friendly reminder that creators within fandom (whether it be gifs, edits, meta, fanfiction or fanart) choose to take time out of their day to provide you with new content for free.
it’s easy to take it for granted since it only requires a few seconds/minutes to scroll through your dash, but it’s important to remember that behind that there are often hours, if not even days, of work and dedication.
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I'll drip feed you wolemet art and thoughts just like I did with wolgraha, until you look forward to watching it unfold in the comic :3c Emet steps on the largest rake in his life, Vivi, well, too, though his rake doesn't kill him at least....
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Well I want a daytime kind of love
Attended a ritual (ghoncert, even) a few days ago and UAHFHGHGHGGHHH,,,,,
I am healed and my brain is mushed in the best way possible and I have been given severe brainrot and the urge to sew uhm. All of Copia‘s outfits
Flowerless version under cut :)
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‘Casper, The Taciturn Sentinel’
Digitised some sketches of Casper I really liked and ended up with this, Character page collage thingy
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women named peanut butter in some life & twice as sweet...
A FUN LITTLE HANDFUL OF SOFT FUZZY WOMEN FOR MY BELOVED @tomiechu ~
look familiar? FUN FACT! these are all based off of sailor moon shots!
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the thing is, like, imogen is blunt, and indecisive, and impulsive. she's cynical, angry at the world, and seemingly much less interested in doing good than in holding on to her loved ones. she's hypocritical, incredibly violent one moment and horrified at the prospect the next. she's passive aggressive, on occasion. she's overly critical. she's scatterbrained.
and all of that stuff is very fucking fascinating, and so fun to watch, and core to what makes her her. but not only are those things not the totality of imogen as a character, they're very much inextricable from the things that make her sympathetic.
imogen has spent much of the last decade of her life in pain, and isolated because of it. when she wasn't alone she couldn't relax, having to keep tight control over her mind so as to not get overwhelmed or invade the privacy of others. because even through all that pain and loneliness, she still bore the responsibility not to impose on other people's minds. and when she fails or slips up or gives in, all of the distrust and suspicion she recieves regardless is suddenly viewed as justified.
which is not to say imogen is not responsible for her actions, or the harm she causes others. of course she is! no one is saying she isn't! but, just like literally every other person, her actions don't exist in a void but within the context of both her past and present.
analyzing that context and coming up with explanations of her behavior that consider it is not excusing her actions or refusing to acknowledge her flaws. it is not coddling imogen to sympathize with her even when she's fucking up. these are pretty standard ways to discuss a character you enjoy actually! it's weird that having a nuanced perspective on a character's actions is being treated as an issue!
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What about a drone's camera feed? My drone likes to film other people's business and show it to guests for "blackmail reasons" and "gossip themes" and idk what to do
our certified technicians have deduced that there is nothing wrong with your drone. they do, however, think that there may be an error with the user and suggest you seek assistance from a psychiatrist or perhaps even take a look deep inside yourself 👍👍
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ok like, aa5 is not a Good TM game (it's possibly the worst structured aa game I've played so far, ignoring whatever the fuck the crossover was!) but i keep thinking about athena and simon and pondering whether they're my favorite protagonist-prosecutor dynamic since phoenix and edgeworth. bc it's like.
you're seventeen years old. you walk into your mentor's lab and find her bloody corpse on the robot disassembly setup, her equally bloody kid daughter next to her saying she tried to fix her mom and you just. you can't let this kid go to prison. so you frame yourself and smuggle her out and probably clean all the blood off of her. you don't say a word in your defense, even when it means you're going to death row, even when your older sister begs you to. you spend the next seven years in a cell realizing there's a real killer and trying and failing to find them.
you're eleven years old. your mother is murdered and everyone's convinced her student did it but you know he didn't, you know, but no one listens to you because you're a kid who doesn't remember anything and can't explain the emotions you're hearing (your mother would've been able to). his older sister who loved your mom, the adult closest to her - turns out she hates you, she thinks of you as a spoiled brat who did your own mom in and doomed her brother. you spend the next seven years speedrunning your adolescence to become a lawyer, because that's the only way to save this guy you know didn't hurt anyone.
obsessed with this.
I think what gets me is that this is not a Phoenix and Edgeworth situation. At no point are we told that Athena and Simon were close before the incident, and in fact I prefer the reading that they weren't. Obviously there is a baseline politeness, given Metis, but one was a withdrawn and often overwhelmed preteen and the other a bright older teenager at the beginning of his career.
It's that, when it all goes down, they both look at each other and go, I can't let this person take the blame, it's not fair. And this is key: During those seven years, they have no idea that's what the other person is thinking!
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