Tumgik
#meeting a quota
girl4music · 6 months
Text
REPRESENTATION ANXIETY AND WHY IT’S BAD FOR ACTUALLY PROVIDING REPRESENTATION / WHAT CONSTITUTES AS REAL REPRESENTATION / WHY ITS IMPORTANT IN TV ART/ENTERTAINMENT
Ever heard of the phrase “representation anxiety” when it comes to TV art/entertainment? No, I haven’t just made it up: it’s a real thing/a real concept. It’s something that’s only come up recently actually. See representation - especially when it comes to sexuality/identity/gender - is all over the place now. Therefore it’s nowhere near as restricted/limited as it used to be when writing and producing TV art/entertainment. And so representation is often made a “quota” in the TV art/entertainment landscape now. Creators are encouraged and expected to include it somewhere - usually for selfish reasons - a means of getting more or better ratings (i.e. making more money/gaining more power/success/fame) by the studios, networks or streaming services/companies. It’s a literal quota to meet as if in the business of sales - because technically it is about sales. And so there is an anxiety surrounding providing that representation and meeting that quota of representation by creators in TV art/entertainment. And this anxiety is a pressure and when pressure is involved in creating art/entertainment, things go wrong very quickly out of sloppiness, carelessness, laziness, ignorance. The anxiety is so strong that there is a loss of focus.
Now anybody that suffers with anxiety knows why this is. It’s because you’re so focused on and worrying about and overthinking what makes you anxious that you lose sight of everything else that’s important. In context of creating art/entertainment this means the quality of your writing/producing starts to decline because you neglect the storytelling aspect to focus entirely on the representation aspect - and so representation now becomes something you’re forcing and contriving into your art/entertainment rather than letting it flow and ebb naturally and organically. Plot and character narrative/theme or arc takes second place to making sure you show that gay/queer couple doing gay/queer things as much as possible without a foundation for why or how. Whether it makes sense, is logical, feels realistic or even is at the right place and time for it. All that takes a backseat. All the detail, all the nuance, all the substance just gets sucked out completely in favour of meeting that fucking quota you’re pressured to meet by the higher-ups at the studio/network/company who could not give a shit about your work - what it provides, what it teaches - when or where. They’re not gonna watch it. Executives very rarely ever watch the media they greenlight for production unless they absolutely have to because it’s failing so they can sus out why they believe it might be failing. It’s not for any kind of genuine support or help or in solidarity for your passions, your ambitions, your heart. They don’t care about any of that unfortunately. Creative ideas and decisions don’t matter to them unless those creative ideas and decisions make bank. So you’re not doing yourself or anyone else that cares any favours by forcing and contriving representation. By being so anxious about it that you’ve lost your focus. I get it. It’s not easy when it’s a major project. When there’s people watching you do what you do. But the thing is is representation is not proper or genuine representation if it’s just put in there for the sake of it. When there’s no rhyme or reason behind it. And I’ve watched a lot of TV art/entertainment where this is unfortunately the case. Where I can tell that it’s just a quota to meet and isn’t giving me anything substantial or real. I almost immediately pick that up. Sometimes it’s in a really selfish way like with queerbaiting - which by the way - you can queerbait a canon textual couple just as much as you can non-canon subtextual ones because if your couple is not proper/genuine gay/queer representation anyway… then it’s going to come across very queerbait-y because of all the forced sexual intimacy and then no context behind why or how it happens - no communication between the characters - no aftermath, no set up, no emotional connection, no chemistry - no realism or depth. It’s going to seem like an act - which obviously it is - but your viewers aren’t supposed to think or feel that way. It’s supposed to be convincing, it’s supposed to be well written and performed to the point where it looks and feels real. That’s when representation really works. When the viewers watching are fully immersed or engaged in what’s happening on the screen that they feel things. That’s guaranteed not to happen when it’s forced in.
Here’s the deal. Communication and connection. If you can show this happening between the characters both when it’s in a sexual context and when it’s not - then you’ve got something substantial with which to build on. The main problem with forced or contrived representation is that there is no foundation for it. It just comes out of nowhere. It just happens randomly. There’s no slow burn or anything even remotely close to any genuine connection or attraction or love between the characters that you force into a romantic/sexual relationship. It lacks everything that makes it stand up and holds it up. It lacks foundation.
I personally tend to gravitate towards slow burn and friends-to-lovers or even enemies-to-lovers situations and tropes in TV art/entertainment because there is rich history there between the characters where it actually seems probable and even appropriate for them to develop into romance. You can see and feel the chemistry radiating off of them, the intensity, the longing, the passion - in more than just a sexual way. There’s deep emotions and feelings there that drive the attraction the characters have for one another. I very rarely see that anymore in TV art/entertainment. And I understand the reason why this is - it’s time constraints mostly and it’s not the fault of creators. But that doesn’t make it any easier for me to watch it. I can’t justify watching, supporting and shipping a couple or a relationship just out of time constraints because that makes me feel fake and obligatory and yeah - that’s not something I wish to feel in watching TV art/entertainment. I want my experience to be genuine and real just as much as I want the characters and their relationship to be genuine and real. I’ll be honest - I don’t watch pure romance or love stories because if that’s the only thing that piece of art/entertainment is for or about - it does feel very fake. My niche is action/fantasy/drama because there’s more going on with the individual characters - they have individual stories, arcs, developments and those don’t take away from the romance or love story. Actually,… it tends to help it and cultivate it because if the individual characters feel real and fleshed out, probably, very likely, the relationship also will too because all of the individual detail informs the coupling detail. You see? This gives it foundation.
Xena and Gabrielle are my most favourite gay/queer relationship of all-time despite them not even being textually canon - as in they were never confirmed as canon lovers or a canon couple in the TV show itself. They actually couldn’t be. I’ve gone into the reasons why this is many times before so I won’t talk about it in this post. Anyway, there is a reason why they are and still remain my favourite and honestly the best representation of any romance or love story - gay/queer or otherwise - that I’ve ever since in TV art/entertainment. The reason why is because they’re main characters that have a lot of focus on their individual representation and development each and all of that builds incredibly solid foundation for what becomes their “non-canon” romance and love story. And in every way where it actually matters,… it is what a depiction of a romance or love story should be. This TV show is action/fantasy/drama with some comedy thrown in here and there. It’s truly the most insane, farcical, campy shit ever - but THEY FEEL REAL. They communicate, they emotionally connect, they declare their love, they kiss, they get married, they behave as domestic, they have a baby… Even though they’re not confirmed as a main-textual canon couple in it, they are exactly what representation for romantic/sexual relationships should be in TV art/entertainment today! And because IT’S NOT… that’s why it is still THE BEST. Them being my favourite is a subjective obviously, but yeah, they are genuinely objectively the best representation there is in TV art/entertainment because they’re a same-sex main protagonist couple. Both of them. Not one a main character and the other a supporting/recurring character. Both of them are THE ONLY main protagonists all throughout the entirety of the show. 6 SEASONS length of a show. And their romance/love story is a major storyline. It’s not a textually canon romance/love story, but it plays out exactly like one regardless of the “non-canonity”. So it doesn’t matter. It does not matter whatsoever. Now here’s the problem with watching this show in this day and age where representation is expected. It can come across as queerbaiting that there is so much ‘will they-won’t they’ subtext. I hate queerbaiting with a searing passion. I think it’s the worst thing that we have to put up with in TV art/entertainment in a queer narrative. So trust me when I say that what it may initially look like you - it isn’t. Again, I’ve explained why many times before so I’m not gonna go into it here. But give this show a chance. Seriously, give it a chance. It is an EPIC love story.
I’ll leave this post off by saying that representation anxiety is awful and I do understand the pressure but I cannot support representation that’s forced and contrived. Not when I’ve had a life-changing experience where I’ve gotten so much better and where I know what real representation looks/feels like.
This is not an order. It’s a request.
Do better because representation anxiety is ruining what should be amazing influential art/entertainment that people can really learn from and be inspired by every day that they watch/interact with/engage in your creation be it in whatever format - but it’s especially important in a television/visual format because people look into it and see themselves in it. They would get a sense who they are and what their purpose is through watching this TV show or movie or video with characters that can mean so much to them that have a relationship between them that can be seen or interpreted as a romantic/sexual love story and you have to provide the foundation and honesty and the substance for it to be real representation. Meeting a quota is not worth it and it’s not enough.
If you want to know what you should be aiming for and attempting to achieve instead… it’s actually this:
youtube
youtube
10 notes · View notes
hinamie · 1 year
Text
Tumblr media
nanami i respect u so much,
15K notes · View notes
caycanteven · 3 months
Text
Tumblr media
shakes rapidly
...c'mere pap lovers, I brought you food~! /j
(I will make headcannons for the Papy's soon I promise)
Big love to the creators of Swapfell and Fellswap 🫶
909 notes · View notes
aueua · 3 months
Text
Tumblr media
FOR THE COMPANY
Tumblr media
477 notes · View notes
evercelle · 1 year
Photo
Tumblr media
i’m gonna be somebody else
2K notes · View notes
ultrainfinitepit · 1 month
Text
Tumblr media
Little blue seraph I drew a while ago
135 notes · View notes
skelenova · 1 year
Text
Tumblr media
a DTIYS for @matchstique that got... out of hand, haha.
i like to think they snuck out at some point to practice boarding, and then they put the ramps in the lair so they 1. wouldn't have to sneak and 2. could have dangerously high/steep ramps.
anyway, here's a progress breakdown! this was a lot of fun to make 💖
Tumblr media Tumblr media
536 notes · View notes
stuckinapril · 8 days
Text
When I’m a fucking doctor you best believe I will single handedly reformulate the way ERs in the states conduct themselves. I will literally obliterate the current system and build a new one
86 notes · View notes
wastelandhell · 1 year
Text
danse is the kind of guy who would dress like an undercover cop. he has negative fashion sense.
410 notes · View notes
paganminiskirt · 2 months
Text
Vegeta will tell people he has no heart but Bulla reaches the age he was when his father started taking him to gleefully participate in the culling of thousands and she wears pink plastic jewelry and gets ice cream after dinner and squirms in her seat while her mom braids her hair and he feels something twist in his ribcage like it’s trying to decide between gratitude or grief or both.
73 notes · View notes
Text
I really really really can't stop thinking about being able to just climb into someone's lap, have them wrap their arms around me while I rest my head against their chest, like nothing else matters because it's just us here
189 notes · View notes
dozenssporks · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
it’s him
the trash can samurai
270 notes · View notes
rinmemesuoka · 2 months
Text
was complaining about this on twitter but god the most annoying genre of dunmeshi posting is people pretending like they don't know the difference between misogynistic fan-service and women being sexual/sensual and pitching a huge fit over someone else making a "senshi taking the fanservice bullet for the women" joke or expressing their relief that the women of dunmeshi aren't subjected to objectifying fanservice
like for god's sake i hate the "uwu soft hand-holding sapphic" treatment given to women in media that writes them off as desireless, "pure and wholesome" beings regardless of the characters themselves expressing sexuality in-text as much as anyone but you have to be playing dumb to act like someone saying "boy i'm glad the camera isn't contorting itself to peek at marcille's crotch all the time" is the same thing.
60 notes · View notes
Photo
Tumblr media Tumblr media
can i get more of these blonde bitches thanks
1K notes · View notes
s0ckh3adstudios · 2 months
Text
EVERYWHERE I GO I CAN'T AVOID MARTLET SHIPS. /NEG
38 notes · View notes
ashenberry · 8 months
Text
Tumblr media Tumblr media
[ID: Image 1: a digital drawing of Ollie from I expect you to die 3 in a photograph. He has short dark brown hair parted to the side, sideburns and a goatee, as well as an eyepatch over his right eye with the zoraxis logo. He is wearing a grey coat with black gloves and a green sweater. He is smiling mouth open giving two thumbs up
Image 2: a 2 panel digital sketch comic of agent Phoenix wearing the zoraxis knitted gloves in the underwater base of operation Hot Water. In panel one he is listening to Ollie talk with his hands under his chin. Ollie: After all this time I can finally leave! I can’t thank you enough Zoraxis AI: Welcome to our state-of-the-art Zoraxis escape pod Panel 2: Ollie: Oh this pod seems very safe :] take it easy who ever you are and thanks again! I hope I see you again someday! Agent Phoenix is weeping into his hands. end ID]
Reginald they fuckin killed Ollie do you hear me. they killed him reginald.
111 notes · View notes