sonic forces au stuff i drew a few days ago, but couldn't post cuz the tumblr app says there's a problem w connection each time i try to post images.....tumblr really said nuh uh
[ image id: two sets of images. in the first one, infinite and sonic standing next to each other. both of them are wearing different outfits than usual. infinite is wearing his mask and a militar uniform with a red cape and black boots. one of his arms is raised with is hand making a fist while the other arm is behind his back. his head is to the side but he's looking directly into the viewer. as for sonic, he's looking to the side with a expression of determination. both of his arms are raised, one hand making a fist while the other is extended to the side. he's wearing a jacket and there's a bandage in one of his legs. in the second image. infinite and sonic are still standing next to each other but with a few differences in their apparence. infinite is no longer wearing his mask, leaving his face exposed. he's wearing an eye patch and his expression is of annoyance. his hair is also shorter and his cape has been ripped apart. he's holding a sword to the level of his waist. meanwhile sonic now is looking up with a victorious expression on his face. one of his arms is raised again with his hand making a fist and the other is resting to the side. now he wears half the jacket and the bandage has been replaced with a teared red fabric. it's implied the teared fabric used to be the rest of infinite's cape. end id. ]
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What about “When He Sees Me” from Waitress for Zosan. It works for both of their perspectives.
For the beginning of the song where she’s just listing things that could go wrong or that would be bad about her future partner. The saying stuff about the other person to project and get nitpicky fits Zoro and Sanji talking about each other:
Sanji’s—“he’s just a moss head” / “he sleeps and does nothing all day”
and Zoro’s— “oh he’s just a stupid cook” / “all he does is dote on women”
But the real emotions revealed in the song being “what if he just doesn’t like me for me”. Especially paired with their abandonment and self worth issues (all their issues really). And they’re stupidly and clearly in love with each other, but don’t know how to work past their fear of that love.
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behold: my second least favorite string of words in the entirety of Tears of the Kingdom.
(it's a little less transparent why this time so I'll explain my thoughts under the cut)
So why do I not like this?
In so many words: because if you remove it, the scene still works, but you lose the moral certainty of what is going on.
This single sentence does so much legwork for the entire game (the kind I dislike), to the point where I'm about 60% sure it's the product of a rework that realized how ambiguous Rauru's position was as the Good Rightful King and needed to nervously reassure the players that Ganondorf Is and Always Was the Invader, Actually.
(no matter that it leaves the gerudos in this awkward in-between state of both invaders and victims, while never dwelling in the specifics of their history and their own agency in the entire thing; brushed off as a sin they have to expiate through loyalty to the winners of that particular strife, but without explicitely blaming them either to avoid the implications of what that would have looked like)
If you remove it, not only do you lose a pretty clunky line that detracts from Ganondorf's intimidating presence (who is he even speaking to? who needs to hear this right now?) that honestly speaks for itself when it comes to his experience with warfare, but also you lose any tension and any mystery regarding why he is attacking in the first place.
You also... kind of rob Ganondorf's motivations of their meaning. "Hyrule will bow down before me" leads to asking... why? What does he want? What does he see in those lands? And what little we get with Rauru and then Link during the final fight begs more questions; why do you prefer hardship to peace? Why do you value strength? What leads you to want to rule a land devoid of survivors, become a king without a kingdom? I don't think we ever get satisfactory answers. If you remove this sentence, on the other hand... Subtextually, it becomes pretty clear that his motivations is that he felt threatened by Rauru's power, which is ripe with subtext and questions about whether this is a legitimate reaction, whether his "no survivor" stance is due to a feeling of betrayal when his own people turned against him post the Demon King shenanigans... I'm not saying it would fix the entire game's writing, far from it, but it would already do *so much more*.
(genuinely, I think he could have stayed completely silent during the Molduga Assault, speaking only in the Show of Fealty before going completely nuts after Sonia's murder, and it would have worked MUCH better in terms of characterization but anyway anyway
EDIT: ALSO!!! that way he wouldn't speak hylian to fellow gerudos, which is weird inherently)
Without this line, the core of the tension between the gerudos and Hyrule comes front in his conversation with Rauru; it allows the cause of his hostility to be Rauru's invitations, that he would have taken as a threat, and would have still made him warlike and domineering without making him cartoonishly flat, because, once again, Rauru is not acting in a particularly more legitimate way when Zelda arrives in Ancient Hyrule; and it would have been... fair to point that out. And make for better characterization for Rauru, and Sonia, and Mineru, and everybody. But the priority was for Hyrule to be pictured as unquestionably holy; always legitimate, always truthful, always beautiful, always just.
Also, and this is more of a nitpick but: why would Ganondorf want Hyrule, specifically, to bow down before him also? Was he at war with the rest of the disparate tribes before, and just carried on his ambitions to the very very newly-founded kingdom as they allied under a new banner? (though it seems to be implies the lands were crawling under monsters in a generic sense, and not Ganondorf's attacks in particular) Why would he even consider Hyrule a legitimate entity worth taking over then, if it is so new, born from the will of a powerful rival, founded by what is basically a stranger to these lands? Why would he covet something so young instead of destroying it and just calling the lands Gerudo Lands II or Grooseland or something?
I don't think any of that was even accounted for, because, beyond everything else: to me, this sentence is so clearly and painfully crammed in here to shield Hyrule from any potential blame and immediately characterize Ganondorf as Bad without having to remove any of the causes that could lead one to side-eye Rauru's little pet project as equally questionable.
Beyond the clumsiness, it is cowardly --and, I think, a little damning.
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for the megumi and the world's most inconvenient custody battle, i just head canon geto and gojo screaming at each other in front of kfc (AGAIN) and the conversation goes something like:
Geto: I HAVE MORE EXPERIENCE I HAVE TWINS AT HOME ILL BE A BETTER PARENTAL FIGURE THAN U!
gojo: THATS MY BABY I CHANGED HIS DIAPERS! HE CAME OUTTA MY WOMB! GIVE HIM BACK!
megumi and the kfc workers are so so done someone get these gay men couple therapy pls
i have so normal feelings for ideas i totally dont think about them every single day.
The funny thing is that Megumi actually have no awareness of Gojo at all during the custody battle due to the intricacies of the binding vow (there's a clause where Megumi has to kill himself if Gojo intervenes at all during the span of the agreement. Geto wanted the clause to be that Megumi has to kill his sister, but Megumi threatened to kill Geto and then himself if he made that the clause. Geto doesn't actually want to make Megumi kill himself, it's just a dead man's switch to keep Gojo from swooping in and ending the entire thing prematurely. There's nothing Geto can do to actually stop Gojo, but he can deter Gojo with the consequences of a binding vow which even Gojo cannot break, and he knows Gojo won't actually risk his son, so he'll let the entire thing run it's course naturally). So it's just:
Megumi: *very grumpily going ice skating with Geto's twins because he's under binding vow to play nice and cooperate with the cult members during the terms of the vow*
Geto and Gojo, squatting behind a vendor's cart: *having the world's quietest and most hostile divorcee bitch fight*
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Yes people are fucking dying and no I don't ever feel like. Great about people being killed in missile strikes.
But I also don't feel great about decades of civilians, including over 2,100 children in the last 20 years, being killed both by missile strikes and by being shot or beaten to death in the street.
250 people were killed in the Hamas rocket attacks on Saturday, which is around the same as the number of Palestinian people the Israeli security forces had murdered this year before Saturday, and significantly less than they've killed since Saturday.
look the people are not the state and despite Israel being an apartheid colony, being an Israeli citizen doesn't necessarily imply 100% agreement. It's been 70 years and 3 generations since Israel was established as a state and the majority of Israeli civilians now didn't choose to come, they're living in the country they were born (although the same is not so much true for people living in Gaza who have recently occupied the stolen homes of Palestinians). Israelis are human people with lives and hopes and passions and deaths of any person are tragic.
BUT.
Palestinians are human people with lives and hopes and passions and their lives matter just as much and are snuffed out without the international community batting an eye - I remind you again. 212 Palestinians including 38 children were murdered this year before this weekend's missile strikes and if you didn't give a shit until Hamas killed the same number of Israelis at which point everyone went OH MY GOD THE HUMANITY HOW COULD PALESTINIANS DO THIS (while Israel killed 300+ more Palestinians in under 24 hours) that's bc uhhhh you're fucking racist and don't think Palestinian lives are as important as Israeli ones
so like. sure we can acknowledge that 250 Israeli civilians' deaths are a tragedy, if we can also agree that the 300+ Palestinian civilians killed in retaliatory strikes are a tragedy and most importantly if we can agree that the 200+ Palestinians killed in 2023 before the Hamas strikes this weekend are not just a tragedy but a deliberate atrocity.
in January the Israeli government made it vocally clear before the UN than not only do they consider the occupation of Palestine permanent, they are explicitly focused on taking over as much Palestinian land as possible in perpetuity. Since then this whole year there have been a total of only FOUR (nonconsecutive) FULL WEEKS in which NO Palestines were killed by Israel (compared to only 8 weeks in which Israelis WERE killed, of which 2 incidents were friendly fire from another IDF member)
It's legitimately tragic when people are killed. And Israel has been systematically killing Palestinians to the degree there are Palestinian casualties recorded about 3 days in every 5 this year, usually multiple, with displacements, demolitions, injuries, arrests and beatings recorded almost every single day. I do not know how LITERALLY anyone can look at the numbers from this year, let alone the last 75, and conclude that Israel is the victim of unprovoked violence.
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stray thoughts on forcebook's acting
honestly, i'm not an OG forcebook fan. i wasn't there from their enchante days. in fact, i started liking forcebook's acting three weeks after a boss and a babe aired. so, i don't know if i'm qualified to state my opinion (because i once posted this on my now-deactivated twitter, and the discourse wasn't pretty), but here goes nothing.
forcebook's commendable acting in a boss and a babe
so, after episode 9 of a boss and a babe, i now believe forcebook are capable of carrying heavy roles. they're dynamic actors, and now it's clear how many facades both gun and cher are wearing. even though i don't watch enchante, from the clips i saw here and there, they've improved tremendously. and kudos to them for their hard work.
gun gungawin, at the beginning of the series, is very stoic, strict and unfriendly. he shuts people down with his signature cold stare. he doesn't have a close friend. he's alone, and he prefers it that way. he overthinks but doesn't show. i personally think gun doesn't like skinship because it creates this bond, and he can't bear the thought of losing that someday (like how he lost thyme). yet, when he meets cher, his walls crumble. he becomes friendlier and happier. he doesn't care about what others think (contrary to how he was before cher). p'force portrayed him really well.
then comes the sunshine, cher saran, the bright and kind of idiotic intern (sorry, cher T_T). he's the mood maker. he's everyone's helper. very selfless because he has a gigantic heart. he ducks every conflict and traumatising emotion like a pro gamer. he cares so much about gun, but doesn't know how to show it with words. he's goofy and silly. and he keeps all the pain to himself. he hides them in the deepest part of his heart because he doesn't want anyone to know. he doesn't like talking about his struggles because that's who cher saran is. but you see the pain in his eyes when the light goes dark. and p'book's ability to distinguish the happy cher and sad cher so smoothly blows me away every single time.
episode 9 is a whiplash of pain, heartbreak, sadness, confusion, betrayal, loyalty, trust, disappointment, true love and sacrifice. i just want to say kudos to forcebook for bringing guncher to life. i shed so many litres of tears last night. i still will cry if i rewatch ep 9.
my bias towards p'aof's works
i'm a huge fan of p'aof (the director/screenwriter of he's coming to me, 1000 stars, bad buddy and moonlight chicken). i adore his works because of his precision in crafting the characters, choosing the most suitable bgms, his vision, the cinematography, the richness of symbolism and metaphor in his works, and his ability to bring out the best in his actors.
i'm beyond excited knowing my beloved jimmysea is now under p'aof's wings with another potentially heartbreaking series, last twilight, soon-to-be-aired this year (or early next year). i know p'aof will trigger all these emotions and potential in jimmysea, and i'm just ecstatic to see them nailing mork and day.
so, i posted this thought on twitter, and some didn't agree. i do understand that p'aof's works can be quite conventional and old school, but hear me out; even though it is, he's so good at it.
and it's funny how when i look at forcebook, i'm like— damn, p'aof really needs to give them a script. i've been manifesting a forcebook + p'aof collab ever since.
perhaps, i am biased. because i like p'aof's style, and i'm confident he has that freaking good script for forcebook somewhere in his stash (or his galaxy brain), and i hope god listens to my prayers. but as always, it's ok to disagree. this post doesn't intend to impose my thoughts on anyone.
so, yes. i just hope one day, forcebook will get a very good script to match their abilities, because god damn it, please don't waste their talents. i'll be furious.
and i hope only friends will be the beginning of forcebook's reign because these men know how to act, and they're nailing it.
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