listening to Too Sweet for the first time and, damn, Crowley never got his flat back, did he? can't believe he's been crashing on Hozier's couch all this time drinking booze and waxing lamentations about his angel. strange world we live in
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“i take my whiskey neat, my coffee black, and my bed at three” he’s so real for that
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my bloody valentine: tremolo (1991)
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hozier really said the heartbreak is inevitable and so is the finish line. forever is a lie we tell ourselves. you don't get to the end of your life without feeling a crushing weight on your chest and that's all there is. every path and every bond and every relationship comes to a breaking final point so face it But. this goes both ways. death is rebirth and we move on. and we begin anew and start new journeys and new loves and don't ever let the inevitability of the end keep you from this cycle. all things end for the better or for worse all things end for the better or for worse!!!! and don't you dare keep it from beginning anew!!!! he is so sick man so sick
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EVERYONE SHUT UP THIS MAN IS ALMOST DOUBLING HIS SONG LIBRARY WITH THIS NEXT ALBUM WHAT THE HELL ANDREW
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rewatched space babies just now and the 'they're inside the tv show' theory is making a whole lot of sense. hitting all the beats of what feels like quintessential dw, but kind of oddly fitted together. the 'last of the time lords' lore dump, sonic-ing the phone to call mum, the tardis translation/the nanny filter, 'every story needs a hero,' the doctor saving the monster/'you save them all,' giving the tardis key, 'tell your mum not to slap me,' scanning the companion without her knowledge... and the snow/memory scene is a literal flashback, just with the characters remembering what the tv showed us.
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