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#mi wri
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i have more stories from marketland to share! this one is a similar set of three stories to dd/aa, featuring a good deal of returning characters too, and even more narrative parallels for all the narrative parallel enjoyers. there’s also plenty for for the old lovers enjoyers, the evil villain enjoyers, the ancient tragedy enjoyers, the heaven/hell dichotomy enjoyers, and likely something for all the other enjoyers around here.
there’ll be an update tomorrow- but why wait? enjoy the first two chapters here and now.
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waterfallofspace · 1 year
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Could you do 72 for r/anpo and p/oe with p/oe as the sick one
Thank you for the ask~~ I can indeed!! First time attempting them, so hopefully it's enjoyable~! (also gotta give credit to onetrickponi for her incredible idea of Karl's tail inducing sneezes from a wav she did that I've absolutely used here, hope that's alright~) 1.9k words, prompt 72, story under cut! 72. Person A hasn’t been sleeping due to work, and they of course get sick. Despite Person B’s wishes, Person A continues to sneak out of bed and stay up late to get more work done, and Person B is not happy. (Slight warning for anxiety and high fevers, just in case anyone doesn't like those!)
~~~~~~~
The faint light coming in through the window is more than enough for Poe to work with. Pen scratching against paper. Bathing in the moonlight. This has always been his favourite way to compose a novel. Something about the way the light feels soft, and the motions of your hand as you form words, it just feels right.
A drop of sweat makes its journey across his forehead, lunging for the paper until he catches it in his sleeve. ‘The fever is probably getting worse…’ His thoughts are cloudy, but somehow it’s making the words even easier to grasp. As if they’re practically begging to flow onto the page, climbing from his mind down into his pen. 
“Poe.”
The noise drags Poe out of the daze, tearing the paper as he manages to drag his eyes up to greet the source. The source in question is wearing a scowl and leaning against the doorframe, eyes shadowed by the hat drooping over his face.
“R- Ranpo… I was- eh’kschh’ieew-! Sorry- I was just, uh- hh’ekzzziew-tezzshh’iew-! Sorry- just w- working on… something…” 
“What you should be doing is coming back to bed. I don’t even need to use deduction to see that you’re sick.”
“No, no, I’m quite alright. I’m simpl- simply… heH’keDZZshh’iew-! Sorr-”
“On top of that, I’m pretty sure I remember you promising to sleep tonight. Something about how you  haven’t slept in three days, if I’m not mistaken. Which I never am.” 
“I’m absolutely fine, I just need to- uhh’dEZZhhh’ieew-! finish a few more chapters and my latest masterpiece will be completed! It will astound you, you won- won’t… notagain- uh’gzzsshh’iew-! eh’kNGzsshhieew-! Sorry…” 
Ranpo tilts his head, emerald green eyes revealing themselves. It’s all Poe can do to keep himself from blushing. ‘It seems no matter how many times I see them, I’m never prepared… I wonder if he… feels the same about mi- no. Focus, gotta convince him I can still wri-’ The thought is cut off by Ranpo’s boot tapping against the hardwood floor. 
“What I will or won’t do is irrelevant. You aren’t able to complete a full sentence without sneezing.”
“That’s nohuHh-! not true. See? I executed that sentence to perfection without int- interuHH-! huH’KnGT’shiew-!”
“Without interruption?”
“eNGt-! ih’dknzzt-! Sorry… Correct, Ranpo. As usual.” 
The words are laced with jealousy, but they can both hear the admiration simmering just before the surface, waiting for a chance to be expressed. Ranpo seems content to accept the praise without acknowledgment, focusing on the task at hand. ‘Just like a true detective. Not sidetracked by mere personal matters. I was never able to match that determination…’ 
“You’ve been falling into the same pattern for weeks, staying up until you pass out, sleeping for a full day, then repeating. We’re both smart enough to know schedules like that lead to illness.” 
“I’m.. smart enough..?” 
Ranpo lets the hat dip back over his eyes, his face returning to neutral. His hand extends, Karl chittering from atop his shoulders.
“Back to bed now and I’ll let you off with a warning.”
“But-”
“Besides, I’m tired, and Karl won’t let me sleep unless you come too.”
Said raccoon chitters again, crawling from Ranpo’s arm to Poe’s shoulders. ‘Two against one, this is hardly fair…’ Poe protests, oblivious to the lack of noise from his mouth as the thought stalls itself in his head. Despite this, as Ranpo’s hand brushes his own, he can feel every ounce of resolve draining from his body.
“Bed.” 
“Okay, Ranpo, you win. Again.”  
Confirmation of success seems to be all Ranpo was looking for, as he turns and walks down the hall. As if there was a string tying them together, Poe finds himself unable to resist the urge to follow. It’s not until he’s laying in bed next to Ranpo does the fever finally bring out the sleep hiding behind his eyes. Muffling a sneeze with his pillow, Poe starts to pull himself from the sheets.
“heh’mmMDZShh’oo-! Sorry… I’ll sleep on the couch-”
“No way. It’s your house after all, I’m just staying over. Besides, Karl will leave too, and I want my cuddle time with him.” 
Poe lets a whimper break free as Ranpo’s arms seem to crush the life out of his dear friend, ‘Though strangely, Karl seems to have no problems with this arrangement.’ Instead of fighting, Karl’s snuggling deeper into Ranpo’s chest, breathy snores starting to pour out of both of them. Feeling sleep start dragging his eyelids shut, Poe’s own breath soon evens out, joining the ensemble with a congested tone of his own. 
~~~
The air seems to burn as it infiltrates his lungs with each inhale. Poe leans against the wall, legs growing heavier with each step, but determination pulls him through. ‘That dream… it was perfect… I know what the novel needs… I know what will- will finally impress Ranpo…’ It hadn’t been more than a handful of hours later that sleep had relinquished its grasp of him, being replaced by a feverish mania as plotlines and characters seem to beat against his skull from the inside. This is why he sits at his desk again, even the moonlight dulled as the clouds gather outside his window. 
Pen glides across the paper once more, each word leaving a deeper taste in Poe’s mouth. Ink mixes with sweat as his hands begin to shake. Only half aware of the world, Poe finds himself unable to process the sweat lining his brow being anything other than a hindrance to the plotlines swimming through his mind. Each word on the page seems to dip further into illegibility, moving away from writing and closer to drawings, mindless scribbles as his vision fades along with them.
“What do you think you’re doing?” 
“I have… I have to write this… it’s- hh’deZZshhh’iuh-! my best work… my best work ever… it’ll be unsolvable!” 
Ranpo’s breath is warm against his neck as the detective leans over to catch a glance of the paper. Poe finds his hands stalling at the sensation, even one extra stimuli sending his brain careening into overdrive, deeper into the fevered abyss, unable to stop thinking, but equally unable to start writing again.
“More like unreadable. Poe, even I can barely decipher what words you’ve written here.”
“It’s messy, but it’s some of the best writing I’ve ever done. I s- see… hH’gndjsshh’aa-! Sorry- I see the world so clearly, it’s almost as if I’m the one transported into it. eh’dnTZShh’oo-! Sorry. No one will be able to crack the mystery, not even you!” 
A cool wave washes across Poe’s face, a moan pulling free from his lips as Ranpo’s hand finds what it was looking for on his forehead.
“That’s the fever talking. You need to sleep.”
“hH’INkgt-! djZnnGt-! ehhA’knDt’uhh-! huH’AnGXt-!”
“Bless you, don’t do that. You’re only gonna-” 
“hehHh-! dnjSZHh’oo-! S- Sorry… haiHH-! eHSHh’aa-! hH’InkGtzz’iuh-!” 
“Bless you again, Poe.”
“Th- hh’knzshhh’oo-! kezzshh-tezsshhh’oo-! Thank you. S- sorry…” 
The apology melts into a cough, whistling notes sounding out between each breath, only broken up by the sound of pen against paper as he attempts to continue this chapter. Each word is violent, looking as if the person forming them had never written before, lines uneven and frantic as the cough brings tremors through his fingers.
“You don’t sound good.”
“I’m f- fine… I need to finish… need to finish this chapter…” 
“I apologize for the methods I must resort to.”
The words fall on deaf ears, Poe’s brain being submerged into feverish concentration once more. He doesn’t notice Ranpo turning away and whispering something to the raccoon perching atop his shoulders. Nor does he notice Karl climbing up his back until a soft paw steps against his hand, pen cracking on the paper.
“Karl? What are yo- GuuHhH-!” 
A single swish of fluff against his face is enough to break Poe out of his trance, buzzing starting to spread up to his ears as the tickle surges. Ranpo’s arm intertwines with his, Karl climbing back onto his shoulder as he pulls the writer up. Poe attempts to aim away from either of them with the fit he cannot seem to subdue.
“hh’DjZshh’oo-! aiYZShh’aa-! hH’KEZzshh’oo-!”
“Bless you.”
“C- can’t- dnGt’Zzshh’oo-! hehHh-! hH’INZSHhoo-!”
“I know. Bless you.” 
Poe feels something soft being pressed against his face, his body sinking into the bed as he’s sat down. ‘What’s pr- pressing on my fa- face… I need to… I’m- I can’t..’ 
“Blow.” 
“Wh- hAH-! What? hH’iNgT-! kndZnt-!”
“Blow your nose, Poe. It won’t end until you do. I’ve got you, just blow.”
Doing as he’s told, Poe feels the fever swell against his cheeks, moving up into his ears. ‘Or maybe that’s not the fever… am I blushing..? I can’t… I can’t tell…’ His voice is drowned out, even in his own head, a deep fog overtaking his conscious thought. 
“I’m s- sorry Ranpo…” 
A soft hand brushes against his face, Poe practically melting into the touch as his hair is swept away. His vision clears, for more reason than one, as Ranpo’s eyes stare back into his. This exchange only lasts for a minute, but it starts to play on repeat in Poe’s mind as Ranpo rests his forehead against Poe’s, voice barely above a whisper.
“I’ll read the book the instant you finish it. I promise. But only if you’re not sick while writing it.” 
“B- but…” 
“You want to be able to give me your best, right? Don’t I deserve that?”
“Of course y- hH’dzzshh’oo-! you do-”
“Being sick is not your best. Let me take care of you, once you’re better, you can write it.”
Waves of emotion seem inclined to suck Poe into their current, he’s barely able to keep his head above their waters. Guilt and anxiety claw at his legs, pulling him into the ground. And yet, something softer frees him, a wave of pride and love bringing air back to his battered lungs. ‘He thinks I have a best… something he wants to see… and… he wants to take care of me.’ 
“Besides, no one will be able to read it if you keep writing like that. It looks like you were driving consistently through potholes while attempting to transcribe a conversation from a language you don’t speak.”
“W- well that’s not very kind… but it was quite visual.”
Ranpo laughs, giving Karl’s head some scratches as he drapes himself across the bed next to Poe, raising an eyebrow as he tosses out- 
“Maybe I should write the book instead.” 
Poe freezes, eyes peeking out from the curtain of hair as they widen. Terror infiltrates his dazed mind, fighting against the urge to give Ranpo whatever he desires, a war neither side can win. The battle, however, is quickly cut short as Ranpo places his hand on Poe’s arm, a gentle touch that quiets all voices but his.
“It was a joke, Poe. Now, let’s get you back to sleep. I need my rest, and you’re keeping me up.”
“Alright, Ranpo. Th- thank you.”
“No need for thanks! But~ there is need for rewards. You owe me at least some chocolates. And some lollies. Oh- and more of those gummy sushi things you ordered internationally, those were good… Oh! And-” 
A smile spreads across Poe’s face as Ranpo goes on, the haze in his mind starting to gently overtake the last piece of his consciousness as the sheets beneath him start to encase him in their soft embrace, matched only by Ranpo’s softer touch against his arm. Poe manages to get out one last sentence before sleep wins out. 
“Whatever you want…” 
“I’m holding you to that!” 
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scytheral · 1 year
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Greetings, Dear Prince! Must this poor raven ask for some titles ( or possible pronouns ) relating to Yuri ( DDLC ) && Fischl ( Genshin Impact )
If this request cannot be done, I understand. But if you do, I thank you for taking it.
Good morning , Dearest. Your wish has Been greatly Done. Although it was Slightly hard On Fischl , The lovebird went All in for Yuri. Hope you Enjoy them ! ~ 🤍
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— Yuri related Titlesㅤ!ㅤ))ㅤ💌
The writer. The shy One. The Poet. The mature One. The obsessed One. The sophisticated. The sophisticated One. The Heavensent.* The analyst. The effulgent One. The kind-filled Heart. The tenacious One. The one with crimson and Purple. The eloquent One. The embodiment Of poems. The grandeur One. The unrequired One. The one with Hope. The hopeless One. The infitinity of Cher.* The lovesick One. The one with Love. The embodiment of Love. The Lover. The lovesick. The embodiment of Lovesickness. The crimson-filled Heart. The apologetic One. Che who is shy. Sophistication is cher Standout. Che who is Mature. Che who is Eloquent. Che who is a Poet. Che who writes Poems. Cher mature Poems. Cher Aura. Cher Portrait.* Cher living Dream.* Cher mature Soul. Cher lovely Soul. Che who wields Knifes. Cher endless Starscape.* Che who breathes Love. Che whose lovesickness is Endless. Cher Philosophy. Cher eletrical Heart.* Cher graveyard.* Cher Afterimage. Cher agonized Heart. Cher Essence. Cher disarrayed Heart. Cher Desire. Che who Atones. Cher dearly Pleasure. Cher crimson Aura. Cher determination. Cher surreal Horror. Che who likes Horror. Cher silent Cry. Cher silent Scream.* Cher fantasy World. Cher Dreamland. Che who wears Purple. Che who lives in Pages. Che who Writes.
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— Yuri related Pronounsㅤ!ㅤ))ㅤ💌
Ch? / Ch?r / Ch?r ( <- Can be Replaced with She , He , Vae , Etc )
Kni / Knife / Knifes
Love / Love / Loves
Grave / Yard / Graveyard
Por / Portrait / Portraits
Agony / Agony / Agonys
Dear / Dear / Dears
Darling / Darling / Darlings
Love / Lovesick / Lovesickness
Petal / Petal / Petals
Hope / Hope / Hopes
Hope / Hope / Hopeless
Heart / Heart / Hearts
Poe / Poem / Poems
Author / Author / Authors
Crim / Crimson / Crimsons
Fantasy / Fantasy / Fantasies
End / Endless / Endless
Horror / Horror / Horrors
Sophis / Sophist / Sophisticated
Wri / Writ / Writh
Wri / Writhe / Writhers
Star / Star / Stars
Soul / Soul / Souls
Joy / Joy / Joys
Mis / Misfor / Misfortunes
Misfor / Misfort / Misfortunes
Ima / Imagen / Imaginations
Imagin / Imagina / Imaginations
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— Fischl related Titlesㅤ!ㅤ))ㅤ🏹
The Princess. The fantasy Princess. The Investigator. The kind Girl. The kind One. The caring One. The secret One. The dearly strange One. The playful One. The darling Soul. The darling Heart. The flusthered One. The Archer.* The vision from Afar.* The mysterious Soul. The mysterious One. The embodiment of Archery.* The hidden Princess.* The eccentric One. The rising Star. The recognizeable One. Che who rises from Stars.* Che who was risen from Stars. Che who was sent from the Stars.* Che who wields Bows. Cher electro Vision. Che who has a Raven. Cher luxury.* Cher Ellegancy.* Che who is Elegant.* Che who wears Purple.
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— Fischl related Pronounsㅤ!ㅤ))ㅤ🏹
Bow / Bow / Bows
Elec / Elect / Electro
Princess / Princess / Princesses
Prin / Princess / Princesses
Star / Star / Stars
Hid / Hidden / Hiddens
Lovel / Lovely / Lovelies
Rave / Raven / Ravems
Arch / Archer / Archers
Fantasy / Fantasy / Fantasies
Rib / Ribbon / Ribbons
Ribbon / Ribbon / Ribbons
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01 : Ones with * Are ones That The fairytale Prince added For fun && That there ' s Little to No actual reference To these. Of course , The Prince is Rusty and Hasn ' t visited DDLC nor Talked to Fischl in a Bit , so Forgive h♡m if H♡ is wrong.
02 : Pronouns in Titles can be Switched to Anything. Che who is Shy -> She who is Shy -> He who is Shy -> Bow who is Shy , etc.
03 : Any of These titles ++ Pronouns Can have Things removed && Added. It ' s up To the Dearest , Truly.
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sjbattleangel · 2 years
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*Takes a deep breath*
   Oh boy, this is gonna big one.
   I love-scratch that-adore Cassandra Cain. Ever since I discovered her solo series and her fantastic debut in the “No Man’s Land” storyline (Thank you, Linkara!) I have just fallen in love with her. Her unbreakable moral compass, compassion, dry sense of humour and reckless bravery has endeared me to her so much.  And yes, I do enjoy James Tynion’s controversial reimaging of her as “Orphan” along with Scott Snyder, Bryan Hill and Joshua Williamson’s take on her. Heck, I’m really digging the fun new “Batgirls” series by Becky Cloonan and Micheal Conrad. Of course, they have imperfections-such not getting Cass’s character 100%  right at times-but overall, they are enjoyable, memorable experiences.
So yes, I love Cass...
...but I hate her toxic fandom.
Now before anyone gets kittens over this, let me explain myself: There are plenty of amazing Cass fans who form a positive, welcoming fanbase-be it all of the talented fan-artists, fan-writers, etc.- and they are among the most creative, friendliest people I’ve ever met. However, I’m speaking about another Cass fanbase, one which happens to be the most pettiest, vindictive and unpleasable fanbase I have ever witnessed, to the point that they almost make H.E.A.T (Hal’s Emerald Action Team) look like saints! 
How? Why?
It’s quite simple, it begins with “Robin: One Year Later” after “Infinite Crisis”. In this story, Cassandra is suddenly turned into an over-the-top villain who makes grandiose monologues, kills without mercy and leads The League Of Assassins. Plus, she speaks fluent Navajo. (No, I’m not making that up.)  This storyline broke those fans, so much that they now see the character of Cass as “Ruined forever.” Even worse, whenever new Cass storyline comes out-be it Tynion’s “Batman/Detective comics” or the new “Batgirls” ongoing-they will hold it impossible, unreachable standards and declare it “Irredeemable garbage” that “destroys her even more”, regardless of the stories’ qualities.
   Despite one or two exceptions, they are NEVER, EVER pleased.
   You know what’s really annoying is the constant accusations of the writers “ruining her”, “infantilizing her”, “ or “having her job.” ect.
   Firstly, while Cass does loose a few fights here and there, what matters is that she gets back up again and never gives up whether it’s as lead or supporting character. So as far as I can tell, she isn’t “jobbing” for anyone.  “But the writers hate her and want to destroy her so they have her job-” No, Cass losing a few fights doesn’t mean the writers hate her nor do they want to destroy her. She’s still presented as a vital member of the BatFam through her resilence and determination. As for “jobbing”, Inigo Montoya, speak my feelings:
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  Also, remember, Cass lost plenty of times in her solo series yet none of these fans accused her creators or other writers of “having her job” or “ruining her.” Hypocritical double standards much?
   And no, just because Cass isn’t the centre character in “Batman” books or made the leader of the Batgirls doesn’t mean she’s being “turned into a submissive doormat”. When she is portrayed as being a bit more savy, snarky and light-hearted-as in the case of “Batgirls” or “Urban Legends, she is in no way being “infantilized for the sake of white women” but being shown to have a more playful side to her personality as a unique individual. 
   Tynion doesn’t hate Cass, Snyder doesn’t hate Cass, Hill doesn’t hate Cass, Williamson doesn’t hate Cass. Cloonan and Conrad do not hate Cass. If they hate the character so much then why are they using her in their stories then? As an important member of the BatFam even? 
   Another thing I really cannot stand is when these toxic fans mis-blame writers like Tynion for any misgivings they had for his work on “Batman” such as turning Cass into “Orphan”, thinking DC let him do whatever he wanted with complete freedom. I’m sorry but this is wrong. I’m going to go on limb here and guess here but from the writing and his respect for the character, Tynion wanted to make Cass Batgirl again but editorial at the time wouldn’t allow him, so he was forced to reimagine her as a completely new character with a brand new origin story. Yes, this is a different Cass but what matters is that the spirit of pre-Flashpoint Cass still lives through her.
   And there is the whole “Tournament arc” ballyhoo started by certain site users who I will not name. I just want to get it out that Williamson didn’t “steal Cass’s tournament arc”, he didn’t “spit in the face of her fans”, but most of all-yes, this is a real claim- he doesn’t “support Eugenics!” These are just flat-out lies spread out by these users, salty over Cass not being put in the centre of the universe.
   Then there is the whole idiotic controversy over Greg Weisman changing Cass’s origin story for “Young Justice: Outsiders” where it is Lady Shiva who trains her from birth to be a killer, takes her voice away by cutting out her vocal cords. Even more, it is Cass who was (accidently) responsible for Barbara's crippling. So while Weisman made a few changes to Cass and her origin story, no, he didn’t set out to “demonize Asian women” nor did he try to “hurt Cass”. Like any other creator, he wanted to bring a new twist to familiar character in order to tell a compelling story. Whether it worked is completely up to the viewer.  I can’t believe I must stress this enough but Weisman is not a “bigoted hack.” Tynion is not a “bigoted hack.” Snyder is not a “bigoted hack.” Hill is not a “bigoted hack.” Williamson is not a “bigoted hack.” Cloonan and Conrad are not “bigoted hacks.” They are normal people like you and me, who slip up and make mistakes. Sure they don’t always create successful works but they try their best and never set out to upset or hurt anyone.     
   Look, we have come a long, long way since “Robin: One Year Later”, sure the road had been bumpy, haphazard even, but Cass is now in a better place. She has gotten good stories, is in a family that loves and cares for her and, most of all, is Batgirl again. How cool is that? Yet these toxic fans can never pleased! It’s always the same-old “Jobbing” here, “Infantilizing” there, “Ruined forever” everywhere! no matter how hard DC Comics creators try to please them, it’s always “Not good enough”, followed by personal attacks on the creators themselves to flat-out DEATH THREATS. All because of one bad storyline that happened years ago! They can never move on, never be happy with anything. This hateful entitlement has just grown into negativity for negativity's sake. Don’t they realize this ends up sending a message to DC Comics? And that message is:  “Bringing Cass back was a mistake if her fans will never be pleased.”
To quote “King Of The Hill's” Peggy Hill:     
 “They don’t know what they want...only what they DON’T want.”  
  I’m sorry. I love Cass and I will continue to love her but this is just so negative and depressing. I can’t take it anymore. I want nothing to do with these angry, entitled, “no-fun-allowed” jerks anymore.  
  I’m done.
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healhtbeat19294 · 2 years
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healhtbeat19117 · 2 years
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right. last winter, i wrote an original tma-style statement about long, dark nights & such things, despite the fact that i live somewhere with incredibly sunny winters. i think it was good anyway. read it here
the pitch is: this story contains darkness (when people don't want to to be in it), unfamiliarity (in familiar places), familiarity (not actually as familiar as you think), to welcome others (some people do it more than others), trying to escape in regards to home (hard yet doable after all), and doors (doors)
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gxldheartedbrute · 5 years
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dailypronouns · 3 years
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Of it's not too big of an issue, would you mind coming up with pronouns based off Ranboo?
mem/mems/mems/memorys/memoryself
fo/for/forgets/forgets/forgetself
blu/blurry/blurrs/blurrs/blurryself
en/ender/enders/enders/enderself
wri/write/writes/writes/writeself
bo/book/books/books/bookself
pa/panic/rooms/rooms/panicself
mi/mid/middles/middles/middleself
end/ends/ends/ends/endself
voi/void/voids/voids/voidself
bo/boo/boos/boos/booself
🖤/🤍/🖤s/🤍s/🖤self
📖/📖/📖s/📖s/📖self
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knivesofgravity · 3 years
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Nekxl iv Hkstgni byesbaxn morkc ukcann nas mawy tbj sdoyt. Of iin bken nh drai cm ct try lole ccws gnn hhh knquzs.
'Rix ugr O aby usonq waozti ugr xewcgwycshz, otd sn vose ej, lc O wkhmsj ty gtyk selx muu qim hu houk wz tyi, 'Moqe (ccgqk I ruwb'z abnbqalknxr ot di fmyevz usloby, fiih vylg gnynasx). I gugh eoe nh vkab nawy, bowtiye sn fsgnc u ecz ty gx. Muu wytb g lyn mc se.
Dbxfk's cifszhshz hu bo mtwj, alinh nog, iy orl dbx dkozfx wt mi fbtk wri voasox fs vash, rca gyn usztol. Fm vabyghy hkx gc iaby ycx mo, C wwjn'd *gthzeb* nh hne zyhdre gbh vard gx.
Pat.... dbthy oxy ht zho lxoyoxm pve I mug qunpcwsttvs loe I opxbzukfem lobatjk yyo mvgt vcys, zoy, shi qnyq? Ht glv nas veyjes, eoe waotgox. B rodx'n *zsz* aziecmiom yfum dbhgk poiizk. I ncw txow shi. Zholx’g yowymvonq mmfunq, cfdurdugh, gbyom oiteueze bocgu gbvy mc med naoz cvilixe, dbth xecieiziyh. B vgd lokbkd yom ae hknx hnryozv zhymx 20 mkabm, tbj ty bxox alinh eoe axh hednxf, gnn nast soy mvgt zlhuxecm mcu? Id qtg socnem g tslxr uln akijgo vtgkd yh t dgsd naoz, wrces kxsmmsj, wkm gc roxaxf zho jksyexn.
Lixe, S ahh zhkn uwzcr zxgz ix, naoz hofisj lyf. Uiz trum kgs pik ak. Axx ewqe ryez cac C zctnk zhfie 'Vcg hu lspx gumo mhfz op xhihlo fbtk, szfbhzixa mwse lymkkex nas zwy iy iy, wrcvv sekhm pkixa tfuuxx rca. Wrcvv sekhm gkeshz orl dbx qnaxax. Gkeshz vuw S gthzebyw stoeaa hu bo lxqugxcssj? Axx gcz jemm pkckols uf lybbm fbcxbjs gcmv 'Rix, bba gcdcgu gs k vkwjgo, hhh g roulct. Id mhitdc iujooem gcc, lsex o "to-noa" hnixa, uiz bocgu xemizbozox tg omzikhgnd, hhh yowy kotdyg bbpubyw qgsd-iyt, sekhm o rod. Gxott dbth glv nas veyjes chy cgxarox fs ioefw ukt lymhkr, ni usztol, tbj id qtg un dbxa lob hhh. Un dbxa lob lxtasshz hu rowhutijy mvk dkgtuk ckolsj. Efyg dusd-gfwtg k ebzrixa zose, iin kkro vxhzeb naot efykm yixaes uno iy hnocy yiikoll, pkckols eoe gtrk try xtlobn mc *zri*.
Cm rkfshbhkli qtgt't sgfsjiknx zsay, ugr O dsxg'h xucb bh lob ugmuno. Vnh pucn.... xjkn sz bh cach'm gvemcywiavfr *tur wy* hf gninawtg sh mvk skgx kgy, opxb of S wxfzashem jinh'm ru axsmvonq nh agko cm sgssyk.... wz sdcez sekhm o rod? Nas lamn mvgt dbxfk wkm gc vromlixe di ycxgspx akaxn mvgt S btr zho mioie di xlvlylx hne gur hne zubb nan ztrkd, dbx gvamy mc yeo nas ihkhzs, gnn wacuso nh turqcos lob gr ggko.
Ugr zhknl but cifs "eoe btjk ty zhfmify lcseyhx hu houe" palvmawz. Trum'g.... kntirwtg gbh muu lyvose, opxb gs k mmihbylg potmb pwzh k qhft-oen zfadqy, usiaemx hne dcfs ce cjxbz abinbj ekwa czhol zobe wy mvk crugqk ty axh zo uhhk eoe.
Ugr yeocgu zhkn vvgnqy, zstushxze, gohnwtevs asrpox fs. O trcgy eoe qxfk try ywxsd jxfyox (iy hne yhxg chy bnfz mo) qac gcuhhkrenaxr chkn mvky'n xhbk? Efyg wl odbxfy crugukd, S hxjkr wumhkrox xbuuqb mc zhog mc ilywd oy bocgu nubn. Tbj trum'g.... g lyn, B ytog. Ugr zholx'g gn klzisexn mc he wuws, gbyom zkvofl cl mkagwzuny, uiz hyhxgzli? Naoz jemm dxofyl ae pycgh. Eoe ahh hednxf gnn ipbkd ej pvkn xiucjy ofls jin, hhh sy zuksttc, hhh g sshzzk ksx pvu alolsj mo, yost trinun id nasuronbqglvs vcaln'px pkex ytgoeb ik zksc cghkncy ycx tryf. Muu dihy zho btfj ryoms gnn yqdkcdyw butrcgu lryg bh, choh mvk cyhlswuohvsy yyo yoien qxfk sy btfyh xi foztol pvgt, khw gzivf lhxofy ycxwklw hu dy vxhzeb. Ugr O hkpx gu mewa fkszyvh lob shi lob naoz.
Tlb B hnixe B vgvo gxauri iy hnic. Gtbe youkg jogh mvk lshx oltol rca'vo vxst wsna 'Zon. S nawtk ry kot oen ht zho bhiye pik o hid, u lvupzcgu kxmols (zhyozv of ry'w dopolxr zhsm B kuuvxg'h he cokdxicyw). Zguqbbbm ad mhak degu xuko shi sany, vcsfylmohlo mbzknmy, tbj tryg xasd... "C ycxgspx muu, iin ytog?" Ugr zavebbm alinh ot.
Gbxb O skcw ctco, naoz I dbbbq yyo zcz *'Tkex* wt trum itifykgk, I wytbz id.
Jnzyewygr joomg'h pucn fsgn csgqkd gcmv sy zoegk, ob shi gincgu sy wygronq. Cm'g zho vhhn op ol. Muu qim pktdyk xasd ul aacr ul W.
O lypx muu 'Duds, vuvmxaknn, bxojmknx, pog llh, pgbsylh Usrckc iofyg akmlyk, txiohwtgmsfr. Muu ruos g gyiw vkabn, tbj yyo iiz ix nas cobe pvocr gtyks sn *lvono*.
Hhh zo wuds kvolr qopryk muu qym ohoen mvos, yl tbetrcgu. O jemm iyukfem med nh uovo shi sy *S fhjk yyo*l dxednr rorowmze, axx mvos sm asgvsyk. Rksolosy try hdziyh mc he bytr gt k nbak wryg muu mug qumwcm hu rouwwtg sn.
Rca domxfbe dbbg onpikagtsig, W caxn rca ty btjk id. C ecbe iin gu, sy gnqn 'Tkex.
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fernikart57 · 5 years
Video
Amurrao
This is another of my favorite songs of season 4 and if you’re a person who enjoys compaining and ranting about everything, this song will make you happy. This is the sixt song of the Ranking Top of season 4, of 31 Minutos. It’s about the rants and complains of a tepezcuintle, who dislikes when his parents take him to go in roadtrips.
Lyrics (In Spanish):
Estoy amurrao, aburrío, cansao. Me llevan en auto apretao, obligao A ver a un tío que es un viejo curao Con el pañal mojao, con el poto arrugao, Con la calefa fuerte como pato asao. Ao…
Quiero un helao, pero sólo hay colao. Miro el paisaje, pero está nublao. Quiero dormir, pero estoy desvelao. Quiero escapar, pero estoy amarrao Como mono enjaulao. Ao…
Tranquilo, hijo, ya vamos a llegar. Tu tío nos espera, será espectacular. Está tu primo Milton, con él podrás jugar, Sé que es un pelmazo y huele a orangután. Espérate a llegar a ese lugar.
Chupo mi chupete, lo encuentro salao. Me ponen un terno, parezco finao. Me peinan el pelo y quedo peinao. Mi mamá me habla, me tiene choreao, No sé que comió, pero huele a pescao. Ao…
Tranquilo, hijo, no desesperes más. Debes estar tranquilo, tienes que descansar. Te paso una bolsa si quieres vomitar. En sólo un par de horas nos vamos a bajar. Espérate a llegar a ese lugar.
Mejor estaría en mi casa echao Jugando al emboque o haciendo un asao, Pero soy un niño y estoy obligao A hacer lo que dicen mis viejos pesao’. Que injusta es la vida, me siento frustrao. Déjenme tranquilo, que estoy amurrao Como gato encerrao, ao…
Tranquilo hijo, que ya no falta nada. Te espera una olla llena de carbonada. Si tú quedas quieto, te compro una empanada, Puede ser de almeja o rellena con manjar. Espérate a llegar a ese lugar.
Se acaba el camino, ya hemos llegao. Se me hizo eterno. El viaje ha acabao. No siento las piernas y el cuello doblao. Me muero de sueño y estoy destrozao. Me quedo dormido, esto ha terminao. ¡Ao!
Lyrics (In English):
I'm moed, boed, tied. They carry me in car tiht, foed To see an uncle that is a drued old folk With the diaper we, with my butt wried, With the heater high, like a baed duck. Ao…
I want an ice-crem, but there's only porrie. I look to the landscape, but it's clouy. I want to sleep, but I'm sleepess. I want to scape, but I'm straed Like a caed monkey. Ao…
Don't worry son, we're going to make it. Your uncle is waiting for us, it'll spectacular. Your cousin Milton is in there, you can play with him, I know he's a prick and smells like an orangutan. Wait until wee reach that place.
I suck my pacifier, I find it saly. They put me a suit, I look like a ded. They comb my hair and gets comed. My mom speaks to me, but I'm fe up, I don't know what she ate, but smells like fis. Ao…
Don't worry son, don't get desperated. You have to be calm, you have to rest. I'll pass you a bag, if you want to puke. In just a pair of hours, we'll move down. Wait until wee reach that place.
I'd better be lyng at my home Playing with the top, or making a barbeue, But I'm a child and I'm foed To do what my annoy'ng parents say. Life is so unfair, I feel so frustraed. Leave me alone, that I'm moed Like a traed cat, ao…
Don't worry son, that we aren't missing anything. It waits for you a pot full of soup. If you stay put, I'll buy you an empanada. It can be of clam, or full of treats. Wait until wee reach that place.
The road ends, we have arried. It made me eternal. The trip has ened. I don't feel my legs and my neck is foled. I'm feeling so sleepy and I'm traed. I fall asleep, this had ened. Ao!
PD: The main joke of this song, is that many words that end in “ado” in spanish, have the “d” of “ado”, omitted, as result, they end in “ao”. If I wrote them wrong, is to translate right, because that’s how they’re in spanish. 
I hope, you like this song. Is quite funny.
If you want to understand the words, these are the words, in order:
amurrado - moped
aburrido - bored
cansado - tired
apretado - tight
obligado - forced
curado (borracho) - drunked
mojado - wet
arrugado - wrinkled
asado (as a verb) - baked
helado - ice-cream
colado (papilla) - porridge
nublado - cloudy
desvelado - sleepless
amarrado - strapped
enjaulado - caged
salado - salty
finado (muerto) - dead
peinado - combed
choreado (harto) - fed up
pescado - fish
echado - lying
asado (as a noun) - barbecue
obligado - forced
pesados - annoying
frustrado - frustrated
amurrado - moped
encerrado - trapped
llegado - arrived
acabado - ended
doblado - folded
destrozado - trashed
terminado - ended
What do you think?
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thedarkrose17 · 4 years
Text
I keep feeling ins///ecure and mis///erable about the stuff I like and like to do. Like my brain keeps telling me I'm too old to like it and too old to wri///te fa///nfi///cs but I'm only 23 and if I give all this stuff up I'll be more miserable and dull
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thiirdboy · 5 years
Note
“ g—get me ou—out of here… ”
Decisive Battle | Accepting
【 ⊳ 碇 】;
THE SOUND OF her voice is barely audible from the cockpit, but the face recognition built into the interface makes it clear who was caught in the aftermath. Only once has this ever happened before, only one time, his classmates —
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❝ Mi — Misato-san! Wri — a-ah, a civilian was — ❞ Oh God. Oh God Oh God Oh God. Did she not make it to a shelter? Is that even possible? Shinji doesn’t know and he doesn’t have time to think about it. He can only pick away at debris to free up the girl beneath it, feeling sick to his stomach at the sight of blood, so much of it, oh God. Shinji turns on the intercom from inside the plug.
❝ Hang on — you need to hang on! We’re — we’re bringing help, so please just stay with me, Wright, please — ! ❞
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ecoportalnet · 3 years
Text
¿Cuál es el papel de Wall Street en la crisis climática?
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Un grupo cada vez mayor de empresas está tratando de determinar la mejor manera de medir las "emisiones financiadas". Los bancos más grandes de Estados Unidos están en un aprieto. Bajo la presión de los ambientalistas, Wall Street ha prometido apoyar la transición a una economía baja en carbono para enfrentar la crisis climática y lograr emisiones netas cero para 2050. Pero en el camino hay una gran cantidad de obstáculos. En lo más alto de la lista está que no existe un estándar establecido para calcular el impacto climático de las actividades financieras. Ese es un problema real, dicen los expertos, porque la falta de uniformidad dificulta que los bancos y sus inversores evalúen el progreso. "Si quiere perder peso, necesita saber cuánto pesa", dijo Ivan Frishberg, primer vicepresidente de Amalgamated Bank. "Es absolutamente esencial". Ingrese a Partnership for Carbon Accounting Financials, una coalición global de firmas financieras que trabajan para resolver ese problema. Lanzado en 2015 por 14 firmas financieras holandesas, el objetivo de PCAF es forjar, y difundir, una metodología estándar para ayudar a las instituciones financieras a medir sus llamadas emisiones financiadas. Se piensa que una vez que las empresas desarrollen una comprensión más profunda de su huella de carbono, podrían comenzar a responder tres preguntas críticas sobre su camino hacia el cero neto. "¿Qué clientes debo involucrar, debo desinvertir y qué tipo de productos puedo desarrollar para ayudarlos en la transición?" dijo Giel Linthorst, director ejecutivo de la secretaría de la PCAF. PCAF durante varios años se limitó a empresas de los Países Bajos. Pero desde entonces se ha extendido a América del Norte y otras regiones, convirtiéndose cada vez más en un centro de gravedad para las empresas que están lidiando con el cambio climático, e intensifica la presión para hacer algo al respecto. Amalgamated, donde Frishberg dirige el trabajo relacionado con la sostenibilidad del banco, se le atribuye en parte la adaptación de la iniciativa holandesa al mercado norteamericano y la globalización de PCAF. En la actualidad, 111 empresas con $ 27,9 billones en activos se han comprometido a medir y divulgar sus emisiones financiadas a través de la metodología de PCAF. Eso incluye Bank of America Corp., Citigroup Inc. y Morgan Stanley, que se han unido desde julio. Emilie Mazzacurati, directora global de soluciones climáticas de Moody's, dijo que PCAF resuelve un “problema de larga data” al tratar de crear un estándar único para guiar a los bancos a través de un desafío contable increíblemente complejo. Y a sus ojos, "cuando se trata de estándares, menos es mejor". Reconoció que la metodología es un trabajo en progreso y necesitaría mejorar con el tiempo. Pero argumentó que los bancos deben trabajar juntos, en lugar de desarrollar "algo completamente separado que hará que la comparabilidad sea más desafiante y posiblemente introduzca confusión". “Cuando tienes algo como esto que está ganando terreno, que está aportando mucha claridad y consistencia en el mercado, desde mi perspectiva, entonces uno debe participar”, dijo Mazzacurati.
No todo el mundo está de acuerdo.
Tres de los seis principales bancos estadounidenses aún no se han incorporado: JPMorgan Chase & Co., Goldman Sachs Group Inc. y Wells Fargo & Co. Si bien las tres empresas han indicado que tienen la intención de evaluar su exposición a las emisiones de carbono de alguna manera, no han dicho que lo harían a través de PCAF, a diferencia de los otros tres grandes bancos estadounidenses: Bank of America Corp., Citigroup Inc. y Morgan Stanley. Eso podría deberse a una variedad de razones. Entre ellos está el hecho de que apenas están comenzando los esfuerzos para alinear las carteras de préstamos masivos con los objetivos del Acuerdo de París. Eso significa que el sector financiero todavía está trabajando para determinar la mejor manera de medir y reducir su huella de carbono, una hazaña que dependerá de las emisiones de las empresas en todos los sectores de la economía.
Pero los activistas climáticos dicen que Wall Street se está quedando sin tiempo.
Los seis bancos más grandes de EE. UU. Han inyectado más de 1,1 billones de dólares en empresas de petróleo, gas y carbón desde que entró en vigor el Acuerdo de París en 2016, según un informe de 2021 de grupos ecológicos. El problema no se limita a Estados Unidos. Sesenta de los bancos más grandes del mundo han dirigido $ 3.8 billones hacia el sector de combustibles fósiles desde que entró en vigencia el acuerdo de París. Esas cifras, que no tienen en cuenta otros sectores con alto contenido de carbono como la agricultura o la manufactura, levantan señales de alerta sobre la capacidad de los principales bancos para cumplir sus promesas para 2050, dicen expertos y activistas. “No se necesita un análisis adicional para saber que los combustibles fósiles representan la mayor parte de las emisiones financieras de los bancos”, dijo Jason Disterhoft, quien dirige la campaña financiera de Rainforest Action Network. “El clima no nos da un período de gracia para que las corporaciones pongan sus patos en una fila”, agregó. "Necesitamos recortes a partir de ayer".
'PROBLEMAS CON LOS BANCOS'
El concepto de seguimiento de las emisiones financiadas se remonta a más de una década. Cynthia Cummis, quien dirige la mitigación climática del sector privado en el Instituto de Recursos Mundiales, se encuentra entre los que estaban trabajando en la idea desde 2009. Su iniciativa se llamó Protocolo de Gases de Efecto Invernadero. Lanzado en la década de 1990 por WRI y el Consejo Empresarial Mundial para el Desarrollo Sostenible, el objetivo del proyecto era desarrollar estándares para ayudar a las corporaciones a calcular sus contribuciones y vulnerabilidades al aumento de las temperaturas. Hoy, esas pautas contables son las más utilizadas en el mundo. Incluyen metodologías para determinar no solo las emisiones operativas y el consumo de electricidad de las empresas (emisiones de alcance 1 y alcance 2, respectivamente), sino también la producción de carbono de todas sus cadenas de valor. Las emisiones financiadas se incluyen en esa tercera categoría, también conocida como emisiones de alcance 3, que engloba los impactos climáticos "indirectos" de las empresas: por ejemplo, la producción de carbono de los desplazamientos diarios de los empleados o los gases de efecto invernadero liberados por un producto después de que ha sido comprado. Alrededor de 2009, WRI y otros grupos comenzaron el proceso de desarrollar una guía más completa para la categoría de “inversiones” específicamente, dijo Cummis. Pero no pasó mucho tiempo antes de que se toparan con un obstáculo: los bancos no estaban mordiendo. Las empresas no estaban convencidas de que la métrica proporcionaría información significativa sobre sus riesgos relacionados con el clima o les ayudaría a desarrollar una estrategia para impulsar reducciones de emisiones en la economía real, dijo Cummis. También se mostraron en desacuerdo con los conjuntos de datos incompletos y las suposiciones que se requerirían para calcular los impactos climáticos de sus libros. Los bancos no se equivocaron en que sería difícil. Se necesitan datos extremadamente granulares para determinar la producción de carbono asociada con un solo préstamo a una familia para un automóvil nuevo, y mucho menos cada tipo de financiamiento que las empresas brindan a los hogares, proyectos y empresas cada año. La IRG reconoció los desafíos que se avecinan. Pero Cummis dijo que el grupo aún creía que calcular las emisiones financiadas sería una "métrica muy útil para que las instituciones financieras y las partes interesadas comprendan la exposición general a las emisiones de gases de efecto invernadero". Al final, los bancos siguieron sin estar convencidos. WRI puso fin a la cuestión. “Es muy difícil perseguir un estándar cuando no se cuenta con la aceptación de sus principales accionistas”, dijo Cummis. "Creo que esencialmente nos adelantamos a nuestro tiempo", agregó, "y las instituciones financieras no estaban preparadas para lo que les pedíamos que hicieran".
LA FORMA PCAF
PCAF retomó donde lo dejaron los otros grupos. Después de varios años de trabajo, la coalición lanzó en noviembre el primer "estándar global para medir e informar las emisiones financiadas". Esa norma es un denso, de 134 páginas de documentos que cubre seis tipos diferentes de inversiones, también conocidas como clases de activos. Varios ejemplos son las hipotecas, las acciones y los bonos, y los préstamos que los bancos otorgan para bienes raíces comerciales y vehículos de motor. Para cada clase de activo, las empresas primero deben calcular las emisiones anuales de carbono producidas por la propiedad, proyecto o empresa en cuestión. Luego, después de determinar la participación del banco en el valor total de, por ejemplo, un nuevo edificio o proyecto de tubería, la empresa puede evaluar de qué parte de las emisiones anuales del activo es responsable. Linthorst, de PCAF, lo expresó de manera simple: “Si tiene una participación del 10% del valor de la empresa, entonces se queda con el 10% de las emisiones. Lo mismo ocurre con un proyecto o propiedad. “Eso es lo que llamamos atribución”, dijo en una entrevista. “Podrías tener un préstamo, podrías tener una participación accionaria o incluso un bono. ¿Cómo atribuye las emisiones anuales de una empresa a esos tres tipos de instrumentos financieros? Eso es lo que hemos definido principalmente ". Ese cálculo complejo se vuelve más desalentador por dos factores: las principales firmas financieras tienen miles de clientes. Y muchos de ellos no miden ni divulgan sus emisiones anuales. Frishberg destacó los préstamos inmobiliarios comerciales, que se utilizan para financiar la adquisición, desarrollo y construcción de propiedades como centros comerciales y hoteles. En algunos casos, los propietarios de edificios no rastrean ni informan los gases de efecto invernadero producidos por sus propiedades. Eso significa que los bancos tendrían que depender de modelos, suposiciones y datos promediados para evaluar los impactos climáticos de su relación con ese cliente. Ese es el desafío básico, dijo James Mitchell, director del Center for Climate-Aligned Finance, un proyecto de RMI. “Uno pensaría que tendríamos excelentes datos sobre emisiones de gases de efecto invernadero y que se distribuirían maravillosamente entre las clases de activos. Pero ese no es el caso ". Definitivamente es un factor limitante. Pero también es uno que el estándar PCAF comienza a tener en cuenta. “Cada metodología viene con una escala de calidad de datos de 1 a 5, de modo que puede comunicar no solo cuál es la estimación de las emisiones financiadas, sino qué tan seguro está de esas estimaciones basadas en los datos subyacentes a los que tiene acceso”, dijo Mazzacurati, de Moody's. El objetivo de la escala es permitir que los bancos comiencen a examinar sus emisiones financiadas, incluso si requiere hacer estimaciones simplificadas basadas en información dispersa. La clave es ser transparente sobre la especificidad y confiabilidad de los datos que informaron las estimaciones finales. “Eso es realmente importante, porque permite la comparabilidad, genera confianza en el sistema y permite el progreso en el tiempo”, dijo Mazzacurati. De esta manera, agregó, los bancos pueden "comenzar a hacer algunas estimaciones y luego refinarlas con el tiempo a medida que recopilan los datos que necesitan para cuantificar mejor las emisiones financiadas".
SIN 'SISTEMA PERFECTO'
Los expertos dicen que el debate subraya la complejidad del problema. “Este es un cambio que se está tomando muy en serio en el sector financiero”, dijo Mitchell. "Pero es un cambio realmente grande, y estas son empresas muy grandes que esencialmente tienen que cambiar sus negocios de adentro hacia afuera". Aun así, agregó, "está muy claro que hay mucho impulso detrás de PCAF, y de alguna manera se está convirtiendo en el estándar". Los defensores de la metodología PCAF reconocen que el protocolo probablemente necesitará revisiones y que por sí solo no impulsará las reducciones de emisiones necesarias para evitar los peores impactos del cambio climático. "La presentación de informes no es perfecta ... y sí, PCAF busca modelos y suposiciones", dijo Danielle Fugere, presidenta del grupo de defensa de los inversores As You Sow, que ha presionado a los principales bancos estadounidenses para que revelen sus emisiones financiadas. Pero desde su perspectiva, eso no debería impedir que los bancos usen y mejoren el estándar. "Somos algo escépticos ante la afirmación de que este no es un sistema perfecto", dijo Fugere. "No hay un sistema perfecto". Artículo en inglés. Read the full article
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