aziraphale's angelic touch burns crowley, it's like pressing a hot iron to his skin, and yet he reaches out and gently puts his angel's hands onto his cheeks, ignoring the pain and the stuttered resistance.
"there are," he whispers, breathing in his grace like wildfire smoke, "some things worth hurting for"
crowley kisses him, and really hopes it won't destroy him, but even if it does, what a wonderful way to die.
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Omg halloween event... i can't wait to see Mika scared
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chickie RUN
bf was looking to get a new popsocket and asked me for some Fresh Chickens for a design. He went with the plain white one (after I spent so long drawing those wyandottes man!!)
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this is holiday #3 where it's just me and my parents with no other family to act as a buffer. so far we have 1 holiday that was good and 1 that was pretty miserable, so it's a coin toss on what tomorrow's gonna be
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getting ice cream from the vending machine is fun because you CAN put a price on sugar-induced dopamine hits and that price is $2.25
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I'm having Thoughts on how differently Siegfried Alter acts at Bond 10 depending on which ascension he's in
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overlooking all the other reasons why the show went downhill: katara’s feminine rage missing, aang getting guilt punched every episode, bumi being ooc, almost zero gaang bonding episodes, three episodes compiled into one (done twice), azula being introduced too early + given too much screen time, the cave of two lovers being in s1 when it was a s2 episode— all of that is valid but the show can really be pointed out in two ways where they went downhill:
aang never waterbended once during a season where it is literally called book one: water.
yue’s wig.
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looking at my own drawings i straight up cant draw a character the same way twice EVEN IF they are drawn multiple times on one page fuck me
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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