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#my QUEEN its been so long
samipekoe · 11 months
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it's friday post mito
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drawnfamiliarfaces · 1 month
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me, hearing that we are getting two new seasons of PnF almost a year late:
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crestomancer-art · 1 year
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cornered in the elevator 🫣
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bigshotautos · 3 months
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I really like your theory about Spamton basically haunting a mannequin after death. Have you ever touched upon the reaction from Jevil (or anyone, really) upon seeing the new Spamton? Especially considering Spamton isn't even aware he 'died'.
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^ how i think jevil's first sight of Spamton would go. i love this ask. this is referring to some headcanons I made a while back, I'll link it here for the one post and the general ghost spamton theory is linked in that one as well. Going to elaborate on it more under the cut for those interested + more art.
In general I think that people from Spamton's past wouldn't really care if they notice at all, since he wasn't in the business of making close friends with anyone. With the Addisons, in my interpretation he had a "weird co-worker" relationship with them, and while Addisons in general treated each other like potential business competitors that they had to make-nice with, Spamton is especially easy to single out for being visibly and temperamentally different. His altered, current state is something they'd feel at least uncomfortable by, but many wouldn't have been too close with him to begin with for them to talk about it with him directly. Would get whispered about between each other for sure, like we saw with them talking about Spamton after the NEO fight. It moves him from the "disgraced guy I used to know" category to the "actually unpleasant to look at or think about" territory. This goes for Swatch, Queen, and Seam (less so), who seem to buy heavily into the Lightner and Darkner dynamic, with Spamton corrupting the Lightner's dream being a strong taboo against what it means to be a Darkner.
As for what Jevil thinks, Spamton during the NEO fight is both a beautiful and horrifying display. Jevil at this point hasn't seen him in years since his imprisonment, and in their time apart Jevil has grown to find novelty in the cage that everyone else besides him is in since he's created huge emotional distance between him and the reality he lives in. Seeing the fact that Spamton had corrupted an abandoned dream of a Lightner and was causing so much chaos to the established order of the world would be exhilarating, but at the same time seeing that Spamton had accomplished this and still had his strings visible (and changed to a marionette puppet with no symbolic agency), it'd be a painful confirmation of his worldview that even Spamton, who deep down he still cares for, could never have been free.
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Jevil would think at first he'd just gone through some nebulous situation to change what he looks like, since ofc he himself has toy-like traits (arguable if that happened with Gasterfication or not), Seam is a plushie cat, and other Card Castle Darkners are based on toys, but feeling the lack of life combined with the symbolic body of Spamton would mean to him something bigger had went wrong. He wouldn't dare to bring it up in an empathetic way, stuck in his mindset that it doesn't matter, but it'd still hit a part of him he doesn't like to think still exists. It's something he gets over quickly, almost performatively going back to fucking with him and taking advantage of his fear for entertainment, but it didn't sit well at first.
To me, the fact Spamton "died" isn't really a huge deal, kind of like with the ghosts in Undertale where no one really cares they're just ghosts. They're just doing their thing. To me it'd be fine if neither of them find out what happened for certain, but it's something that adds Flavor to his character.
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chiquilines · 6 months
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Its been ages,,, i missed them
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fruitsyrups · 5 months
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May I request a vampire world Marcy?
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you may. (I threw in a little vamp world Bonnie for you as well 🦇)
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tangledinink · 5 months
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clenches fist. finally sucked it up and ordered a new ipad...
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wonder-worker · 1 month
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
#historicwomendaily#margaret of anjou#my post#henry vi#yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading#It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time#which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King#For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince#but not Margaret who was entirely absent#also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s#even the recording of that Yorkist trial which was iirc reported in the 1459 attainder#all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen#or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation#and would not have been viewed in such a manner by contemporaries#I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry#we know he had been injured in St. Albans and had only just recovered from his second illness#this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly#and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he#may have simply not been in the right state (be it physical or state of mind) for it at the time#in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige#or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait#imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground
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the-skooma-den · 1 year
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Young razum-dar and Ayrenn
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plant-dad-sulu · 7 months
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Had to move the mistletoe cactus to the plant shelf because the shelf it was on was too short and it kept getting branches caught in the vent but from the looks of it this will be an ongoing problem
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clockworkbee · 2 years
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*trying to calm the fuck down here* BUT
do we know or still don't about who it was, Ty got the energy source from in qoaad? Because I've got a bad feeling it was Mother Hawthorne. I've also got a much worse feeling that it's also what she talked to Kit about in sobh, probably something like 'she knew he was a Herondale and which was why she gave a defected catalyst to his friend'
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attaboy-art · 1 year
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Seeing your trans alfendi art I realized something.... Can I ask for.. T-trans hershel..... 😳😳
YES YOU MAY!
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[Image ID: A collection of digital drawings on a grey background, two colored and two just line art, of Hershel Layton, Claire Foley, Lucille and Roland Layton, Randall Ascot, and Desmond Sycamore. On the far left is a colored drawing of Hershel in profile looking in the mirror with a blank expression on his face, wearing only brown pants and a dark grey chest binder. On the far right is a similar drawing of Hershel in the same outfit, looking ahead starstruck. Claire Foley is behind him, smiling, wearing a black button-up shirt and grey pants, with her arms behind her back. She's saying "Do you like it, Hershel? Does it fit well? Be honest!" and beneath them is a small sloppy drawing of Desmond Sycamore in the RDJ meme pose, saying "He is in awe and euphoric at the affirmation of his transgender beauty and power." In the top middle of the canvas is a lined drawing of a 17 year old Hershel wearing a baggy sweater and looking down at his chest while Randall stands in front of him smiling, saying "See? The sweater trick works great! You can keep this one." In the bottom middle is a lined drawing of Hershel in his 30s, sitting down with a blanket over his legs, wearing a compression vest with blood drains attached. His parents, Roland and Lucille, have arrived to take care of him, with Lucille carrying a bag of food and calling out his name. /.End ID.]
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missgrelle · 2 years
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Grelliam sims dump to celebrate Not losing my entire game! probably my last one for a while until i can find some good custom content for ronald/othello/etc, there are only so many things i can do with grelle & gang and eventually id like to start making other characters/ships
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blackheart-6 · 8 months
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mayor holiday design
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divorcemotif · 1 year
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FINALLY A HAMLET 2000 TRUTHER
VERY NICE TO MEET YOU I AM OBSESSED WITH HAMLET 2000. my friend and I put it on on a 3 am whim intending to make fun of it but the further in we got the more we were turning to each other like "wait is this good? is this actually good though?? holy shit?? why does this go off?"
#some may argue that the blockbuster scenes or the faxing or the painfully 90s outfits date this movie but I#enlightened#am here to argue it was actually ahead of its time.#its time hasn’t happened yet or anything ofc but it Will come#hamlet#ask#every day I think about his stupid fucking hat.#also that uncomfortably long shot in 1.2 of hamlet and claudius talking reflected fuzzily in the half rolled down car window while a#sharply in focus gertrude beams up at them over the rim.. like. she's so....#+ the commitment to utter unaesthetic-ness: hamlet’s super cluttered depression apartment & cars honking on the new york street#& 4.3 in the LAUNDROMAT— ham 2000 is the 2d production I've seen where hamlet kisses claudius after 'man and wife is one flesh''#a concept I like a lot more than the traditional gertrude kiss bc it's kinda in line w how he's been fucking with claudius the entire scene#(though ethan hawke kisses them BOTH. a choice I am OBSESSED with. get it I guess)#as a pretty subdued unenergetic hamlet I def wouldnt say its my fave performance but there are like. so many fascinating choices#the action movie motif.. the airplane motif.. biker horatio.. marcellus as his girlfriend who's just silently in the bg for all of act 5??#also BILL MURRAY POLONIUS and actually all the ophelia stuff was such a Take.#that intensely uncomfortable scene with the king & queen where hes telling them about her relationship with hamlet as she slowly wanders#along the edge of the pool... it's SO visceral like that's. that's exactly how being a kid feels.#no agency.. your parents telling people your personal shit while youre just There. and zoning out to cope#anyway I'm tired but so much abt the framing & symbolism is so oddly compelling I can't go through all of it#a lot of it I just didnt know what to think of too loll like setting the ros & guil scene in the club....#them having to yell to be heard over the music is such a specific and awkward vibe as to be intriguing#but also they cut the most interesting part of that scene lol I was disappointed#+ they cut the gravedigger which is.. in line with how little they showed hamlet's sense of humour and odd bursts of energy and such :(#but anyway it's undeniably a fun watch with a friend#I'm definitely forgetting some stuff there was a Lot
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