I am strong i am strong i Will Not cry over Word. I will not. I am a big girl i will NOT cry over Word
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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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When I feed the hungry, they call me a saint. When I ask why people are hungry, they call me a Communist.
- Hélder Câmara, Brazilian archbishop and Servant of God, as quoted in Peace Behind Bars: A Peacemaking Priest's Journal from Jail (1995) by John Dear.
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Honestly the fact that they fit three distinct combats on top of plenty of character and story progression into the episode before 11pm was a really strong argument out of the gate for Daggerheart as a system for streaming. That was super neat, not gonna lie.
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blade/yingxing x reader scenario:
kurim: blade’s past name was yingxing, supposedly
(blade sees your smile, beautiful and loving and inviting as he remembers you to be — when he closes his eyes and takes a deep breath and pretends he can have this, at the very least. you were so lovely, so very lovely, and the man he once was - yingxing - had truly loved you in a way he could not love anyone else)
you and yingxing were lovers, decades ago when he was still part of Xianzhou and you a person he fell in love with, yingxing liked building you trinkets and taking you to eat during the weekends and seeing your smile and he would throw hands with jing yuan because he always teased him and called him a love sick puppy
you and yingxing were some of the short-lived species in Xianzhou, you were content in XXXX area and yingxing was a genius amongst genius in crafting, building and creating tools, machinery, weapons and works of arts.
you and yingxing had your whole life planned out, it was not hard to when there was so much to do and so little time to do it, but you two are determined to make your lives count despite the looming threat of the abundance hanging over their head and the wars Xianzhou has to partake in and how nothing is determined in life, but you two love each other, but then this happens, but then that happens, but but butbutbutbut—
yingxing becomes mara-struck.
yingxing kills you in his first mara-struck rampage/haze.
yingxing will forever remember it - your blood is very warm and wet, even as he drops to his knees and tries tries tries but there’s nothing he can do because you’re already dead — he might have screamed, howled until his throat burst and his lungs collapsed and mended themselves, he might’ve had fought against jingliu too as well, he doesn’t quite know. he cannot remember anything apart from a red haze, doesn’t remember if you had screamed or tried to fight back or tried running away, but one look at you shows just how horrible a death you had experienced in your last moments. blade will have forever etched the image of your mangled body in his memory, because of course yingxing will have.
this is the first step towards the death of yingxing’s ego, and what will eventually create blade, an abomination who seeks for death and yet is denied time and time again, who is only left with vengeance and violence as a driving force for moving and breathing and fighting because he has nothing else
yingxing was a man who committed many great mistakes and paid for it with everything in his life, including the one he loved
blade is the remains of that man’s ego, the hatred and grief and anger and obsession and destruction and love, a monster given eternal life and reduced to a mad dog of destiny’s slave, all for the sake of reaching paradise
blade lives for the sake of dying — he lives for death, for vengeance, for the possibility of paradise
(blade sees your smile, beautiful and loving and inviting as he remembers you to be — you smile and smile and smile, perhaps a little sad but as lovely as he remembers and he wants to reach out for you with his bloodied hands, but you are unreachable, a ghost of his past, the victim of his sins, and he can do nothing but watch you stand on the other side of the river of stars. blade thinks that you’re as lovely as yingxing remembers you to be, waving at him, smiling at him, always smiling at him)
elio promises an ending to his wretched existence.
blade will stop at absolutely nothing to reach his desired paradise.
(you smile at him, and blade thinks that you still look so very lovely, decades after your death)
i’m sorry, i’m sorry, forgive me, forgive me, it was all my fault, if only i hadn’t—
(you only smile, and then blade opens his eyes to find his mangled body healing and mending and stitching together again)
.
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"i happened to not find this character very interesting or likeable" doesn't automatically mean they're an objectively bland and boring character it just means you have a personal opinion
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it's the levels of scrutiny too.
a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.
they will turn out another all-male movie, and it's just a movie.
a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.
they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.
i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.
i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.
i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?
i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."
here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.
once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.
i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."
it is a little much to be that person (and more besides). i have therapy weekly, after all.
over and over, belonging to exception.
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STOP bragging about how much you're overworking yourself. STOP making it a competition how little sleep you get each night. STOP trying to be worse off than anyone else in the room when it comes to health, work, relationships, school, or anything like that. you're not helping yourself, you're not helping anyone.
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Creature. (The rendered ones are referenced from manga panels)
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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Hey! It's me again, I've been a little needy these days and I'd like to make a request, something really cute.
Valeria, Farah and Kate.
Like, they spent the night with you having fun at home, but in the morning they had to leave for work without even having time to say goodbye, but before leaving there was a noticeable mess that remained in the house, a tremendous mess. But when they arrive late from work, they find the house shining completely clean, and soon they find the reader sleeping in the living room with the TV on, but still sleeping peacefully, because her tiredness does not allow her to stay awake to receive them.
(I would love to be spoiled by Valéria in exchange for being her housewife)
I think this scenario is so cute and I love your writing, and sorry if something is wrong, I'm using the translator again. Kisses and have a great day. <3
Hey! That's a really cute idea! Sorry this is short, I'm just really tired again tonight!
Valeria, Farah and Laswell Finding Reader Asleep
Valeria: She’s not particularly surprised to find you asleep, she usually comes home extremely late at night. However, the sight warms her heart every time. Stands in the doorway for a few seconds, watching your chest rise and fall as you sleep, a small smile on her face. It’s only afterwards that she realizes you’ve cleaned your shared home. Valeria will sigh a bit, the home was in complete disarray when she left, so it must have taken a while for you to clean it all up. No wonder you’re asleep. Although she may not be the tallest person, Valeria is strong, so she’ll pick you up and carry you to your bedroom, giving you a kiss on your forehead. During these moments she loves nothing more than to hold you, even if she normally isn’t a very touchy feely person. But something about you being asleep in her arms as she carries you, completely vulnerable, just gets to her. However, it won’t be long before Valeria goes to bed herself, getting ready for such a thing, she’s tired as well. The day after she’ll spoil you rotten, though. You’ve earned a nice reward for being such a good spouse for her, and so she’ll take you on a fancy date. Or maybe, since you’ve cleaned your home so nicely, she’ll just stay home with you to cook a good meal together. The choice can wait, she’ll just ask you later.
Farah: She’d be ecstatic to see you’ve cleaned your home. It must have been a long and boring task, but she truly does appreciate it. Like Valeria, she watches you for a few moments, thinking about whether or not she should wake you up. In the end she decides against it since you truly must have been tired. However, she will drape a blanket over you and give you a small kiss on your cheek, hoping to not rouse you too much in the process. Farah makes herself a small snack so she has had something to eat before she finally goes to bed herself. However, she doesn’t go to bed, she joins you on the couch, holding you close and nuzzling into your hair. While she may be extremely tired herself, she still daydreams a bit about how she could possibly repay you for doing that Sisyphean task. Anything from ordering takeout and paying to going on a walk during the sunset sounds good to her as long as she can show you her appreciation. Since she’s feeling very content around you, she might also start humming a bit, knowing fully well that you can’t hear her. But it’s just something she does when she feels comfortable around someone. Plus it helps her fall asleep too. In the end she’ll likely settle for something calm like staying at home and just cuddling the day away while thanking you. Or just doing whatever you say so she can feel like you’re getting enough rest and she did something for the household as well.
Laswell: By the time she’s home the sun has probably almost risen anyway given her line of work. Laswell would be dead tired, so I’m not even sure she’d notice you having cleaned right away. However, she would see you having decluttered the desk in the living room and be grateful. Although she may almost fall asleep herself, standing in the doorway and barely noticing her surroundings, she will see you sleeping on the couch and immediately think about sleeping next to you. Granted, Laswell isn’t a very cuddly person either, and she can’t sleep particularly well holding someone either, but she thinks it would be unfair if you slept on the couch while she slept in the bed. At least that’s her logic at the moment. She won’t even try to carry you to bed, she just wants to head to bed. Gets changed and stands still in front of the couch for a few moments before draping a blanket over you. Naturally, she’ll turn off the TV, but afterwards she gets some shut eye for a few hours as well. Only in the morning does she notice that everything is spic and span. Laswell will feel bad if you woke up before her and made some breakfast. However, she will make it up to you as well. If there’s anything you ever need from her, she’ll do it. She’ll have done it before as well, but she doesn’t want to be indebted to you. Gives you a kiss before promising you that she’ll clean up next time. Either on her own or with you. You did such a good job, she’ll likely get you some cake to show her thanks in the meantime.
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Man its been weeks and I’m still soured by the conclusion to Fontaine’s main story. I'll just rant here
There were a lot of things I didn’t like about it (Arlecchino's altruism being played straight, Traveler being out of character, the lore exposition ass-pull with the prophecy slates, the weird logic about how destroying a Gnosis could potentially wake up the Heavenly Principles but not fucking destroying an Archon Throne when Celestia forced everyone to fight a GODDAMN WAR TO ESTABLISH THEM-) but the biggest offense to me was how Furina was handled. This was marketed as the grand finale of the arc, the climax with Furina at the center of it all. And she got shafted. Big time. Furina had no agency in the plot whatsoever, nothing she did had any effect on how things turned out, and she didn’t even have the dignity of fully understanding why it all had to happen that way.
(Also I will preface this with yes Furina and Focalors are technically the same person with the same origin, but after the split Furina lost all her memories as Focalors. They are two separate consciousnesses with different experiences, and therefore I will treat their individual choices as their own)
I’ve seen people try to argue that no, she chose to take on this role knowing she would suffer, that she didn't HAVE to go along with it. And she was even working by herself to solve the prophecy without relying on Focalors, she wasn’t a puppet/pawn! But the thing is she was essentially in a hostage situation. If she didn’t do things exactly as dictated by Focalors people would DIE. Like there is a reason why criminal punishments are lighter when it’s found the perpetrator was coerced into it! And her researching how to avoid the prophecy changed nothing about the outcome, she could have sat around eating cake and the story would have word for word turned out exactly the same. All that information served to do was highlight her suffering and draw the audience’s sympathy. That's what I mean about her not having agency, it's not about her ability to act as an individual but how her actions had an effect on the overall plot. None of her choices outside of the role designated by Focalors did anything to change the situation for better or worse.
And to top it all off she didn’t even understand WHY this all had to happen. Why do people dissolve in the Primordial water? How does her pretending to be an Archon play into solving the issue? Why can’t she confide in anyone? What the hell is Focalors even doing? She doesn’t learn the answers to any of these until after everything was over, and not even from Focalors’ own mouth, it was relayed to her by Neuvillette.
Speaking of Neuvillette, I’m not gonna lie I’m sorta annoyed at his existence because it felt like Furina was shafted for him. Everything is very tilted in Neuvillette's favor. He gets his powers back, full control over Pneuma/Ousia, final say in trials, the ability to hand out Visions, and just straight up the ability to manipulate life itself. And okay all these things were his to begin with lore-wise, whatever, but he also becomes the "lore important" character after this at Furina's expense. Furina doesn't have her memories as Focalors, she can't tell us anything about how the world works, about Celestia, about what happened 500 years ago. Even though other Archons didn't give us much either for one reason or another, they at least HAVE that knowledge, and are therefore guaranteed to have involvement in future events with the Abyss and Celestia. Furina at the moment, doesn't. Neuvillette has it now. And all that talk about Focalors judging Celestia? Also Neuvillette's job now. And it feels like it was all stolen from Furina from a story-telling perspective because again, she didn't know of the plan to return his powers. She didn't even get to explicitly agree with her other self that he should have them back. The writers really seemed to go out of their way to place him on a pedestal at Furina's expense, which irks the hell out of me.
There are some opportunity for future interludes to turn the current state around, and they probably will since Furina is still being marketed as an Archon, but as it stands I want Fontaine to be over so we can move on to the next disappointment.
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I have a firm heartfelt belief that neither Goku nor Vegeta is at all normal for a Saiyan but some of the ways that they’re weird overlap perfectly, so they’re both convinced that they’re normal and that’s just what Saiyans are like
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