i have a full time job sooo unfortunately frequent fic updates/posts aren’t a guarantee. but i do love to write, and i find the time to do it when i can! My pronouns are she/her and I identify as a lesbian. i grew up in south jersey and i live in philly now, so i curse like a sailor. my zodiac sun is capricorn, my moon is leo, my rising is virgo (for all u astrology hoes out there) and im INFP if that means anything to u (i dont understand it at all)

im part of the unholy trinity of bishova, we come up with silly little fic ideas that turn into full-length novels together. they’re the reason i write, and i lov them a lot. u should follow them (functionally-medicated and laurie-bishop) on here, if u want the full experience. if anything ever happened to them or if anybody ever hurt them emotionally or physically i would hunt that person down in a completely feral state, unaware of my surroundings or actions, and what follows is not for me to say or take blame for.

Here’s some links:

my linktr.ee, which is basically all of these in one place except my ao3 bc minors follow me on tiktok and i... dont want them reading my fics or at least i dont wanna know abt them reading my fics lol

my main blog (desktop link)

My Twitter (until the rat man ruins it for good, this is the main place for my madness)

My ao3 (Please note that due to my deep fear of ai stealing my shit, all of my fics are only accessible to ao3 users; i will not be posting them anywhere else.)

And yes, my tiktok. (it’s literally just shitposts, mostly bishova)

DM’s and Ask Box are open for questions, comments, etc! Don’t be shy to ask about anything, I’m an open book and I give very mid advice. (if u are looking for romantic advice please know most of my exes cheated on me and i have deeply rooted emotional issues. so my advice will be ‘break up’ or ‘just ask them out the worst they can say is no’. if those are not the answers u seek i am not ur love doctor) I’m not taking requests for fics, but i’m down for discussion for ideas and i might even end up writing something! If I do, I’ll ofc refer to the post(s) and give credit where it’s due. Or if it’s a blurb/drabble I’ll just respond in the ask.

You DO NOT have permission to share/steal my work onto other platforms unless it’s for the sole purpose of promoting the fic itself. For example, if you like to share links to your favorite fics on a tumblr or discord, that’s fine. You cannot claim it as your own, nor do I want anything read in a recorded space or shared with any cast/crew/whatever. (It makes me uncomfortable, and yes, this is something that has happened before lol.) Please and thank you x

OK DNI:

-if you write/read noncon/dubcon and dead dove fics, i have a lot of really negative views and putting them all here will just make my teeth itch

-if you’re a minor, please dni with my 18+ content!!!!!! I realize I can’t prevent y’all from coming here or reading my fics but i dont need to hear about it! im happy ur reading my stuff, and im very grateful, but pls understand that as an adult it makes me uncomfy hearing abt it, and any normal adult should probably feel that way.

-however, if u are a minor and an adult on here is giving u some weird vibes this blog is very much a safe space to talk abt them, i am very here for u, idc who they are or who you are, i do not tolerate adults taking advantage of kids in any way shape or form and i will go full mama bear mode

-terfs and maps/p*dos and other similar degenerates stay far the fuck away. i am not above publicly shaming you, and i am really really good at swinging and hitting low. i will bring up ur dead relative and im going to talk abt fucking ur mom. if ur mom is dead ill talk abt fucking ur dad. i dont care.

-lemme reiterate, TERFS are NOT ALLOWED. i specifically hate you so deeply, so intensely, my breasts ache with rage at the thought of being able to verbally or physically smack one of you bitches into the dirt. on this blog we respect the FUCK out of pronouns and gender identity and if u can’t vibe with that i genuinely think u are actual garbage, u are subhuman to me, if god asked me to recreate the caste system you would be at the bottom and i would get off to watching you suffer.

-i am once again repeating dead dove accounts stay far away from me. i dont go out of my way to be a bitch to you directly, so i am just asking you do the same for me. i do think we can hate each other and co-exist, unlike me and the terfs.

(random shit about me below the cut line. im sorry, it’s best u just find out i am literally insane right off the bat)

i work at a small coffee shop that’s also a chocolate/ice cream store (i will not be writing a coffee shop au, unless it’s for one of the unholy trinity or someone who has a plot idea that will make me overlook writing my job in fanfic). i do actually think i am the hottest person in the room most of the time, and the funniest at least half of the time.

My hobbies include complaining, playing ps4 or my nintendo switch (please tell me if u play ACNH, i had to get a new switch and my whole ass island was deleted. i need some fucking iron nuggets please im begging on my knees), and playing chess on chess dot com. (yes, im single, thank u for asking). i can play a weird variety of instruments but not well. I rewatch glee every other month, and twilight every month. i can recite the entire first 20-30 mins of the emperor’s new groove from memory, and also most of yzma’s lines. i have a lot of love for satire and adult cartoons, meaning i will unironically defend south park (but my favorite adult cartoons are bob’s burgers, king of the hill, and futurama) my favorite color is pink, my favorite singers are Amy Winehouse & Taylor Swift (and i could write an entire essay on their lyrical geniuses, musical styles, and what songs of theirs i think go together perfectly). my favorite food is potatoes, my favorite animals are bears (specifically the spectacled bear), and my favorite flowers are pink japanese camellias. now you know the most intimate details of my personality. holy shit are you still reading. bro i just put this here because i thought it would be funny. i ddin’t even think someone would read this post. damn u must really wanna know abt me huh. ok well my favorite alcoholic drink is some goddamn jim beam bourbon or whiskey over a lot of ice. close second is jack and coke. i’m on antipsychotics so i can’t get drunk often, and when i do it’s after 2 drinks. i can’t take nyquil because it aggravates my mental issues. i am allergic to pollen, tree nuts, and literal spiders and mosquitoes (their bites give me rashes that look like im dying of some rare disease). i have 8 tattoos. i do 2000 crunches a day. i can hold a plank for 2 mins and 33 seconds. (learning margot robbie can do this for 4 mins has awakened something very competitive in me). i can hold the flex arm hang for so long i get bored and have to stop. holy shit dude ur still reading? jesus chirst. i can read tarot cards. i can read runestones. i’ve had the same nightmare/dream since i was 7, in different angles / places / scenarios, but always the same universe. i read wiki articles for fun and it’s not even about cool things like ww1 or the geneva convention. i have 2 older brothers that i love. we are the same people. my mom is my favorite person. she is why my brothers and i are Like That. my stepdad gave me good taste in film and women. my stepmom’s life is more interesting than mine or yours ever will be. my dad is slowly becoming a swifty, but he’s also unfortunately starting to fall down the right-wing pipeline and it’s a mega fucking bummer dude. thanks, joe rogan. i can do a not good kermit the frog impression but by god will i keep doing it. if im not in film for writing or directing then im going for acting bc at the end of the day at least im cute and funny. i am fully convinced i could kick ben shapiro’s ass. i am also fully convinced i could kick joe rogan’s ass. i play chess so that if i am for whatever reason challenged by andrew tate, i can humiliate him and make him fucking weep. and i also just like it and have been playing it my entire life. i am a certified pothead and stoner, and i vibe heaviest w the sober ppl at parties. speaking of parties and bars, i am the drunk white girl in the bathroom that tells you you look beautiful, sometimes while sobbing. speaking of sobbing, i cry really easily watching movies and tv shows, and i have gotten really good at holding it back just enough so i get that cheryl blossom style single tear down the cheek for a bit. i can cry on command, and my form of self-defense is barking (and now ppl are starting to do it on tiktok so it feels less original but it also feels good knowing that it’s so fucking effective) ok dam if u really read all this ur fucking nuts dude kudos to u tho. i am literally actually insane though fr fr like not in a cute way literally in a ‘what is wrong with u’ way. lots of things is the answer.

#intro post #dni list #ummmmm this is probably fine #im old i dont care about formatting im sorry #i tried to make it as not ugly as possible while still making it slightly jarring so that it's read #also important to mention i have a touch of mental spice so sometimes my fics will be Fucking Sad #Sorry About That #i will try to keep the existentialism to a minimum

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indoorscreamingvoice · 1 year

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please PLEASE tell me literally anything about your ocs im so insane about them. please i want the infodump.../nf

ohoh oh oh im. i am Very Very So Excited that someone cares about my little guys!! m thinking of making a blog specifically for them cos theres WAYYY too much to put in one post [and i have no fucking clue where to start-]

i also just realized ive been working on this story [on and off] for literally over half my life.

i really really have. no idea where to start so ill just introduce the main(??) character [also the one i project onto the most B)]!! (and some stuff about what the story Means to me cos. i think. a lot.)

this is sage!! they/she [and also it/its at a later point] pronouns, THE hopeless romantic aroace Ever, autistic with plant and art spinterests, and Very Very lonely. they spent a large amount of their adolescence isolated due to fucked up world stuff, basically all human contact being from her brother nathaniel (he/him), who was very focused on researching the Monsters [a whole other big thing ill talk about in a different post] and didnt pay attention to her. this lead to very intense people pleasing tendencies and thinking of love as something that has to be earned. when they finally make a friend (oliver (he/they)), the relationship is strained due to both their traumas, the strangeness of their environment as a whole, and, yknow, the fact oliver is actively turning into a Monster and Will Die. and he does die, but not in the expected way ;)) [nate straight up murders him!!]. sage is infected with the same [disease??] that turns people into Monsters, and runs away. andd then the plot gets blurry and i dont. quite know Whats Happening :,)

the story as a whole is very focused on the Monsters and the process of people turning into them [a very direct allegory to (my) trauma/disability], and exploring [my relationship with] the concept of Humanity and how [my] queerness, trauma, and autism affect it. lot of body horror and generally shitty people B)

Wasnt getting the Special Interest Chemicals for this story for a bit but now it’s back full force and it. genuinely means the world to me that someone else cares about these ocs rhrhrhrhrhnvjdh <3 <3 <3

#oc #ocs #original characters #autistic rambling #tw death #autistic artist #special interest #i spent an hour trying to make this readable rnrnhrmrh :’))

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scripttorture · 3 years

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What would you expect from the public, including minors, when torturing someone in public is done, especially when it's a public spectacle and people actually come to watch. Is liking to watch torture a thing in this case? My story is a medieval/steampunk fantasy by the way.

Well Anon, this does still happen today. It happens in the country I grew up in and consider my home. So… my first suggestion is to throw out the implication that this is a weird historical thing the world doesn’t have to deal with any more. Because it is still very real. And if you get any kind of success with your story there’s a good chance some of your readers will have experience with this.

It’s also significantly more complicated then ‘liking’ or ‘disliking’ so let’s unpack this a bit.

I’ve never actually seen anyone maimed or executed. But as a kid of around 9-10 I knew kids my age who had. We used it as a sort of… pissing contest basically. Kids would brag about it to show how hard they were, in the same way we’d stuff chilis into our mouths and see who could last longest.

It’s one of those bizarre kinds of ritualised self-harm that you end up performing in order to cope with awful things.

Because witnessing this kind of stuff is harmful, to adults and children. It can leave people traumatised and displaying some of the symptoms I write about here.

But, however old the characters, if they grew up somewhere where this is the norm then I absolutely guarantee they understand showing opposition is dangerous. They know their responses to these displays of brutality and power are used as a proxy for their loyalty and worthiness by the state.

And boy if you are in any way outside the norm, if you are queer or the ‘wrong’ ethnic group or faith, then the pressure to conform here is so much more intense.

I lived in Saudi, my home town is Dhahran. My parents are from opposite ends of Europe and they tried to raise me Christian. I still spent a lot of my teenage years unpacking stuff I’d absorbed about public executions, amputations, whippings etc.

From the kids I knew growing up (anecdotal evidence no matter how empassioned) I’d say the ‘normal’ responses to witnessing this kind of state violence are varied. Kids would get nightmares, start showing signs of mild anxiety disorders or depression. They’d become moody, angry and generally unhappy. Which they’d sometimes take out on other people.

But I can’t remember anyone ever explicitly linking it to what they witnessed. They’d try to hide this stuff. Some of them would double down on justifications for state violence (seemed pretty common.) They would, above all, deny there was a problem.

Because admitting to mental illness made you ‘weak’ and admitting to doubts about state violence made you a ‘traitor’. Which is a pretty risky thing to label yourself (even by implication) when you live in a state that publicly mutilates and murders people. (Note the author’s bias as a committed pacifist may be showing.)

As you may have noticed Anon, I still carry a significant amount of anger on this particular subject. This bottled vitriole is not directed at you or your story idea but at the states and politicians who make sure this brutality continues. It’s about the fact that I can remember a nine year old girl matter of factly talking about beheading at a birthday party.

Stepping back from the personal side of things for a moment we know from studies of PTSD and trauma survivors generally that witnessing violence can lead to lasting psychological symptoms. Including PTSD.

PTSD specifically is more likely when an individual is directly effected (ie physically hurt). But repeated exposure to traumatic events, including witnessing violence, makes the manifestation of long term symptoms more likely.

So a character that has seen dozens of these attacks is more likely to develop a long term mental health problem then a character who has seen only one. Regardless of age.

We can’t predict which individual symptoms an individual witness will develop or indeed when a witness might develop them. We just don’t know enough about how these things happen yet.

Having said that, the possible symptoms for witnesses are pretty much identical to the possible symptoms for torture survivors (link above.) I’d advise against using chronic pain for witnesses unless you have a clear idea of an underlying cause; it seems (anecdotally) to be more common in people who directly experienced violence.

If you decide to use insomnia there’s a masterpost on sleep deprivation here.

For mental health problems like depression, anxiety etc remember there are physical symptoms as well as symptoms related to mood. Characters who are trying to deny they have a mental health problem might focus overly on physical symptoms. Depression can cause nausea, vomiting and tiredness/lack of energy which might be mistaken for disease. Anxiety can cause chest pain and shakes.

Circling back let’s talk about some of the phrasing in this question for a moment. Because ‘choose to watch’ misunderstands the way states use these public displays of violence.

Attendance and witnessing of public executions and torture is often enforced. Sometimes overtly and sometimes more tacitly. Because the point of these displays is to hammer home the power of the state. That doesn’t work if people can easily choose not to go.

Here’s an example of what that overt and tacit enforcement looked like back home.

Tacit enforcement came from the timing and placement of executions and amputations. They took place on weekends, when almost everyone was off work. They were carried out in major towns and cities, where the population density was higher. The venue was typically on a main thoroughfare close to important sites. Which ensured a high volume of people would be in the area when the execution took place, whether there was due to be an execution or not.

So picture the town or city this is taking place in, in your story. When are the public holidays? Where are the markets? Where are the most popular religious venues? At what time will the most people be in these areas?

All of that will tell you where an execution or public torture is likely to take place. Because if you set this shit up in eye sight of the place most people buy food, at the time when the most people are out, you get witnesses.

Whether they want to be witnesses or not.

Overt enforcement, on the low end of the scale, means having officials among the crowd pushing people towards the scaffold. At home this seemed to be targetted towards children and people who were judged as ‘other’. Different races to the majority, people who might have been read as a different religion, people who might have been read as queer etc.

This is because the message is ‘This could be you.’

I know practices in other countries have sometimes gone beyond this. Police or armed officials will sometimes go out and gather a crowd of witnesses by just… approaching people on the street and demanding they attend.

This approach requires quite a bit of man power and is not practical or necessary in every setting. In most cases setting things up in the right place and time is enough to ensure a large number of witnesses.

What I’m trying to illustrate here is that a lot of people will see this stuff without having made a conscious choice to do so.

And making a conscious choice to see it… well it does say something about the character but not in the way you’re thinking.

Because these displays are all about the power of the state. Witnessing them, responding to them is performance and it’s a performance of state loyalty. You can’t expect someone to give their true opinion on public displays of violence when criticism or voicing ‘dislike’ could lead to them being targets of violence.

Basically if you’ve got characters going to see this stuff regularly then it’s worth asking why they feel the need to display their loyalty in this way. Sometimes it’s because they really really believe in the state. But often… they’re compensating for something.

Wrapping up I think it’s important to note there’s often a difference between what people say about this stuff versus what they actually feel. And that’s because these things are explicitly political and explicitly about the power a state has over it’s subjects.

The way individuals respond to these things in public and what they say about them in public effects how they are treated. Sometimes it comes with obvious legal sanctions. Even if it doesn’t… these displays are entirely about reminding people the state can kill them.

And it doesn’t actually discourage crime or civil disobedience but it does create a climate of fear and hostility which permeates daily life.

Think about why the state is insecure about their power. Think about how your characters live with that background radiation and whether it feeds into cultural ideas around things like martyrdom or nobility of suffering.

Remember that there is a difference between public and private life. Existing in these kinds of brutal states often means having quite a sharp distinction between them. This can create very strong bonds to those the characters trust. It can also create a big difference between private and public personas.

If you’re writing a world where public torture and executions are happening there’s more going on then just individual character’s reactions. You are saying something about the world, the ruling class and the politics of the area.

Take the time make sure you know what you want to say.

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#writing advice #tw torture #tw mutilation #tw racism #tw police brutality #execution #torture as execution #effects of torture on the public #public torture #public execution #writing torture #writing witnesses #writing symptoms #effects of torture #effects of torture on witnesses

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feanorianethicsdepartment · 3 years

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i ain’t done anything for @tolkienocweek yet, mostly because my covid-induced neet-dom has decoupled me from any association with sidereal time and thus there’s no way i could guarantee getting something out on its specific day. still, i do have one character that could potentially qualify for day 3 (background characters) or day 4 (self-inserts), sorta. i’d like to introduce you all to the proprietor of the fëanorian ethics department, the as-yet-nameless fed elf

fed elf is a... moderately idealised self-insert of mine, though she’s taking on a life of her own

she’s also a noldo. of course she is

her Noldorin Craft™ is, as i’ve said before, arguing. she has very strong opinions about almost everything and will debate them at length

she’s moderately infamous for it in tirion

she’s especially fond of philosophy, in the ancient-greek asking-a-million-rhetorical questions style. what should we do? why do we do the things we do? why do the valar get to tell us what to do?

... you can probably tell which side of the fëanor/fingolfin debate she landed on, if it wasn’t already obvious

she’s not particularly close to any of the future capital-H House, but she is in their rough orbit. one of the miscellaneous guild trolls that form the rank-and-file of their initial expeditionary force

idk if she’s ~devoted to the cause enough to go to formenos, but when the trees get eaten and fëanor rolls up into tirion with the solution to all their spider problems, she is all for it

she’s a passing acquaintance of maedhros from those times when he’d show up in her guild hall for debate night, so she probably ends up with his crew, at least initially

... there’s a very good chance her first attempts at crafting a new noldorin ethical system happen on that horrible night aboard the blood-stained swanships of alqualondë

in any case, she gets good enough at murder to not die before the brothers hellspawn are divvying up east beleriand, and the formerly reasonably undelineated fëanorian host is splitting up into its various garrisons

most people stay with whoever they’re already riding with, but there are exceptions. she is one of them, as soon as she hears about caranthir’s Plans she immediately switches allegiance to the future lord of thargelion

he’s deliberately trying to set up on the trade routes! they’re gonna make contact with the dwarves! there are apparently trails leading over the blue mountains, links to communities of elves unlike she’s ever seen!

so many new people to argue with!!!!!!

so she heads up to lake helevorn, and helps with setting up the city. she winds up filling some middling role in east beleriand’s military bureaucracy, when she’s not on orc-killing duty

but her true passion is *~ethics~*

there is actually a practical component to this. due to Certain Events the noldor (especially the fëanorians) aren’t as-well suited to their pre-darkening moral codes as they might have once been

they need a new one, with contingencies for, like, murder, and all the other new situations they’ll encounter in this new world! the questions of what’s right and wrong have been blown right open, and fed elf is possibly the happiest she’s been in her life. they’re building everything else from first principles, why not this?

and the fëanorian host in aggregate does actually care about morality, even though outsiders never believe that. it’s what separates them from the orcs (in their minds at least); they’re doing everything for a Cause, not for destruction’s sake alone. say what you want about the fëanorians, their problem was never a lack of ideals

she gets people coming in sometimes, wanting to know what the right thing to do in a situation is. either that, or they think she’s wrong about something and want to explain why in depth, which is almost as fun

soon enough, there’s a small shop just off the main streets of lake helevorn called the fëanorian ethics department

(she’s the only one with a shop, but she’s not the only member of the host with Opinions. the guy on the other side of the market district whose system is fairly similar in the broad strokes but completely different in the details is her personal archnemesis)

for most of the first age, fed elf has it pretty good. by her standards, at least, and she’ll happily exposit at length as to why they’re the only ones that matter

the work on the system of ethics never quite stops, but it does slow down. she’s less prescriptivist than most noldor, so she does a lot of observation and interviewing and stuff, and also new things keep happening for her to cover, but she does manage to nail down the basics!

she does consultation, in varying levels of official capacity, but she’ll also just. answer anyone who comes in with a question. or asks one within earshot

it’s mostly noldorin fëanorians she has debates with, the sindar and atani generally prefer to ask her whatever they want to know with minimum fuss, but whenever she gets a real fight going they all join the crowd. watching fed elf argue with people is one of lake helevorn’s municipal spectator sports

she also has conversations with travellers! these usually start when some newcomer is staring in befuddlement at the sign outside her shop and she takes the opportunity to pounce

she asks them detailed questions about their own ethical systems, which she files away for potential future incorporation/argument ammunition. they fairly frequently ask questions of their own, most often variations on ‘you guys seriously have morals?’

sometimes this even turns into a proper ethical debate! these aren’t usually as well-argued or intense as the ones she has with other fëanorians, particularly if she’s not talking to a noldo, but when she meets someone who’s a proper match for her it is the highlight of her year

running the shop does generate a fair bit of paperwork she tends to be too emotionally invested in to deal with properly, so she hires help now and then. one recurring underling is a clumsy perpetually-ill atan who is nevertheless really good with the filing and holds fierce opinions of their own, even if they hide under the table whenever anyone so much as raises their voice

(that atan is me. much less idealised self insert)

like every other elf in the host, fed elf is still under arms. she has a unit, she’s part of the orc patrol rotas, when caranthir needs to do a battle she pulls her broadsword out from under her desk and reports for the muster. east beleriand is just a pretty violent place in general, and her most impassioned arguments frequently shade into all-out duels. east beleriand, where even especially the philosophers will knife you

but just like fëanor promised on tirion upon túna so long ago, she’s built a place where she can be the best version of herself, and she couldn’t be happier (marketplace douche notwithstanding)

like so much of the host, she has big plans for when they topple angband and reclaim the silmarils. it’s just, well

i am not entirely sure what fed elf’s fate is after the fall of thargelion. most likely she died at some point, because so do most of her peers and also because she has an aversion to cutting her losses that’s definitely gonna backfire sooner or later

it’s either that, or she abandons everything she ever worked out to flee over the blue mountains, or she sticks with the host long enough to see all their ideals and dreams burn to ash. out of all of them death is probably her kindest fate

if she does die - she’s definitely a kinslayer at least one time over, she is staying in the halls for a While. the local maiar completely stonewall her every time she tries to argue her way out, she has plenty of time to sit around and think

because yeah, the host’s century-long self-immolation has given her a lot to think about. she was wrong, it turns out, in several important ways, and from the outside she can see how much the ethical system she put her heart and soul into was bent towards destruction

if she ever gets out, it’ll be after a lot of self-reflection, a massive dose of humility, and her accepting her own small-but-not-insignificant role in the nightmare they created

the fëanorians as get let out of the halls of mandos are without fail less violent, more self-aware, and just generally more conscious of their actions than they were when they went in. fed elf is no exception to this

she’s also no exception to the rule that their time in elf afterlife therapy generally fails to lower their volume at all. soon after her rebirth, after some time spent rethinking her personal moral code, fed elf puts out a thesis as to why elwing’s refusal to give up the silmaril was perfectly justifiable under fëanorian ethical mores

this pisses off a measurable proportion of aman’s sapient population. soon the furious letters of rebuke are pouring in nightly

exactly. as. planned

#tolkienocweek #my terrible headcanons #my terrible ocs #feanorian minions #i have a lot of hcs about how they work that i tried to fit into here #in general i feel like their initial noldorin core is mostly made up of the family hellspawn's personal friends #just groups of buddies going off to war together! there's no way this can end badly!#my mental image of fed elf is way more defined than it has any right to be #i made her up to have a cool blog title and for absolutely no other reason #still it is oc week. y'all are basically asking for my ideas at their dumbest

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murasaki-murasame · 3 years

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Thoughts on Higurashi Gou Ep22

All of this ‘the culprit’s motives are super shallow and they’re just unhealthily obsessive’ discourse is giving me war flashbacks to . . . . basically every other part of the entire When They Cry franchise, lol.

Thoughts under the cut. [Plus spoilers for Umineko]

I feel like at the end of the day we’re all just gonna have to agree to disagree about how we feel about how Ryukishi is handling Satoko as the culprit here, since I don’t really think any amount of social media posts detailing our interpretations of her character are gonna change anyone’s minds, lol. But I’m still gonna give my thoughts on her anyway because it’s fun, even if I’m basically just preaching to the choir.

To be honest, this feels pretty much in line with how Ryukishi already wrote characters like Takano and Beatrice, in terms of them having unhealthy obsessions that lead them to mass-murder. The amount of violence Satoko has caused is arguably worse than either of them, but they’re all pretty awful if you think about the reality of what they all did as villains.

Sorta like with how a lot of the old-school Umineko discourse went, I think people are too focused on the whole idea of Satoko hating studying, and ignoring everything else about her character and her circumstances. Although even then I feel like people are being kinda unfair toward Satoko about how strongly she feels about academics, but maybe I’m just biased because of my own history with schooling and the intense levels of anxiety and self-hatred that can go along with it.

Plus the fact that Satoko already has a long history of sever abandonment issues, and has basically always had HS that amplified her feelings of paranoia and persecution. It’s pretty obvious at this point that she never really got ‘cured’ in the first place, though it’s less important to think about HS as an in-universe fictional disease with it’s own rules, and more important to just think about it as a representation of real-life mental illnesses which aren’t bound by the rules of made-up brain-worm parasites and aliens or whatever.

Also, the Satoko that started all this looping in the first place was one who never dealt with Teppei returning to the village, and thus never went through her whole character arc related to that. The series is kinda ambiguous about how it handles the idea of people’s character development carrying over between loops, but it explains a lot about Satoko’s attitude here if you go with the idea that she never really had to overcome any of her trauma or coping mechanisms in the “good ending timeline”, and this is the consequence of that taken to it’s logical extreme. The idea of her view of the world being skewed by the fact that she only remembers the “good ending timeline” is also kinda lamp-shaded by the part where she hears about Rika’s looping and is like “oh yeah, that’s the month where we had that cool action movie stand-off with the Mountain Dogs :)”. By the time she really got to understand exactly what was going on beyond the specific timeline she had experienced, she was already way over the edge.

I get why people don’t like the idea of Gou ‘tainting’ the VN’s happy ending, but I honestly like the idea that it’s examining the consequences of how Matsuribayashi was such an overly-specific timeline where basically nothing bad happened and everyone just banded together to beat Takano. It kinda glossed over a lot of the personal problems that the main cast had in the rest of the series, and this really goes to show the effects of some of that stuff not getting properly addressed. It also reminds me that Minagoroshi is a timeline that even in the VN, Rika completely lost her memories of, so I can see how even post-Matsuribayashi she might have never let Satoko know about the details of that one timeline where she overcome her abuse.

I also feel like it only really got to this point because of Featherine’s meddling. In the original Matsuribayashi timeline, Satoko just started drifting away from Rika and ended up wandering into the Saiguden and meeting Featherine before anything actually serious happened in that timeline. I think that if she had just been left to her own devices and that timeline had just kept going, Satoko probably would have either found a way to reconnect with Rika, or they would have just slowly drifted apart for good. But then Satoko got given the power to time travel, and only started going off the deep end after going through another five years of identical suffering.

And on that whole note, it reminds me of how in Umineko, Lambda had a whole conversation about the idea of an abused person becoming an abuser themself if they’re given the power to lash out. Which is basically what’s happening here. Satoko is being given the tools to completely detach herself from reality and try as many times as she likes to get what she wants.

Which also reminds me that this episode in particular REALLY lays the Umineko parallels on thick, lol. Particularly the whole ‘Satoko is turning into Lambda’ thing, which feels just about 100% confirmed now. They straight up have Featherine bring up the exact same ‘monkeys using a typewriter’ analogy to explain Rika’s situation that Lambda uses in Umineko to explain Bern’s situation.

I know a lot of people don’t like the increasingly blatant Umineko tie-ins, and that a lot of people still think it might just be misdirection, but considering how much stuff in Gou has been surprisingly straightforward and predictable, I think it’s pretty much exactly what it seems to be.

Though to be more specific, this is probably more about the start of Lambda and Bern’s relationship, and their appearances in Umineko, rather than the very first origins of them as individuals, if that makes sense. Obviously the concept of Bernkastel as an identity has been around since Higurashi itself, and we’ve known for a long time that Lambda was the one who originally gave Takano her blessing of certainty, but we’ve never known the full details of how those two started their relationship, and Featherine’s whole series of name-drops in the last episode makes it seem like Lambda as a meta individual more or less already exists, with Satoko being an iteration of her. So I think they both technically already exist, but this is how the two of them come into contact and start their whole unhealthily obsessive relationship.

I guess it’s still possible that, even if she’s already existed for a long time as a meta individual, she hasn’t actually come up with the name ‘Lambdadelta’ for herself yet, and this might be where she does so. Even with the list of names Featherine referenced, she didn’t technically bring up Lambda’s name directly. So in that sense this might be ‘Lambda’s’ origin story, even if she already exists.

Considering how basically the entire story at this point seems to be acting in service of setting up the whole LambdaBern relationship dynamic no matter what, I’m becoming increasingly convinced that this will end with Satoko and Rika fully embracing their codependency and mutually ascending to the meta plane so they can stay together once and for all. There might still be human versions of them that stay behind in the real world and continue living normal lives, though.

At the very least, it feels like that’s the logical outcome of the whole Chekov’s Sword Fragment plot device that’s been hanging in the background for ages now. I think it’ll just be the in-universe explanation they use to show the mechanics of how exactly that process works. It’ll probably be used to ‘sever’ Satoko and Rika’s meta consciousnesses from their physical bodies and allow them to basically become witches.

Mainly I just can’t really see this having a ‘happy ending’ at this point, aside from the whole idea that maybe the severing process leaves behind ‘normal’ versions of the two of them who stay in Hinamizawa and go back to their normal lives. I dunno if that’d make people happy, but it’d at least be a way for Ryukishi to have his cake and eat it too, lol.

I just don’t think that there’s any real chance of this ending with them just talking to each other and agreeing to put an end to all this, though. For one thing that’d just feel kinda anticlimactic and honestly make Gou’s story feel even MORE pointless, if it just ends with literally the exact same ending as the VN with nothing really being changed. But I also feel like Featherine wouldn’t be willing to just let Satoko ‘give up’ without having one of them definitively win their current game. In general I just feel like Ryukishi should just commit to the story he’s setting up at this point, instead of just backing out at the last minute and circling everything back to the same ending we already had like nothing in Gou ever happened. If we’re gonna have this whole new story to begin with, it should at least have some lasting consequences.

Anyway, I think in the next episode we’re finally going to loop back to the Damashi arcs and see how they played out. At this point I don’t care too much about getting answers to the ground-level mysteries of those arcs, and I doubt the story will spend much time on that, but I’m curious to see how it progresses Satoko’s whole development through these loops, since I think she goes through some changes with her motives and methods over the course of them.

Specifically I think that the actual experience of being physically present in her own set of loops and causing so much pain and suffering started to get to her, and she might have almost given up in her own way during Tataridamashi and wanted to just stay in that arc, but things went south anyway. Maybe, if that’s what happened, Featherine basically let her know that she won’t let her give up, and will force her to keep looping until one of them ‘wins’ no matter what. Either way, I think that arc was a turning point for her. Like how she asked Featherine to arrange things so that Satoko can make sure that she and Rika’s loops are synced up, she probably asked Featherine after that arc to change the rules again so that Rika will start remembering the details of her deaths. At this point it’s pretty obvious that the Hanyuu fragment Rika was talking to earlier in Gou was more or less just Featherine putting on an act and manipulating her, so the scene of Hanyuu giving her the power to remember her deaths was probably just Featherine telling her about the rule change.

And going by how the Nekodamashi arc went immediately afterward, I think that rule change was related to Satoko becoming increasingly desperate to put an end to the loops as soon as possible. And considering how she was willing to spend so much time reviewing Rika’s hundred years of looping just to prepare for this, it’d make sense to me if she becomes desperate because she basically gives up, but realizes that she isn’t actually allowed to give up, so she has to try and make Rika give in as fast as possible. Either way it’s pretty obvious that Satoko’s methods start becoming more violent in that arc, and she basically tries to brute-force Rika into submission, leading up to the loop where she just spawn-camps her and straight up starts screaming at her to just stay in the village while tearing out her guts. It’s still possible that her attitude in that loop was just one big act, but I think that was the result of her being genuinely desperate to just have Rika give up once and for all, and her starting to crack under the pressure of doing all of these things with her own hands across so many loops.

So now we’ll just have to see how the confrontation between them at the end of Nekodamashi plays out once we get back to it. In the long run I just think it’ll lead to the ending I talked about before, with them using the sword on each other. The exact nuances of how that sorta ending might play out are up in the air, though.

Either way, I think there’s probably enough time to wrap up all that in two more episodes, but there’s still reason to believe that there might be some kind of sequel in the works. I don’t really want to bet on it, though, so I’m just gonna assume that there’s two episodes left and base my theories on that. In which case I think the next episode will go over the Damashi arcs and end with Rika and Satoko’s confrontation at the end of Nekodamashi, and then the final episode will wrap everything up. Considering that they both more or less know exactly what’s going on with each other by that point, there isn’t really that much that needs to be wrapped up. I think that will be the final loop we get, so it’ll all just come down to how their confrontation plays out, and what decision they come to about how to handle each other.

I honestly don’t really know how I think a full sequel would go, if it’s at least one cour long. Assuming that it’s not just a new Umineko anime that more or less continues Rika and Satoko’s arc via Lambda and Bern, but is a straight up ‘Higurashi Gou Season 2′. It just feels like there isn’t really that much that needs to be done to wrap things up, now that everything’s being laid out in the open, and Rika and Satoko are both aware of each other’s looping. They might switch it up so that they both end up teaming up to take down Featherine, but I kinda doubt that’ll happen.

I’m still hoping this is leading into some kind of new Umineko anime though, lol. That feels like it’d be the main reason for putting so much effort into this whole elaborate LambdaBern origin story we’re getting here.

I’ve heard rumors that there’s been listings for a 25th episode of Gou, so it’s possible that rather than another full season, there’s just one extra episode at the end. I’m not exactly sure what the point of doing one extra unannounced episode at the end would be, though. It might end up being a bridge between Gou and a new Umineko anime.

At the very least, if it’s just ‘Satokowashi Part 8′, it makes me wonder why they haven’t announced it yet, and why they didn’t just split that arc into two BD volumes with four episodes each, instead of having it be one big volume with seven episodes, and one random episode at the end for some reason. But if it’s more of an epilogue or a bridge of sorts between Gou and something else, with Gou’s story concluding with episode 24, then I guess it’d make some sense to do it that way.

We also know there’s gonna be a panel for Gou at a convention around when ep24 comes out, so if anything gets announced it’ll probably happen there.

Anyway, this whole episode can be summed up as “Satoko does a gay little psychological torture that pisses Rika off”, in the most morbidly entertaining way possible, lmao.

#murasaki reblogs #higurashi #higurashi gou

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aquaquadrant · 3 years

Text

the little things

Kenji’s mouth is dry. “Ben…?” he croaks out.

Ben swallows. “Oh,” he says, in a very small voice. “It’s you.”

~*~

Ben’s been reunited with the other campers, and seems to have come out the other end of his experience stronger than ever before. But as he slowly finds his place back within the group, a bigger picture starts to emerge, piece by piece.

Rated T for: mental illness, mild language, panic attacks, PTSD, anxiety, insomnia, eating disorder (not in a traditional sense, but definitely not a healthy relationship with food)

A/N: Hey Camp Cretaceous fandom, y’all mind if I uhhhh write six-thousand words about Ben’s trauma?? Basically, Netflix kept recommending the show to me so I watched the first ep out of curiosity and then ended up binging the whole thing in like two days, and now here I am.

(Dear sweet, patient, regular readers of mine: I’m so sorry my main fic’s been delayed but I promise it’s getting updated next week, I just had to get some feelings out about Sad Dino Boy)

Hope you enjoy, please reblog and leave a comment if you do! - Aqua

Click here to read on A03 (with more complete tags)

~*~

the little things

~*~

Ben Pincus has returned from the dead, and he’s never been better.

The other campers are amazed. What he’s been through must have been horrible. He thought he was the only one left, that there was no one to help him and no hope of rescue because he was presumed dead. It would’ve been enough to drive anyone into despair, or off of the deep end.

But Ben shows no signs of this.

They didn’t find him holed up somewhere, near starvation and waiting to die, like one might’ve expected. They didn’t find him at all, really. He found them, and by coming to their rescue, no less. And when he did, he wasn’t a trembling mess, he wasn’t a half-mad ball of paranoia, and he wasn’t a hollow-eyed skeleton fueled solely by desperation.

He’s an all new and improved Ben, the best version of himself.

He hasn’t just survived, he’s flourished. He’s brave, he’s confident, he’s capable. He gives his opinions freely and without second-guessing himself, suggesting things the old Ben would’ve recoiled at. He fits seamlessly into the team like he never left. He faces problems head-on with determination and grit and not a trace of fear.

The turnaround is unbelievable. But even more important is that while he’s a new and improved Ben, he’s retained all the best parts of his old self.

Ben is easy smiles and meticulous organization of a leather waist bag and doting affection for a four-ton armored lizard. He’s sensitive and soft-spoken and accepts hugs from his friends gratefully. He still can’t quite pull off coolness, with a voice that sounds as gangly as his limbs look and an awkwardness he hasn’t grown out of.

And it’s perhaps because of this that no one thinks to look closer. This image is an easy thing to accept because it’s what they all want to believe, that Ben is okay- in fact, better than okay. But the truth is not always big and obvious upon first glance.

It’s the little things, as they soon find out.

~*~

That first evening after Ben’s return, after Mitch and Tiff and everything else, they don’t eat dinner.

They all ate their fill at the campsite and, after a month of scarcity, it was more than enough to sate their appetites. It’s Darius who thinks to ask Ben if he’s hungry, remembering that the boy hadn’t had the chance to eat with them. They have a good stockpile of food at the moment and he figures Ben must’ve been struggling.

But Ben shakes his head with an easy smile, and says, “Nah, I ate earlier.”

Darius leaves it at that, because there’s still so much catching up to do. They show Ben around their clubhouse, make plans for where to build a bunk for him (he insists he’d be just fine sleeping on the ground next to Bumpy, but they all veto that immediately). They talk well into the night about the day’s crazy events, filling each other in on their own sides of the story, and everything that’s happened since Ben got separated.

There are some more tears, some more hugs. But ultimately, the mood in the clubhouse is ecstatic. They never thought Ben had survived the fall so to have him back is better than a dream come true, it’s a miracle.

Darius thought he knew what it was to experience a miracle when they first saw that bonfire smoke on the horizon. But if he had to chose between the miracle of them finally leaving the island or the miracle of getting Ben back, it’s not even a competition.

Eventually the exhaustion catches up with everyone, and they turn in for the night. Bumpy parks herself underneath the clubhouse, her presence incredibly reassuring. Ben ends up sharing Kenji’s bunk because it’s bigger than Darius’s even when occupied by two, and the older teen had insisted in a very faux-casual way, to which Ben had rolled his eyes but nonetheless seemed touched by the gesture.

Darius takes the first night watch shift and gets to see all his friends sleeping peacefully. And even though Tiff sailed away with their only means for escaping, he feels a lot more hopeful than he has in a long time.

~*~

It’s canned peaches for breakfast.

A far cry from yesterday’s buffet. But no one’s complaining because the meticulous rationing of their food, courtesy of Darius, means they’re all starving by meal time and couldn’t care less what it tastes like. Darius is in the process of separating the food out into bowls, half a can for each of them, when he realizes Ben has yet to take a seat. He’s lingering at the edge of the room, watching.

“Hey,” Darius calls, “you coming or what?”

Ben shakes his head. “Thanks, but I already got my own breakfast.”

Before Darius can respond, Brooklynn shoots Ben a look. “What? Where?” she demands. “You holding out on us, jungle boy?”

Darius shoots her a look, but Ben just gives an easy smile and unzips the leather pouch that’s reclaimed its spot around his waist. He withdraws a small handful of bright red berries, no bigger than blueberries. It’s not even a fraction of the half-can of peaches the rest of them are settling for, and Darius sees his own unease reflected in the others’ eyes.

Brooklynn glances away. “Oh. Um, sorry. You don’t… you can have some of ours, you know?”

“I’m good.” Ben tosses a couple berries into his mouth. “You guys go ahead, I’m gonna go check on Bumpy.”

“O- oh, okay…” Sammy murmurs, watching Ben go with uncertain eyes. “If you’re sure…”

They’re silent for a moment.

Kenji inhales quietly through his teeth. “So… that’s weird, right?”

Yaz leans forward in her seat. “What do you think, Darius?” she asks lowly.

Darius bites his lip. Even though dinosaurs are his specific topic of interest, he’s gained a lot of second-hand knowledge about general biology and psychology. After all, he has to understand the processes behind behavior in order to identify patterns and deviations.

And right now, he has to admit that Ben is displaying a very concerning behavior.

“I’ll talk to him,” Darius decides.

There’s a collective sigh of relief around the table, and the others start eating. It takes Darius longer than usual to finish his serving.

~*~

“So, uh, bottom line is… you don’t need to feel bad about eating our food. You’re as much a part of this group as anyone else, and we’re happy to share.”

After a couple tense days, Darius is finally talking to Ben about the food situation. Or rather, talking at him. Because Ben’s not looking at Darius- his eyes are tracking the small spider that’s crawling along the railing next to them. Normally, Darius would take it as a sign of boredom and inattentiveness. But there’s an intensity in Ben’s eye that’s a little unsettling-

Quick as a flash, Ben shoots out an arm. He crushes the spider under his thumb and swipes it into his mouth. And then, untroubled as can be, he returns his focus to Darius as if nothing had happened.

Darius has overheard Kenji teasing Ben about eating bugs, and Ben has admitted as much in the stories of his time alone. Berries and grubs were what he lived on. Darius, for one, can’t imagine being hungry and desperate enough to snatch a bug off the ground and eat it.

But it’s even harder to imagine having access to real food, good food, and still choosing to eat bugs.

“Don’t worry so much,” Ben says lightly, patting Darius on the shoulder as he turns to go. “I can take care of myself.”

That does it. “You can’t keep living off berries and grubs!” Darius finally snaps.

Ben whirls around. “Says who?”

“Basic human biology!” Darius retorts.

Ben glares at him, but there’s something shaky behind it. “Darius, I told you it’s fine,” he says evenly, though he doesn’t fully meet Darius’s gaze. “Don’t make a big deal out of it. Please? If I’m hungry, I’ll eat.”

Darius hesitates. “You promise?”

Ben breaks into an easy smile. “I promise.”

Darius sighs. It’ll have to be good enough, for now.

“Okay.”

~*~

Darius knows he isn’t the only one still concerned by Ben’s lack of appetite.

Right from the start, Ben was the scrawniest one among them, and it’s only gotten worse. But surely he’ll have to eat at some point, right? Basic survival instincts will win out over whatever stubborn mindset is holding him back. Plus, it’s clear that he’s got enough energy to run and climb and stuff with no problem.

Maybe it’s not as serious as Darius thinks. Maybe Ben just needs time.

~*~

Ben doesn’t know what’s wrong with him.

He just- he can’t take their food! Why don’t they get that?

And it’s not because he’s stubborn, it’s not- no matter what Darius thinks. There’s nothing wrong with letting others help you (as long as you don’t let it make you soft, of course). After all, he relies on Bumpy. He just… when he looks at the food, and imagines eating it, he just knows it’ll sit in his stomach. Like a rock, weighing him down.

Plus, plus, if he gets used to eating like that, it’ll just- it’ll be harder to cope once it runs out. He’s already gotten used to roughing it and it was hard enough the first time, he can’t let himself slip back into complacency. And- and really, how long do they think it’s going to last? They’ve searched all the previously inhabited areas of the island and there’s no more food for them to scavenge.

Do they think they’ll be rescued before it runs out? No one is coming to save them. They know it as much as Ben does- they wouldn’t be bothering with rafts if they didn’t. Do they think they’ll escape, then? Sure, because their current attempts have been going so well.

No, they just aren’t thinking long term. Ben is.

There’s nothing wrong with that.

~*~

It’s the sixth day in a row where Ben eats nothing but berries.

He wants to search around some more, see if there’s anything more substantial. That would require him to leave Bumpy, though. And he can’t leave Bumpy. But the hunger is excruciating. It gnaws at him every waking moment, keeps him up at night. He’s never felt such hunger in his life, not even close. He can’t keep going like this, can he?

But there’s nothing else.

Except… something’s crawling up his arm. Something small, and leggy. Ben turns his head, squinting to focus his eyes in the dark. It’s some kind of beetle, with a shiny shell that catches stray shafts of moonlight poking through the roof of his lean-to.

Ben stares at it for a moment. Then, before he can think, he snatches it up and pops it into his mouth. He barely registers any taste, mostly just the crunchy texture. And even though it wasn’t any bigger than a quarter, after he swallows, he feels… fuller. Even if it’s purely imagined, it’s a comfort.

Berries and grubs. It’ll have to be enough.

There’s nothing else.

~*~

Ben continues to decline their offers of food.

~*~

A few weeks after the reunion, Kenji is starting to get antsy.

As the self-designated ‘pro-fun police’ (a clever play on ‘no-fun police,’ if Kenji does say so himself), he’s made it his responsibility to make sure none of his friends just keel over and die from stress one day. That means it’s his job- no, his duty- to lighten the mood with copious amounts of joking, goofing off, and, of course, pranking.

Jumping out to scare his friends while they’re trapped on a dino-infested island might, on paper, sound like a bad idea. But it keeps everyone on their toes, and the relief of realizing they aren’t facing a dino attack, just Kenji pulling a prank, helps keep any real anger at bay. It’s typically an exasperated annoyance, which Kenji will gladly take. His main targets are Brooklynn and Darius, because he can’t fathom doing that to Sammy, and Yaz is- while perhaps in the most need of lightening up- super freaking scary.

But now that Ben’s back, Kenji knows what he has to do.

Before, back when they were just campers and not survivors, Ben was easily the most frightened of them. The kid was scared of dirt. And his over-the-top hysterics always managed to, somehow, put everyone else at ease. Because if Ben was scared of something, that didn’t really mean anything. Again; scared of dirt.

(Now, if Yaz is scared of something, that’s a different story).

Since Ben’s, uh… departure, they’ve been sorely lacking that energy in the group. Kenji would wager he’s not the only one who misses it. He used to have so much fun riling Ben up with just a couple words (none of the others are so easily baited). And whenever Ben would freak out and instantly cling to him, like some kind of scrawny spider monkey, it made Kenji feel… capable, in a way.

Like, if Ben was trusting Kenji to protect him, maybe he wasn’t so useless after all (which was becoming an all too frequent feeling as the others continued to adapt and grow, leaving Kenji struggling to keep up).

Problem is, Ben’s really hard to scare now.

It’s not always obvious, like when he’s bragging about taking down Toro or itching to blow things up. Sometimes it’s the little things. Whenever they’re out in a group, foraging or gathering supplies, and there’s a sound in the distance that makes them all freeze, Ben’s frozen in readiness, not fear. He looks more like Yaz, tense and waiting with his fists up and eyes narrowed.

Sometimes, when they aren’t occupied by any particular task or imminent threat, and have the chance to enjoy some downtime, Ben drifts off to the side and just… watches, all tense, silent, and anxious. He’ll watch the tree line, or Bumpy on the ground below, or even just the rest of them as they go about their business. Kenji is sure he’s not the only one who’s noticed but none of them bring it up.

It’s… unsettling, seeing Ben like this. Kenji figured he just needed a couple weeks to fall back into the rhythm of the group, to see that he didn’t have to be this loner Rambo type of guy anymore. But even though he talks with them easy enough, seems to enjoy their company, and has a good handle on teamwork, it’s like there’s a part of him that can’t fully shake that mentality.

At least, not without help.

~*~

Kenji’s plan is- in his humble opinion- pretty dang brilliant.

He waits for a time when it’s just him and Ben in the main level of the clubhouse (Yaz is running laps around their perimeter, Darius is in his bunk writing in his nerd book, Brooklynn and Sammy are upstairs going over inventory) and then announces he’s going for a shower. His daily showers are common knowledge at this point, so Ben just nods in acknowledgement and goes back to leaning against the railing, watching Bumpy graze down below in that tense-silent-anxious way of his.

Kenji sets up the shower and lets it run (he’ll go down to the river later and get more water to make up for the waste, because even though he tries to avoid manual labor whenever possible, it’s totally worth it in this case). And then, being more careful and silent than he’s ever been (except maybe in cases where he’s being hunted by dinos), he slowly creeps up behind Ben before leaping forward with a shriek, grabbing him by the shoulders.

Ben doesn’t just jump and scream. He jumps, screams, then spins around and swings a fist into Kenji’s jaw in one smooth motion.

Kenji’s laughing even as he staggers back, his jaw stinging (because at the end of the day, even though Ben’s kind of a badass now, he’s still Ben and his arms are pretty much chicken wings so there’s no real harm done, just a bruise at most). Plus that’s a valid reaction, considering everything, and he can’t say he didn’t deserve it.

“Oh man, I totally got you!” Kenji says anyways, to rub it in. “You should see your… face...”

And Kenji trails off because now he’s seeing Ben’s face.

What Kenji expected is this:

Once Ben realized it was just him pulling a prank, he would get mad. In that totally non-threatening dorky Ben way, where he scrunches his nose and puffs out his cheeks, his little fists clenched at his side like an irate toddler. Maybe he’d stomp off but it’d be worth it because being mad is better than being tense-silent-anxious and it’d give him the chance to be annoyed with Kenji. And maybe Ben being annoyed with Kenji would help everything feel a little more normal, a little more like before.

What Kenji gets is this:

Once Ben realizes it was just him pulling a prank, he doesn’t get mad. He starts shaking. Violently, uncontrollably. Like he’s suddenly come down with hypothermia despite being in a tropical jungle, staring at Kenji all the while and not saying a word. His chest rises and falls rapidly in little panicky breaths and the kind of fear in his eyes isn’t the kind that’s funny. It’s glassy-eyed with shrunken pupils that dart around Kenji’s face, frightened and searching, as if he isn’t fully seeing it.

Kenji’s mouth is dry. “Ben…?” he croaks out.

Ben swallows. “Oh,” he says, in a very small voice. “It’s you.”

Kenji hasn’t heard Ben’s voice sound that small since before, and it doesn’t feel like a victory.

By now, of course, the others have noticed the commotion and it doesn’t take more than a second for them to piece together what happened. Yaz rounds on Kenji with a furious snarl and whisper-screams a lecture about how stupid and irresponsible he is. Darius is immediately trying to mediate the situation while Sammy frantically asks Ben if he’s okay, to which he doesn’t respond. Brooklynn steps in, citing an unboxing video about dealing with shock, and when she goes to put a hand on Ben’s shoulder, he lets her.

And now Kenji realizes where he miscalculated. Ben never showed discomfort with physical contact before because he’d never been surprised by it before (because Ben has gotten scary good at being alert, always keeping an eye and an ear out on his surroundings even in the middle of a conversation). And when it came to his friends, it wasn’t unexpected for Sammy to rush in with a hug or Darius to pat his shoulder or Brooklynn to playfully knock elbows.

But Kenji snuck up on him, so Ben’s first thought wasn’t that it was a friend. It was that he was going to have to run for his life, like he has countless times since being stranded on this island.

Kenji apologizes over and over again as Darius gently leads him away by the elbow and Brooklynn talks to Ben in low tones while Sammy squeezes his hand and Yaz takes up a lookout position because they can’t afford for all of them to be distracted even though she occasionally cuts a glare at Kenji out of the corner of her eye so it’s really debatable how vigilant she’s actually being.

Throughout it all, Ben doesn’t get mad, but he doesn’t stop shaking.

~*~

Darius explains it, later.

“The sudden fear reaction signaled a bunch of adrenaline to be released into his bloodstream, to give him the energy needed for running. And then, when he didn’t, there was nowhere for that energy to go. It’s like, even though his mind knew there wasn’t any danger, his body wasn’t convinced.” Then, a sympathetic look. “You didn’t know, man.”

Kenji only nods. But knowing doesn’t make it better because even though Ben’s stopped shaking he doesn’t turn his back on Kenji anymore and somehow that’s a million times worse than if he’d gotten mad.

~*~

There are claws wrapped around Ben’s shoulders and shrieks in his ears.

Wind whips his face and his stomach lurches as he’s carried through the air, weightless, at the mercy of the Pteranodon. He’s never felt so small and utterly helpless before, not once in his life. Even his screams aren’t big enough to carry, snatched away by the wind and deafened by the roars of the terror-birds fighting over the right to tear him limb from limb.

And then he’s falling and has other things to worry about.

~*~

Ben stops sharing Kenji’s bunk.

~*~

In a rare moment of downtime, Yasmina is curled up with Darius’s field guide, adding a few more illustrations, when she feels Ben staring at her.

It’s not the first time she’s felt him staring at her. It is the first time, however, that she decides to stare back.

She means it to be playful, at first. She meets his eyes, one brow quirked as if to say, ‘What, is there something on my face?’ But instead of glancing away in sheepish embarrassment or jolting out of a daze, Ben just stares back. There’s no emotion in his expression at all except intense focus.

The faint smile drops from Yasmina’s face as she stares back in surprise. Then, with ever-growing confusion and a fair amount of alarm, she realizes that Ben’s shoulders are rising, tense and hunched like he’s trying to make himself look bigger.

Like an animal.

Yasmina knows what it is to stare down a wild animal. She’s felt predatory eyes on her before and either bolted or turned to face the challenge. And that’s what it is, for some of the dinos- a challenge. Sometimes they’re testing your mettle, and standing your ground is enough to make them back off.

Ben must’ve learned that, too. And for whatever reason, he’s slipping into that behavior now.

It’s a ridiculous thought. This is Ben, her friend. Her very scrawny friend who can’t weigh more than ninety pounds soaking wet, and prefers a diet of berries and grubs. And yet, here he is, staring her down like she’s a particularly bold pack of Compies that’s decided to threaten him.

Yasmina gives a slow, deliberate blink. “Ben?” she calls. “What’s up?”

Just like that, the spell is broken. Ben gives a violent start, blinking and shaking his head. Yasmina sees confusion flash across his face, and then realization. And now the embarrassment comes, but it’s darkened by something like horror.

Without a word, Ben turns and darts away, scrambling down the ladder to the alcove underneath the house where Bumpy’s napping.

Yasmina lets him go, too baffled and unsettled to form words.

~*~

Eventually, Yasmina tells Darius about it.

His expression is troubled as she runs through the incident. But in the end, there’s nothing more he can tell her than what she’s already worked out on her own. It’s just another side effect of the mindset Ben has adopted throughout his isolation. Those habits were what he relied on to survive, and it’ll take time for him to realize he doesn’t have to constantly be on edge now that he’s got a team to look out for him.

Though privately, Yasmina wonders if maybe the rest of them should take a page out of Ben’s book. Seems like he’s got a better handle on survival than they do.

(And then she thinks how Sammy would react, if Yasmina started acting like a wary animal around her, and she realizes Ben’s methods come with a price.)

~*~

After Ben runs the Compies off for the first time, staring becomes a defense tactic.

It’s not always the Compies, who are slowly but surely learning not to mess with him. Sometimes it’s the Parasaurolophus in the river, or the lone Pteranodon perched in a tree, or the group of Edmontosauruses grazing on the hilltop. As soon as he feels their eyes on him, he knows his best chance is to stare back, to show that he’s willing to put up a fight, that chasing him wouldn’t be worth it.

Obviously, there are some dinosaurs that doesn’t work on. But if Ben can drastically cut down the amount of time spent running for his life by standing his ground, then he’ll take it.

All he has to do is not back down.

~*~

Ben avoids Yasmina for the next few days.

~*~

Brooklynn wakes up in the middle of the night with an unshakeable feeling that something is wrong.

Her bad feeling is confirmed when she gets a look at the moon. Based on its position in the sky, she should’ve been woken up by Ben to take her night watch shift at least an hour ago. This practice, established by Darius months ago who insisted they should always have at least one person awake, has already become routine within the group. Brooklynn couldn’t sleep fully through the night if she tried.

Ben’s only just recently become a part of the routine. Immediately after his return, Darius thought it best just to let Ben settle in and get as much rest as he could, now that he had the security to do so, and everyone agreed. Ben had insisted he didn’t mind, but Darius stood firm, so it’s only been within the last few days that Ben took part.

But this is the first time he hasn’t woken Brooklynn up and her heart is in her throat as she rushes to the lookout point-

Only to find Ben sitting right where he’s supposed to be, looking out over their compound as a small candle burns next to him.

As soon as Brooklynn’s relief passes, it’s replaced with anger. “What are you doing?” she whispers furiously.

Ben, not at all surprised by her presence, gives her a sidelong look. “What does it look like I’m doing?”

“You were supposed to wake me up, so I could do night watch.” Brooklynn struggles to keep her voice low, so as not to alert the others. “What gives?”

Ben shrugs. “I knew I wasn’t gonna sleep tonight, so I figured I’d just take the whole watch myself.”

“That’s not how this works,” Brooklynn hisses, crossing her arms. “Even if you can’t fall asleep- and I’ve totally been there- you have to lay down and close your eyes and rest. You need to rest.”

Ben breaks into an easy smile, but Brooklynn can see the annoyed creases at his eyes. “Hey, it’s fine. I can-”

“Take care of yourself, I know,” Brooklynn interrupts, hating how frustrated she sounds but unable to help it. “But you don’t have to. We’re a team. We can take care of you too, alright?”

Ben stares at her for a moment. “I know that,” he says, sounding uncertain.

Brooklynn softens. When she reaches out to put a hand on his shoulder, he lets her. “Then… why?”

“I don’t know,” Ben admits. The muscles beneath Brooklynn’s hand are so tense, it feels like they’re going to snap. “I don’t know.”

They finish the night watch together.

~*~

Brooklynn almost hates to bring it up to Darius.

Dude’s stressing almost nonstop about everything, all the time. And it really isn’t fair for him to be responsible for the rest of them, including Ben. But Darius is the only one who seems to have the… what’s it called, emotional intelligence, she supposes, to weigh in on the situation.

(Sammy is a close second, but her brand of caring is a little more touchy-feely, and this doesn’t seem like the right time for that.)

Darius is immediately worried, pointing out that Ben might accidentally fall asleep on watch if he keeps this up (something Brooklynn hadn’t even thought about). He promises to talk to Ben about it, and that’s that.

Brooklynn is only slightly relieved because she knows if Darius had a real fix for the problem, he would’ve said so. And if Darius doesn’t have a fix for it, maybe there isn’t one.

~*~

Those first several nights, Ben doesn’t sleep at all.

And it’s not for lack of trying. But how can he sleep, when it’s pitch black and the jungle is full of unfamiliar sounds and he’s got no one but a baby Ankylosaurus by his side? He soon finds it’s even worse without Bumpy, though, because at least he trusted that Bumpy would wake up if there was any danger, as her senses are more powerful than his.

On his own, there’s no one to wake him up. So he has to stay up, and settle for catching short scattered naps throughout the day (if he can find a tree to hide up in).

It’s hard, but he’d rather be tired than dead.

~*~

Ben is taken off night watch, but still ends up awake more often than not.

~*~

Pyromaniac is a word no one ever expected to become synonymous with Ben, and yet here they are.

It’s one of the first things he always suggests as an answer to a problem; blow something up. Darius has a million reasons for them not to do that; they could get hurt, they could start a wildfire and burn the jungle down, they could attract unwanted attention from predators.

But that doesn’t stop Ben from cataloguing everything on the island that can be used as an explosive, memorizing their locations or creating hidden stashes. It doesn’t stop him from using the candles that came with the scavenged emergency kits. He’ll light them for no reason, just to watch the small flame flicker back and forth.

(Someday, months later, they’ll encounter a horrific hybrid dinosaur that is drawn to flames, and they’ll all think about how unsettling it is that Ben shares this trait, but none of them will say it.)

~*~

It’s been one week since Bumpy left, and Ben is starting a fire.

Just a small one. It rained all day and he’s soaked to the bone, which normally wouldn’t be a huge problem considering the jungle climate. But now that it’s nighttime, there’s a chill in the air and he can’t afford to get sick. It’s risky, because at night he knows the light could draw attention to him, but his teeth are starting to chatter so there’s no helping it.

When a Stegosaurus stumbles upon him, baying low and angry at finding another creature in its territory, it’s the fire that makes it balk. Rumbling displeasure, it retreats back into the dark jungle. Ben quickly adds torches to his arsenal, using the rest of his shirt as tinder.

Fire is safety.

~*~

Ben lights his candles in silence.

~*~

“You can’t just run off like that,” Kenji says, deadly serious.

Ben scoffs. “I think you’re forgetting who defeated Toro,” he says with an easy smile.

“You’re not invincible, Ben!” Kenji snaps. The anger churning inside him is deceptively hollow, like it’s masking something else. “And I can’t lose you again.”

Ben isn’t smiling anymore. “You won’t,” he mutters, pushing past Kenji. “I can take care of myself, now. I don’t need you to play the hero and protect me.”

Kenji wants to protest that’s not what this is about, and that’s never been what this is about, but Ben is already gone.

~*~

Ben still lives off berries and grubs.

~*~

“… and so I was thinking, berries have seeds in them, right? So if we plant some, we’ll have our own berry bushes at the clubhouse. It’ll cut down our foraging time in the mornings for sure, and-”

“Uh, who are you talking to, Ben?”

Ben blinks at Yasmina’s voice, the girl having only just entered the room.

“Um, Bumpy?” he says, as if this should be obvious.

Yasmina glances out at the compound, where Bumpy is fast asleep and well out of earshot.

“… right.”

~*~

Ben can’t sleep, even when he’s actually trying.

~*~

“Alright,” Darius says, “so we need to get the T-Rex out of Main Street so we can do another sweep for supplies. Any ideas?”

Ben’s hand goes up.

“For the hundredth time, Ben, we aren’t going to feed the T-Rex to the Mosasaurus.”

Ben’s hand goes down.

~*~

Ben feels more at home with Bumpy than the other campers.

~*~

“You know we didn’t mean to leave you, right? We would’ve come back for you if we’d known…”

~*~

Ben never talks about getting off the island.

~*~

“You have to tell us where you’re going, Ben, you can’t just disappear-”

~*~

Ben keeps slipping away.

~*~

“Blowing stuff up isn’t the answer to everything!”

~*~

Ben keeps saying he’s okay.

~*~

“We’re a team, we have to work together-”

~*~

Ben keeps smiling.

~*~

“Don’t you trust us to protect you?”

~*~

Ben doesn’t know.

~*~

Sammy finds Ben sitting on the roof of the clubhouse one day.

Her footsteps are loud and obvious as she approaches him. No chance of sneaking up. She knows he’s noticed her, from the subtle shift in his body. He doesn’t acknowledge her, though, continuing to stare off over the jungle and into the horizon, his skinny legs slotted through the railing and dangling over the edge.

The sun’s about to set, a few stars already twinkling in the purple edges of the sky. Sammy can remember another night, months ago, where Ben wasn’t here but everyone else was and they spotted bonfire smoke in the distance. She remembers the way her heart raced, the overwhelming joy and relief flooding through her. And yet, there had been undeniable heartache, because the realization that they’d made it out only meant it was more unfair that Ben hadn’t.

Sammy breaks the silence after a few moments.

“Are you okay?”

Ben doesn’t look at her, but she can see the easy smile that slants across his face, dying sunlight reflected in his eyes.

“Yeah.”

Sammy sees the lie for what it is. None of them are okay. No one who’s been through what they have would be. But there’s a certain danger that comes with not being willing to admit it, and an even greater danger that comes with not being able to see it.

“Y’know, it’d be fine if you weren’t.”

Ben doesn’t answer.

Sammy sits with him until the sky turns dark.

~*~

It’s the way he struggles to eat anything he hasn’t obtained by himself.

It’s the way he sometimes goes off on his own without telling anyone.

It’s the way he talks to himself when he thinks no one else is around.

It’s the way he takes any concern for his safety as a personal attack.

It’s the way he leaps at the chance to blow something up.

It’s the way he can stare silently for hours.

It’s the way he smiles a little too easily.

~*~

It’s not jumping at every unexpected movement, or screaming awake from night terrors, or flinching away from the slightest touch. It’s not loud meltdowns or hysterical sobbing or uncontrollable fits of rage.

(Even though those will come, someday, when the island is just a memory.)

It’s the little things, that- once you notice them- keep piling up.

And suddenly, they don’t seem so little anymore.

~*~

#jurassic world camp cretaceous #camp cretaceous #jwcc #jwcc fanfic #my writing

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stargazer-sims · 3 years

Text

Journal Entry #25 (part one)

Victor

The past couple of days have been interesting.

First of all, I grossly underestimated Yuri’s ability to shop. Seriously, set that man loose in a sufficiently large retail area, and there’s no stopping him. He got access to his trust fund when he turned twenty-five, and I guess he figured that since he doesn’t actually need it to support himself, he’d go wild with his first monthly allowance from it.

Today, we came here to the city, and I got dragged all over the place by my very enthusiastic soulmate, who evidently knows where every menswear shop, shoe store and jewelry boutique in Kyoto is located. Mostly, I think my main purpose was either to be arm candy or to carry all his shopping bags. That, and I was there to loiter outside every fitting room and answer the question "Does this make me look too skinny?" a zillion times.

I'm not complaining, though. By the time we were done, he was tired, but he seemed happy and way more relaxed than he'd been over the past week, and I was grateful to see him doing better. Too much stress is bad for his chronic illness, and we'd both prefer that he doesn't get sick again any time soon, so anything that helps him unwind is good in my opinion.

The only thing I bought, other than lunch, was a cute surprise present for Yuri, which I'm sure he'll be pleased to show you later. That's not to say I didn't come out of it with anything for me, however. Yuri bought me a suit, because he said I needed one for our wedding photos.

Now, before anybody gets too worked up, let me just say that we're not actually getting married. With all our joking around about it, we somehow had the idea that it'd be fun to get some couple portraits taken by a professional photographer. We've been referring to them as our wedding photos ever since we decided to do it.

But, let me get back to my new suit for a minute. It was a fairly significant purchase, considering I haven't worn one since my high school prom. Yuri took me to this fancy shop where a sales lady literally did all my measurements before she even let me look at anything. Then, she recommended some colours and styles she thought would work for me, and followed me around to help me choose.

Apparently, this is how it's done in Yuri's world. Yuri is so unpretentious and normal that sometimes I forget he comes from a wealthy family and that rich people do stuff a lot differently than people like me. Last time I bought a suit, my mom took me to a department store, gave me two hundred dollars and basically told me to pick something that fit, in any colour but grey, because it wouldn't look good with my hair.

Turns out, I rock grey suits.

I probably don't need to tell you, this ensemble cost way more than two hundred Canadian dollars. My mom would have a fit if she saw the receipt. I almost did too, but Yuri was using words like 'elegant' and ‘sophisticated’ to describe how I looked in my new suit, and he was gazing at me like he thought the only place it would look better than it did on me would be on the floor of our hotel room, so I stopped worrying too much about the price tag.

Right. Our hotel room. I guess I need to backtrack a bit, to explain what we're doing here in the city in the first place.

You already know what happened between me and Yuri on the weekend. It was pretty awful, but thankfully, we made up on Saturday night.

Yesterday, which was Sunday, we stayed in bed till mid-morning and had a long talk, and then some making up of the nonverbal variety, the intensity of which came as a surprise to both of us. Maybe it was because we were both starved for attention, but we got way more excited than usual, and ended up trying some things that neither of us had ever done before. It was a little scary, maybe more so for Yuri than for me, but it was exhilarating at the same time. Also, it was a great distraction from our current problems.

After another nap, we finally got up and had a bath, and then Yuri took me to the walk-in medical clinic in town in the afternoon. Luckily, my regular GP works in that clinic a couple of weekends a month, and this was one of his weekends. I would've been fine with any doctor, but it was nice to see someone who's already got some idea of the overall state of my health.

I explained to Dr. Sato what had happened, and he examined my shoulder and back. He asked me a bunch of questions about how I was feeling psychologically, and he agreed that I should have a short break from work. He also suggested that I should speak to a counsellor about my experience. I'm still not sure I want to do that, even if it would only be one or two sessions, but Dr. Sato gave me a recommendation anyway, so at least I have the contact information of someone I can make an appointment with, if I change my mind.

After leaving the doctor's office, we went to the fitness center so I could give Dr. Sato's note to Tomiko. She works Wednesday to Sunday, so I knew she'd be there.

I was caught off-guard by how nervous I felt as I walked into the place. It's a good thing Yuri was holding my hand, because I think I might've turned around and left, otherwise.

We found Tomiko in the administration office, and when I handed her my sick note, she didn't seem at all surprised.

"We had a complaint," she said.

"About me?"

"Well, not about you specifically, but it certainly had something to do with you," she said. "it seems we have a very observant custodian. She noticed that you finished your first session on Wednesday morning quite early, and she said it looked like you were limping when you came out. When she went in afterward to clean and disinfect the room, she noticed a crack in the mirror."

At that, I felt as if my stomach dropped. Ren had pushed me against the wall twice, and both had been really forceful shoves, but I hadn't realized he'd pushed me hard enough to crack the mirrored panel on the wall. For some reason, I had an irrational fear that I was about to get fired, or that I was going to be responsible for the damages to the mirror, at the very least.

Yuri must've noticed a change in my expression or posture or something, because he moved his chair closer to me and put his hand on my leg, under the table and out of Tomiko’s view.

"Have you looked into it?" Yuri asked.

"I asked the custodian to fill out a written incident report, but I only just received it yesterday around lunchtime," Tomiko said. "I've forwarded it to the General Manager, and he says he's going to contact our security company to review the camera recording from that room from Wednesday morning."

"That's good," was Yuri's response.

Tomiko fixed me with a serious look. "Is there anything you'd like to tell me about, Victor? Anything I should let the General Manager know before he sees that video?" She flicked her gaze down toward Dr. Sato's letter. "Since your doctor has written that you need to be off work due to a trauma-induced psychological injury, I'm going to assume there's a story.”

"If I tell you, what's going to happen?" I asked.

"That depends on what you tell me," she said.

I glanced at Yuri, maybe hoping he'd say or do something to help me get out of talking about it, but he gave me an encouraging little smile and said quietly, "It's okay. I'm here."

So, I told Tomiko what she and the General Manager would see on the video. It took several minutes to explain, and I cried a little bit. It definitely wasn't easy to talk about, but it wasn't nearly as bad as I'd imagined, and by the time I was done I was amazed to realize I felt kind of relieved.

"You should have reported this immediately," Tomiko said, once I'd finished. "I understand why you didn't, and I respect that, but this isn't the sort of situation you should try to handle on your own."

"I know," I said. "I'm sorry. Am I still going to have a job after this?"

"If everything you've told me is true, then I don't see why you wouldn't. I'll speak to the General Manager tomorrow morning, and once we've reviewed the video, then we'll make a decision."

"Tomorrow's your day off," I said, without thinking.

Tomiko smiled. "Sometimes we do things that are outside our job description," she said. "I know you've only been working here for a couple of months, but I want you to know, you've made a big impression on me and your other co-workers, and we've already gotten some great feedback from a few clients. I'd hate to lose you so soon."

"Thanks," I said.

"I'm going to recommend to the General Manager that we continue to pay you while you're on your medical leave," she said. "If everything you've told me is accurate, I think he'll agree that's the least we can do for you."

"Thank you. I really appreciate that."

"We may want to meet with you, once we've seen the video."

"Okay," I said. "Yuri and I were planning to go away for a while, though."

"That's fine. Just don't leave the country." she said. I knew she was making a joke, but it felt kind of weird to hear her say it, considering that leaving the country was exactly what we'd been planning to do.

Of course that means our hastily-planned trip to Canada is temporarily on hold. We're probably still going, but now we have to wait at least until I receive confirmation that I'm still employed.

When we got back to the house, we packed some stuff anyway, because even though we knew we couldn't go far, we still intended to escape to the city for a few days. I had to show Yuri how, because he's the sort of person who'd bring five suitcases when one suitcase and a backpack would do. I also learned that he’s never packed his own luggage for more than an overnight stay. He hasn’t travelled much since moving out of his parents’ house, and when he lived at home and his family went on longer trips, either his mother or the housekeeper packed for him.

He whined about having to pack light, but I pointed out that I had a sore shoulder and my own stuff to carry, and he was only allowed to bring as many bags as he could manage by himself.

"If you can't carry it from the car to our room, you can't bring it," I said. "Besides, you know we're going to leave with way more stuff than we arrive with, and you're going to have to be responsible for that, too."

He had the grace to look embarrassed. "That's true. I mean, I might want to shop a little."

"Only a little?"

"I'll try to behave myself."

I didn't entirely believe him about the shopping, with good reason as it turned out, but I will give him credit for succeeding in keeping his luggage to one suitcase and one small bag.

Once we'd finished with that, Yuri stayed upstairs and called his mother while I worked on dinner. I don't know what they talked about, but by the time he joined me in the kitchen for some chicken and vegetables and steamed rice, he was looking exceptionally pleased with himself.

That's when he informed me where we were going to be staying.

On Saturday night, when he first suggested we should stay in a hotel, I was picturing something like an EconoLodge, like the sort of low-budget place where my mom and I stayed the few times we visited some old university friends of hers up in Britechester. I was not at all expecting the high-class address he programmed into our car's GPS after we’d concluded our big shopping adventure this afternoon.

When we got there, I thought it was a mistake, until he told me, "Drive up to the curb in front of the entrance and wait."

I wasn't sure what we were supposed to be waiting for, but it didn't take long for me to find out. A guy in a uniform that looked like it was straight out of a film set in the fifties came out and waved for me to roll down my window. I did, and he asked me for the keys.

Slightly panicked, I looked over at Yuri in the passenger's seat. "Why does he want the keys?"

"It's courtesy parking," Yuri said. "He'll bring our luggage in, too."

"Really?"

"Get out of the car, and let him do his job. We can check in, and by the time that's done, our stuff will be inside, and we can get someone to take it up to our room."

"I can carry—“

"Victor, get out," Yuri said, looking amused. "It'll be fine. Trust me."

I hopped out of the driver's seat, and gave Uniform Guy a thumbs up. "Try not to scratch the paint," I said, and grinned at him.

He didn't seem to find me entertaining.

Yuri came around the front of the car and did his best to hustle me away from it and from Uniform Guy. "Come on. You can at least try to be a gentleman and walk me in."

"Uhh... right," I said.

I tried to position my arm like I'd seen men do in movies. It must've been right, because Yuri slipped his own arm under mine and rested his hand on the inside of my elbow.

He smiled up at me. "Very nice. You've been paying attention to all the historical romances we've been enjoying."

"You've been enjoying," I corrected. "I just sit there and watch them with you as an excuse to cuddle."

He laughed. "Why am I not surprised?"

Inside, I had to make a conscious effort not to stand there and gawk at everything like the uncultured idiot I am. If I’d thought the courtesy parking guy looked like he came from a movie, I’d just found the movie set. The place was gorgeous, and every centimetre seemed to exude class. I felt awkward and out of place, not to mention underdressed. People who come to places like this probably don’t wear sneakers and hoodies when they show up.

“Yuri, can we afford this?" I asked, already kind of worried about what the answer would be.

"Us, personally? No, but my parents can. When I explained to Mama that we needed to get away for a few days, she suggested we should stay here, and she said we could put it on the corporate account."

"Really? Is she going to get in trouble for that?"

"I hope not. She's good at circumventing Papa's ridiculous rules, though, so I think it'll be okay,” he said. “By the way, she said she's going to come here and see us before we leave. She wants to talk to us about something.”

"I'm not sure how I feel about that, honestly," I said.

"I still don't understand why you're so afraid of her."

"Because she's scary?"

"Why does everyone think my mother is scary? Seiji and Taka have both said that about her, too."

"I can't speak for them, but for me it's how she looks at me, like she's constantly analyzing me and looking for reasons why she shouldn't like me."

"She does that to everyone," Yuri said. "Don't worry. She likes you."

"She does?”

That was news. I wouldn’t have suspected that Rei Okamoto liked me in the least, if all I had was her demeanour toward me to base it on.

“Mama isn’t always good at showing how she feels,” Yuri said. “But, she does like you. She told me yesterday that she appreciates you for taking care of me. Almost as well as she could, she said, and coming from her, that’s high praise.”

“Wow. That’s… unexpected,” I said, slightly stunned by the revelation.

By that point, the lady at the front desk was finished with the guest ahead of us, and it was our turn to check in. I marvelled at how easily Yuri handled everything, calmly explaining that there should be a reservation made under the corporate account of Okamoto Electronics, his parents’ company. The lady at the desk told him it’d be “the usual room” and handed him a key card. She gave him some information about room service, the pool and fitness facilities, and on-site entertainment, all of which sounded awesome to me.

“Enjoy your stay,” she said

“Thank you. I’m sure we will.”

“You’re not even impressed by this, are you?” I said, once Yuri came back to where I was waiting with our bags, which had been brought in by Uniform Guy, just like he said they would be.

“Maybe not as impressed as you are,” Yuri said. “But, this isn’t exactly an everyday occurrence for me either, you know. Hana and I didn’t always get to travel with our parents like Yuki does. More often than not, we got left behind at home with the housekeeper and our tutor.”

“But, you’ve been here before and you know what to say and do. I didn’t even know about the parking.”

“It’s okay,” he said. “Let’s go to our room, and I’ll tell you anything you want to know.”

“I’m kind of nervous about our room,” I confessed. “Like, I’ll probably be scared to touch anything.”

“I know there’ll be one thing in our room you won’t be scared to touch.” He gave me a cheeky little grin.

“Is someone trying to tell me that he wants to play?”

“Someone might be doing that, yes," he said. "Oh, did I mention our room has a hot tub?”

“An actual hot tub? In our room?”

“Mm-hmm, and I think we should take full advantage of it, don’t you? If we’re going to be hiding out at an expensive hotel, we might as well make the most of it.”

“And you want to play in the hot tub first.”

“I do.” He squeezed my arm. "We can revisit all the spots that made it so much fun yesterday morning, and see if it’s just as fun in water.”

"I want to know what you did with Yuri," I teased him. "My Yuri isn't usually this forward, so you must be somebody else."

"It's definitely me," he said. "I just never realized we could get that result without doing something neither of us is comfortable with. I liked it."

“Judging by the fact that you want to try again so soon, I’d say you more than liked it.”

“What can I say? You obviously have a talent for pleasing me.” He tugged me gently toward the stairs. “Now, come on. You’re not allowed to keep me waiting any longer.”

I laughed. “Okay, Mr. Bossy.”

Our room was every bit as impressive as the lobby, and it did indeed have a hot tub. To me, it was more like an apartment than just a room. Other than our bedroom that opened onto a balcony, there was an en suite bathroom, and another connecting door that led into a space with a kitchenette, table and chairs, and a sitting area with a TV. I was incredibly glad Yuri's parents were going to be getting the bill, because renting this place for four nights would probably cost more than two months' rent for our house.

The first thing we did was to change into something more comfortable, and then I decided I needed to document my experience, so I could prove to my family that I actually stayed in a five-star hotel.

Yuri was laughing at me. "Are you taking a selfie right now?"

"Come here and be in the picture with me," I said. "I need to show this to my mom."

"I'm not sure I want your mom to see me in my robe. It's not exactly appropriate."

It was my turn to laugh. "Weren't you the one who was talking all naughty to me down in the lobby a few minutes ago? And now you're worried about my mom seeing you in a robe?"

"I wasn't naughty," he said. "And it's my choice if I don't want to show off my chest to just anybody."

"Pull your robe closed then," I said. "Once we're done, you can show off your cute chest to me. How about that?"

He was blushing furiously, but he folded his robe more closely around himself and obliged my request for a photo. I have to say, he looked adorable.

I texted the picture to my mom with the caption 'Livin' the good life'. I could hardly wait to tell her all about it the next time I talked with her.

We ordered room service for dinner, or I should say Yuri ordered it, and then we watched TV until our food came. The person who brought it left it on a little wheeled cart outside our door. After we were done, we put all the dishes back on the cart and put it in the hallway again. Yuri said someone would come by and collect it later.

I'm not even joking; I felt like I was in some kind of reality show or something. It was so surreal. This was the first time in my entire life that I'd ever done anything like this, and it felt strange, but I guess that's probably because I'm not used to living in luxury.

I'm not sure I could ever get used to this lifestyle. Yuri, though? It was obvious he was in his element. This was the life he'd been born into, and I wondered if he’d ever regretted his choice to try to make it on his own, or if he resents having to do regular things like vacuuming and grocery shopping and packing suitcases for himself, instead of having household staff to do it.

I've never doubted that he's happy with me, but seeing him fitting into the high-class world so effortlessly, I couldn't help wishing I could give him a better life. Not for the first time, I found myself feeling amazed that he thinks I'm good enough for him. He deserves so much that I can't give him, and yet somehow, he wants me anyway.

"Hey," he said, slipping his arms around me from behind and resting his head against my shoulder. "What's wrong?"

For a moment, I didn’t reply. I closed my eyes, letting myself be comforted by the warmth of his small body tucked against my back, and the sweet, calming scent of sandalwood essential oil that always manages to seem simultaneously delicate and masculine, like him.

"I’m okay," I said at last. I placed one of my hands over his and stroked his thumb with mine. "Don’t worry. I was just thinking."

"It couldn't have been about anything good," he said. "You looked really sad all of a sudden. What were you thinking about?"

"Us," I said.

"What about us?"

"I was thinking, I want to be able to give you the kind of life you deserve," I said. "But, I can't, and I'm sorry."

"I don't deserve anything more than any other person. Love and respect and kindness... you give me all those."

"I know, but I mean this." I gestured around at the room. "This is the world you belong in, and I'm so far from this, I might as well be from another planet."

Yuri carefully turned me around, never once breaking contact. Even though he had both hands on me, it was his gaze that held me in place. "Victor, I want you to listen to me, okay? This is important."

"Okay,” I said.

“Your social class doesn’t matter one bit, as far as I’m concerned. I don’t measure people’s value based on that, and you shouldn’t either. I don’t want you to ever doubt your worth because of the way you grew up.”

“But, I don’t have fancy manners like you, and I don’t know about courtesy parking and tutors and which fork you’re supposed to use for salad. I probably couldn’t even afford the salad you’re supposed to use the special fork for.”

“It doesn’t matter,” he repeated. “You can learn most of those things if you want to, and as for the money, that’s irrelevant.”

“How is it irrelevant?” I asked.

“What’s the point of being wealthy if no one loves you or cares for you?”

“Yeah, I guess, but—“

"Have you ever wondered why I call you my treasure?"

"Because I'm important to you?"

"Because you're the person I wished for my whole life and never thought I'd find," he said. “Do you know, I made a thousand paper cranes, wishing for someone who’d love me the way you do.”

“You did?”

“If you make a thousand of them, they’re supposed to bring you health or prosperity or happiness, whichever is your greatest wish. I finished my thousandth one just before I met you.” He smiled softly. “You're rare and beautiful, and you're worth more to me than anyone or anything else in the world.”

"But, I’m just—“

“You’re not ‘just’ anything. You’re everything,” he said “Yes, I'd like to live the kind of lifestyle I grew up with, but if I have to choose between that life and the life I have with you, then I'm always going to choose you. You’re my wealth and my happiness.”

“But, it’d still be nice to have money, right?”

"Yes, but it’s possible to be happy without it," he said. "I love you, and I know you love me, and no amount of money or social status could change that one way or the other."

#ts4 #sims 4 #eagames #snowy escape #victorandyuri #stargazersims #victorsworldadventures

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comfy-whumpee · 4 years

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Whumping Safely 101

Many people in this community have mental health problems, face various types of discrimination, and have complicated relationships with some parts or types of whump. In particular, I aim this at people who care about the experience of survivors and others with triggers – partially because I am an abuse survivor who often flirts with triggering content as part of my love of whump.

Keeping your blog safe is difficult, takes effort, and is never a perfect process. But as the community grows and grows, it’s really important that we hold ourselves to a high standard. I would argue that this is a responsibility of all content creators, but especially those of us in the messy playground of whump.

I’ve got three sections in here: content warnings, writing with care, and community interaction. I’ve tried to make it navigable. It’s about 1.8k words. Shorter than a lot of drabbles! I welcome good-faith criticism on this topic and further questions on my own views.

Content Warnings

The biggest responsibility, in my opinion, is empowering your reader to make their own decision on whether they want to expose themselves to your writing. This also happens to be by far the easiest way to help people whump safely.

What to warn

This is a big and ever-changing topic. Some things you should warn for as a rule of thumb are anything NSFW, pet whump and box boy whump, drugs and alcohol, medical and hospital content, graphic gore, intimate partner violence, and animal harm. It can be tricky to draw the line of what counts – what needs a warning? If you’re in doubt, just warn it anyway. It doesn’t hurt.

If someone requests a trigger be warned for, even if it’s something that feels obscure or tame, show compassion and agree to the request. This is someone who cares enough about being able to read your writing that they wrote in! They want to be able to read it and enjoy it. You’re being complimented.

Otherwise, look at what other blogs tag for. You’ll see some variation in styles and levels of detail, but it’s a good way to gauge what people think is warn-worthy, when we’re often writing stuff that would already be R-rated in mainstream media.

The easiest way to make sure people don’t see your triggering content is to use a cut. Tumblr is not a very functional website and likes to delete cuts, but a cursory check of your posted content will usually tell you whether it’s worked. With asks, cuts are very spotty, so don’t be afraid to post an ask response separately with a screengrab of the original question. People often then respond to the ask itself with a link to the post, especially if it’s a whole drabble. Tumblr is weird and bad so just do your best.

Content notices

I.e., a quick summary before the drabble, usually in bold, to state what will be coming. I like to distinguish between using content notes (CN) and trigger warnings (TW) to indicate severity. Others might use the old phrase ‘dead dove do not eat’ to indicate this is a heavy piece, and often you will see qualifiers like ‘intense’, ‘mild’, ‘mention’, ‘referenced’ (i.e. it is discussed but not actively happening), and ‘implied’ (as the opposite of ‘explicit’). I’ve also seen a couple of people use ‘vibes’, which is a really nice way of demonstrating that it’s there, but not the focus. A quick paragraph like this, or just a line, lets people make a quick risk assessment on their reading.

This is also important if you’re sending in asks or requests to people. If you want to ask about something triggering, send an inquiry first about whether the blog is okay to hear it.

Tagging

Tagging is a chore, but it’s your primary way of warning people about your content. The main benefit of tagging is that you can be as detailed as you want, because can be tagging for content in general, not just triggers.

In a best case scenario, you’d tag the kind of whump you’re doing, tag triggers, tag characters, and even your ‘verses, because tagging is your index for your blog. If you tag reliably, you help your future self and your readers find stuff, and you also make your blog really dang safe. People who have unusual triggers can blacklist tags, and will pick up on your content tags to help them.

Don’t just tag your own writing. Tag your reblogs, tag your prompts, tag your asks. Yes, edit your asks to add the tags. Tag your images and gifs. Tag your images as images and your gifs as gifs.

If you aren’t up for detailed tagging for whatever reason, just tag for triggering content, and add stuff to that list if you’re asked to. My usual technique is to make a mental note of tags while I’m formatting and editing before posting.

Be aware that your first five tags will be used in search results. If you’re using tags that are associated with kink too, such as ‘shibari’, you might want to rethink your tag order if you don’t want interaction from those blogs. Also think about what tags might come up in non-whump contexts, such as ‘collar’ or ‘PTSD’. Some tactics for getting around this I’ve seen are adding ‘whump’ after the content or writing the tags in past tense (i.e., ‘collared’).

It is also a good idea to watch out for when you might be reblogging something whumpy that is intended as kink / porn / fetish, especially in images. Tagging these as spicy / nsfw / kink is a sensible move.

Writing with Care

Okay, now for the harder stuff.

I mean here to lay out some guidelines for how to write in a way that helps your reader build good faith. This is a much more nuanced topic, and it’s different for everyone. There will always be differing opinions on what should and shouldn’t be written about, what a good depiction of a sensitive topic is, and how to discuss that topic. I tried to strip this back into absolute basics that I hope we can all agree on.

Maybe your whump involves abuse. Maybe it’s gaslighting. Maybe it’s severe mental health problems, or addiction, or slavery, or you write about or analogise real-world issues. Whump deals with the dark stuff, and that’s a big part of its appeal. But don’t ever forget you’re writing the dark stuff.

(Try to) Know what you’re doing

Some of us play fast and loose with plots, medical accuracy, worldbuilding, and other things that get in the way of the pain we crave. This is all well and good, but when we start using whump that speaks true to people’s lived experiences, we shouldn’t be careless with it. I’m particularly talking about things that get represented poorly in mainstream media, such as abusive relationships, issues around marginalisation, mental illness and disability.

Be critical of media that you’ve consumed. Think about how its depicted things that you want to depict in turn. Look for opinions on fictional representations of those issues. Be aware that you might be more ignorant of things than you realise.

Look at how others are writing these issues, particularly if they’re writing from a perspective different to yours. If you haven’t personally experienced what you’re writing about, e.g., if you don’t have PTSD and you want to depict a character who does, seek out stuff written from or with experience. Listen to the experts.

If you’re looking for stuff about representation specifically, I recommend this collection of posts about ‘Braving Diversity’ cultivated by Writing With Colour, who are in themselves a fantastic resource for this topic, and have recommendations for other blogs that deal with intersecting issues.

Listen to others

Missteps are inevitable. Nobody is perfect. If constructive criticism is offered, that’s also a compliment to your writing. Someone read your work and thought about it, and thought you’d care about improving it. They’re offering themselves as a resource for helping you see your work in a new light.

Criticism is hard and sometimes hurtful, but even if we don’t think it’s accurate, there’s often a grain of truth in it. If someone tells you that your writing is harmful, think about why they’ve said that, not whether or not they’re correct. This is an opinion! Opinions are subjective! But what drove someone to send that in?

You don’t have to respond to all your criticism and definitely don’t respond straight away. Being respectful to those who are trying to help you means taking the time to consider it properly. Sometimes, they don’t need a response. Others, you might want to learn more about what they think before deciding. You might have already discussed the topic, in which case, you might just want to reblog your previous posts.

If it’s sent in bad faith or is outright hateful, you’re well within your rights to just delete it and move on. You might get the same criticism over and over again, and that’s exhausting, and you don’t have to retrace your steps for everyone.

But if it’s new, even if it puts your hackles up, you can always stop and wonder why someone felt that strongly about your work.

Take a step back

One of my better-known characters is a pet whumper who conditioned his victim to adore and depend on him. It’s not always easy to represent how deeply messed up that is within the text – though I think that’s part of the challenge – but in meta-commentary, I am always describing him as a creeptastic bastard lacking compassion and self-reflection. I hope to always give the reader the confidence that I know just how wrong it is.

This is a really simple thing you can do just to give readers good faith in you. Show that you know what you’re writing is dark and messed up. Show your understanding for the issues you’re handling and that they’re complicated. It might seem self-evident, but when you’re writing the really dark stuff, or unhealthy relationships, or institutionalised whump, you can inadvertently create the impression that you just think it’s fun. The fact that it’s fiction does not automatically absolve you. Show that you care about doing it right.

Community Interaction

I’m going to keep this one short and sweet because I will almost entirely be preaching to the choir here.

Be polite to others. Imagine saying what you’re saying to their face.

Don’t send anon hate. Just don’t. If you can send criticism off anon, do so.

Nobody is obligated to interact with you.

Nobody is obligated to monitor their own reader base.

If someone says do not interact, do not interact.

If someone says do not interact, why they’ve said that is none of your business.

You don’t need to spread the word about someone’s bad politics.

Ask yourself if your input is needed, or if what you’ve said has already been said.

You don’t have to take a side.

Take care of yourself. Take breaks. Remind yourself that whump is a small part of the world.

That’s all from me, folks. Stay safe.

#discourse...adjacent?#whump community #whump etiquette

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dropoutparty · 3 years

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ngc ramblings part 3- chapter 5

here we are at part 3!!! sorry this one took so long, i originally was gonna make this post include entropy and extus (along with finally talking about face in depth) but it was so fuckin long that im splitting it into 2 different posts! the next part isnt done yet but im like almost halfway done so it shouldnt be too much longer until its out! also before we get into this one:

tw for: death, animal death, and suicide. pls take care of urself and don't read this if those things are triggering for u <3

ok lets get on with the post

at the start of entropy zach doesnt waste any time getting right to the point. this place is bigger than the other planets so far, and zach says the music this time around is a melody that “started out normal but then got distorted” played by a violin sounding instrument. even tho i do sometimes forget that this is supposed to be a creepypasta im not surprised that he said it made him feel depressed and unnerved lmao. anyways, this planet has all new level types in it!! no reused ones!! ok now this is epic. the bosses this time around are megalon, battra, and mechagodzilla, but itll be a good while before we get to those guys because this chapter is long as hell holy shit?? buckle up babez <33 now, before i get into the meat of things as usual im gonna talk abt the planet name! entropy basically means “a lack of order/predictability or a gradual decline into disorder” and that's very accurate to this part of the story. at this point, red is pissed off and is getting desperate, which means from here on out things are going to be getting more intense and more unstable. this world is the turning point in the overall story, basically.

now with that out of the way, zach first goes to the worlds quiz level as usual! this time something was different. usually, in the quiz levels there would be goofy ass music playin in the bg (specifically the GH1D0RA cheat music, if you wanna like listen to it ig?) but from here on out its been replaced by the music from the games password screen, which zach called creepy earlier on in the pasta. im gonna glaze over the quiz again this time, but when we get to the next planet ill talk about all of the quizzes in depth all at once. basically all you need to know for now abt what happens here is face asks “do you like mothra?” and when zach picks no (after going on a tangent abt how mothra sucks lmao,, bro i swear im good at the game my controllers just messed up /s), face enters bastard mode and goes “TOO BAD!” and boom now zach cant play as anyone but mothra. zach is pissed for now but little does he know this is just going to become an even more epic gamer bc of this,, youll never get better at something if you never try and all that.

after that, zach moves on to the first level type- the forest. immediately zach gets an eerie feeling from this level bc he has some kinda fear involving forests at night (i can think of a reason why but ill have to talk abt that later just to be sure). hes also not feelin great about being forced to play as mothra, so the pressure of it all is def starting to get to him by now. the music in the forest is woodwinds followed by slow, rhythmic drums and chiming bells. must have been some ominous woodwinds and bells bc it made him feel like he was intruding somewhere he shouldnt be (oh rlly?? u dont say,, everything up until now has been fine /s). getting into the level itself, eventually zach comes across some weird deer-like monsters just vibing and scares them away when he gets close. later in the level he finds more of these weird deer along with a sloth-like creature on some of the trees and some raptor dudes killing some of the deer. zach shoots one of the raptors but thats about it. nothing really happened in this level but zach noted that he didnt feel like he was playing a video game, but instead it felt more like he was exploring a forest in another dimension. thats interesting for reasons ill ~get to later~ (yall must be so tired of hearing that by now omg,, i know im tired of saying it at least. i was gonna wait until after replay to talk about things but i severely underestimated how long this whole project would be, so i might make a post for the “more on that later” stuff before i get into replay. let me know what u think i should do).

anyways, the next thing zach checks out is the first tv screen level so far. these levels just play an animation with some music in the background, and theres a different animation per level. this time around the animation is of a kid with a beaver(?) head licking a lollipop and the music is the GH1D0RA music that the quiz levels used to use. the only thing of note here is that zach says he had a shirt that looked just like that when he was a kid. after that, were off to some of the weirdest fuckin levels in this whole thing imo- the hourglass levels. these levels have an entirely brown color palette, with grandfather clocks standing in the background (the level appears to be in like a hallway or something) and various time measuring things floating in the air. the music is the same as the board (ig cosby just didnt feel like thinking of what theme this place would have lol). after a little bit zach was rlly happy to see actual enemies from the normal game show up! these are basically like aircraft, tanks, etc. thats not the main attraction here tho, bc this level has its own unique mechanic! this mechanic is the colored hourglass items you can pick up. there are three of them, a blue one that slows time down and makes enemies from the past appear, a red one that speeds up time and makes enemies from the future appear, and a green one that made the time flow normally and spawned enemies from the normal game. zach found the blue one first, which caused a bunch of prehistoric enemies based on real animals to show up. after that he found a green one and fought normal enemies again, and then he found a red hourglass. the future enemies here look like aliens to me, and zach says that one enemy reminds him of something he saw in a book once. eventually, a special future creature showed up and zach was suddenly in a boss battle! or a mini boss battle? that description is probably more accurate. this guy doesnt have a face, and he can only attack by shooting a beam from his face, it sure does look cool! after zach beat it tho, he was off to the next level type, which is basically a toxic waste dump.

zach called it grungy and inhospitable, with the music being a synth ambient loop that made him feel dizzy while he listened to it. this is important because this is the first instance of the game making zach feel something *physically*, not just psychologically. all of the enemies here are mutated to some degree, with him first seeing green mummies with bird skulls coming out from vats of toxic slutch and a brownish cow skeleton monster with spider legs. later zach comes across a deer from the woods, drinking some toxic slutch (delinchous). zach got close to it to try making it stopped but suddenly some enemies came out of nowhere and scared it into running right off a ledge and into the slutch. rip :pensive:. after that zach found more mutated enemies (i.e some things with tentacles and some other deformed thing with human teeth) before he finally gets to the end of the level, where theres another miniboss waiting for him!! this ones a toxic sludge monster with a whale skull who attacks with a mouth projectile and by charging into you. the monster sank into the slutch and thats all for this level babeyy!

the next level is another forest, but this time its winter! its still at night, but this time zach doesnt feel off put, which he mostly attributes to the music. he describes it as a gentle, calm song that almost sounded romantic. the entire first segment of this level had no enemies in it, but dw this level is interesting i swear. the next segment starts out just as empty as the last one, but this time its silent. that is, until the music from “unforgiving cold” starts playing. yaa you remember that place!! i think i said it was less interesting than i remembered but its interesting again now bc it was foreshadowing these levels!! anyways soon after the music started up, zach started to come across tons of frozen bodies of the deer from earlier. some were mutilated, some werent, but they were all frozen and covered in snow. eventually zach does come across something living though, a sloth creature from earlier! its just vibing when suddenly the winter versions of the raptors from earlier rush in and fuckin obliterate the sloth thing. those things just blindly try killing everything in sight, and even start fighting themselves before zach finally gets to the last part of the level.

now this is where shit starts to get crayzay. this part opens up to a big empty field with a full moon and the nice music from earlier back. despite the nice music tho, zach immediately starts feeling dread and eventually he finds a lake. the lake comes down from the sky and starts to crack like an egg, a humanoid figure curled up in the fetus position dropping into the lake below and the moon halves disintegrated. this spawned the moon beast, the hardest challenge zachs had to deal with so far. after he finally defeats it, the screen goes to black and the name “melissa” is on screen, written in red. after that, the screen then says kys. the word kill then fills up the screen, layering over itself until it forms a picture of reds face. its now that we finally get to hear abt the whole melissa thing (which makes it sound like shes been mentioned in the pasta before this but thats not what i mean lmao). to summarize, zach had a middle school gf named melissa (also bro middle school?? wadda hell) who often went into “episodes” where she would stare off, expressionless, before trembling and putting her face in her hands. she and zach hung out in a field at night a lot but one night she just stared at the moon the whole time before running into traffic and dying.

NOW its finally later!!! were not done with entropy yet, but this is the end of part one of entropy so i wanna just take a little break to talk about things so far. this planet is FULL of symbolism and foreshadowing. to start off, i think a lot of the questions face asks at the beginning foreshadow things that happen. some examples are “is time slipping though your fingers?” which could allude to the time levels, “do you have any regrets?” which i think obviously foreshadows the whole melissa thing, “is it safe to go out at night?” and “do you find it hard to sleep at night?” both follow the same kinda theme, which i think relates to how the melissa incident happened at night, specifically out at night. i dont think the forest levels have anything too important in them, other than to introduce the presence of an innocent, harmless creature that doesnt deserve what happens to it later (aka the deer things) which might symbolize melissa. more evidence for this symbolizing melissa comes from the encounter with the deer in the toxic dump and the winter forest, where in the former zach tries to stop it from hurting itself but is too late, being forced to watch it die, and in the latter the same innocent thing from earlier is found dead close to where the real incident took place. the two big themes to keep in mind here are death and time, more specifically the past. most of the enemies here are either made from bones or kill other enemies, there's a dedicated time level referencing things that zach remembers seeing at one point (aka that one alien zach recognized), the beaver head had the same shirt as child zach did, it all connects to zachs past and the death of melissa. as for the moon beast, its the most obvious reference for reasons ive already explained. i dont really know what the moon cracking open and dropping a curled up human into the lake could mean other than some other thing melissa related, but i *do* think that the fact that the moon beast is the most difficult thing zach has faced so far is symbolic of the fact that the trauma from this event has followed him throughout his entire life, and its something he struggles with daily. it could even be the reason why he said no when face asked if he could sleep easily at night. the moon beast also has some black fur around its neck, which i think is meant to represent a tire track, referencing and/or mocking the way melissa died.

its so cool how this entire part of the story builds up to and foreshadows the bomb it drops at the end of the part, giving people something to look back on. a lot of ppl say that as soon as the melissa stuff gets introduced the story goes down in quality, and i do somewhat agree with that sentiment, especially if they want the story to actually be scary, but i think the direction the story goes from this point on is so unique and cool. it does follow the whole “theres a ghost in the game” troupe (even tho it was probably seen as a spin on that originally) but it doesnt do the same cliches as so many other gaming creepypastas do and it really takes the concept and makes it its own. i just think its neat,,,

anyways im done gushing abt this story, lets get on with part 2 of extus!! basically zach has a fuckin panic attack and, after taking a few minutes to calm himself down when its over, he decides that he has to finish the game now because if he doesnt its just going to haunt him for the rest of his life. zach has now realized that the game is “alive” and can somehow see his thoughts and memories, so understandably hes pretty freaked out by it at this point. when he keeps playing, the first thing he does is check out another tv screen level. this time, the animation is of a fish dude just kinda standing there with his mouth flapping open and closed and the music is the neptune board music from the original game. the only reason i can think of for why this is here is maybe the game is mocking zach for the panic attack he just had (bc when u have a panic attack you feel like you can barely breathe, if ur lucky enough to have never had one before and u dont know) but thats abt it. its probably just a random goofy thing cosby threw in there.

anyways, the next actual level is the first labyrinth level. this time around, its a gold labyrinth specifically. the music in these levels is a slow, ominous drum beat with female vocals occasionally coming in and (basically from here on out) the monster zach plays as is now half the size it used to be. i think this shows how zachs feeling at this point, like this whole thing isnt just being a big strong monster and beating up enemies any more, he feels small and scared and helpless in the face of something potentially dangerous that he doesnt understand maybe his confusion about the game is the reason *why* theres so many labyrinth levels here in the first place. anyways im getting ahead of myself. personally, i think the aesthetic of the gold labyrinth is very similar to the green temples back on trance. while trance had a more circular and soft theme to it's architecture and sculpture, entropys is much more square or rectangle oriented. despite this, i think that the golden mazes at least are another religious kind of building, and the architecture is just different because theyre two different cultures who just happen to worship the same spiritual figure (aka melissa. did i say that earlier? i think i did,, if i didnt well the religions worship melissa, not knowing she's a dead human or anything. probably).

moving on, zach notes how the gold labyrinth would probably have been impossible to navigate as any of the other monsters, so turns out face being an asshole was a blessing in disguise after all huh? anyways this place is full of weird gold monsters, lava/fire traps, and stone faces (both in more of an easter island head style and in the regular feminine headshot weve seen so far). zach comes across two feminine heads, one that is more adult looking and pure gold, and another one that looks much younger and whos eyes have red irises and blue scleras. this statue apparently looks a lot like melissa did on the night she died, so zach leaves it pretty quickly. i *think* this is the first time we see the color blue associated with melissa? if it isnt sorry abt that, its been a couple days since i worked on ngcr so ive forgotten some of the smaller or more subtle things by now. GOD i keep getting side tracked ANYWAYS eventually zach finds a non-gold enemy and sees it get picked up by like an arcade crane claw. hes curious so he follows the claw, only to see the monster be put in a big gold cauldron and walk out the side of it as a gold monster.

gonna be honest, no idea what the hell this could mean. like? theres been no themes of corruption or good things becoming evil so far so this just kinda. exists,, yea idk lol. im not part of like any discord servers or anything so all this theorizing and analysis has just been me, maybe getting some small ideas from like random youtube comments or something, so if something ive said so far has been unanimously disagreed with somewhere i dont know about it. thats also why this isnt really a definitive or comprehensive analysis (even tho im trying to be as comprehensive as i can).

anyways zach finds the exit soon after and hes on to the next level type (there's so fucking many of them ik dont worry weve almost gotten to all of them now), the indigo cliffs. the background of these levels is similar to the blue mountains from trance, but now the moon and clouds from the toxic dump background is also here (and colored indigo to match). the music here is just a deep rumbling noise. the first “enemies” he sees here are just a bunch of multicolored little guys coming out of a hole in the ground and jumping off a cliff. were continuing the death theme yall!! anyways zach continues, flying over some more weird creatures (tho some of them just look like dinosaurs lol) before he sees a bunch more of the multicolored guys out and about but this time theyre getting grabbed by birds!! wadda heel!!! zach comments on how the multicolored dudes seem eager to die and thinks maybe the moon has something to do with it (like melissa dude wat!!!! that's crazy /s). at the end of the level there were some more multicolored dudes just walking into a creatures mouth so zach attacked the thing and killed it and the levels over yay!

now its time for the bosses babeyy!!! first zach fights battra (basically an evil moth kaiju), the music is varans theme. battra starts off in his larvae form, where he basically just fought by running into you and shooting stuff at you. while fighting this form, zach noticed that the game buffed mothra because his gamer skillz were too cringe lmaoo. he beats the larvae form and battra goes into his second form, where hes basically a stronger clone of mothra (misogyny). zach fights battra and has fun doing it (for once,, good for him) and he wins yay! next hes fighting megalon (a big beetle/bug kaiju), whos music was gigans theme. im tired when im writing this so ill just give you zachs description of how he fought: “strong, persistent, but dumb”. after this, zach checks out the last tv screen of entropy. this time, it shows a big buff guy with a sack over his head hit a womans head with a sledgehammer while shes tied to a table or something. the music for it was the password theme. i think this is probably here because red is getting angrier? like this guy is still here after i triggered his ptsd?? what the hell!!!

anyways before we get to the last boss we have one last level type to get through- the shadow labyrinth. at this point, zach starts to feel drained because no shit sherlock you just had a panic attack and youve been playing this game for fuckin several hours at this point of course youre fuckin drained. anyways zach enters the shadow labyrinth, which is a black recolor of the gold labyrinth. the music is “evil ambience” similar to unforgiving colds music but distinctly different apparently. there werent any enemies so zach just kinda wandered for a while until the lights turned off, darkening the whole screen and (secretly) spawning tons of spooky enemies thatll chase and hit mothra in the dark. eventually the lights came back on and zach started scrambling to the exit. when the lights turned back off, zach was able to find one of the melissa looking statues and stood next to it. it warded off the monsters while the lights were off, so zach was safe. i think this shows 2 things: 1) its a little more validation for my “religion in this world worships melissa” theory and 2) it foreshadows the way melissa wants to protect zach at the end of the game. zach beat the shadow labyrinth a lot faster than the gold one so were done with all the stages now!! now theres only the last boss and red and were done with entropy!

the last boss is mechagodzilla, but when zach starts the level, normal godzilla is there instead!! its whatever tho bc soon the disguise is gone and its just pretty much the normal mechagodzilla fight (but now hes got a gay beam). at about half health tho, mechagodzillas sprite breaks into pieces like gezoras did way back on earth and reforms into not-mechagodzilla. even tho it looks uncanny (and the usage of the face statue on the front is probably there to further mock zach bc melissa) zach beats it p easily and now its time for the chase. ba dum ba dum thats the sound of a chase.

as usual tho, before i get to the red chase its time to talk about entropy as a planet!! i think the best way to describe the layout is “a big forest with a toxic waste dump in it takes up half the planet while the other half is a large religious temple/labyrinth with a dangerous underbelly”. there doesnt seem to be any intelligent life there now (its all dead by now probably) but there was at some point at least because imean the huge labyrinth is there dude!!! i dont have much to say for this section tbh bc i feel like i've already said everything i wanted to, so its time for the chase ig!!

basically the chase with red here takes place in a labyrinth level bc of course it does. this labyrinth, however, seems to be made of some kind of organic matter. is it flesh? organs? nondescript viscera? idk but it's pulsating and bloody. also this time red has wings too!! anyways, basically zach avoids red throughout the maze, red breaks through one of the walls with his big alien tongue, and zach gets to the end of the maze. nothing crazy happens at the end of this chapter (i think it was crazy enough as is) so thats the end of that and now its time for the penultimate planet- extus.

#ngc ramblings #nes godzilla creepypasta #godzilla nes creepypasta #godzilla nes

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transsexualhamlet · 3 years

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okayokayokay i have like. Q U E S T I O N S because i have *wanted* to read no longer human but have been afraid to SO -

1) what's it like? what do u think of it? im sooo curious 👀

2) do u think that asagiri-sensei based bsd dazai sorta off the book more than off the actual authour? i seem to remember reading that once but i dont remember if it was speculation or not

3) .......just infodump as much as you want, really; im Curious™️ and it looks like ur having fun with the book XD

p.s. - have fun with crime and punishment; thats a book ive DEFINITELY been meaning to read (but i havent had time to yet djfjdjfjf)

AHHHHHHH HI TYSM I WAS HOPING SOMEONE WOULD ASK. I read the entire book in 2 hours before going to bed like four days ago, though it probably wasn't the best time to do it, that shit is nightmare fuel

I'm just gonna preface this with I know basically nothing about the actual author other than what's in the book, also I read the manga version (the junji ito one, yeah) so yeah I'm not sure how much that differs from the original text.

So for how much he based it off of the book vs the actual author, I couldn't really tell you- no longer human is somewhat of an autobiography, so I'd say that those work together. (it's complicated, bc the main character of no longer human is not actually dazai, but dazai is there, and they like??? basically say that that character and dazai are like actually the same person???? and they like, switch places at the end?? its really confusing, but basically, I'm treating the mc of no longer human as dazai himself.) The important stuff about the author that I know of worked into dazai's character is all in no longer human too so,,, yeah. I think saying that it's based more off of that book is probably true, though I don't know what asagiri was thinking.

But about the book itself- Yeah uhhhhhh seriously, I don't really recommend reading no longer human if you have much of a sensitivity to basically anything, especially the graphic novel version because when i say graphic novel i mean Graphic there is so much nudity, sex, s/a, addiction, violence, Mental Illness of all types, religious trauma, obviously suicide, and frankly just visually horrifying stuff

So everything under this is gonna be under a cut just cause Uh Yeah It's A Lot and i do not want to subject everybody to it

But reading it was certainly something I am glad I did, because it did teach me a lot about dazai and how he was created, as well as confirming a lot of theories I had about him that can't be confirmed or denied in bsd canon.

Like me and my friend were just like examining his character and kind of coming up with ideas about him- like we both agreed that he had Motherless Energy TM and that his dad had to have been an absolute fucking piece of shit. Also, we thought that he definitely had to have had A Lot of csa trauma and probably issues having to do with his neurodivergency when he was a child.

Literally all of that ended up being true within the canon of no longer human, so I was kind of impressed that we were so right?? It makes me feel better for thinking a lot of those things, especially since they're just Pretty Fucked Up.

But yeah its. No wonder he turned out that way when he was So Autistic and Masking So Much And So Badly and with absolutely no guidance as how to deal with his neurodivergency other than just fucking let anything anyone wanted happen sooooo he got raped, as a kid, like. A lot. A LOT. And basically ended up thinking that because of this all humans were just horrifying awful monsters and yeahhhhh things pretty much went downhill from there

I don't have a ton of time so you can send me more asks about it lol this is just barely scratching the surface this thing is pretty intense

A lot of other things that I think I can apply to bsd dazai as well, tho they're not gone into that much in the canon:

-This dude is like always fucking drunk or high, cause he just cannot stand being sober that much. He's a serious alcoholic and actually addicted to opioids and I cannot think that much differently about dazai. He's got issues.

but there are a lot of differences between Dazai and the no longer human mc, though there are enough similarities that this is definitely the dude he was based off of.

The main difference is that the no longer human mc is actually just a good guy. He's made a shit ton of stupid fucking mistakes, but he's trying to be a good man and he feels awful for the things he's done, which, I really cannot say Dazai has. Dazai is not a good man, I think everyone knows that. He doesn't really care that much lol

-both of them are like. Weirdly popular with women. Which is hilarious but like, with Dazai he doesn't really take it seriously, and he actually flirts with women. The no longer human guy like. He doesn't hes just like Tragically Attractive and women want to be with him and he has no clue how to say no so he just ends up being a whore bc hes socially useless. It causes a lot of problems bc hes like constantly cheating because of this lol.

-Dazai has a much more poetic view of it all? The no longer human guy is just fucking suffering and hes like why is this happening to me im so awful and i bring misfortune to everyone around me and its not fair and he wants to die and everything but it's not at all in the same way that Dazai does. Dazai acts more like an author than him, in the sense of his "I want a death that is narriatively satisfactory and I want to know the meaning of living by seeing the worst of it and observing how it is to be a human" yeah that's not the same at all. No longer human man really just doesn't understand them and is just. Not having fun

-Also, it's really the thing about Dazai having such an utter lack of religion compared to his original counterpart. Like, the main thing that kept this dude alive for so long was the fact that he had so much religious trauma and was constantly guilty and worried he would go to hell and basically scared of everything. Bsd dazai is like, nearly the opposite, he's the kind of dude who was born and raised atheist, and in the kind of way that he's trying to basically come up with his own meaning of life and religion to follow, whereas the original is struggling to live with one that's been perscribed to him. Both are Very Neurodivergent but it was, handled differently

And yeah i really do have to keep this short, you can totally ask me more and I have a lot more to say but one thing I want to bring attention to is the fact of something they do have in common- their masking. It's a big part of no longer human, about how the mc doesn't understand social customs and what is acceptable or how to talk to people or seriously be happy, so he basically comes up with this "clowning" which is basically, make a fool of himself on purpose all the time so people will never take him seriously or think he's good or smart. That's something dazai completely does, wholeheartedly, and something that fucks him up bad in no longer human. And I think that could be examined a lot more deeply, this dude has issues and so many of them are related to autism. God, I have so many thoughts but aghhhhhhhhhhhhh i hope u enjoy

#rowan gets yelled at #rowan's hyperfixation essays #rowan watches bsd

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buccigang-headcanons · 4 years

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La Squadra Backstories!!!! Stream of consciousnesss style!

So literally I just sat down and wrote down exactly what I thought. I have not edited these at all lmaooo. But I made long drawn out backstories for our underrated assassins so enjoy!!

T/W + C/W - idk I talk about people dying in a lot of ways. Child abuse, drugs, severe illness, dead cats. This stuff is a mess I really didn’t censor it. But nothing is described in detail cuz I’m too lazy for that.

————

Prosciutto cuz he’s at the top of my mind. Mmkay he and Pesci are brothers but not by blood. Pro was an orphan, I still wanna make him Russian, and pesci’s extremely kind and gentle family adopted him when he was like 7. They were like literally a garden catalogue family. Perfection. The parents died when pro was like 15, Pesci was 13?? Idk the age difference I’m just making shit up now. And Pesci had no fucking idea what to do, they didn’t have any other family, and pro was like “I’m still basically a hardened criminal from living on the streets of russia most of my childhood, so joining the local mafia should be a piece of cake”. It was.

Risotto..... fuck it. Polpo is risottos dad. I’ve seen that so much and fuck it I’m here for it now. Idk how I feel about the whole Mariah from part 3 being his mom that seems too coincidental. But either way, he is half Spanish. I don’t think he’s ever been in touch with his Spanish roots at all, but that’s what he is. Polpo had too much fun on vacay in Spain. But it was a once night stand and polpo, a skinny king back in the mid 70s, fucked off to do mafia stuff and didn’t know about this kid. Risotto never knew his father. Time goes by, about the time he’s 10, rizzo’s mom moves to Italy to find the man she once loved. Since the 70s, she has been married and divorced 4 times, disowned by her entire family, and she speaks only of Polpo, the man who swept her off her feet and then disappeared into the night. Leaving only this child with his matching eyes. So they live in Italy, risotto is about 13 now and his mom has been searching seriously for polpo for about 3 years. One day, she gets too close, mafia takes her out. Risotto is all alone in a country he has lived in for less than 3 years. So he decides to take revenge against the mafia. He goes to hunt them down. (I’m too lazy to write out how. Gets a gun. Basically the scene in part 5 where the kid is like “you killed my father and now I’m gonna kill you!!” But he chickens out???) yeah except rizzo didn’t chicken out, he stood firm and killed 2 of them. The other 2 surrendered, and immediately asked rizzo to take polpos test. He did. And he unknowingly met his father, the man his mother had died looking for. He stared into his fathers eyes, black sclera reflecting each other, and passed his test with ease.

Wowwwwwwwww alrighty then that was something. Let’s shake out those jitters because fuck that was intense and let’s move onto some happy shit.

Melone!! Always a bottle of joy. He was a phenomenal student, a perfect child. Perfect grades, perfect attitude, perfect looks. Onlyyyy tiny thing is he murdered cats and buried their heads in the back yard. But that was his only flaw. Aaaaaaaand mayyybe trying to use his extensive knowledge of molecular biology and genetics (even at as young as 11) to asexually breed said cats.

But, apart from that, absolutely perfect specimen of a young boy. And he kept that up until college. Until the rape accusation. Melone had no interest in having sex with her, he swore under oath in open court, he only wanted to “extract her essence” in the hopes of making her amazing genetics stay pure for centuries.

Due to his previously amazing school record, he was allowed to plead not guilty by reason of insanity (because the justice system is bullshit) and was released to his parents. During this whole process, Melone’s mother had begun to grow suspicious of her son, wondering if there was something wrong with him. This led her to explore the crawl space under the garage, more commonly known as “Melone’s childhood laboratory”. The cat skulls alone were enough to set her off. They allowed him into their home long enough to fool the court, but parole officers don’t pay attention, and they kicked him to the curb a month later. Broke, alone, and with no real skills other than his genius mind and gorgeous body, he became a prostitute. It was only a few months before he wandered up to a gigantic white haired man with angry eyes and asked if he wanted a date. Instead of declining, our good ol rizzo just knocked him out cold and brought him home. The rest is history. Literally because I can’t think of what would happen between that and Melone joining the mafia. I assume he was just their house pet for a little while before he decided he wanted a stand too.

Oh good lord these are getting insane. Better keep going. Okay I have no idea what’s about to come out of my head for ghia but oh Lordy. Might as well start. Ghiaccio wasn’t always quite as angry, but it’s actually gonna be a sweet story. Kinda. He used to act perfect, even tho he always felt the anger inside. He was forced to bottle it up and put on a happy exterior always. His mother was Belgian. (From experience, Belgian mothers (Flemish in particular) will beat you until your ass is raw if you talk back). Italian father, they lived in italy. He had 4 sisters, he was the middle child of 5. Around high school, he started acting out. Of course this was due to all of his bottled up anger from the past 15 years. 4 shattered sinks, 16 holes in the drywall, and one classroom fire later, Ghiaccio was expelled from school. His parents were too busy brimming with joy about the success of all his sisters that they didn’t take much notice to him. “If you’re going to behave in such a manner you might as well leave” his mother said. She was past the point of caring enough to beat him. So he left. 16 and with no where to go, he wandered the streets. After a year or so, Ghia had gotten used to that life, and was angry at everyone, sometimes when he wasn’t even angry. Anger had become his coping mechanism. Screaming was easier than talking. Until one day, he screamed at a blonde man in an intersection. Prosciutto was driving back to the squads hang out, boxes of takeout in the back seat of the car. He had chosen to not stop at the red light, just for fun, and nearly ran into our blue haired teenager. Ghia proceeded to cuss him out for a good 4 minutes in the middle of this intersection before pro cut him off. “Get in the back. “ he said, with his own special brand of brotherly love. “I know how you can put that anger to good use”. Ghiaccio, having no real reason to object, got in the back seat. Prosciutto was silent the rest of the drive and Ghiaccio yelled about all the take out food, now splattered on the backs of the seats due to the sudden slam on the brakes.

Y’all I don’t even remember the other la squadra members. Let’s do sorbet/gelato because they have zero backstory or personality so I can just ramble. *Clears throat* let’s begin. These fuckers. Friends since birth. Grew up together, always really close. They were both dirt poor, but because the only school nearby was a decent public school, when were able to slightly experience middle class living. They liked it. They wanted to see upper class, and once they did, they wanted to be there. These two were money grubbing bffs, I’m talking josuke and okuyasu, but like waaaaay more intense and also violent. They both left home around 14, together of course. Gelatos father had left them a few years prior, and his family were on the brink of starvation. Figuring they didn’t need another mouth to feed (and completely abandoning his post as family patriarch lol) he left with sorbet, who’s family had all died in various ways over the years. Most recently, his older sister being taken by some illness that was probably easily treatable, but with no means for a doctor, she died in days. The boys left home and school, and made a living by pickpocketing tourists and occasionally launching into larger heists. They made a decent living for themselves, but eventually started spending their money on drugs. It’s was sorbet first, heroin was really good to him for awhile. Gelato was against it, knowing it was the reason sorbets family had been so poor to begin with. His father was an addict, and despite holding down a job fairly well, spent all his earnings on drugs. Eventually he became too dependent, lost his job, and OD’d. But around this same time, when the boys were 16/17, they were starting to realize their feelings for each other. Confused teenaged minds full of budding love led to Gelato giving in, and soon their days were filled with heroin fueled ecstatic sex. They lived like this for awhile, existing in half reality, until one day they chose to set their pickpocketing targets on a short man with close cropped gray hair. The plan was perfect, sorbet bumped into the man and gelato passed by to grab his wallet, and suddenly they were the size of mere ants. In an instant, they were returned to size, left to wonder if it was real or just a hallucination from long term drug use. But they didn’t run. Formaggio introduced himself, with a loose handshake and a pause to spit out some tobacco, and promptly invited them to a “party”. Although, Formaggio was honest in his promise, this party did have drugs.

Cheese boys turn!! Seriously who am I forgetting??? Illuso my mirror man! Am I forgetting someone else too?? Idk. But shut up Kel it’s cheese boys turn.

So. Formaggio. Probably the most chill childhood. Lower middle class, pretty average, but he was quite gifted with sports. Soccer was his main, and also a fantastic competitive swimmer. (Okay I have a separate hc that Bruno is really good at soccer so hol horse up a moment so I can imagine those 2 playing soccer together in friendly competition. In my lil au where Bruno is in la squadra because I say BruPro exes rights please and thanks.) but anyway, he got really good at soccer and was offered a scholarship to play at a fancy pants private high school when he was 14. Of course his parents made him go, this has been the family’s dream for years, and formaggio’s as well. So high school is amazing, he’s starting to attract attention from universities even tho he’s barely in grade 11 by this point. And it’s all really amazing until he realizes. This isn’t what he wants. And it’s just that. He doesn’t want to play soccer anymore, he doesn’t want to potentially be famous. He just wants to be a kid. So he leaves school, he leaves home, he wants to start over. And he wanders into a diner and sees this small group of weirdly dressed men. At this point, it’s rizzo, pro, Pesci, and ghia. And he’s staring at them because they’re dressed like circus clowns but their aura is so murderous. And then the one who looks like a giant pineapple starts staring back. Pesci gets up and walks over to Formaggio. “I know you! You’re that amazing kid soccer player!!” And he just goes on and on about shit he read in the news (70% of it was false) until pro comes over and yanks his idiot brother away. Pro starts asking Formaggio questions, thinking he could be a good target. Stupid little rich kid. But to prosciuttos surpise, Formaggio is just a down to earth kid with no more money to his name than he needs to pay for this meal. Prosciutto takes him home after that. He doesn’t really offer any explanation.

(The rambling at the beginning of this paragraph actually happened lol so I paused for like 4 hrs oops)

Alright we are back. Had to leave to go to therapy and then scream at my mother and cry to my boyfriend but we are ready to go! Illuso and I really hope he’s the last one and I’m not forgetting one. Illuso was raised in an orphanage from infancy. No idea who his parents could even be. Fun fact: one of the nuns at the orphanage (cuz it’s an orphanage in Italy in 1980, they’re catholic.) nicknamed him Illuso because he was always pointing at things that weren’t there. As a tiny baby and a child, he would always be looking at things no one else can see (yes illuso is a natural stand user fight me). The nuns called him illuso as an insult, hoping to shame him into stopping. He never did. When he outgrew the orphanage, he decided to join the priesthood. He was 19, a priest in training, when the mafia came to the orphanage. They were collecting, and illuso knew they didn’t have the money this month. He tried to talk the mobsters down, but that went about as well as planned. 4 bullets to the chest, 3 open heart surgeries, and half a dozen resuscitations later, Illuso was released from the hospital. The orphanage had been shut down, and no one knew what had happened to the children or the nuns. With no where to go, illuso knew of one place that could use talents like his. The talents of steadily stealing money from the starving children of the church for a decade. It was during polpos test that illuso’s stand manifested. Not due to the arrow, but to protect its user from the other stand. Illuso was able to avoid Black Sabbath by hiding in his newfound mirror world until it was time to return the lighter to polpo (kinda cowardly but whatever.) he was assigned to risottos group by chance and was the last to join excluding Melone. But they loved him as if they had found him themselves.

#jojo's bizarre adventure #vento aureo #golden wind #la squadra #Melone #ghiaccio #Formaggio #illuso #sorbet #gelato #risotto Nero #prosciutto #Pesci #jojo part 5 #jjba

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dear-hikikomari · 3 years

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Unless otherwise specified, all icons, promo images, sidebar images, and other artwork utilized in asks or the blog itself were drawn by the mun. Please do not repost it elsewhere or use it off the blog without asking me first. If you’d like to use it for roleplay icons or something I might be okay with that, but let me know and make sure to credit me somewhere. I do reserve the right to say no, though.

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Most of my content is a-okay for anybody to reblog, but I ask that ‘threads,’ (written interactions between two or more roleplay blogs) are NOT reblogged by people outside of them. This can mess with thread trackers and often is considered really rude to roleplayers, so be respectful of this boundary! If I see this happen, I will be coming to ask you to take it down. That said, liking a thread to show your support is 100% okay!

Crossovers with other ask blogs won’t be canon.

I’m open to doing little cameos and stuff like that with other ask blogs, but bear in mind that they very likely will not be canon to the blogs themselves; they’re just for fun and shenanigans. If you’d like to discuss trying something like that feel free to drop by and ask, I promise I don’t bite! I’m sure we can come up with something.

Some additional notes to keep in mind:

Remember that this Mari is specific to the Hikiko AU.

For reference, the Hikiko AU is an AU of my own design; it’s loosely based on Omari, but with some pretty significant tweaks and story changes. As such, these are the basics you should know; Mari is still alive here, 19 years old, and attending a Junior College a few hours away from Faraway Town. If you’d like to know more, feel free to check out the about and AU pages for everything that’s been revealed thus far! And if there’s anything missing there that you’d like to know… Well, you can always try asking Mari. Just keep in mind that this AU is quite a bit different from the canon timeline or classic Omari, and Mari won’t have knowledge of any of the events that didn’t happen in her world. Likewise, this blog is not affiliated with the Hikki or Omari projects in any way; honestly I can't even keep track of who it is that's actually making them, let alone be in contact with the creators.

This blog is not spoiler free!

If you haven’t played the game or know the story, I highly recommend doing so before interacting with this blog or reading any further. While there’s plenty of divergences, the blog also contains some parallels to pretty significant spoilers and will definitely give away some big twists. Omori is a pretty intense emotional roller coaster of a game so I definitely would suggest experiencing it for yourself if you can handle the content it entails. It isn’t necessarily mandatory to interact here, but will probably add to your experience.

Guest characters may pop up from time to time.

On occasion I might let other characters from the AU participate in an ask or pop up in art. That isn’t to say it’ll happen every time, but I figure that’s a fun way to switch things up– and possibly provide some details Mari herself might not be as keen on discussing. That said, I can’t guarantee that an ask addressing them will always make it to the intended recipient– that depends on how likely they are to be able to find it. But do feel free to try if you’d like! You might just learn something interesting in the process.

Mari is an unreliable narrator.

Much like Sunny in Omori, she’s not always going to be honest about what really happened or how she’s actually feeling. Her experiences aren’t always true to reality, often laced with hallucinations, delusions, and dissociation. After all, Mari is someone who strains herself very hard to maintain an image of perfection and stability– and that’s one thing which has remained a constant here. It’s going to take quite a bit of effort to peel back that mask of smiles.

Check here for the dedicated tags!

I have a handful of dedicated tags for different content; feel free to blacklist anything you don’t want to see. I also track the tag #dear hikikomari, so feel free to use that if there’s something you’d like me to see!

#asks - the answered ask catch-all. #threads - the roleplay thread catch-all. #main; dreaming of you - the tag for main ask blog content. #side; pure imagination - the tag for non-canon side content. #my art; through her eyes - mun art tag (posted or reblogged) #reblog; strange reflections - others’ art tag (promos and etc) #mun post; the music stops - ooc posts from the mun.

And now, meet the mun!

Hey, thanks for reading this far! Feel free to call me Timey. I’m 25, and use she/her pronouns. I’ve been roleplaying across various platforms since 2010, so this is just the latest in a long series of experiments; I’ve had this AU in the works for quite a while, so an ask blog felt like a fun and interactive way to share it with folks. Here’s hoping you’ll all enjoy it as much as I do!

#mun post; the music stops #pinned post #rules

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initiumseries · 4 years

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CAOS Part 3 - review

Uh, okay, so I think by now, we all know this show is terrible. Netflix gives showrunners a lot of creative freedom, and I think, for better writers, you could get some really interesting content, but they just seem to keep giving these assholes who wrote the travesty called Riverdale, so many opportunities to make more shitty television, and I feel like they really deserve to be limited in their ability to create/write if not stopped completely and thrown into a well with Julie Plec. Anyway, I’ll try to break this down as best as I can into different piles of shit and this will contain spoilers:

Characters

Prudence and Ambrose

So, to be really honest, I watch this show exclusively for Prudence and Ambrose. Because, well, look at them:

I wish they had more chemistry because they are super hot together, and I still ship it. A young Black couple? On TV? In this sea of shitty interracial relationships? I’ll take it. Anyway, of course, the progression of their relationship is ridiculous and frustrating. Ambrose decides at the last minute, not to kill Father Blackwood because he has a weird time egg thing that they don’t really understand, also he has the twins under some weird mind control for no clear reason, so they stay their hands. It doesn’t make sense, but it becomes clear, Father Blackwood has an insane amount of plot armour and ultimately would have to serve as a vessel for Satan. Father Blackwood uses the manipulated mind of the other weird sister to sic her on the coven, and she ends up killing Dorkus, whom Prudence finds. She then blames Ambrose for not allowing her to kill FB, and they break up. Now...this would kinda make sense, if not for the fact that they trapped one of the pagan witches and forced her to change everyone back, but no one bothered to do anything about the mentally ill witch who you all strapped up for a reason? Lol ok. Seems like an oversight on your part Prudence, but...okay. Clearly manufactured breakups are exhausting, especially since [young] Black couples with no serious relationship dysfunction are now an endangered species. It’s also frustrating because we barely got to see them....*be* together, especially after they returned home.

Nick & Sabrina

So, I know from the beginning, we were supposed to believe that Nick and Sabrina had that kind of, Bad Guy, seduces the girl Good Girl, luring her into the dark side, hot, intense, passionate relationship. But their lack of chemistry and really shitty acting just made them really dry (which I get into here). I don’t believe them, and I definitely don’t believe that Sabrina would, once again, break a shit ton of rules to get Nick back. I just don’t buy that they had that kind of an intense, desperately in love, kind relationship, because they do not look all that comfortable around each other, much less in love.

I personally find Sabrina utterly unlikeable as a main character, largely because who IS she? She has no personality, she just does whatever the plot needs her to do in the moment, and the actress makes Sabrina appear smug and unremorseful while she fucks up everyone’s lives. There is a lot of exposition of everyone telling us she’s this power hungry, manipulative character, but we never see that. She just does stuff and everyone is all “Sabrina how could you?!” and there are never, ever any consequences. I would have liked to see her push so hard to get Nick back and the struggle being, sure she wants him back, but mostly she’s doing it because she can. But that’s not what happens.

So Nick ends up in this weird drug addiction, alcohol, sex demon spiral because he has parts of Satan still in him and it all just falls so flat and lame, because this show is SO bad at pacing, and these actors suck, so nothing is believable. The idea of him scrubbing his club foot, having nightmares, suffering PTSD, is fine, the execution was trash. Nick sees Caliban and Sabrina have one interaction and he’s like WELL, GUESS I GOTTA CHEAT. And just ends up in some S&M situation with sex demons and heavily self medicating, but none of this has any weight, and we don’t really see him...spiralling. He just immediately resorts to these things and it has no real impact on anyone or even him really, and that’s it.

Harvey and Roz

Uh, they’re probably the most confusing match here, because there is no lead up to their relationship, there’s not suggestion, there’s no pacing. Just BOOM, we’re into each other now. BOOM, Roz is the only sexually active person in her friend group (lol of course the Black girl is sexually active. Gotta maintain white innocence at all costs), so she’s just ready to jump Harvey’s bones any second now. So of course, the show punishes her by having the pagans turn her to stone. And as if that’s not bad enough...

Which I talk about here and here, because honestly I’m just sick of this show’s antiblackness. Theo & that other guy

So I was watching this unfold like, yeeaahh, they’re gonna make the trans guy get with the enemy aren’t they? And yes, they did. Cool, they didn’t kill him off, but I’m still perplexed at how Theo isn’t even a little upset that this guy was basically sent to infiltrate his friend group and sat by while his people harmed Theo’s friends, and also...used him? Like...we just...are gonna...gloss over that because he changed his mind? Lol ok. Sure.

Mambo Marie and suddenly Zelda?

I...I mean her name is Mambo Marie. I love the idea of Black witches finding Black spirituality and magicks through Vodun and a Hatian Priestess. But they quickly undo that, by ensuring that Mambo Marie only teaches Prudence in the presence of these white witches. And we see her...doing...an African drum circle (eye roll), only to be interrupted by the High Priestess of White Feminism, Zelda Spellman. It quickly devolves into thinly veiled racism where Zelda doesn’t trust Marie because she’s Catholic (says the woman who worships Satan, has an anti Pope and prays to Lilith with the same prayer for Mary mother of Jesus? LOL. Not even unpacking the fact that Vodun is an African spirituality having 0 roots in catholicism WHITE WRITERS). Then suddenly, out of nowhere, Marie and Zelda are a thing for no reason? After the way Zelda treated her? Why did Marie even stay? This isn’t her problem. This is a white witch problem. Okay. That’s too much to unpack.

Plot

So, my biggest problem with almost all Netflix English programming is that they are so obsessed with aesthetics, and don’t pay enough attention to actual character chemistry, plot, story flow, details, pacing etc. Like...things that actually make stories interesting to watch. So they slap all these people together and throw them into aesthetically pleasing backgrounds, shake it up with so much exposition that nothing actually happens, and are like BEHOLD A STORY. And CAOS is *especially* guilty for this.

First of all those musical breaks were annoying as fuck. Musicals serve 2 story functions: advancing the plot or telling a story. These musical numbers did neither and were honestly ridiculously gratuitous, highly annoying and totally pointless.

What time of year is this? Why are we having pep rallies and how the fuck and when did Sabrina and Roz join the cheeleading squad, and why?

for the aesthetics and not for any real plot reason. It just seems stupid because now I don’t know how much time has passed between Nick going to hell and this, because you’re all handling it like it’s been a few weeks and is still relatively fresh, but suddenly, Theo, Harvey and Roz are in a garage band? You’re a cheerleader? For what? Since when? Why? These choices introduce more questions than they answer and serve no narrative purpose. So much wasted time on shit that doesn’t matter.

Sabrina is supposed to be fighting Caliban (who is literally the only person she has chemistry with on this show and they killed him bc ofc they did), for her seat on the throne, and yet the trials only seem to come up when it’s convenient, and also seem to be directly related to her dealings with her coven, which is also convenient. I’m so confused about Satan. His powers come from being a celestial being, and so, because his coven mistreats him he’s like...lol okay, well fuck you guys and goes through all these convoluted small motions to greatly inconvenience them and withdraws his powers? This is so petty and pathetic. Also, what’s the point? He could just wipe them out and start over, instead of skulking around inside FB then suddenly decides to track down Lilith. Again, convoluted. This plot is all over the place. Why does Satan need Sabrina to be Queen of Hell in the first place? He seems perfectly healthy. Why can’t he just rule it? Like...that makes no sense. What is he gonna do? Retire? WHAT is going ON?

How did Sabrina come back in time to herself stuck in stone? Is that trip to Pontius Pilate (lol) supposed to have created a loophole for her to save herself and everyone? This is giving me hardcore Twilight Breaking Dawn vibes, where, the show finally, FINALLY gets interesting, there’s real stakes, shit is actually happening instead of everyone talking about things happening (Hilda ending up killing her fiance was literally the only time I felt something watching this show because it was genuinely sad, and well acted, and Hilda coming through with that doll at the end was pretty disturbing, I’ll give them that), and ofc, Sabrina goes back in time and undoes it all. Lol. Okay. God forbid there be real consequences to anything on this show.

Final thoughts

Once again, the white feminism runs high on this show. They treat this Black Vodun Priestess Marie, like garbage, allude to her “foreign” magic, but Marie is sitting here like “we’re not men, we’re women, let’s work together.” This is why I hate white writers writing for Black characters. Black characters should have Black motivations, and a Black Vodun Priestess, should know that white women and Black women do not have aligned motivations just because they share a gender. Once they started with the bullshit right from her arrival, she should have handed Prudence her card and peaced tf out. Instead she tolerates the isolation, ostracization and thinly veiled racism...and decides to stay, and help. WHY? Marie has gained nothing by sticking around helping these ungrateful ass witches. I honestly would have preferred Prudence asking her to stay to learn more about Vodun, and them building a mentor/mentee type of relationship, especially since Prudence was the one who invited her and stepped to Zelda to defend her. I want(ed) to see that relationship go somewhere. The deliberate denial of healthy Black female friendships on tv is frustrating.

These witches finally finding their power in their ancestors and I donno, some female creator or whatever, reminds me of white women “finding” wicca and praying to “Gaia”, (reminds me of BTVS s4 when Willow joins the wicca group) which is basically what happened but lol okay whatever. I guess they aren’t satanic witches anymore. Lol, I love how Harvey and Roz and Theo are teenagers, human teenagers, who have lead largely normal teenage lives up until this point, but see their loved ones tortured, deformed or murdered in hell, with basically no residual issues, and are all like, YES, let’s roll up on these adults with shotguns and swords and kill the FUCK outta these people!! That absolutely sounds normal! Like...what? Lol. God this is just so bad.

Also, I’m so confused by this aesthetic choice for Sabrina as Queen of Hell. Like what the fuck. Why is she dressed like a Victorian era queen, with shoulder and a broken rib bodice? What?!

This show is truly awful, this season made no more sense than the last two and now that Prudence and Ambrose aren’t together, I might be done watching.

-20/10

#caos season 3 #caos part 3 #caos prudence #prudence x ambrose #prudence night #ambrose spellman #the chilling tales of sabrina #sabrina spellman #caos spoilers #long post #caos review #rosalind walker #mambo marie #zelda spellman #hilda spellman #harvey kinkle #theo putnam

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