https://archiveofourown.org/works/40614972
No Archive Warnings Apply
Relationship: Gwaine/Merlin (Merlin)
Characters: Gwaine (Merlin)Merlin (Merlin)
Additional Tags: Fluff, Lovers, Established Relationship, post-reveal, Canon Era, Canon Divergent, magic bubbles, steamy romantic medieval hot tub, it’s literal steam, we’re a teen rating here folks, no beta we pop like bubbles
Summary: Gwaine returns cold and grumpy from a patrol to find Merlin has a bubbly surprise waiting for him.
Meant for merwaine fest day 4 or 7 but late lol
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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> FERDINAND II.
And so your PLANT shall henceforth be known as FERDINAND II.
The thought of needing to inform FERDINAND I of his having a namesake makes you a bit ill, but you are already hard at work devising several plausible excuses for the gesture. Something about how you've named it after the one most invested in its naming, or how it is similarly prone to drooling. Yes. Yes, you will be able to deflect quite easily, should the need arise. It has nothing to do with your fondness for FERDINAND or your desire for a substitute in his imminent absence, no—again, you are not so prone to sentimentality. It's about the drool.
Well, anyway. Best to move on with your day and think about something else, lest you grow maudlin or cultivate further affection for the PLANT. May the GODDESS be merciful and never cause you to develop inclinations that could be described as paternal.
Now that your plant has received sufficient care, it is time for COFFEE. You set to making your morning brew. By CHANCE, there happens to be sufficient water remaining in the kettle for FERDINAND I to have TEA, should he wish it.
Per your TIMEPIECE, it is now a quarter to eight. You have made excellent progress on your PRE-BREAKFAST TO-DO LIST thus far: the only remaining task is to remove FERDINAND. You are starting to get rather peckish and would like to be rid of him quickly, but over the past week, you have found that extracting the man from YOUR QUARTERS is a more arduous task than it ought to be.
#007 | << | <- | -> | JOURNAL | HOW TO PLAY | ALL POSTS
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anyone else annoyed with portrayals that make Nm and the Bad Sanses and Error out to be “actually innocent uwu guys who aren’t actually in the wrong bc they’re traumatized” and make Ink and Dream out to be “actually the real bad guys actually cuz umm Ink soulless and Dream no care abt his brother actually”?
Like people probably think it’s subversive or something when tbh it’s really not, at least not anymore. Maybe at one point it wasn’t a very popular interpretation of those guys (to have them be The Real Victims Actually) but, it sure is popular nowadays.
Like I’m not against sympathetic portrayals of the bad guys or anything (I’m literally a For The Forgotten Ones enjoyer)
but like, idk it gets on my nerves a bit when people try to make them Not The Bad Ones Actually They Did No Wrong Ever™️. Especially when it’s at the expense of the Star Sanses (Ink, Dream, and sometimes even Blue)’s characters.
It just feels like villainizing the Stars (especially Ink and Dream) for no reason other than to gesture at a “”subversive and interesting”” story, making these interpretations out to be more complex than they actually are.
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after watching "the diamond of the day" for the first time over ten years ago, i thought if i'd known the show was going to end in tragedy, i never would've started it at all. i thought that for years, and for a long time, i was mad at the ending and wished i'd known about it and could've saved myself the pain. but recently i've come around to being glad i hadn't known, because then i never would've discovered some beloved characters and relationships. and now that i'm in the middle of yet another merlin phase and am sadder about the show than i've been in years, i find myself wondering. if i'd known that merlin was a tragedy but that it would give me one of my all-time favorite fictional friendships (merlin and arthur), if i'd known that one day, years in the future, i would decide all the frustration and pain and heartache was worth it, would i have taken the plunge anyway?
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“Then leave,” Regulus said, turning to stare at Sirius’ profile and the oh-so familiar slope of his nose. Regulus hated how similar they looked, hated how Sirius was smarter, more popular, more talented. He hated how Sirius was going to get everything that should've been his because Sirius with his rebellious attitude and disregard for their family didn't deserve any of it. Regulus sat in the library for hours, educating himself on the history of their great family, Regulus practised his spells everyday in hopes he would measure up to the power of his ancestors, Regulus was the good, obedient son Sirius could never be. “No one’s going to miss you anyway,” he spat out, looking away as his heart began to race.
‘I would. I would miss him,’ the child hiding in Regulus’ chest whispered, his words echoing through his bones.
Regulus closed his eyes and sighed deeply, trying to regain control of his breathing. In and out, like the ocean waves crashing against the shore. ‘No, you wouldn't,’ the voice reprimanding him is his own, but the echoes sound like his mother.
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