While searching for something else in my LJ a few weeks ago, I noticed that on this day—10 July—20 years ago, I posted my very first piece of fic, a drabble. That drabble started out—as nearly every drabble I’ve ever written has—at about 145 words, but getting it down to exactly 100, and making it read exactly how I wanted it to, was such a wild little thrill that I was immediately addicted to it, and wrote several more over the ensuing weeks before beginning a longer story told entirely in about 10 drabbles per chapter that took an entire year to knock out. What a joy.
That first, wildly thrilling drabble, and the others, and then that story and so, so very many more (both told in drabbles and in oh so really not) brought friends to my LJ, and a wildly thrilling amount of those same people are still my friends today (you know who you are, you wenches / witches / wretches all). What a lovely thing to think about; what a lovely thing to know and feel and write about, too. Happy 20th, little addled-drabbled fic brain o’mine. May you find the time and space to write again.
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Process & Commentary: Betrayal's Daughter
Being very navel-gazey tonight! I've been thinking about trying to break down some elements of my writing process for a while, in response to a Discord discussion about editing a while back, and another Discord discussion tonight brought the idea back up.
The thing is, despite my tendency to keep old drafts, I don't have a lot of documents that show the non-writing part of my process, because I usually delete in-doc notes as I go along, and my edit notes are usually on paper and get lost easily. But I do have two pieces where, for very different reasons, I did preserve some element of those notes! I may or may not come back and do a similar showing/commentary of Cursed Transformation later; for now, it's going to be Betrayal's Daughter.
This is a mix of 'introductory notes' for each whole draft, here on Tumblr, and in-draft commentary done in comments on a Google Docs. Hopefully it isn't too dire to navigate! I have, if I've set it up right, enabled comments by viewers on the Docs, on the premise that people may want to ask questions about things I didn't commentate. So feel free to do so!
The prompt for this fic was an interesting one to pick up, because while the prompter had a premise I loved, and I adored Kujou Sara as the core character, the additional characters they listed for the prompt were not, for the most part, ones I would have chosen for the premise. Which made it more challenging to write, but also more interesting, since I had to figure out how those characters would interact with Sara on this emotional journey, and I got to go places I didn't expect! But the first draft was, uh, rough, because I had no idea how to put any of that together at first.
I knew from the start that I was going to have to break it into sections, and that what I wanted was what I (because I get very strong visuals for scene structure) call a "folding fan" pattern of scenes--a frame story with two outer framing scenes and a central bridge, with scenes that mirrored each other in some way on either side of the bridge. And while that's what I came out with, I had no idea how to structure it when I started, so this first draft has a 'frame' that leans entirely on Sara's character story 5 and doesn't appear in later drafts.
Draft 1 - Google Doc
The reason my initial outline notes, which I usually delete from a document as I turn them into scenes, remain in this draft is also because of that uncertainty; I knew most of these scenes weren't doing what I wanted yet in this draft, and wanted to be able to refer back to my initial ideas in the second draft, so that I kept track of what I was trying to do. Those initial notes are at the top of each scene I had such notes for.
The second round of notes, my edit notes, are there because I usually write those on paper, but was traveling at the time and knew I would lose them if I did; they are at the bottom of each scene I had such notes for.
As a processes-and-procedures note, I physically rewrote this fic between the first and second draft. I have two computers, and I usually have it open on the desktop and retype in a fresh document on the laptop. This is fairly commonly something I do for something I know I'm going to make big changes to between drafts; it helps me to make the big departures if I'm not deleting text in the text editor to do so, for some reason, and also lets me rethink individual lines as I type them.
By the time I got to the second draft, I had a pretty good idea of my overall structure, and so this draft is much closer to the finished product. The primary difference is the first scene, because I was still struggling with framing (some notes on which are at the bottom of the first draft), and I started this draft thinking I was going to do a frame using scenes with her brothers.
(Oh. Oh that's what "boat framing" meant in those ending notes on the first draft. The pattern I had in mind when I started the second draft was "Masahito - Yoimiya - Ayaka - Yae - Kamaji - Masahito - Yae - Ayaka - Yoimiya - Kamaji"! Why this looked like a boat in my head, I cannot tell you. I come up with some weird fucking visualizations for stuff.)
As you'll note, there is no final Kamaji scene, and there's a middle Yoimiya scene that isn't in that pattern. I realized the actual shape I wanted and went back to the "folding fan" frame pattern mid-second-draft. Because, unlike the first draft, I didn't need to tell myself anything by writing the final scene I didn't want to use anymore, I didn't need to write it just to throw it out.
Draft 2 - Google Doc
There aren't any notes in this draft (that I didn't delete as I was writing as usual), and there's less for me to comment on that I didn't cover in the first draft, but it is a transitional stage between the mess of the first draft and the final product, so I'm still linking it for the purpose of side-by-side comparisons! There is technically a third draft, but it's identical to the final fic posted on AO3, down to the typos, and there was no commentary to make there that wouldn't fit into the second draft, anyway.
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Chapters: 8/?
Fandom: Danny Phantom, Batman - All Media Types
Rating: Not Rated
Warnings: Graphic Depictions Of Violence
Relationships: Danny Fenton & Damian Wayne, Batfamily Members & Danny Fenton
Characters: Danny Fenton, Bruce Wayne, Tim Drake, Damian Wayne, Alfred Pennyworth
Additional Tags: Good Sibling Damian Wayne, Angst, Angst with a Happy Ending, Danny Fenton and Damian Wayne are Twins, Danny Fenton Needs A Hug, Implied/Referenced Torture, Implied/Referenced Child Abuse, Not Phantom Planet Compliant (Danny Phantom), Bad Parents Jack and Maddie Fenton, Gun Violence, Blood and Violence, Gunshot Wounds, Mugging, Medical Torture, Vivisection
Summary:
“If you ever find yourself in danger, go to Bruce Wayne. He will help you.”
His mother had loved him, in her own way. If she hadn’t, she wouldn’t have helped him escape. If she hadn’t, she would have dragged him back to the League of Assassins, to Grandfather. If she hadn’t, he’d be dead.
She loved him, but she loved the League more.
Jack and Maddie Fenton loved him too, they did, but they loved their work more.
They loved their work more.
--
After his parents react poorly to his reveal, Danny escapes to the only person he thinks can help him - Bruce Wayne. He doesn't know what to expect when he gets there, but it has to be better than where he is, surely? He certainly doesn't expect to be reunited with his long lost twin brother Damian. It's funny how things work out that way.
Danny is 16 years old, not Phantom Planet compliant
--
Chapter 8!! Chapter 8!! Chapter 8!!
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