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#mr gaiman i have Questions
qqueenofhades · 11 months
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Also for my Sandman/Good Omens followers, I wanna know why the Neil Gaiman Cinematic Universe consistently decides that the best way to have two immortal beings fall in love is a) for them to meet up consistently over the centuries (in the case of Aziraphale and Crowley) and b) have them get together consistently in a particular bar for a drink (in the case of Gabriel and Beelzebub).
/looks between them, looks back at Hob and Dream
I AM JUST SAYING.
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gunpowder-gemini · 3 months
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FINALLY have wrestled my brain into sitting down and watching Good Omens and it is, in fact, very good!! Incredibly good!! Absolutely in love with it ♥️♥️♥️
It does, however, hurt terribly
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neil-gaiman · 22 days
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Hi Mr Gaiman, sorry to bother about a very random question I had out of curiosity (and it could be that you've already answered this), but why tumblr? It's fun but you really don't see many popular writers here so it's kind of surprising, but in a good way! Thanks for being here!
It's quiet here. Things I say don't get misquoted (or noticed) in news outlets, posts have zero commercial effect, it's relatively stress-free, and I feel like I do it for fun. (Last year a Tumblr person reached out and asked if I'd do a formal answering questions on Tumblr for a week, and I thought for a moment and wrote a nice letter back saying no. For me the whole point about posting on Tumblr is that it's not an obligation to anyone. It's not work. It's just for fun.)
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fuckyeahgoodomens · 5 months
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The Good Omens Musical Masterpost🎵❤
How it started :)
Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’
Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’
They then sent it to Terry who sent it to Neil. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.
They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 
* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]
Vicki and Jim got the permission to being adapting it as a musical in 2013.
Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody
In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.
In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.
Following a rapturous response to this reading it continued to be refined and developed.
In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Neil and Rob which was ‘a pretty heartstopping experience’ but both Neil and Rob were ‘so lovely and very generous with their time’ and they were showing it to them and in the intermission Neil said ‘I wish Terry could have seen this.’ (see here :))
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Differences between the musical and the book
The ending of the musical is a bit different, they were worried about it but Neil said, ‘I totally understand, the ending of the TV series is different, because I had something that was book-shaped and I needed to make it TV-shaped. And you had something that was book-shaped and you needed to make it stage-shaped.’
It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 
Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.
The Future?
What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.
There will be a CD of the soundtrack available when the show is produced in it’s full version.
Videos
Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))
Sizzle Reel 6min
Anathema singing The Perfect Place
Crowley calling Dagon to check on the hellhound
Shadwell and Newt
Aziraphale vanishing Hastur 👀
Links
Webpage
Instagram - a lot of more bts videos and pics :)
How to support?
Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.
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charlotte-zophie · 6 months
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Therapy conversation
Dear Fandom, dear Mr. Gaiman,
I hope this isn´t weird but i have something to confess.
Since I watched the second season of Good Omens, I've gone through so many phases that I barely recognize myself anymore.
My first reaction after episode 6 was shock, then I was disturbed because I didn't know that it was possible for a series to have such a strong influence on my psyche, I questioned myself and doubted my sanity. Then I was overcome by an incredible sadness and was really heartbroken. I felt like a pubescent teenager, in my mid-30s. I couldn't sleep properly for several days, had nightmares and my thoughts were with these two ineffable loving idiots the whole time.
And the worst thing about it was that for the first few days I was really ashamed to admit to myself and my husband that I was completely and hopelessly immersed in this world. I did nothing but watch videos, listen to sad songs, and read heartbreaking fanfictions for days. And of course I read the book again and watched the series over and over again. All in the hope that it will ease my heartache a little.
But as is often the case in these situations, after a few days in which no real change occurs, you have the thought that you will be lost in this feeling forever. But since I have 3 children that I need to look after, of course locking myself away for weeks with heartbreak wasn't an option, so I had to find an outlet for myself to channel my pain.
So I started painting a picture. By Aziraphale and Crowley. And stroke by stroke I let my feelings flow out of me and into the picture.
It took over a week until I had a motif in which I could see my thoughts and feelings expressed and then it took another week until I finished the picture. On an old canvas with paints that haven't been used for a long time, with many, many layers of old paint underneath.
But when the picture was finally finished, it really took a load off my mind. It was like I had broken a dam and was finally able to let it all out and convert it into creative energy.
But I think the most important thing was that I uploaded the picture to Tumblr and received such a response that I was incredibly touched and immediately motivated to paint more pictures.
Since that day, hardly a moment goes by when I am not holding a pen in my hand or not thinking about a new picture. I'm in one of the most creative phases in a very long time and I'm really enjoying it.
I am so grateful for the wonderful people here! Here I see that I'm not alone with my strange feelings that I still don't really know how to classify. Here I read thoughts that are so similar to mine, here I see works of art that melt my heart, here I feel understood!
And I am so grateful for the pain that showed me the way back to my creative energy!
Thank you Fandom!
Thank you Neil Gaiman!
I would have been lost without you!
Because I don't know my way around here very well, I didn't think about pinning the picture in question as a link when I created this post, but since many people have asked about it, I've pinned it here. Thank you all, love love love
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your-own-scifi-nerd · 6 months
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yk I always forget that Neil Gaiman is on tumblr so I'll see one of his posts and just go holy fuck
I wanna ask him so many questions but I'm too nervous. If he sees this Mr. Gaiman I love your works they are very inspiring and you are an amazing author and I love so many of your books
Have a nice day Mr. Gaiman
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jonnywaistcoat · 9 months
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Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?
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So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.
First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.
Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.
It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"
But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?
Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.
Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.
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sendarya · 8 months
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Bookshop Concept Art Episode Clarification
Hello Mr. Gaiman,
Longtime fan, first time I've had the courage to ask you a question. Over the weekend, you spoke at Storyfest, and you said that the concept art showing the bookshop surrounded by destruction was something you had intended to put at the end of episode 2, and that episode didn't have a proper ending. I am curious if you meant episode 4? Episode 2, of course, contains A Companion to Owls, and has one of the most poignant episode endings in the series. Could you please confirm which episode you meant for that scene to be included in, originally? Thank you so much for taking the time to even read this.
Sendarya
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beauspot · 11 months
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Thoughts on my second watch of Good Omens 2
i heard the fly buzzing in my first watch but didn’t know why and now i know
Maggie my sweet darling angel baby i love you
Aziraphale turning their car yellow
crowleys “no more dying” in extreme scottish.
Disposable Demon i’ll save you from these awful people i promise 😭
Aziraphale’s little smile when he says “smitten” to Crowley
i wonder if crowley was especially hurt because aziraphale seemed to be able to forgive gabriel who tried to kill him but can’t seem to forgive him being a demon.(still seeing all of this as a metaphor for internalized homophobia, like aziraphale knows he’s not the perfect angel he wants to be and he’s projecting his feelings about that onto crowley)
I can’t believe we got an actual ball. like pride and prejudice, bridgerton ball.
the beautiful score that started playing when aziraphale brought the chandelier down
i didn’t even realize that when they walked in the outfits changed. mrs sandwich made me realize(also i love her)
Nina being the only one to question the weird magical shit Aziraphale and Crowley do sends me so bad.
Season 2 took everything i liked about the first season (aziracrow, queer subtext, gay people, archangels, and beelzebub) and expanded on it
The adorable smile on Aziraphales face when he asked Crowley to dance 😭 he’s so pure(i should have known something was up, everything was going too well)
Crowley saying i won’t leave you on your own and Aziraphale saying i know 🤒
why isn’t aziraphale able to miracle nina and maggie??
crowley and mrs sandwich flirting. too cute
crowley saying he’s neither nice nor a lad.
crowleys little run in heaven when he’s following muriel
maggie giving the middle finger to the demons and laughing in their face when they tried to belittle her. queen
defensive aziraphale is so badass. just because he’s soft doesn’t mean he can’t stand up for himself or the people he loves
the random guitar solo in the final episode theme is so bizarre to me. why is it there?
ahh the raining hearts symbolizing crowleys vavoom plan!
crowley’s heavenly outfit not being white but “light grey”
the relief in aziraphale’s voice when crowley came back 😀
also him mumbling about the halo like he did with the sword 😭 but he sure loves to boast about the things he’s done right to crowley
aziraphale and crowley doing magic together has the power to set off alarm bells in heaven and they barely tried, they’re just in sync
saraqael was such a good addition to the cast.
crowley smiling at aziraphale going off on the angels and demons
“where beelzebub is, is my Heaven.” 🥹
the little knowing look after crowley mentions alpha centauri
the way they just interrupted michael’s speech by leaving 😭
i think that aziraphale was about to ask crowley to move in but that’s my opinion
the look the metatron gave crowley is so strange. i don’t like that
“JUST US. NOT YOU.”
“You’re not helping, angel.”
the softness in aziraphale’s voice when he talked about making crowley an angel again? how can you hate him! he thought he was doing the right thing!
also the miscommunication these two have is completely out of hand because crowley asked aziraphale if he said no and aziraphale hadn’t given an answer AT ALL to the metatron. the metatron told him to take his time. he went back to tell crowley the news first.
crowleys confession makes my stomach hurt. the way his voice broke when he said “we’ve spent our existence pretending that we aren’t.”. the way he had to force himself past his anxiety to tell aziraphale he wanted to spend eternity with him? fuck.
the way aziraphale tells crowley to come with him. like and through all of this they are losing each other, oh my god.
“i need you!” god aziraphale punch me in the face next time why don’t you?
i feel like in all this anger towards aziraphale a lot of people are ignoring that he put himself out there too. he was telling crowley he needed him just like crowley was
“no nightingales.” FUCK YOU GAIMAN
the way aziraphale touched his lips after. dear GOD. someone get michael sheen an emmy
seeing aziraphale struggle against his wanting to kiss crowley back and his fear and wanting him to come back to heaven further supports my internalized homophobia analogy
also even knowing the kiss was going to happen because of the spoiler it still didn’t quell my shock. nor did it ruin the scene, i think it actually surprised me more because it did not happen how i thought it would.
side note i saw some people saying they thought the kiss was going to be a cop out in some way. like a body swap or as a joke and i don’t really know why?
it just occurred to me that both aziraphale and crowley thought the other one was just doing that thing they do where they say they won’t help, or they’re on their own but they eventually come back not knowing that the other was completely set on these plans they had. this wasn’t like armageddon or saving gabriel.
the second coming…of jesus…
crowley cutting off “a nightingale sang in berkeley square”...i’m gonna jump
this being the ending for the next 3-4 years. oh.
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ineffable-suffering · 8 months
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INEFFABLE META MASTERPOST
Because I'm slowly losing count and need to organize. So, here's all my self-written metas or ones that I reblogged with my own added theories and commentary! In rainbow colours, naturally.
1 – Aziraphale, I love you. But you lied. And here's why. My most lengthy and proudest meta about the Final Fifteen and why I think Aziraphale lied on purpose. (Also: The absolute darling @esthermitchell-author bravely fought their way through it and wrote up some more interesting points and different takes on what I came up with. If you want to go down a S2 rabbit hole with us, go read it here.)
2 – Why Aziraphale is an unreliable narrator (links below) A three-part meta in which I try to analyse and explain that all of the minisodes in Season 2 are not objective narrations but actually Aziraphale's memories.
Part 1: The Story of Job
Part 2: The Story of wee Morag
Part 3: The Story of the Magic Show in 1941
3 – The Jane Austen Ball and why it was never about Nina and Maggie A meta in which I go into unnecessarily great detail about how the Whickber Street Meeting Cotillion Ball was meant to be Aziraphale's confession to Crowley.
4 – Crowley & Aziraphale were never free (reblog) A reblog of @baggvinshield's post in which I explain why miscommunication is the single biggest ineffable enemy in Season 2.
5 – In Defense of Aziraphale (double reblog) A double try at explaining why I think Aziraphale's POV in the Final Fifteen is just as horrible as Crowley's and why I don't think him "choosing" to go back to Heaven was the only point of his character journey.
6 – The Art of Miscommunication: Ineffable Edition A meta in which i once again explain why miscommunication is the single biggest ineffable enemy in Season 2.
7– Season 2 Bookshop Shot Meta A meta where I briefly loose my mind because of a single bookshop frame in Season 2.
8 – What if it wasn't Aziraphale and Crowley who performed the 25 Lazarii miracle? A mini-meta in which I propose the theory that Jimbriel helped with the miracle to hide himself away from Heaven & Hell.
9 – Things in Good Omens Season 2 I still find weird (reblog) A reblog of @ok-sims and many other great OPs' thoughts on the weird loose strings in Season 2 and what unanswered questions I still have myself.
10 – The Deleted Bookshop Scene (reblog) A reblog of @skirtdyke's video and @i-only-ever-asked-questions' smart thoughts on it, with my own overly-excited 'what that could have meant for the "It's too late" line'-theroy.
11 – The Bentley Handle Easter Egg A meta I can proudly say has been liked by none other than Mr. Neil Gaiman himself about Crowley's Bentley handle that might have existed before the Bentley ever did.
12 – The F*cking Eccles Cakes A meta where I briefly loose my mind because of a pastry. (Addendum: People said very smart things in the comments of the post!)
14 – Re: "You go too fast for me, Crowley" A meta in which I make myself sad by connecting that infamous line to Aziraphale assuming Crowley wanted the Holy Water as a suicide pill.
13 – Trauma-Dumping on your plants: The Anthony J. Crowley Chronicles A meta on why Crowley treats his plants the way that he does.
14 – Demonic Mental Health Awareness Post In which I talk about why I want to get Crowley a therapy voucher.
15 – The Curious Incident of The Flaming Sword in Good Omens A meta on why the Flaming Sword has no deeper meaning. Or does it? (Updated: here's a reblog from @queerfables who did a wonderfully exellent job at calmly explaining all the swordy questions I was yelling about! Consider this meta solved.)
16 – Ceci n'est pas une plume A meta in which I'm a bit of a nerd for language and also explain why learning French and magic the human way says so much about Aziraphale as a character.
17 – The meaning of "I forgive you" A meta in which I explain what both "I forgive you"s mean and why Aziraphale will always fight for what is right until he wins. Also, the lovely @sharksbeerr translated it to Chinese on Weibo!
18 – Memory, or the lack thereof, in Season 2 A little reblog on how memory is a big and unresolved, leaky-bucket theme in Season 2.
Addendum:
The one non-spoiler-y ask I could come up with about S2 that was actually answered by Neil, yay!
Also, this wholesome little post I added to that Mr. Gaiman also reblogged. :‘)
*** This is a work in progress and will get updated every time I post a new meta! ***
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cobragardens · 8 months
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5 Good Omens Timefucks that Haunt Me
1.
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Why is this here? Why is this line included? Is it just to add texture, to imply that larger world of corporate fascism of which Crowley and Aziraphale are subjects and victims and little worker bees? If so, why "They've started early" specifically? Why not "I wouldn't have expected that shrub to be the first to go" or "Aw, I liked that rock formation"?
Crawly doesn't make this comment in an offhand way: he sounds a bit taken aback and not thrilled that things have kicked off sooner than he anticipated. But it doesn't ultimately seem to make any difference to this scene, so why do we, the audience, need to know Hell started early?
2.
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This one I'm not as confident will turn out to be significant, because iirc it appears in the book, which was a complete story when written, and because it serves a narrative purpose: it puts Agnes Nutter in charge of the situation, not her murderers. By backfooting Witchfinder Major Pulsifer, Agnes startles him enough she's able to walk past him without Pulsifer seizing her and discovering the extra 80 lbs of gunpowder and roofing nails in her skirts.
But. Agnes Nutter's sense of time is Nice and Accurate, and she notices the witchburning party are late and remarks on it to herself before she says anything to Pulsifer. So assuming a few minutes to position Agnes, tie her to the stake, and read the charges and conviction against her, Pulsifer and Agnes' neighbors are 12-15 minutes later than they should be. Why?
If the book answers this question, I don't recall; the show does not. And again, it seems to make no ultimate difference to this scene.
I'm not saying this was even purposely included in S1 as a timefuck. I am suggesting that as Gaiman seems to be fucking with time or timelines in this story, even if he and Pratchett didn't plan it like this when discussing the sequel, a retcon is hardly out of the question.
3.
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As others have pointed out, Shostakovich's Symphony No. 5 is 45-55 minutes long. If you're listening to it on 78s instead of LPs because you are a CRAZY PERSON, it's going to take you more like 1 hour 5 minutes, because one side of a 78 holds, at most, 5 minutes of music, so every 5 minutes you have to get up and flip or switch the record.
Shostakovich wrote his 5th symphony in response to criticism in the state newspaper (possibly penned by Stalin himself) that his previous work didn't suck the Communist Party's dick hard enough--the kind of criticism that put him in danger of being sent to prison or killed. At the time it was first performed in 1937, Symphony No. 5 was considered a massive triumph, walking the line perfectly between Shostakovich's artistic standards and the Communist Party's demands of him.
The choice is symbolically significant, but it's a symphony, so whoever's censoring it isn't censoring lyrics or information. Again, why? Why is a 45-55-minute symphony only 21 minutes long? What did the time thief do with the 24-34 minutes?
4.
Here's the rug that covers the portal to Heaven in Episode 1:
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Here's the rug in Ep. 2:
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Aziraphale does not change this rug for the party. We know this bc we see it in Episode 5 when Mrs Sandwich enters the bookshop and the party is in full swing:
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Now here's Aziraphale moving the circular rug to expose the portal to Heaven:
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But here's Crowley, putting the rug back:
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Why are there two different rugs?
5.
Every end credits track has the first line of "Everyday" embedded in it But after the line from "Everyday," at the end of Episode 4, the theme skips twice like a vinyl record, and then is stopped by whoever controls the turntable and restarted, with several seconds of music having been skipped over.
This is not the first time it has mattered to a character in Good Omens what we in the audience see and hear. I argue here that God asks Aziraphale what he did with the flaming sword She gave him in order to show us the audience who Aziraphale is. God also addresses us the audience directly in S1, not only narrating about characters omnisciently but speaking to us about Herself in first person.
Now we evidently have a second character who has gone meta and is changing what we the audience experience of this story, and--indications are good--the story itself.
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colleendoran · 1 year
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The Secret Language of a Page of Chivalry: The Pre-Raphaelite Connection
Adapting Neil Gaiman’s Chivalry is a decades-long dream fulfilled. The story as text can be enjoyed on multiple levels, and so can the art. You look at the pages and see the pretty pictures, but the pictures also have meta-textual meaning. Knowing this secret language adds to the experience.
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Some people pick up the references quickly, but I’ll share with you some more of what’s going on under the surface.
In Ye Olden Days of Art Making, most painters made pictures that contained visual narrative cues. Flowers in a picture might be heraldic signs that signaled political affiliations, or could indicate purity, anger, or love. Purple was the color of kings. A dog in a picture might represent faithfulness, and butterflies could represent the soul.
There are Pre-Raphaelite paintings with so many symbols and ideas in them that you need a deep working knowledge of Victorian and Edwardian social mores to understand what’s going on.
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For example, Ford Madox Brown’s Work, a painting which took some 13 years to complete, was first exhibited in 1865 with a catalogue explaining all its symbols and elements. There is nothing in that picture that doesn’t mean something.
I brought some of that visual meta-textual sensibility to Chivalry, (and I’ve written about the symbolism and meanings in the work in other essays.)
I also brought into the work direct Pre-Raphaelite art references.
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From 1868-1870, Sir Edward Coley Burne-Jones created four paintings illuminating the tale of Pygmalion and Galatea, entitled Pygmalion and the Image, and wrote a poem with each line titling one painting:
The heart desires
The hand refrains
The godhead fires
The soul attains.
A perfect little poem for Chivalry, and I think of it often when some people present me with what I think is a very strange question: why didn’t Galaad just take the Holy Grail from Mrs. Whitaker?
It kind of breaks my heart that people would even ask that.
Burne-Jones painted two versions of this series of which this is the second.
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In the first panel of this page, Sir Galaad kneeling before the Grail is derived from the figure of Pygmalion kneeling before Galatea: The Soul Attains.
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Sir Galaad’s restraint even in the face of his greatest desire makes him worthy of his prize.
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There are two Pre-Raphalite references in this page, the most obvious being in panel 2: it’s Sir John Everett Millais’s 1857 work A Dream of the Past: Sir Isumbras at the Ford.
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The painting was very poorly received on first exhibition, compelling Millais to redo significant portions of it. It was caricatured and ridiculed, and then ended up becoming influential and popular, and isn’t that the way it goes.
That’s an art career in a nutshell, really.
The Sir Isumbras image also influenced John Tenniel’s illustrations for the Lewis Carroll Alice in Wonderland novels.
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Sir Isumbras derives from a 13th century Medieval romance poem about a good knight whose pride causes him to fail in his Christian duty. He is presented with a series of difficult challenges before he can find happiness again, reunite with his family, and be forgiven his sins. The painting by Millais is based less explicitly on the poem than it is on a later parody of the poem. (It’s complicated.)
My using Sir Isumbras as the base for the shot of Galaad with the children is obvious here. In the Millais painting, Sir Isumbras carries a woodcutter’s children across the ford. In Chivalry, Sir Galaad carries the children of Mrs. Whitaker’s neighborhood down the street.
While Sir Isumbras spent many years learning humility and Christian duty, Galaad has a long quest to fulfill before he can achieve his goal. And on the way to that goal, he’s humble and nice to children, too.
That the Millais painting was such a huge influence on many a depiction of knighthood over the years made it a perfect reference point here, and the story behind both the painting and the poem give it further layers of meaning.
The next panel has a far less obvious reference, but the source is Arthur Hughes’s painting The Rescue.
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Arthur Hughes is one of the lesser-known Pre-Raphaelites, but his art is widely seen and influential. He’s certainly been a big influence on me, as many of his paintings appear again and again in Arthuriana references, as he was a prolific King Arthur picture tale teller.
The Rescue (1907-1908) was originally part of a diptych which was separated and sold back in the 1920’s. His style was becoming unpopular by the time Hughes painted the work, and little is known about this work except that one panel was in the collection of Andrew Lloyd Webber at some point. Maybe still is. Dunno.
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Anyway, the diptych depicts a little child kneeling in prayer menaced by a dragon in one panel, and in the next, safely trotting away with a knight on horseback. I like that this is a diptych, a kind of proto-comic art form common in medieval religious art, so this was perfect to use here.
Another reference to Arthur Hughes is in this double page splash from later in the book as Galaad on his quest encounters the Hesperides.
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I didn’t set out to reference this Arthur Hughes piece at first, but it’s one of my favorite paintings. When I realized my sketches for this scene kept echoing the Hughes composition, I went with it. The Hughes painting of Galahad is one of the most famous depictions of the character, so it makes me happy to have this referenced in Chivalry.
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Kindly ask for CHIVALRY, published by Dark Horse Comics in the USA and by Headline Books in the UK at your local comic shops or bookstore. Written by Neil Gaiman. Adaptation and art by me.
For further reading on this project, go HERE.
HERE.
And HERE.
Thank you to my Patreon patrons for sponsoring my work and this post.
Colleen Doran Illustrates Neil Gaiman will be a solo exhibit at the Society of Illustrators in New York City this spring. Watch this space for updates.
Have a wonderful holiday season.
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neil-gaiman · 2 months
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Hi mr gaiman, i have a question that is mentally killing me and i need to know:
Is there any possibility of either crowley and/or aziraphale dying in good omens season 3, because if so i need to start mentally preparing ASAP
They both die in the first five minutes of Season 3, following the aftermath of a pie-eating contest in the pie factory that they both work in. The plot of Season 3 mostly has their wives, thrilled and surprised by the unexpected insurance pay out, going on holiday together to Majorca, but winding up, accidentally in a little Spanish town known only for its beloved animal-run zoo.
You'll be amazed at the hilarity that ensues, when two rich widows seeking love encounter a tiny family zoo that needs money to survive -- otherwise all of the animals are going to have to go and live in the streets.
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fleething · 1 year
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Another thing i absolutely adore about good omens is how high the stakes are. How much danger the arrangement puts them into, how risky it is, for Crowley to be in possession of holy water. How he could be destroyed, just for having entertained the thought of helping an angel. And still. It all seems to be secondary to them, bc the only thing which matters is each other and the way they keep on “accidentally” running into each other.
The arrangements could get them banished, shunned or destroyed? It’s no matter, as long as they can keep meeting in odd places to discuss who will take on the next mission.
Crowley runs the risk of being seen as a traitor? It’s such a small thing, in comparison to how the angel’s eyes shine at the mere mention of crepes.
Crowley asks for holy water, for the power to destroy what Aziraphale holds most dearly? Out of the question, except. Except that it pulls them appart, it makes them say dark, dishonest things. So Aziraphale complies, bc he can’t bear not to. He can’t stand the though of Crowley doing this without him. So he gives in.
It’s all a matter of life and death. Complete and utter annihilation. God’s wrath and the end of all things. And still. All they care about, all which seems to matter, is the way they care for each other. What a wonderful love story you wrote, mr pratchett and mr gaiman.
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hooffuloftootsierolls · 3 months
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The “Michael and Lucifer are brothers” came other media having the two be twins. Especially the Netflix Lucifer tv show and the DC comics by Neil Gaiman that the tv show is based on.
Someone giving me an excuse to blabber on about my thoughts and ideas? That only happens in my daydreams! Also I just realized it's spelled Michael not Micheal oop-
I feel like everything can be traced back to Neil Gaiman in someway. Thank you Mr. Gaiman, for giving me more goofy but sad angels.
I haven't seen The TV show or the DC comics, but just the idea alone of these two being twins was enough to make me flesh out Michael's personality and the relationship between the two.
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Just kidding : ) Michael wouldn't question Sera, he obeys orders with a morbidly unquestioning loyalty.
I imagine that Michael was the more responsible one, and would try to discourage Lucifer's ideas and dreams, but Lucifer tended to ignore him. Lucifer would cause some kind of havoc, and Michael would be the one to tell the angels. Luci 100% saw him as a buzzkill and a tattletale, and Michael knew his brother was a safety hazard with wings, but I think they still loved eachother.
Which is why it would both break them to have Michael be the one who battled Lucifer and forced him into Hell. Lucifer felt horribly betrayed, and Michael would have been trying to cope with the fact that he drove his own brother out.
I have many ideas for them, so little time to write :(
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i-shit-in-your-bathtub · 11 months
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mild good omens s2 spoilers
everyone hypothesizing/hc that Crowley was the archangel Raphael b4 the fall bc not only is Raphael conveniently missing but Crowley was also a high ranking angel pre-fall
great theory! wonderful but there's no text where Raphael falls & also the universe and the stars were never his dominion
I offer you Kokabiel: "the star of god"
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a highly ranked angel known as a watcher (meant to watch over the universe) who became a fallen angel and commands an army in hell
known as the angel of the stars and teaches of constellations, Kokabiel while considered fallen is still seen as holy despite being a resident of hell
literally I feel like this fits mr gaimans narrative much better and gonna be honest archangels are actually very low level in angel rankings & Crowley is specifically at least a dominion or throne so he had to be pretty high up there even assuming the book /show moved where archangels fall on the hierarchy plus watchers land high up in the hierarchy so it would make since for him to have access
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most fallen watchers fell bc of their involvement in the creation of the nephilim but if Kokabiel is generally considered holy its unlikely that that was the reason he was cast from heaven
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and I would say that angel Crowley has a childlike love of his nebulae that it seemed like god did not respect & we can assume that he fell bc of him questioning the almighty about the universe
like I don't think neil gaiman has prefall Crowley set up as the angel Kokabiel but I do think it fits a tad bit better that currently floating theories
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again this reinforces my theory that Kokabiel didn't defy god by creating the Nephilim but instead he came upon the corruption of heaven which we know that Crowley knows better than anyone, and that is what led to his fall simply questioning heaven or the almighty & being cast to hell for it
thanks for coming to my ted talk lmao, a lot of research went into this theory
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