#mangakas

[l6sadi]

Group photo of Monkey Punch with his fellow magakas, Shinji Mizushima (Creator of “Dokaben”), Machiko Satonaka (Creator “Pia no shouzou”), Tetsuya Chiba (Co-Creator of “Ashita No Joe”) and the environment minister, Tetsuo Saito, in “The International Manga Summit Festa” (2008).

The theme was 'Environmental Innovation', calling on visitors to participate in the creation of a low-carbon society. Manga artists drew popular characters riding on solar-powered spaceships and aliens visiting the beautiful Earth.

“Low Carbon Society Drawn by Everyone"

Rest in Peace Monkey Punch.

This isn't proper of my way to show respect, but i'll try to write something soon.

#monkey punch #lupin iii #lupin the iii #manga #convention #l6sadi #ashita no joe #sports #environment #anime #lupin manga #2008 #mangakas #lupin the third #art #tetsuya chiba #retro manga #seinen

[k-martins]

I know I go around saying on this network that I hate sensei akutami (which is not a lie, but it's more like a toxic relationship where I always end up going back to him), but I would like to make it clear that I am very proud and happy for her evolution. You can see a great evolution both in the lines and in the placement of the frames, in the fight scenes, the fluidity, the visual symbolisms. Like look at this gojo in jjk 0

and on the most recent page.

Not counting Yuji and Megumi themselves

Anyway, that probably doesn't mean much on my part, I just wanted to say that I'm glad that GG has grown so much as a mangaka. JJK despite being my source of depression lately is a very good work ^^

#jjk #jujutsu kaisen #jjk spoilers #fushiguro megumi #itadori yuji #gojo satoru #fushiita #itafushi #gege akutami #mangakas #It's weird praising a person like I know him #but I'm feeling happy with GG today #(also not me hoping that if I show him a little love he can save Megumi) #plus I like how the manga is currently #that GojoxSukuna panel at 231 is brutal

[evaristoramos]

Os artistas que continuam mudando minha vida

Publicado originalmente em 30 de julho de 2018

Recentemente eu estive vendo os mapas de influências de alguns artistas que acompanho nas redes sociais e isso me fez parar e refletir sobre os artistas que eu considero do meu mapa de influência e olha, a reflexão demorou. Listei um monte de artistas e me perguntei qual deles realmente eram minhas influências, qual deles mudaram minha vida, qual deles estão ali do meu lado nos momentos mais difíceis da minha vida de quadrinista, qual deles me fazem querer entender o processo, qual deles eu consigo ouvir dizer: “Não desanime, continue tentando.” E estes são:

Katsuhiro Otomo

Eu listei ele no topo dessa lista, pois foi graças a Akira que eu senti vontade de desenhar, sabe? Eu lembro como se fosse ontem, eu estava em uma área reservada para crianças em uma festa da comunidade onde eu e minha família morávamos, fazia um barulho infernal, mas quando vi aquela animação na telinha, cara

Aquilo mudou minha vida, pode parecer mentira, mas mesmo sendo uma criança eu senti como se um cadeado em minha cabeça fosse aberto, eu sabia que aquilo era diferente e eu precisava entender e, quase que instantaneamente, soube o que tinha de fazer. Foi então que quis ser desenhista e algum tempo depois, quadrinista.

Por isso eu cito ele como minha influência principal nessa vida de quadrinhos e fico muito feliz quando alguém diz que algum desenho meu faz lembrar de Akira, o que me aconteceu duas vezes até agora.

John Romita jr.

O Romitinha é como se fosse aquele tipo de pessoa pela qual você se dói quando alguém fala mal dela, entende? Fico puto quando alguém fala da arte dele de forma arrogante, como se fosse o rei da cocada de nanquim. A primeira coisa que li dele foi o Homem-Aranha e foi o suficiente para me apaixonar, gosto muito dos traços dele e da forma como ele desenha a ação, os personagens dele tem peso e volume, algo que venho tentando fazer com meus desenhos, mas ainda sem sucesso.

Não fale mal de Romitinha perto de mim, é perigoso. Para você, claro.

Masashi Kishimoto

Quando li o Naruto pela primeira vez eu fiquei encantado com a forma como o Kishimoto construiu os personagens e como cada um tinha sua personalidade bem definida, também curto a técnica dele com bico de pena, apesar de já ter lido alguém falando sobre o “erro” dele usar linhas sem muitas variações de espessura, bom… Para mim isso não importa, como diz o Moebius: “Ninguém pode culpar um artista por manter ou descartar certas formas para dar lugar à expressão de seus verdadeiros sentimentos. Ninguém pode dizer a ele o que deve ou não desenhar. Isso é completamente inaceitável.” Kishimoto foi o que me fez pensar melhor na forma como desenhava, em como ter cuidado com a construção dos meus personagens e estudei muito o traço dele, sem contar que ele também é um fã de Katsuhiro Otomo.

Moebius

Jean Henri Gaston Giraud ou Gir, ou simplesmente, Moebius. As cores, a naturalidade com que ele desenha e os cenários fantásticos, o surrealismo da sua arte, tudo que o Moebius faz é de cair o queixo, ele é um dos artistas que estão ao meu lado nos momentos difíceis da vida de quadrinista, assim como ele eu acabo sendo “contaminado” pelo meu estado de espírito quando estou desenhando, por isso que me sinto bem quando penso que não sou o único que tem esse problema, mas tento evitar ao máximo que isso aconteça, tipo ficar irritado ou melancólico antes de ir para a prancheta.

Quando se trata de composição, texturas, cor, a forma como enxergo ao mundo ao meu redor e a importância aos detalhes, sempre penso no Moebius.

Will Eisner

Ahhh, Will Eisner…

Conheci o trabalho dele logo quando comecei a me aventurar pelo mundo dos quadrinhos como autor, mas não tinha lido nenhuma de suas obras, até que na biblioteca da escola eu li O Sonhador e então eu me interessei mais por este artista.

Eu passo horas observando as páginas dele, seus rascunhos e suas lições sobre narrativa, ele também é um dos que estão ao meu lado nos momentos de dificuldade.

A forma como ele desenha as cidades, caramba, é como se eu estivesse lá naquele desenho e os personagens são tão reais que é como se você dissesse: "Ei, esse cara aqui é igual fulano! Ah! Essa menina me lembra a ciclana!".

Harold Sakuishi

Eu tive dois momentos conturbados pra caramba na minha vida, em um deles eu cogitei parar de desenhar de vez e foi ai, quase que sem querer, que eu li Beck.

Harold Sakuishi me puxou de um buraco com esse mangá, a batalha dos personagens com seus sonhos, a forma hilária como ele os desenha de vez em quando, as expressões e o uso de retículas dele, tudo é maravilhoso, sem contar que é um mangá de música, saca isso!

Se Otomo despertou o fogo da vontade de desenhar, Sakuishi reacendeu o que estava apagado e, sem dúvida, ele é um dos autores que estão ao meu lado, ele está sentado em cima da mesa tocando uma guitarra e quando fraquejo demais ele me acerta um chute para tomar vergonha na cara.

Estes são os artistas que mais me influenciam, claro que tem muitos que eu admiro e amo o trabalho, alguns tão bons quanto os citados acima (menos Moebius, ninguém é tão bom quanto Moebius), mas nenhum deles me impactaram tanto quando estes.

São artistas que mesmo hoje ainda continuam mudando a minha vida, artistas que sempre estão me ensinando algo. Gostaria de publicar algumas imagens nessa postagem, mas não é possível, infelizmente, mas você encontra facilmente ai pelo Google.

Inté!

#texto #blog #katsuhiro otomo #masashi kishimoto #john romita jr #will eisner #harold sakuishi #jean giraud moebius #mind map #mapa de influencias #artistas #quadrinhistas #inspiração #mangakas #historia em quadrinhos

[mcpirita]

Semi-motivational quotes from Hayao Miyazaki

#hayao miyazaki #spirited away #princess mononoke #studio ghibli #ghibli films #ghibli movie #my neighbor totoro #quotes #motivating quotes #mangaka #manga #anime #existentialism #existential dread #existential thoughts

[jollymalt]

inspired by junji ito posing in the barbie box

#BARBIE!!!!! #excuse me for this but barbie AND my fav horror mangaka??? unbeatable #barbie #junji ito #lene draws

[hyolks]

ohhh early 2000s protagonists save me

#fma #fmab #soul eater #maka albarn #edward elric #fullmetal alchemist #fullmetal alchemist brotherhood #SOLELY because both mangakas have drawn eachothers characters. and the very fun drawing of ed and maka with their arms linked #i have no other explanation :^) love u #theyre just my goth girls

[maguro13-2]

Hiromu Arakawa : So, what did you expected that you left the world of mangas after Fire Force is done?

Atsushi Ohkubo : Well, the thing is that I the former Mangaka of Fire Force has decided to do character designing for TV animation, and with the help of Nier Franchise's creator Yoko Taro, that we made an original TV series "KamiErabi" titled as GOD.app, which is entirely made in real 3D animation! (Shows the poster of KamiErabi)

Hiromu Arakawa : What?! Cram it, Virginia! You know that I'm not interested in CGI! That looks goofy looking! Everybody knows nobody likes CGI! I stick to 2D Animation, which is why I am making a better TV animation series than that KamiErabi crap! Behold...(plays the trailer of Moonrise)

"From the Creators of Psycho-Pass... Fullmetal Alchemist...and Attack on Titan..."

"In the Futuristic World where the Earth's peaceful inhabitants have been attacked by the Resistance from the Earth's Moon."

"And an enemy shrouded in mystery that appears to be the former friend of the same person."

"Coming Soon..."

"Witness the spectacular story as the inhabitants fight against the resistance in an all-out battle in outer space..."

"Netflix and Wit Studio are proudly to announce the world premiere animated series..."

[The title "MOONRISE" appears Behind the moon]

"MOONRISE."

"See you on the other side of the moon..."

"Only on Netflix"

[words "COMING IN 2024" appears under the logo]

Hiromu Arakawa : Well, what did you think of that, Mr. "Who brought this Madness"?

Atsushi Ohkubo : [Holds out a violin in his hand and bashes it on his head, causing him to be dazed and collapses]

Hiromu Arakawa : Okay. I guess you weren't expecting that much, [yelling] NERD!

[PIANO CRASH!]

Hiromu Arakawa : Why do I gotta to be the laughing stock at this point?

#fullmetal alchemist #fire force #soul eater #hiromu arakawa #atsushi ohkubo #mangakas #gangan comics #real people #wit studio #crossover

[chellychuu]

Thinking about Koge-Donbo’s art 💖

#it’s so perfectly 2000s and everyone looks so cute 😭💖 #I might try a similar eye style sometime ehehe 👀 #koge donbo #pita ten #di gi charat #madoka kaname #hatsune miku #mangaka #anime #2000s anime #cute

[algoentremanos]

Los mejores mangas de todos los tiempos y las novedades más interesantes

Los mejores mangas de todos los tiempos y las novedades más interesantes #mangas #MejoresMangas #Comics

¿Cuáles son los mejores mangas de todos los tiempos? ¿Y los mejores mangas actuales? ¿Quieres leer mangas románticos o de deportes? Para adolescentes, adultos, chicos o chicas. Puedes leer manga a cualquier edad. No te pierdas mis recomendaciones. Seguro que ya te has leído unas cuantas entradas recomendando los mejores mangas que puedes leer, y la verdad es que no te voy a aburrir de nuevo…

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#comic japonés #mangakas #mangas

[roguemaki]

Translation of a SuleMio fancomic by 絢芽いろ.

Original posted on Pixiv / Original posted on Twitter

#sulemio #g witch #mobile suit gundam the witch from mercury #miorine rembran #suletta mercury #mangaka: 絢芽いろ #maki translates stuff #fancomic

[actual-haise]

I love how the dragon in Dungeon Meshi doesn't have the usual lizard-y limb anatomy but something more along the lines of a large land mammal or even a sauropod +500 points from me (also the way the fire breathing is explained is in line with a lot of spec evo stuff, cool)

#the suitcase chronicles #dungeon meshi #dunmeshi #dragon #like #the mangaka really really has a knack for good speculative biology #but the dragon really activates my neurons cause I've seen a LOT of great spec evo for dragons #and made some myself #so its like #yeah this is a plausible animal

[reasonandempathy]

#akira toriyama #dbz #mangaka #rip #original content #naruto #one punch man #spy x family #one piece

[winter-weepingwillow]

Two Peacocks – a brief comic 🦚🦚

Please read from right to left!

Good luck with Aventurine's banner! I wish every Aventurine wanter to become an Aventurine haver ♠️

DO NOT TRACE, DO NOT REPOST, reblogs are appreciated!

#原神 #崩壊スターレイル #honkai star rail #genshin impact #kaeya alberich #aventurine honkai star rail #genshin kaeya #mangaka #manga #hoyoverse #illustration #art #drawing #art work #digital art #digital artwork #genshin fanart #genshin impact kaeya #crossover

[class1akids]

Bakugou sketch by JJK colorist, takeo x

#bnha promo sketches #bnha illustration by other mangaka #art by others #takeo72 #bakugou katsuki

[neapenning]

Part 1 of "idiot man over-rationalizes feelings instead of feels them and immediately assumes he needs to be mithridatized again"

#ik toxicology normally refers to testing for drugs but i thought 'blood tests' would be too vague #im pulling the mangakas excuse of 'its not a real place so it doesnt need to be 100% accurate' #anyways i love the handler. gotta be one of my fav side characters fr #spy x family #spy x family twilight #spy x family loid #spy x family handler #sylvia sherwood #twiyor #loidyor #neapart #fancomic #sxf

[bakuhatsufallinlove]

Let's talk about Jump GIGA

Jump GIGA covers, 2016-2024. Volumes are published (left to right per row) as Winter, Spring, Summer, and Autumn releases, with 2018 and 2019 briefly breaking the pattern by having three Winter and three Summer volumes each. 2023 has an Early Spring volume in addition to the standard four.

So, people have pointed out that the 2024 Spring cover is, uh, not like other covers.

But I've only seen comparisons to other MHA GIGA covers and MHA Weekly Shonen Jump covers. Out of curiosity for what GIGA's typical marketing aesthetics might be, I put together a comparison between all of Jump GIGA's covers to date.

And, um. Some things stand out, to say the least.

First, let me clarify what Jump GIGA even is: it is a seasonal magazine from Shonen Jump, published separate from Weekly Shonen Jump. SJ is an absolutely massive brand and they have a number of magazines serialized outside of the most well-known weekly magazine.

The content of Jump GIGA is primarily made up of one-shots and spin-offs. From the beginning, a lot of the appeal has been the cool cover illustrations which showcase special merchandise that comes with the purchase of GIGA. Usually the cover also promotes big things going on related to the WSJ series, like movie events, new games, or special figurines for sale.

The marketing aesthetic has been clear from the start: the cover consists of one core illustration and a number of ads surrounding it. Most often you get a cover illustration of a protagonist, and then ads and merch for other series, e.g. Food Wars protagonist cover with One Piece film promotion and Haikyuu!! merch.

The purpose of this marketing direction is pretty obvious. Spin-offs and one-shots are not likely to generate a ton of interest consistently, so they lure people in with the cool covers and tempting limited edition merchandise of the series they already know and love. In this way, highlighting one series with the cover and different series with the merch makes sense, because maybe somebody doesn't care about Food Wars, but they definitely want those Haikyuu!! stickers, stuff like that.

Starting from 2020's Autumn volume, you can see a shift. For the first time, basically all of the merchandise is for the cover series. The Demon Slayer manga had already ended five months earlier in May, but a two-chapter spin-off was scheduled for release in WSJ during October. This GIGA was released exactly one day before the second chapter was published and it capitalizes on the hype.

After this point, only MHA and Jujutsu Kaisen dominate the cover and the merch in quite this way, with Black Clover getting attention last volume as a way to highlight the fact that it actually switched syndication from WSJ to GIGA.

Anyway, most commonly the cover illustration is a solo shot of a core cast member (usually but not always the protagonist), and if it's not a solo, it's a big cast illustration.

Only a few covers focus on two characters, and usually it's a crossover as opposed to characters from same series sharing the limelight.

Here we've got Food Wars' protagonist with the main characters from Dr. Stone and Act-Age.

The two covers most similar to the Izuku & Kacchan cover are 2022 Winter and 2023 Autumn.

Winter depicts the main trio of Blue Box in a seasonally-appropriate aesthetic. Not gonna lie, this one kinda makes me laugh--Blue Box is a romance and sports manga, and even though Christmas has a romantic air to it in Japan, instead of depicting any sort of like, hesitant but hopeful romantic energy between the heterosexual couple that actually get together later in the series, they focus primarily on the two girls being cute with the guy is a wee footnote? I mean, all right.

Meanwhile, Autumn depicts one of the protagonists with the series antagonist with a typical cool action style. I'm not very familiar with JJK, but I hear these two have got Some Drama going on, so, there's that.

The merch itself has also evolved over the years. Stickers and posters were present early on, but they have since expanded to decorative folders and now acrylic stands and coasters. 2021 Summer sees the first time the cover illustration is marketed as merch, with the Jujutsu Kaisen cover included as a decorative folder.

Right after that, the Kacchan cover of 2021 Autumn is included as a poster alongside earlier covers featuring Todoroki and Izuku.

2023 Summer's cover is a huge, wrap-around MHA cast illustration and it was published three days after chapter 396 came out, strategically timed to highlight the big shift in the final battle as Ochako vs Toga ends and All Might vs. AFO begins. Merch includes a decorative folder of the wrap-around cover and character motif stickers.

And then we get this!?

A duo cover illustration where the cover art itself has been merchandised to hell and back!?!?

Acrylic stand and pin set!?

Double-sided coaster showing bkdk greatest hits!? With volume 29's river scene cover!?

There's also a double-sided poster featuring the Spring cover with the ninth popularity poll art and a decorative bag with the anniversary art. The cover art itself is plastered all over the volume, front, back, and spine, apparently a total of 19 times.

I honestly don't know what to say about this. It feels wild that this is actually what the cover is. Obviously it is a huge marketing push in anticipation of season 7, and Izuku and Katsuki are the most popular characters, but. it just feels... unique.

In the course of Jump GIGA's publication, this direction is kind of unprecedented. Genuinely no one could have expected this. This seems to be the first time there's been this much merch for a cover. And it was a solid fucking move, marketing-wise--it's sold out basically everywhere, everyone is talking about it. And even people who don't follow the series or ship these two can't help but comment on how strikingly romantic it looks!?

I don't know how much say Horikoshi had in what the cover was, but damn it sure feels like he drew this with immense affection. I kind of wonder if he personally pushed for it to be these two, rather than the typical solo shot, cast shot, or even a protagonist vs. antagonist shot.

I'm KO'd, man. idek if this post is useful to anybody I'm just on my hands and knees here.

Everybody knows what we're all here for, and it's these cute boys finally getting their happy ending.

#bkdk #i'm losing it #idek how to go on #they're so beautiful #I was trying to be all thoughtful and intellectual about what kind of marketing game GIGA plays in SJ's arsenal of branding #but #this is just such a divergence from their typical approach #why are there basically no other duo covers #did the other mangaka just not particularly push for it #did other duos just not serve as attention-grabbing enough #there's nothing else like it #what am I supposed to do with this knowledge