Pendant given to Pattie Boyd by Eric Clapton
Mick Milligan
Early 1970s
Christie's: The Pattie Boyd Collection (Lot 40)
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Fritz Willis - April - June 1970 Harolds Club Casino, Reno, Nevada Advertising Calendar Illustration - American Pin-up Calendar Collection
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One interesting part in John’s manuscript of Paul’s affidavit is his note in the margins regarding the section where Paul talks about the growing musical differences between him and John. In particular, John underlines Paul’s statement that “[John] he was no longer interested in the performance of songs which he had not written himself.” John counters this comment with “Paul was guilty of this for years. Witness ‘let it be’ clip.”
The ‘Get Back’ clips have shown us that not all was dire between them at this time. But I do believe John’s comment is valid and crucial in order to understand the feelings wrt. the unity (or the lack thereof) felt within the group and how that played into the role dynamics of the band at this point. At the very least, it indicates to me that a lot more was going on than just simply John being completely checked out from the group in the later years.
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Chuck Berry at the Fillmore, San Francisco 1970.
Photo : Jim Marshall.
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Christopher Lee in Scars of Dracula (1970)
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Warhol superstar Jay Johnson photographed by Francesco Scavullo, 1970.
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The Doors, Roadhouse Blues, Land Ho !, 1970. (45 RPM)
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Ellen Burstyn / Joseph Strick's Tropic of Cancer (1970)
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Irving Penn: Rose - Blue Moon (1970)
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A Cornucopia of British Psychedelia 1965-1970.
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