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Natalie Martinez
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tanveerscafe-blog · 11 months
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The Transporter Refueled (2015) - Action, Adventure, Thriller
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The Transporter Refueled (2015) - Action, Adventure, Thriller Jason Statham Returns in The Transporter Refueled (2015) The Transporter Refueled: The Action Movie That's Sure to Get Your Heart Racing The Transporter Refueled: Jason Statham Is Back and Better Than Ever The Transporter Refueled: The Ultimate Action Movie Experience
Release date: September 4, 2015 (Pakistan) Director: Camille Delamarre Prequel: Transporter 3 Box office: 72.6 million USD Distributed by: EuropaCorp, China Film Group Corporation, Belga Films Based on: Characters; by: Luc Besson; Robert Mark Kamen
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The Transporter Refueled is a 2015 action thriller movie film directed by Camille Delamarre and starring Ed Skrein, Loan Chabanol, and Ray Stevenson. It is a reboot of the 2002 film The Transporter, which starred Jason Statham.
Must Click Here to watch Transporter Refueled : The Ultimate Action Movie Experience
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uitvconnect · 3 years
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adamwatchesmovies · 3 years
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End of Watch (2012)
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End of Watch asks you to re-evaluate how you feel. About David Ayer's usual take on the police and its subjects. At first, it's hard to relate to the film's characters. Police officers Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) are not what you picture when you hear the words “protect and serve”. They’re rude, short-tempered, foul-mouthed, and juvenile. They’re also good at what they do. The pair catch the attention of a notorious drug cartel after doing little more than doing their day-to-day duty.
Neither Brian nor Mike are what you would call professional. At one point, Zavala gets into a fistfight with a suspect while his partner watches and records it on tape. They're not that bright and often, they’re straight-up a-holes. It rubs you the wrong way at first but as the film progresses, you realize that all of it: the pranks, the joking around, the casual disregard for petty crimes, the search for glory, are not signs of incompetence. They’re survival tactics. Our heroes see the ugly side of society. Drug addicts, violent thugs who will throw their lives away for any reason, people who hate the police because years ago, they threw their drug-dealing boyfriends or brother in jail (which is right where they belonged, even they'll admit it) are who they deal with all the time. If they took their jobs as seriously as you'd expect them, their psyches would resemble a watermelon dropped from a skyscraper. Their attitudes might even be called... healthy. Unconventional? Yes, but so are the crimes these guys face. The way that fist-fight plays out shows they know exactly what they're doing.
This story hinges on its story of friendship. Jake Gyllenhaal and Michael Peña have incredible chemistry. You swear they’ve spent years together through thick and thin. Like brothers, they joke around, they make fun of each other. They swap stories about the women in their lives, about who they think is awesome and who's on the level of smelly roadkill. The better you get to know them, the more you'll find them endearing.
It's also got a bit of a romance angle. Taylor has a sweetheart, Janet (played by Anna Kendrick). Their scenes are gold. The moments with those two and with Zavala and his wife (Natalie Martinez) are the extra little toppings that ensure you want to see the protagonists go home safely at the end of their shift.
As a police thriller, it's only got two things preventing it from flawless status. The first is its attempt to be a found-footage film. It never commits believably. You buy the police's footage but the criminals are also recording things (yeah, right) and in many shots, it’s clear no one is holding the camera except Ayer. My second issue is related to the first. At times, the story lacks confidence. The characters and their plight are more than enough. There’s no need to have a gimmicky found-footage thing going on or for the old “hey man, good news! I just found out that we’re having a baby” or “Wow, can you believe it? I asked X to marry me, and she said yes!” It’s the kind of stuff you make fun of because it’s a cheap tactic.
The performances are strong, the story compelling, the story of brotherhood engrossing, and the overall plot delivers what you want in terms of police procedure and gunfights. End of Watch is original and satisfying. Though it succumbs to familiar pitfalls of both its genres, Ayer's writing keeps you excited to see what comes next. (on DVD, April 13, 2015)
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cunninghamh2014 · 3 years
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Ordinary Joe (tried to get the coloring of the poster but i couldn't really match it) @jameswolk #ordinaryjoe #jameswolk #nataliemartinez #elizabethlail #charliebarnett #adamrodriguez #teddysears #nbc #series #zoo #frontoftheclass #thecrazyones #watchmen #tellmeastory #goliath #billions #mercy #madmen #politicalanimals #happyendings #shameless #lonestar @nbc @peacocktv @jameswolk #doctorjoe #rockstarjoe #copjoe https://www.instagram.com/p/CUMcVUsraI9/?utm_medium=tumblr
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doomonfilm · 3 years
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Review : Reminiscence (2021)
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I’ve never been the biggest Hugh Jackman guy, and I don’t really ever step into a “from the creators of” situation with much optimism when it’s television writers presenting a film project.  Apparently, however, when Westworld is the television property, I will shed all of that aside and make the time to check out the film, hence my exploration of Reminiscence, the neo-noir science-fiction brainchild of writer and director Lisa Joy.  
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Lisa Joy and company set up a very dense, thematically rich concept in the way that time is presented as a mechanism for escape and protection.  On a functional level, this is presented in the way that Miami has transitioned into a nocturnal town due to the dystopian combination of heat swells and extreme inland flooding, while the entire mechanism of investigating memories while selling people personal nostalgia on the side provides an emotional entry point for this theme.  With memory naturally being subjectively objective, it is interesting to see it presented as an analytical tool for uncovering mysteries, as if our record of experience is like a literal hard-drive that can be explored by those with the proper skill set.  This idea is really driven home by the way that false, fabricated or potentially incorrect accusations send those being examined into a sort of epileptic shock via an inability to recall non-existent data, or how a person can literally become corrupted like a file if singular memories are revisited and reexamined too deeply.
The only real knock against this film would be the way that it brings other films into mind, be it through homage, parallel thinking or sheer coincidence.  With memory and the investigative aspect being so prominent, this film is most likely to be held up in comparison to Inception, but the slippery slope of the dark investigative rabbit-hole seems to be a clear nod to the narrative power of Chinatown, which becomes an even more obvious comparison point once you take into account the way Mae inserts herself into the story only for it to ultimately lead us to the Sylvan family.  While the disappearing girl trope is not new at all, aspects of this disappearance bring Under the Silver Lake to mind for me (though this may be better attributed to how much I love that film).  Both the color-grading and the look of the world seem to read like a water-logged version of Minority Report.  What we really experience with Reminiscence��is a film with strong ideas and occasional strong execution of said ideas, all within the framework of familiar constructs that do much of the work needed to sell those ideas.
The actual star of this film is the production design and visual effects, complete with a breathtaking opening sequence that illustrates the somewhat uniquely dystopian setting of Reminiscence as a world overrun by nature in the form of water.  The way that night and day are flipped creates a strange uncanny valley reality where traditional noir aspects of a criminal underworld, the dredges of society, drug addiction, corruption and violence are all played out in our daytime hours, while the run of the mill aspects of life take place at night.  Some of the fight choreography and gunplay leaves a bit to be desired, as most of it reads specifically staged for the cinematography rather than sculpted by stunt coordinators.  The technology for the memory investigations is visually intriguing in its variety, specifically when the machinery that Nick and Watts used is compared to that of the District Attorney’s office.  The hierarchy of the world is presented pitch perfectly, with the disparity between the haves and the have-nots literally separated by higher ground versus those literally and symbolically drowning.  The writing is impressively layered, with the mixture of the three main storylines all beautifully balanced and serving one another to great effect.
Hugh Jackman stepped up to the plate in order to embody the persona of a man obsessed, and did so with the necessary mixture of dignity, skewed righteous indignation and deep attachment to pull off a hardened man who is irreparably scarred for his moment of vulnerability.  Thandiwe Newton channels deeper into that hardened and haunted energy, bottle in tow, with a fierce dedication to Jackman’s Nick that causes trust issues grown out of an overprotective and slightly judgmental nature.  Rebecca Feguson steps gracefully into perhaps the most difficult role in the film, as she has to oscillate between shades of seductive, deceptive, drug addiction, threatening, threatened and heartbroken, sometimes at the drop of a hat and all within isolated sequences.  Cliff Curtis steps out of his usual suave roles to play the heavy to great effect, serving as one of the major examples of the corruption and exploitation that has taken over the world of Reminiscence.  Daniel Wu takes a marginal-sized supporting role and makes it shine with his bravado and cockiness, while key appearances by Marina de Tavira, Angela Sarafyan, Mojean Aria, Brett Cullen and a few others help fortify the emotional rich performances of the cast.
All in all, Reminiscence is what it is... not the best and not the worst.  It’s a bit on the long side, and though it may sound like derivative criticism, shaving 15 or 20 minutes of the repetitive portions of the film would give it a bit more snap and narrative thrust.  It’s also funny that the connection to Westworld is so prominent within the film, almost to a distracting level.  I think this stands as a stellar streaming release, but I feel like the film wouldn’t hit the same in a theatrical run outside of our currently pandemic-impacted world.
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osmessiah · 6 years
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#NatalieMartinez on the carpet upon her arrival at the 2018 Disney/ABC International Upfronts in Burbank! (em Burbank, California)
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thatsmovietalk · 4 years
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Self/less (2015) Directed by #TarsemSingh Starring #RyanReynolds #NatalieMartinez #MatthewGoode #VictorGarber #DerekLuke #BenKingsley #Selfless #Hollywood #hollywood #picture #film #movie #cinema #films #theater #movies #movieposter #movieworld #movielovers #movienews #screen https://www.instagram.com/p/CAcwBpdAgjZ/?igshid=1d6rraeey39wt
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billybennight · 5 years
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Here’s my shot of Natalie Martinez at the 2019 City of Hope Spirit of Life Gala. @iamnataliemartinez #nataliemartinez @cityofhope #cityofhope #spiritoflife #award #barkerhangar #cityofhope #redcarpet #party #gala #santamonica #fashion #fashionlook #style #hottie #cutie #redcarpetfashion #celebrityfashion #style #celebrityphotographer #celebrityphotography #losangeles #photography #photographer #losangelesphotographer #losangelesphotography #photographerslife (at The Barker Hangar) https://www.instagram.com/p/B3f5_Xpp0NX/?igshid=1q482kldusb09
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camiparamore20 · 5 years
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#newserie #season #TheILand #NatalieMartinez #AlexPettyfer #KateBosworth #KotaEberhardt #Netflix #NetflixLAT #FilmmakersNews https://www.instagram.com/p/B2mXQMUHvS-/?igshid=h6e7r084gpnb
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gqtmovies · 7 years
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A new horror-thriller is scaring its way into theaters for ONE NIGHT ONLY on October 31st. Keep Watching is in theaters at 10PM Halloween Night. Starring Bella Thorne, Ioan Gruffudd, Natalie Martinez, and Chandler Riggs.
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sidewalkstv · 7 years
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#APB: Sad news for star #NatalieMartinez, the cast, and the crew of the police drama, as #FOX has cancelled the show. #cancelled #oneseason #over #nooo #police #drama #crimedrama
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amosartstudio · 7 years
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@sefijaonline fun shot with actress #NatalieMartinez, look out for her new show on #FOX #APB #TCA2017 #SeFijaOnline #amosartphotos #selfie #amosart #ThinkLatino (at The Langham Huntington, Pasadena)
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favrennerphotos · 5 years
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Via Twitter - @Renner4Real: And a very merry weekend !!! @nataliemartinez @jeep #mainattraction
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the-in-news · 7 years
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Message From The King - in cinemas starting September 20, 2017 from Solar Films (via Movie Spotlight: Message From The King )
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unitedcba · 7 years
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#NatalieMartinez in Bikini – Miami Beach, Florida @iamnataliemartinez • • • • • • • • #fashion #dress #style #movie #glamour #happy #redcarpet #events #cbamovies #lovemovies #instamovies #instadaily #instalove #instafun #funtimes #followforfollow #likeforlike #love #beautiful #street #model #summer #fun #fitness #athenamovies (at Florida)
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