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#mary jane healy
erinzakwrites · 8 months
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I'm seriously just so sad that I didn't get to see her again in this role. She's literal perfection. I'd take a bullet for her. Heidi is Mother. Forever.
When I say she *became* Mary Jane, I don't simply mean she was doing a phenomenal job acting. I mean you literally could not tell where Heidi ended and Mary Jane began. I've never seen someone, on stage, on the screen, so perfectly embody a character before. It's actually really sad that she wasn't the original MJ because I guarantee she would have won a Tony for it. And on top of alllll of that... MY GIRL CAN SING. Christ on a bike can she siiiiing. Her voice is just...goddamn chef's kiss. I'll never stop loving you, Heidi Blickenstaff. I handed her my heart that night. I have a feeling she won't ever hurt it, even though she has no idea she has it.
Love you so much, Heidi!
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khalevsi · 2 years
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just some new tags 😌
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leavesfallensparse · 13 days
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Cigarettes & Wine | M. Healy | 1
'I want a photo of you in my bed, to carry with me when I go out west.'
In which Sadie and Matty have a very brief, very awkward, and very anxious encounter, Sadie gets very flustered but quickly finds herself fitting in with the group of rowdy boys and too many feelings are felt for her teenage brain.
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warnings: drug use, implied alcoholism, implied parental neglect, my sweet angel sadie being a sweet angel.
word count: 8.5k
a/n: soo .. hiiii! i am juniper and im begging you guys bear with me i have Never posted on here before. BUUUUTT i am vvvv nervous and excited to be posting this but it's been in the works for tooooo long. begging and screaming to be let out of the word doc its been confined to. so here we are i guess. pls enjoy sadie and matty they are my Children. if the title wasn't hint enough.. this is only part one.
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Sadie has had the most stressful morning of her entire life. Her tie is untied around her neck and the only thing she cares to grab hold of is her camera. Her entire life is on that thing, and although she may be merely 14, her camera is her child. She hears her mother huffing at the bottom of the stairs and straightens up to catch a look of herself in the mirror, a mess, as she suspected. Her shirt is buttoned up wrong, her skirt is half tucked into her tights, she has on one Mary Jane and her backpack’s contents are strewn messily across her bedroom floor. With some swear words muttered along the way she is in the car within five minutes and her mum is chewing her out for being late to her first day of Year 10, which she couldn’t really care less for.
“I’ll see you tonight, mum! Love you!” Sadie slams the car door before she can hear her mums reply and heads into the school she’s grown to know quite well. She’s fallen into a friend group with some girls that she thinks will do for her high school endeavours, but Sadie already knows she’s destined for bigger than the small town of Wilmslow. Somebody else who thinks this way is Matty Healy, the boy who’s just gone into Year 11. Sadie has noticed him before, they both tend to frequent the music department, Sadie finds it visually appealing for her photo collection, whereas Matty finds it appealing to the ears, especially his own guitar strumming. Any time their paths cross Sadie bows her head and pretty much runs in the opposite direction, face as red as the wine her mum drinks when the sky gets dark.
As Sadie enters the front of the school she signs in late at the front and heads to her class, putting her camera in her backpack as she approaches her English class. She sighs and opens the door with stuttered apologies for being late, Sadie might be confident and come across as such but that doesn’t mean her 14 year old brain isn’t scared of high school teachers and their strictness. She stumbles to her seat and sits down, accidentally throwing her bag at her feet once she gets out the book the class are in the middle of silently reading. Even though she doesn’t know why the class is reading on the first day she’s thankful for it because it lets her mind wander, her dreams of being a famous photographer is what her mind favours over ‘A Tale Of Two Cities’, Sadie finds Dickens to be boring. She prefers the Brontë sisters.
When lunchtime finally rolls around Sadie is where she can normally be found, the music department. Her camera is lazily slung around her neck, her backpack having been left with her friends in the library. She favours avoiding the gossip for finding inspiration in the usual practice rooms, the ones she hasn’t found inspiration in for a while now. She spent every day before the Summer holidays begging whoever might be looking down on her for something to take a photo of. Somebody else had been wandering the same corridors as Sadie. Everyone in her year talks about Matty Healy, “the boy in the year above with a natural affinity for the guitar he’s always carrying around the school carried a naturally mysterious air.” Sadie can’t think of a single girl in her year who wasn’t utterly obsessed with every move of Matty Healy. Including herself, even if she’s very hesitant to admit it, an admirer from afar per se. She likes to think of him more in the sense of ‘his appearance is inspiring to her camera’.  Sadie was looking down at her feet, frowning at the scuffed shoes she wore for the entirety of Year 9 when she felt a larger figure bump into her. As she looks up and sees Matty with a guitar case in his hand she can’t help the pink tint that rises on her cheeks.
“Oh! Erm, sorry!” Sadie somehow manages to force the words out of her mouth. She seems to have the same shyness about her when talking to Matty that she does when looking her English teacher in the eye. An interesting discovery. She loses herself in overthinking the tone she just took with Matty when she hears him reply to her, something she wasn’t expecting in the slightest.
“Don’t worry, I wasn’t paying attention, my bad.” He meets her eyes and genuinely seems like he couldn’t care less about her mistake, he seems to take more notice of her camera, his head tilts and his eyes squint in the direction of it hanging limply on her neck. She seems to grow more confident in herself when she realises he’s looking at her camera, she knows she’s good at photography, that’s something she could talk about endlessly. Matty lifts a finger and points to said camera. “You any good?”
Her eyes widen slightly at the question, and she clears her throat at the same time her head begins incessantly nodding, she is acting crazy. She then begins to overthink her nodding. Why is she overthinking so much? Maybe she’s just having an off-day. She decides that she nodded like that because she knows she’s a great photographer, why would she not be overconfident about it? Seems normal enough.
“Cool. Can I see any?” This is when Sadie’s heart rate picks up. She doesn’t know why; she doesn’t want to know why. She also does not want to know why he is asking her this. Matty’s question has sent her brain into full blown panic mode, maybe she does want to know why he’d like to see her photos. What could possibly intrigue him about her? The squint tie around her neck? Her incredibly dirty Mary Janes? In her 14-year-old brain she decides he fancies her. She’d come to find out in many, many years that she was, in fact, right.
“If you want? I’m bringing my hard drive tomorrow for my art class, they’re letting me use my photos this year, meet me at the library?” She says this with a coy smile on her face, in her head she is feeling a lot less coy because of the way Matty is smirking at her. What she doesn’t know is that he is looking down at her with a smirk because her face is so red that he thinks there’s something wrong, maybe it was something he’d said? After a beat of silence, he blinks down at her with a nod, and they bid their goodbyes. Once Sadie is sure Matty has turned the corner she lets out a silent squeal before quickly bolting to the school’s library and sitting down at the table her friends are at, she might not view them in any light, but they do love gossip. She takes a moment to catch her breath before turning to her friend sat beside her, “Matty Healy wants to see my photos. I have no idea why.”
Suffice to say Sadie didn’t sleep a wink that night. She sneaked through to her dad’s office to edit photos on the family computer at midnight when she was sure everyone was sleeping and when she was sure the photos were on her hard drive she went back to bed and tried to sleep. Unsuccessfully. She then had to drag herself to school the next morning, early, to meet Matty before classes. She had no energy to even be nervous, the eyebags on her face spoke for themselves. She all but flopped down on the seat next to the boy who held in his laugh at the sight of her. “Don’t laugh! I had to edit some of these photos before you saw them, and my bloody dad wouldn’t get off the computer last night, so I had to do it after he was sleeping! Anyways, wanna see?” When Matty nods with a smile she rifles through her backpack for her hard drive.
After silently looking through her photos for, like, three whole minutes, Matty turns to Sadie with a single nod. “So, I’m in a band. I think they’d love these. How about you come to our next practice and take some photos of us? See if they like what you do?” Sadie is now a mere puddle in her computer chair. She doesn’t speak in fear of her mouth betraying her, what would she even say? She nods for a while; she doesn’t know how long she nods for, but she knows it’s been a while.
“Yup, sounds good. Yeah, cool. Cool. Where do you guys practice?” Sadie doesn’t know what the fuck is coming out of her mouth. She is word vomiting all over Matty’s shoes. She wants to apologise but she isn’t sure she remembers the English language. Why is she so nervous? Oh, probably just because the guy that every single one of her peers fawns over is currently asking her to make him and his bandmates her next subject of inspiration. Her next muse. What even is her life.
“At my house. I’ll write the address down for you, hang on.” Sadie’s mouth has gone dry. Now she’s truly forgotten the English language. This can’t be real, and this certainly can’t be happening to Sadie. Matty Healy is writing down his home address for her to have. Not to even mention his literal famous mum and dad. She reaches her hand under the computer desk and pinches her thigh over her wool tights, it doesn’t hurt but she’s now sure this is actually happening. Sadie takes the paper from Matty and tries to process the date and time he’s reciting at her. They’re interrupted by the morning bell and when Matty holds the library door open for her she waves goodbye, bows her head and speedwalks away from him.
Sadie really tries to focus in her classes that day but it doesn’t work in the slightest, all she can think about is Matty Healy and she curses him for it. She tries to read some romance novel when she gets home but she starts picturing the characters as her and Matty and has to put it down. He has unknowingly taken over her brain, and she resents him for it. Can’t a girl even read in peace?! She took pride in being the only girl in her year who didn’t have a crush on Matty, now she can’t even hold that above his head.
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By the time Friday rolls around Sadie is already over school, she never tended to like school, but she already knows that Year 10 is going to be dreadful. The one saving grace might come in the form of a boy in the year above. She leaves school and runs home to get changed before she heads to Matty’s address. She has cherished the crumpled piece of paper that held his address since she got it on Tuesday morning, she taped it to her mirror and that is where it will stay. It isn’t like she hasn’t come home every night from school and studied it, she knows exactly where she’s going.
Her shaky hand knocks on the door of said address about an hour later, she biked over from her house and actually enjoyed the ride, the early September sun was shining on her face and lighting up the bumpy country road she took to get here. Her thoughts are interrupted by a lively woman, quite aggressively, swinging the front door open. Sadie smiles up at her with squint eyes because of the sun attacking them, making the blue of her irises look probably insane. “Um, hi? I’m Sadie, Matty invited me to watch his band practice and take some photos of them.” Sadie lazily points to the camera around her neck with an awkward smile. She is coming across very poorly. But alas the woman opens the door wider.
“Oh! He never mentioned, he doesn’t tend to tell me these things though, typical teenager! I’m Matty’s mum, just call me Denise though, sweetheart. They should be in the garage.” Denise walks Sadie to the garage door where she can hear the loud laughter of teenage boys and obnoxious drumbeats. She smirks slightly and thanks Denise, accepting her offer of a can of coke. Once she takes it she enters the garage, and the laughter dies down. “Sadie’s here, boys, she’s very lovely so I don’t want to hear of any teasing or making fun.”
Sadie looks down at her feet as Denise defends her, even though the boys haven’t yet uttered a word. She hears the garage door close behind her and Matty gestures her over to him. He very casually, like it’s nothing, throws an arm over her shoulder and begins introducing her to the three other boys in his garage. She already knows George from a couple of her classes due to them being in the same year, but she lets Matty speak at her anyways. “So, Sades, this is Adam, he plays guitar and he's in the year above me, basically he’s old. That’s Ross, he does the bass, but I think he just pretends to know what he’s doing. And that’s George, obviously he plays the drums, but he just makes a fucking racket.” Sadie flushes at how casually he gestures, how casually his arm is around her, how casually he swears, and how casually he calls her ‘Sades’. That’s a new one.
“Um, hi, I’m Sadie it’s nice to meet you guys. Matty was singing your guys’ praise on Tuesday morning. Been looking forward to this since.” Sadie’s forearm has suddenly become very itchy, and she busies herself in looking around the garage in an attempt to avoid eye contact with any of the aforementioned boys. She notices a few posters on the exposed walls and a couple of guitar cases strewn across the floor, the last thing she notices is a battered leather couch against the wall, facing all of the boys and their many instruments and poor cable management. Sadie leaves Matty’s side and takes a seat on it, placing her coke on the floor and taking the lens cap off her camera.
The practice is well under way and Sadie’s mind has been racing with thoughts of how she’d shoot the band at an actual show. She finally gains the courage to stand up and has failed to notice Matty’s eyes on her the entire time he’s been singing. None of the other boys seem to notice either, Matty doesn’t even realise what he’s doing. When they finish up the last song they wanted to practice (for probably the tenth time), they start chatting about things they should do differently, and Sadie busies herself by looking at her photos on the couch. She gets caught up in them and doesn’t feel the sofa sink next to her, she looks up and sees George looking over her shoulder. “Any good photos of me?”
Sadie can’t help the pink on her face as she nods and turns her camera to him, showing him the few photos she got of him. She found it difficult to get good angles of George considering the size of the garage they were practising in, him being shoved into the back corner. As George was flicking through photos Sadie couldn’t help but study his face, his brows were slightly furrowed as he fiddled with the buttons on her camera, not knowing how to work it. He smirked at a few photos and his eyes scanned over the rest, when he looked up Sadie was suddenly very interested in the opening of her can of coke. She has no idea why she can’t look at any of the boys without her heart rate picking up and her face going bright pink. Maybe because she thinks they’re actually quite cool and she has no idea why she would possibly be sitting in Matty’s garage with them all. But she is.
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The next time she has a run in with the band is a week and a half later when they all spot her in the lunch hall and wildly gesture her over. She had spotted them first and tried to look around to avoid them. She really wishes she knew why her subconscious was forcing her away from the boys. (She’s terrified she’ll embarrass herself. That’s why). She gets herself together and heads over to the table they’re sat at, awkwardly placing her bag at her feet. She murmurs something that could be perceived as a “hi” but honestly it could have been anything. “Have you edited the photos yet? We are highly anticipating them.” Sadie nods her head excitedly, glad that the topic is on her photos, something she actually is passionate about.
“Yeah! Yeah, they’re on a hard drive that you guys can have, I forgot to bring it with me today though. I’ll bring it tomorrow?” Matty nods and falls into conversation with the boys, who also include Sadie, sitting there helpless, unsure if she should get up and go to her friends. She dares to glance in their direction and when she sees them blowing fake kisses because of the curly haired boy she’s sat with she rolls her eyes and turns back around. She reminds herself that they are her surface level friends, they have nothing in common whatsoever, they’re too caught up in gossip. Sadie is too caught up in her camera. They don’t gel.
Sadie manages to fall into a conversation with Ross about English and their mutual enjoyment for the subject, she finds it incredibly random but she’s glad to have something in common with one of the boys. She relished in the conversation not being surface level drama that brought a yawn out of her throat, she also relishes in her slight ranting about her passions actually being listened to. Sadie likes Ross and his listening skills. When the bell rings she finds herself bewildered at the fact she doesn’t want to get up from the table, she’d quite like to stay and timidly laugh at the boys’ jokes and general noisiness. But, alas, she must head to the aforementioned English class, she makes a joke to Ross about how she’d rather go anywhere else. They share a hatred for Sadie’s teacher, him having had her for the previous school year. She finds herself falling into step with George, they’re already five minutes late.
They wave a goodbye to the rest of the boys who all disperse into different classes and walks silently with George. They pass by a few people that make them share glances to each other, grimaces present on their faces. Anytime this happens they both laugh and shove into one another until they reach the fated English hallway and George reaches into his bag and pulls out two sheets of handwritten papers. Sadie’s face basically turns into a question mark. “What? It’s the homework?” Upon seeing Sadie’s heart basically fall to her toes George can’t help but let out a baffled laugh. “Don’t tell me you haven’t done it.”
“Shit, George.”
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The colder the weather gets the more Sadie begins to feel like an integral member of the group. She’s the one to tell the boys to shut up when they’re talking too loudly. She’s the one to shove Matty anytime he makes another member of the group the butt of his jokes. She’s also the one to tell him when his singing sounds shit. Sadie has been quite the talk of the town recently because of this, her old friends are spreading all kinds of rumours due to her gradually dropping them in favour of the boys. Although anytime Ross catches wind of these in the school corridors he’s quick to shut it down, whether it be defending her or physically getting involved… at least he's there!
The band are meeting up for their last practice before Christmas Day and Sadie is beside herself with excitement, she hasn’t seen the boys since the school broke off for the holidays on the 17th. She wakes up that morning already excited but when she opens her curtains and sees snow she swears under her breath, she couldn’t possibly drag her bikes weak tyres through the thick snowfall. So, she slides her panda slippers onto her feet and heads downstairs, finding her mum in the kitchen with a cup of tea and a cigarette in hand. “Morning, mum! Would you be able to give me a lift to Matty’s later? I was gonna bike over, but it must’ve snowed pretty hard last night.” When she hears the sigh escape her mum’s mouth and the slight thud of her palm on the counter she knows she’s not getting a lift.
Denise was expecting Sadie, she’d grown to expect the young girl’s presence around the house at any given time. But what Denise wasn’t expecting was to open up the door to Sadie, bike in hand, tears staining her bright red cheeks, and no hat on her head. This just wouldn’t do. “Oh! Sadie, sweetheart, what happened? Come in, out of the cold now, just dump the bike, that’s fine. Why did you bike here?” Sadie tries to speak but her brain seems to think that letting a sob rack her body is the smarter way to go about this.
“Mum wouldn’t give me a lift, said she had more important things to be seeing to. Had no choice.” Denise immediately puts the kettle on and wraps the girl up in a blanket, rubbing her shoulders after forcing her to take a seat at the kitchen island. Sadie can hear the boys upstairs and is glad of Denise calming her down and talking to her before she has to face them. After Denise gives her a telling off for not, at least, putting on a scarf, she turns to Sadie with an eyebrow raised. She just sighs. “She does this all the time. Feel like a nuisance at that house. Always in the way.”
Upon hearing this Denise circles the kitchen island and crowds her into a hug which she can’t help but accept. After a beat of silence occasionally broken up by Sadie’s sniffles, the two part, Denise keeping her at arm’s length. “You shouldn’t feel like a nuisance. Listen, any time you come here I’m delighted, probably because you balance the testosterone levels a bit, but not just that, you’re the kindest young lady I’ve ever gotten to meet, and it’s always a pleasure to have you at the house, you keep my boys in check. Now, if you ever feel like this again, phone my number from your house phone, and I’ll come pick you up, can’t have you biking in the snow anymore.”
Sadie nods her head at Denise’s words, letting out a slightly weepy laugh anytime she makes a dig at the boys. She feels strangely warm inside, despite the subzero temperatures she was just faced with, and she doesn’t know why. She’s never felt safer than when Denise took her hand on the kitchen island. Matty’s house is now her safe space she’s decided. Speak of the devil, Sadie hears a clatter from the stairs behind her and when she turns she sees Matty’s eyes light up. “Sades! You made it! I thought you weren’t gonna come because of this snow, glad to see you though, George is chatting shit about your English teacher again. Something about holiday homework, help me take some juice up?”
Sadie takes the blanket with her and with a smile in Denise’s direction she waddles over to the fridge. She makes sure to finish her tea before grabbing a can of coke. Another thing she likes about the Healy house is the constantly stocked fridge, anytime she needs a drink there seems to be one on hand. Almost akin to Mary Poppins handbag. She takes one of the cans Matty is juggling with a giggle and bids goodbye to Denise before heading up the stairs. Matty entertains this journey by telling her that his dad had taken Louis, his younger brother, out to build a snowman a half hour ago and Sadie laughs at the image of his rosy cheeks and tiny hands grasping at snowflakes. She dotes on Louis, always having wanted a younger sibling, she treats him like her own brother.
When the door to Matty’s bedroom opens she smiles at the sight, three boys strewn across the room in one big, lazy mess. They all seem to perk up at the sight of Sadie, George especially. “Thank fuck you’re here, need help with this homework, my mum told me to have it finished before Christmas. And Ross, miserable bastard, is refusing to help me. Have you done it?” Sadie sets down Adam’s can of coke on the desk, cracking her own open before sitting criss-cross on the floor beside George. She nods at him over the can, and he can’t help but cheer and push it towards her, struggling on the carpet. “You’re so much better than me at English. Read what I have.” She sets down her can and skims over what George has written.
“Oh dear, I’ll help you after practice.” At this the boys all glance at each other and the room falls silent. Did she say something? I mean, they’re here for practice, right? Right. Sadie has just missed it, her treacherous journey to the Healy house took longer than usual, and she left late. “Have you already practiced?” When faced with four nodding boys, Sadie sighs and nods too. “That’s okay, we can just hang out, then.” Matty looks at her with a sympathetic grimace. He overheard more of her conversation with his mum than he originally let on.
Matty decides that changing the subject entirely is the best thing he can do in this situation, he doesn’t want to force her to talk about why she was crying to his mum. “We liked the most recent photos you took, really cool. Think you left some of your ones for art on the hard drive, there was a random shot of some leaf in the middle of Ross’ closeups.” Sadie shakes her head, feeling her eyes roll involuntarily. “I mean it was a good leaf photo, I just don’t think it’s our vibe.” Her head is thrown back in a giggle as she takes another sip of her coke.
“You should consider yourself lucky, getting to see my leaf photos. They are very close to my heart.” All Matty can do at this is scoff, he is now the one rolling his eyes. Sadie’s attention is diverted by a sheet of paper being waved in her face. She turns to George with a slight glare, and he backs into himself a bit. “Fine. What do you not understand? It’s just English.”
“I just don’t get it. English doesn’t make sense, I think you’ve forgotten that I am a well-travelled man, Sadie. I’ve been all over the place.” Sadie fixes the boy with a sigh, a straight-faced sigh. She lets his sentence linger in the air as she readjusts on the bedroom floor. She lays on her front as she reads what George has written. It’s not bad, but it’s also not great. And so, she tells him such.
“I mean, it’s not bad, but it’s not great. You could maybe, I don’t know, sprinkle in an adjective here or there, don’t think that would hurt.” Is all she manages to get out before a pillow is lobbed, quite forcefully, at her head. In retaliation she throws the paper back at George. “Well, you can do it yourself then, can’t you?”
“No, no, no! Sadie I didn’t mean it! My hand slipped!”
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As the day turned to night the boys gradually left until it was just Matty and Sadie left sitting on his floor, sharing chips that Denise had cooked for them. Sadie put one in her mouth and glanced out the window, noticing it was snowing again, the sigh that came out of her mouth wasn’t meant to sound quite as pathetic as it did. Matty stopped strumming on his guitar and turned to her with furrowed brows, at the sudden silence she met his eyes. “I can’t bike home in this weather.”
“Why did you even bike here in the first place? And why were you crying?” Sadie shakes her head and breaths out a laugh. How does she even answer this? She could be honest, lay her cards on the table, and tell him all about her mum. Or she could be partially honest and tell him that her mum just doesn’t make time for her. Or she could blatantly lie, she’s on her period or something like that. As she weighs up her options she lets out a barely audible hum and Matty cocks his head at her.
“It’s just my mum. She never makes time for me. Refused to give me a lift and I didn’t want to cancel so I biked here. That’s all, I’m okay now, spending time with you guys makes me okay.” Matty’s head falls to rest on Sadie’s shoulder silently. He doesn’t know what to say to her, so he just starts strumming the guitar again. A smile rests on Sadie’s slightly pink cheeks as she hums along to the song Matty is playing, she doesn’t know it to name, but she definitely knows it. “I didn’t think I’d actually make friends in high school.” Matty doesn’t say anything for a minute, processing Sadie’s words.
“Of course you were gonna make friends. I think you’re too good to just be our friend, frankly I’m shocked you put up with our bullshit.” Another beat of silence falls upon the pair. “Just come here if your mum’s being a pain, we’ll cheer you right up.” Sadie smiles at this and feels tears brimming her eyes, and she doesn’t know why. At the sudden sound of the door opening Matty lifts her head and Sadie rubs at her eyes.
“Right, Sadie, I’ve just tried phoning your house phone three times to no answer, so the spare room is set up for you, let me know when you pair decide to sleep.” Sadie doesn’t hear much of what Denise said after hearing that her house was phoned three times, and nobody answered. What if something had happened to her? She sighs and smiles up at Denise from the floor, thanking her before picking at the loose pieces of carpet on the floor. When the door shuts, the tears flow. Matty has never been more panicked in his entire life, he thinks. How the fuck do you comfort your crying best friend?!
“Hey, hey. Come here.” He wraps an arm around her shoulder and all she can do is sigh. She knows if she speaks it’ll end in even more tears, her voice will refuse to work. She gives in and leans into Matty’s touch, the weather outside is a stark contrast to how she feels under his arm. After a few minutes of her silently crying, she dares a glance up at him and sees him staring at the wall across from him with slightly widened eyes, the sight makes her giggle, breaking him from his trance. He looks down at her and joins in the laughter, not knowing why they’re laughing but glad she’s not crying as hard anymore. Yet his eyes widen again when she stops laughing and opens her mouth.
“I want to know why they don’t care about me. I haven’t done anything.” Matty sighs at this, a sick part of his brain wishes he could relate just so he’d know what to say. He looks down at Sadie who is now lying on his floor, upside down from where he sits. He lays down next to her, top and tail, both teenagers looking up at the ceiling, feeling things too big for them to even comprehend, things they shouldn’t have to feel. “Sorry, I feel like the mood is ruined.”
“What mood? You’ve been off all day, making me feel sad. I wish I could make it better.”
“I wish you could, too.”
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Sadie has no desire to celebrate her 15th birthday that following Summer. But she’s been faced with no choice. In George’s words they “had to because you only turn 15 once.” George had turned 15 earlier that year and didn’t seem to share that sentiment on his birthday, all they did was go to Matty’s house after school and sit in his living room for six hours. But he was insistent that the group had to go out for dinner, he’d gotten Denise on his side which ultimately led to Sadie agreeing. Her mother wasn’t best pleased, but she’d grown to not care, and her mothers grown to know she can’t fight her anymore.
She got dressed in rapid speed, desperate to get out of the house and reunite with her best friends. She hadn’t even gotten as much as a card from her parents and that says more to her than any words could have, she isn’t even sure they know her birthday is today. Pulling on her jeans, probably quicker than the speed of light, she grabs her jacket and runs down the stairs, she shouts a bye to anyone who cares and hops on her bike to Matty’s house. They’re all meeting there for some big surprise before they go out to dinner.
The August sun is beaming down on her face, she pauses and squints up at the sky and notices how blue it is, she smiles and looks back down at her bike. She decides that draping her jacket over the handlebars is a better idea, her backpack is half on her back because she was in such a rush. When she bikes the familiar back road she takes note of how the trees have turned from pathetic twigs to bright green scenery, she shuts her eyes for a second and let the Summer air infiltrate her lungs. She is grateful to be alive.
When she biked round the corner at the end of Matty’s road she could see all the boys engaged in a water fight, her urge to turn right back around grows stronger the closer she gets, George’s pathetic screams and Matty’s maniacal laughter grow louder, and she can’t help but laugh to herself. She hears Denise scolding Ross for going too rough and shakes her head as she throws her bike down on the driveway, climbing off and running away from all the boys who immediately turn on her with their water attacks. “Hey!! Stop, it’s my birthday!”
George laughs louder than Sadie had ever heard someone laugh before, probably because the boys weren’t targeting him anymore. She squeals and tries to run into the house, but Adam blocks the door, and she feels more water shooting at the back of her head. She hits his chest and tells him to move at least fifty times, but he doesn’t budge so she runs. She runs round the house to the back garden where she knows Matty keeps the water guns, just as she suspected there’s a pile of them, half-full, on the grass. Sure, they’re the shit ones, but they’ll do the job.
She hears a gasp behind her. “She’s found the pile, run.” She laughs and whips herself around, gun in each hand, to the pathetic squeals of four boys who run back around to the front of the house. There’s a knock on the kitchen window which distracts Sadie for a second, she sees Denise waving wildly at her, she waves back and sees her saying “Happy Birthday!” She laughs and runs round the house to get the boys back.
A half hour later Denise calls out the front door for them to come in. They all race into the house, Matty being shoved by George and Sadie laughing so hard she stops in her tracks. She gets stopped in her tracks even further when she sees the pile of gifts under the TV. She gasps quietly and barely hears everyone wishing her a happy birthday in unison, the tears pricking her eyes are stinging the back of her throat. This is the most anyone’s done for her birthday. George puts an arm round her shoulder and shakes her slightly, then slightly shoves her to the presents. “Save the one with the pink wrapping paper for last.”
Sadie’s bottom lip wobbles and she lets out an exasperated laugh. “Guys, this is too much. I don’t even know what to say.” She moves towards the gifts as if they’re going to jump out and scare her. She sees the three cards on the top and picks them up, sitting down on the floor in front of the TV. The boys, Denise, Tim, and Louis are all scattered across the couches and the floor too, just watching. She opens the one from Denise, Tim, and Louis first and smiles through teary eyes at the kind words written on the page. She has the same reaction to the other two cards, one from all the boys, one from just Matty.
After a while Sadie’s face is wet with tears, she’d laughed at some of the funny gifts, and with her new necklace round her neck she looked at the last gift, the pink one, cautiously. “Is it alive? Am I gonna be scared?” Matty laughs and shakes his head. She lifts it into her lap and looks at the tag, it reads that it’s from the boys. Before she opens it Denise cuts in.
“They all saved up for this on their own. Came up with the idea and everything.” Sadie looks to the group of boys on the other couch who all look very smug, she rolls her eyes at their faces and turns back to the gift. She carefully unwraps it and can’t help the sob that comes out of her mouth. The new Sony camera is sitting in front of her. When she gets hold of herself she opens the box and gasps at the sight of it. “Guys, oh my god. I can’t take this, you’re kidding.”
“Well, none of us know how to use it.” Sadie tackles the four of them into her arms, jumping on top of them all on the couch, muttering a hundred thank yous under her breath. She doesn’t even know how the boys managed to afford it, maybe some of Matty’s odd jobs he was doing helped, or Ross’ job down at the shop. She didn’t know, but she knew she would never forget this. Sadie felt that same feeling again from earlier. She was grateful to be alive.
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By the time Matty’s 18th rolls around, the rest of the group have a plan. They’ve all saved up enough money to buy tickets to Leeds festival, and they’ve all chipped in to get one for Matty’s birthday. Sadie wasn’t allowed to go before, but Denise gave in this year and let her tag along with the group. She makes all of the parental decisions for Sadie now, since she pretty much lives at the Healy’s house. Denise’s reasoning was that it would be after her 17th birthday, deeming her old enough to go. Matty, Ross, Adam and Jamie had gone last year but all they had talked about when they came back to Sadie and George was how excited they were to go next year, the full group.
Ross, George and Sadie were currently sat in Matty’s back garden, waiting for Matty and Adam to get home from work. Sadie and Ross were sharing a cigarette and talking about the lineup for Leeds. More like arguing. George was observing with a cigarette of his own, he’d only spared one to the duo because he’s stingy. “No, Sadie. Nine Inch Nails are more exciting than the fucking Smashing Pumpkins. Think of it, you’re in a muddy field what would you rather listen to.”
Sadie looks at him like he’d grown a second head. “The Smashing Pumpkins.” Ross just groans, George laughs loudly. “What?! I would!”
“You’re actually fucked in the head, Sadie. George, please back me up.” He passes the cig back to Sadie who takes it and looks at George with a raised eyebrow. He takes a sip of his coke and looks away from the pair, whistling at the sky. Sadie laughs and passes the cigarette back to Ross. He tells her to finish it, so she does.
“No, to be fair to both of you, I’d rather be at Paramore. If I had to choose.” Sadie and Ross both share a look and collapse into each other laughing.
“Okay, one, Paramore is on Sunday, we’re talking about Friday. And two, they weren’t even in the equation to begin with.” Ross nods at Sadie’s words and George just sticks his middle finger up at the pair, who laugh at him again. They hear the back door opening and turn to see Matty, they shut up about their prior argument quite quickly. The trio share a look and have to hide their laughs.
“Hello boys. And Sadie.” They nod up at Matty who cracks open his coke and pours it over the ice in his glass. He looks at the three that have gone silent and squints his eyes slightly before taking a sip of his coke and lighting a cig. Sadie looks at the other two who are giving her looks as if to say, “Say something.”
She turns back to Matty, who turns to her. “How was work?” George lets out a barely audible groan and she looks at him incredulously. Matty nods around his glass and then kind of shakes his head.
“It was okay, not busy, boring. I like it there, though.”
“Yeah, you’re welcome for getting you that job. I’ve been there for like a year now. Remember when I walked in one day and George was just standing in the kitchen? That was stupid.” George laughs at her and she turns to him. “No, I was so confused.”
“I was working, where did you want me to stand?”
“It would’ve been nice to know you were working at the fucking place?” George shakes his head.
“Wanted to surprise you.”
“Some surprise that is, George!” He, yet again, sticks his middle finger up at her. This time she does it back. Matty scoffs and leans his head back with a sigh, he stretches his arms and one of them comes to rest on the back of the bench behind Sadie.
She points up at the sky, the sun is setting behind the clouds which cast a pink hue down on the group of four. They stay outside until the sun is probably in the middle of the sky in Australia. Adam arrives not long after Matty and Sadie gives him a subtle nod and thumbs up, trying to tell him that they got the Leeds tickets today. He looks confused at first, but he gets it after a minute. When Matty goes inside the four speak in whispers about how they have to tell Matty, because George is unable to keep it a secret. The back door swings open again and the four sit up straight. “Right, you guys are hiding something from me.” Sadie can’t help herself.
“We’re going to Leeds.”
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Leeds was a fucking nightmare. Everyone fought. Everyone made up. Then they fought again. They all got so high they probably couldn’t see. Ross and Sadie ended up seeing Nine Inch Nails together after losing everyone else, and despite being in the clouds, Sadie remembered to act like she didn’t want to be there. Until she actually started enjoying herself. And George got to see Paramore. Almost. He passed out and Sadie shouted at him in the medical tent after he just came to because she was missing out, she was forced to take him to the medical tent.
Sadie was sick on some girl’s shoes at the Kings of Leon set. It was her, George and Adam having the time of their lives until some older girl started flirting with George, obviously he was loving it, but Sadie was already having a bad high and when she saw the way that girl was looking at George she just couldn’t help it! It all kicked off when George and the girl teamed up and tried to fight her. George was forced to take her to medical and as she was thrown over his shoulder he was yelling about how she’d ruined the weekend.
Safe to say the drive home was silent. Matty had the biggest hangover behind the wheel and Ross was cradling Sadie in the backseat as if she were his child, George was practically hanging out the window on the other side of Sadie. The one memory she has in the car is when they were all sat on the grass, ages away from any music, when Matty turned to the boys and said, “Reckon we’ll be on one of these stages soon?” The question was ringing through Sadie’s mind.
A few days later the group were all sat in Matty’s garden (like usual) with drinks in hand, reminiscing on the festival after they’d all taken some much needed time away from each other. Anytime Matty’s eyes caught hers she felt her heart stop. She isn’t sure he remembers but the day after they got back Sadie jolted awake with a vision of her kissing Matty. She doesn’t know when or if it actually happened, but it seemed too real to be something she conjured up in the middle of the night. Ever since, she’ll wake up in a cold sweat with visions of Matty’s lips on hers. She remembers it being a life-changing kiss, though, so there’s that at least.     
Sadie makes a point to be the last to leave Matty’s house, she’ll probably end up sleeping here tonight, like usual. It’s a rare sight to see Sadie sleeping in her own bed these days, it probably occurs once a month at most. When Adam shuts the door behind him, Sadie feels her heart fall out of her ass, the silence is less than comfortable. If she can feel the shift in energy surely Matty can. He sits down beside her and turns to her. “Do you remember?”
Sadie feels like she’s died in her seat. Her eyes have practically fallen out onto the dining table. She spins her glass on the table awkwardly, thinking of what to say. What would he say if she lied? Would he pretend it never happened? She decides not to lie, because when his face is as close to hers as it is right now, she thinks she’d like to kiss him again. “Yeah… Do you?”
“Wouldn’t be asking if I didn’t, hmm?” Sadie feels like her 14 year old self, meeting him for the first time. Her face is flushed pink, she’s picking at the tracksuit bottoms on her thighs, and she’s avoiding eye contact. She wishes the ground would eat her alive, because one thing about Sadie is she doesn’t know how to flirt. “Hurt me seeing you kiss that other guy the next day.” As he says this his hand has come up to play with the loose strand of hair that had fallen out of the front of her ponytail. She looks up at him through her eyelashes. Her voice is no louder than a mutter.
“Sorry, didn’t know what I was doing, don’t even think I knew where I was.” Matty laughs softly at this and looks down at his lap, but his eyes catch Sadie’s nervously picking at the loose thread on the seam of her tracksuit. He feels his heart skip a beat as he grabs it. This makes her face him, looking into his eyes. The silence around them is suffocating and Sadie feels like she might pass out on the floor. When he makes the move to shuffle slightly closer, she smirks at his face. She doesn’t know where she grew the confidence but when she mutters, “Just do it.” He breaks the distance.
The butterflies in her stomach feel cliché, the way the kiss picks up in pace feels even more so. His lips on hers feels like coming home to your own bed after you’ve been abroad for a week. It feels like the smell of your own house after being away for a while. She knows that when her hand comes up to the back of his neck that it holds an ulterior motive, this is confirmed by his hand on her hip, guiding her closer. She wants to consume him in this moment. When they break away for a breather, Sadie doesn’t open her eyes, she doesn’t want to face this moment, but when she feels a squeeze on her hip she can’t help but open one eye. Matty laughs and leans his forehead to hers.
“Sleep in my room tonight.” That’s all that Sadie has ever wanted to hear.
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The slight fling between Sadie and Matty didn’t really last for very long. The group all moved into a flat together and the flame between them just kind of flickered out. George noticed the change in Sadie’s demeanour ever since. He was the only other person who knew about Matty and Sadie, but because he was the best friend of both he had to be there for both. It was eating him alive. He was laying in Sadie’s bedroom, joint between his lips. They were sharing it.
“He fucks anything with legs. But I can’t move on. What’s with that?” Sadie plucked the joint from George’s mouth, and he rubs his eyes his face with a groan. He watches the smoke leaving Sadie’s lips intensely, staring at the way it clouds up in the air and dissipates into nothingness, this is how Sadie and Matty’s relationship felt. He sits up slightly on the bed with an indignant sigh.
“His way of coping, I suppose. He didn’t exactly get an explanation as to why you stopped sleeping in his room. Now he just needs someone sleeping there to fill that void for him.” It’s Sadie’s turn to sigh now. She knows George is right, but she doesn’t like the answer and she doesn’t want to hear that he’s suffering. He’s being a bitch and he should just come and speak to her. Silence falls over the duo and George stubs out the joint gently before opening his arms for Sadie.
She isn’t feeling very grateful to be alive.
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pixelplayhouse · 4 months
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a christmas card from the west family.
the wests (well more like just yumi) sent out christmas cards to their friends and family— and pretty much everyone they know.
dylan thinks (in the words of mary jane healy) “christmas cards are for assholes,” but yumi insisted they send them out this year so the world can see their “perfect” family.
yumi is happy, she works full time as a ballet dancer, 6 hours a day, 5 days a week. this keeps her pretty busy and leaves dylan at home to take care of the twins most of the time. his dream of being a director has been crushed since becoming a full time stay-at-home dad while working as a barista to bring more income into the family. he is silently struggling mentally, he is unhappy. yumi of course left all of this information out of the card and will continue to pretend they are the happiest family in new york city.
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Do you really wanna know where she was on … May 11?
Taylor Swift and Matty Healy — who sparked romance rumors earlier this month — were spotted “kissing” on Thursday at Casa Cipriani in New York City, where “they sat next to each other at a banquette in the lounge,” an eyewitness tells Page Six.
The spy further told us that neither of them had ordered any food while they were “cuddling and kissing.”
Nonetheless, they weren’t completely on their own as Jack Antonoff sat with them, and “security was around them.”
For their outing, the “Anti-Hero” singer sported a green and yellow dress with velvet Mary Janes. She completed the look with her staple red lipstick while she sipped on her drink.
Healy, on the other hand, seemingly wore a suit to their date.
Shortly after being spotted by our eyewitness, they left Cipriani “holding hands” while being covered by an umbrella to maintain their privacy.
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autistpride · 13 hours
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How many of these famous autists do you recognize? And this isn't even a complete list!
So many amazing wonderful people are autistic. I will never understand why people hate us so much.
Actors/actresses/entertainment:
Chloe Hayden
Talia Grant
Rachel Barcellona
Sir Anthony Hopkins
Dan Akroyd
David Byrne
Darryl Hannah
Courtney Love
Jerry Seinfeld
Roseanne Barr
Jennifer Cook
Chuggaaconroy
Stephanie Davis
Rick Glassman
Paula Hamilton
Dan Harmon
Paige Layle
Matthew Labyorteaux
Wentworth Miller
Desi Napoles
Freddie Odom Jr
Kim Peek
Sue Ann Pien
Henry Rodriguez
Scott Steindorff
Ian Terry
Tara Palmer -Tomkinson
Albert Rutecki
Billy West
Alexis Wineman- Miss America contestant
Athletes:
Jessica- Jane Applegate
Michael Brannigan
David Campion
Brenna Clark
Ulysse Delsaux
Tommy Dis Brisay
Jim Eisenreich
Todd Hodgetts
John Howard
Anthony Ianni
Lisa Llorens
Clay Matzo
Frankie Macdonald
Jason McElwain
Chris Morgan
Max Park
Cody Ware
Amani Williams
Samuel Von Einem
Musicians:
Susan Boyle
Elizabeth Ibby Grace
David Byrne
Johnny Dean
Tony DeBlois
Christopher Dufley
Jody Dipiazza
Pertti Kurikka
James Jagow
Ladyhawke
Kodi Lee
Left at London
Red Lewis Clark
Abz Love
Thristan Mendoza
Heidi Mortenson
Hikari Oe
Matt Savage
Graham Sierota
SpaceGhostPurp
Mark Tinley
Donald Triplett
Aleksander Vinter
Comedians:
Hannah Gatsby
Robert White
Bethany Black
Scientists/inventors/mathematians/Researchers:
Damian Milton
Bram Cohen
Michelle Dawson
Carl Sagan
Writers:
Neil Gaimen
Mel Bags
Kage Baker
Amy Swequenza
M. Remi Yergeau
Sean Barron
Lydia X Z Brown
Matt Burning
Dani Bowman
Nicole Cliffe
Laura Kate Dale
Aoife Dooley
Corrine Duyvus
Marianne Eloise
Jory Flemming
Temple Grandin
John R Hall
Naomi Higashida
Helan Hoang
Liane Holliday Willey
Luke Jackson
Rosie King
Thomas A McKean
Johnathan Mitchell
Jack Monroe
Caiseal Mor
Morenike Giwa- Onaiwu
Jasmine O'Neill
Brant Page Hanson
Dawn Prince-Hughs
Sue Robin
Stephen Shore
Andreas Souvitos
Sarah Stup
Susanna Tamaro
Chuck Tingle
Donna Williams
Leaders:
Julia Bascom
Ari Ne'eman
Sarah Marie Acevedo
Sharon Davenport
Joshua Collins
Conner Cummings
Kevin Healy
Poom Jenson
Amy Knight
Jared O'Mara
David Nelson
Shaun Neumeier
Master Sgt. Shale Norwitz
Jim Sinclair
Judy Singer
Dr. Vernon Smith
Artists:
Miina Akkijjyrkka
Danny Beath
Deborah Berger
Larry John Bissonnette
Patrick Francis
Goby
Jorge Gutierrez
Lina Long
Johnathan Lerman
Julian Martin
Haley Moss
Morgan Harper Nichols
Tim Sharp
Gilles Tehin
Willem Van Genk
Richard Wawro
Poets:
David Eastham
Christopher Knowles
David Miedzianik
Henriette Seth F
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ao3feed-janefoster · 11 months
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Selection
read it on the AO3 at https://ift.tt/eJ8Zgcy
by Bookwrym
Every three years a lottery is held. 15 Omegas are randomly selected throughout the US. They will leave behind their homes, families, friends and life once chosen. Once a name is selected, the named Omega goes. Unless someone volunteers in their place.
This is the story of one such volunteer who is now committed to the selection.
Words: 3764, Chapters: 2/?, Language: English
Fandoms: Marvel Cinematic Universe, The Avengers (Marvel Movies), Iron Man (Movies), Captain America - All Media Types, Blade - Fandom
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Categories: Other
Characters: Tony Stark, Loki (Marvel), Blade | Eric Brooks, Original Female Character(s), Original Male Character(s), Winter Alexander, Thor (Marvel), Jane Foster (Marvel), Clint Barton, Phil Coulson, Natasha Romanov (Marvel), Pepper Potts, James "Rhodey" Rhodes, Carol Danvers, Stephen Strange, Christine Palmer, Eddie Brock | Venom, Peter Parker, Mary Jane "MJ" Healy, T'Challa (Marvel), Nakia (Black Panther), Shuri (Marvel), Harley Keener, Sam Wilson (Marvel), Maria Hill, Bruce Banner, Wanda Maximoff, Agatha Harkness, Amora (Marvel)
Relationships: Tony Stark/Loki/Winter Soldier/Blade/OFC
Additional Tags: Alpha/Beta/Omega Dynamics, Alpha Tony Stark, Alpha Loki (Marvel), Alpha Eric Brooks/Blade, Alpha Winter Alexander, Alternate Universe, Bucky Barnes & Winter Soldier are Different Personalities, Bucky Barnes & Winter Soldier become different people, Winter's last name is Alexander, Because of Reasons, Not Beta Read, Not Canon Compliant, My First Smut, Dubious Consent, Graphic Descriptions of Sex, Foul Language
read it on the AO3 at https://ift.tt/eJ8Zgcy
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https://archiveofourown.org/works/42074697
the artist in the ambulance | Irondad & Spiderson by Spencer_Reids_Sweater Why can't Peter ever catch a break? A story in which Tony freaks the fuck out for hours after Peter is in an accident. Words: 2314, Chapters: 1/1, Language: English Fandoms: Spider-Man - All Media Types, Spider-Man (Tom Holland Movies), Iron Man (Movies) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Characters: Peter Parker, Tony Stark, May Parker (Spider-Man), Ned Leeds, Mary Jane "MJ" Healy Relationships: Peter Parker & Tony Stark Additional Tags: Tony Stark Acting as Peter Parker's Parental Figure, Protective Tony Stark, Hurt Peter Parker, Hurt/Comfort, Fluff and Angst, Angst with a Happy Ending, Worried May Parker (Spider-Man), Good Friend Ned Leeds, MJ Secretly Cares, some minor tags, Autistic Peter Parker, Tony Stark Has ADHD, Bisexual Peter Parker, Trans Peter Parker, Bisexual Tony Stark
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avocado-ramen · 1 year
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I’ve been doing a complete re-read of Seanan McGuire’s InCryptid series. One of the main reasons for my re-read is for a giant spreadsheet/timeline I’ve put together. Conveniently, I’m also finishing up my re-read right before book 12 drops on 7 March. One of the random things I’ve started tracking is the chapter quotes. I love them, and it’s always fun to see if there’s a pattern, and who says what, when. So, just for fun, here’s some of the info I’ve gathered about these InCryptid Chapter Quotes:
Chapter quotes almost always match the POV protagonist’s gender for that book.
Exception: Book 10 (Calculated Risks) Chapter 8 has a chapter quote by Jonathan Healy. The POV protagonist for all of B10 is Sarah.
Exception: Book 11 (Spelunking Through Hell)
Chapter quotes are always from someone at minimum one generation up (age-wise).
Exception: Book 11 (Spelunking Through Hell). This is also the first book with a POV protagonist that has given chapter quotes in other books.
Book 7 (Tricks for Free) Chapters 7 and 8 are the first case of back-to-back chapters having quotes from the same character. In this case, Frances Brown.
Book 10 (Calculated Risks) Chapters 12 and 13 are the second case of back-to-back chapters having quotes from the same character. In this case, Jane Harrington-Price.
Book 9 (Imaginary Numbers) is the only book to have POV protagonist swap between two characters, Sarah and Artie. The chapter quotes also swap gender to match the POV.
Book 10 (Calculated Risks) is the first book without an Epilogue.
Book 11 (Spelunking Through Hell) is the first book with a quote from anyone from the Campbell Family Carnival.
Book 11 (Spelunking Through Hell) Chapter 13 and 14 are the first case of one quote responding to another.
S1 [1st short and/or novella with Sam as the only biped appearing - I may need to come up with a better abbreviation, but there are too many A characters to use it for Aeslin!] (The Recitation of the Most Holy and Harrowing Pilgrimage of Mindy and Also Mork) is the first piece from the Aeslin POV and includes an Aeslin quote.
A6 [6th short and/or novella with Antimony as the POV protagonist] (Singing the Comic-Con Blues) is the first to include a chapter quote with Alice listed as Alice Price-Healy. In all other chapter quotes by Alice, she’s listed as Alice Healy.
Alice, Evelyn, and Frances are all usually listed with their maiden names.
Angela, Enid, and Jane are listed with their married names.
While there are many quotes from Mary, likely because she’s the family babysitter, there are no quotes from Rose.
As of the end of Book 11 (Spelunking Through Hell), the chapter quote count is as follows:
Alexander Healy: 14
Alice Healy: 41
Angela Baker: 5
Enid Healy: 42
Evelyn Baker: 35
Frances Brown: 45
Jane Harrington-Price: 21
Jonathan Healy: 15
Juniper Campbell: 3
Kevin Price: 11
Laura Campbell: 3
Martin Baker: 8
Mary Dunlavy: 16
Thomas Price: 18
Aeslin: 1
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greensparty · 11 months
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Theater Review: Alanis Morissette’s Jagged Little Pill
June 14, 2023 @ Citizens Bank Opera House (Boston, MA)
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Jagged Little Pill promo
The Song of the Summer of 1995 was Alanis Morissette’s “You Oughta Know”! Hands down!  The Canadian singer-songwriter came seemingly out of nowhere, even though she already had some albums under her belt and had been a child actress (she got her start on You Can’t Do That on Television). The accompanying album Jagged Little Pill became one of the biggest albums in history. She was the biggest among the wave of female musicians in the mid-90s who weren’t afraid to fill their songwriting with raw emotion. “You Oughta Know” was a perfect example, depicting a jilted lover not holding back on how furious she was at her ex for doing her wrong. I picked up Jagged Little Pill when I first got to college and really dug much of the album, but over time it’s an album I outgrew. But periodically I’ve returned to the album and there’s no denying her talent. The broad appeal and lasting impression of the album (today it’s considered one of the greatest albums ever made) is that it was catchy enough to appeal to pop and Top 40 radio, but edgy enough for the Alternative Nation. She’s also had multiple moments in pop culture: she gave Taylor Hawkins his start as the drummer in her band for the Jagged tour, she played God in Kevin Smith’s Dogma and she also appeared on Weeds among many other performances. Skip ahead to 2018, when a musical based on the album Alanis Morissette’s Jagged Little Pill began at A.R.T in Cambridge, MA (just down the street from me) before going to Broadway in 2019. It even won some Tony Awards. Last year, it began a North American tour and this month the production hits Boston at Citizens Bank Opera House, where I caught it on Wed. night!
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the 1995 Jagged Little Pill album cover
Taking place in Connecticut, the Healy family prepares their annual Christmas letter: mom Mary Jane is still recovering from a car accident and has secretly become addicted to painkillers, dad Steve is a workaholic with an online porn addiction, son Nick has just been accepted into Harvard and their adopted daughter Frankie struggles with fitting in as a black teen in a white household and being bisexual. Nick witnesses an incident at a party that brings back some traumatic memories for Mary Jane. The music of Jagged Little Pill plays a pivotal role in the story as does Morissette’s post-JLP music as well. Worth noting is that the song sequence has changed and also the meaning as well, i.e. on the album opener “All I Really Want” (the best song on the album IMHO) was originally sung as one voice, here it is a voice singing one verse and then next verse is a different character’s perspective. 
What truly made this more than just a jukebox musical was the book written by Diablo Cody, who is using the music to address one of her favorite themes, suburban malaise. So much of her films like Juno, Young Adult and the criminally underrated Tully address the idea of seemingly perfect suburban characters who seem to have the perfect family, house, and life, but it’s not as perfect as it seems. This play addresses a ton of topical themes like opioid addiction, #metoo movement, LGBTQ+ rights, etc. I think the strongest performances were from Mary Jane (Heidi Blickenstaff) and Frankie’s lesbian friend Jo (Jade McLeod). At times some of the characters bordered on archetypes (and almost tinkering on clichés), but stay with it, as the cast and the music lift it up. I liked the contrast between the parents and the kids both searching for meaning in their lives. It’s easy to compare this to American Beauty, but there is that same sense of confused kids and even more confused grown ups trying to figure things out.
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my friend Jenn and I at the Jagged Little Pill selfie station in the lobby
Not all 90s music can lend itself to musical theater, but this album truly does. Now if only we could get a musical of Liz Phair’s Exile in Guyville!
For info on Jagged Little Pill: https://jaggedlittlepill.com/
4 out of 5 stars
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ao3feed-stevebucky · 1 year
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"I don't like the things I distrust."
read it on the AO3 at https://ift.tt/1rgx5Vl
by MONOINK
Maeve DeLaCurie is a new student at Midtown High. She resolves to navigate the school while dealing with her powers and rising above social politics. She's popular, sure. But she wants none of the drama that comes with it. Her main priorities are keeping out of the way, hiding her powers, and, most importantly,
finding a way to get Peter Parker away from her.
Words: 1199, Chapters: 1/?, Language: English
Fandoms: Marvel Cinematic Universe, The Avengers (Marvel Movies)
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Categories: F/M
Characters: Peter Parker, Original Female Character(s), Original Male Character(s), Tony Stark, Bruce Banner, Thor Odinson, Loki Odinson, Steve Rodgers, Clint Barton, Natasha Romanov (Marvel), Mary Jane "MJ" Healy, Ned Leeds
Relationships: Peter Parker/Original Female Character(s), Pepper Potts/Tony Stark, Bruce Banner/Thor, Loki/Sylvie (Loki TV), James "Bucky" Barnes/Steve Rogers
Additional Tags: Found Family, Enemies to Lovers, Superheroes, Angst, Fluff, Domestic Fluff, Coming of Age, Vigilante, Peter Parker is Trying His Best, Tony Stark Has A Heart, Good Parent Tony Stark, Protective Parent Tony Stark, Protective Steve Rogers, Hurt/Comfort, Emotional Hurt/Comfort, Emotional Manipulation, Emotional Baggage
read it on the AO3 at https://ift.tt/1rgx5Vl
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epicvewor · 2 years
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900 cau hoi thi nail full
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900 cau hoi thi nail full ps3#
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whatsonmedia · 2 years
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Matty Healy joins Bridgers: Performs “I Know The End”
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The 1975's Matty Healy joined Phoebe Bridgers on stage Tuesday night at London's Brixton Academy to sing along to "I Know the End." At the conclusion of her summertime UK and European "Reunion Tour," Bridgers performed the opening show of a four-night residency at the storied south London venue this week. As part of her European and UK "Reunion Tour," Bridgers gave a performance Friday night (July 26) at the O2 Academy Brixton. As is traditional for Bridgers' performances, the main set closing was "I Know The End," the last track on her 2020 album "Punisher." Bridgers performed the opening show of a four-night residency at the storied south London At the concert's conclusion, Bridgers invited support band, Sloppy Jane, on stage to play strings during the song "I Know the End." At the song's peak, Healy unexpectedly showed up on the side of the stage to sing along before vanishing without saying a word. This is the second time a performer has joined Bridgers on stage for "I Know The End" on her current tour. Clairo and her band recently joined the singer-songwriter during a performance in Milan as a thank-you for Bridgers' earlier that evening appearance on Clairo's song "Bags." The 1975's 2020 single, "Jesus Christ 2005 God Bless America," which appeared on the group's fourth album, "Notes on a Conditional Form," included Bridgers' contributions.lauded the song as "another change of pace from a crew who relish the unexpected" in a single review following its debut. Healy and Bridgers previously shared the stage in October 2021, when Healy's surprise appearance as the opening act for Bridgers' Los Angeles concert brought the two together to sing their duet of "Jesus Christ, 2005, God Bless America." Bridgers has invited a variety of musicians to join her on stage as part of her summer tour to sing "I Know the End." Maggie Rogers and Rina Sawayama joined her on stage at the Latitude Festival last weekend. Bridgers performed the opening show of a four-night residency at the storied south London Over the summer, Bridgers has frequently appeared as a special guest in other people's performances. She has performed "Bags" by Clairo with them in Milan, "Just Like Honey" with The Jesus and Mary Chain at Glastonbury, and "Runaway Horses" with The Killers with them in the Czech Republic throughout the tour In 1975, on the other hand, made a comeback this month with the release of "Part of the Band," the lead single off their upcoming fifth album, Being Funny in a Foreign Language. The new album is discussed in Healy's exclusive interview with Rolling Stone UK, which can be read here. He compares the band's new music release to treatment in the chat. Read the full article
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kwebtv · 2 years
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The Spoils of Poynton  -  BBC  -  April 4, 1971  -  April 25, 1971
Drama (4 episodes)
Running Time:  168 minutes total
Stars:
Pauline Jameson as Mrs. Gareth
Gemma Jones as Fleda Vetch
Ian Ogilvy as Owen Gareth
Diane Fletcher as Mona Brigstock
June Ellis as Mrs. Brigstock
Reginald Barratt as Stationmaster
Jane Walker as Thomson
Caroline Burt as Saunders
Sian Davies as Williams
Polly Adams as Maggie
Robin Parkinson as Arthur
Christopher Banks as Mr. Vetch
Mary Healy as Annie
Jane Evers as Shop Assistant
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tswizzleindahouse · 3 years
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mary jane healy widget icons!
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musical-dreamcasts · 4 years
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Be More Chill - Caitlin Ary as the SQUIP, requested by anon
Birthday: January 12, 1989 (age 31)
Birth Place: Los Angeles, California
Theatre credits include: St. Jimmy (American Idiot), Tanya Garrett (Bare: A Pop Opera), Sally Bowles (Cabaret), Mary Jane “M.J.” Healy (Jagged Little Pill), Ilse Neumann (Spring Awakening)
(Pictured on the right is Jason Tam, who played the role in the original Broadway cast)
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