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#janet laing
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Etheldreda Janet Laing :: Iris and Janet, ca. 1914. Autochrome. The younger sister (Iris) has fallen asleep in her sister's lap.| src Science and Media Museum (The Dawn of Colour)
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An Autochrome of Etheldreda Janet Laing's daughters. The two sisters, dressed in matching green-striped dresses, relax on the grass in a sunny garden after picking a bunch of flowers. In the summer of 1908 Laing took a series of autochrome portraits of her children in the garden of the family home, Bury Knowle in Oxfordshire. | Getty Images
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eyesfullofmoon · 1 year
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Janet and Iris Laing photographed by their mother, Etheldreda Laing, using the early Autochrome color process. Circa early 1910s.
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itsmozzazzella · 1 year
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frenchcurious · 8 months
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Tony Curtis et son épouse Janet Leigh sur la place du Trocadéro, au fond, la Tour Eiffel à Paris, France en 1955. - source Cars & Motorbikes Stars of the Golden era.
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Yet another mini-game...
This week's mini-game is a weird one: self-titled albums (defined here as albums that have the artists' names in the title). A weird mix, but who's the best?
Vote on the main tourn too!
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chic-a-gigot · 5 months
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Le Petit écho de la mode, no. 47, vol. 16, 25 novembre 1894, Paris. 8. Toilette habillée (Dessin de M.G. Janet). Toilette de velours et surah vert russe et crépon de soie ivoire. Ville de Paris / Bibliothèque Forney
Fond de jupe coupé cloche, garni au bas d’un plissé de surah, par-dessus jupe de velours gracieusement relevée à gauche par un chou de crépon. Corsage ajusté en velours, rentré sous une ceinture eu crépon terminée par un chou, haut de corsage bouillonné en crépon agrafé au milieu du devant sous une draperie, le bouillonné se termine par un volant plissé en surah, épaulettes froncées retombant sur une manche ballon en crépon terminée par un poignet plat, col droit drapé, éventail de plumes blanches.
Bell-cut skirt bottom, trimmed at the bottom with a pleat of surah, over a velvet skirt gracefully raised on the left by a crepon collar. Fitted velvet bodice, tucked under a seersucker belt finished with a chou, top of the bubbled seersucker bodice stapled in the middle of the front under a drapery, the bubbled ends with a pleated surah ruffle, gathered shoulder pads falling on a balloon sleeve in seersucker finished with a flat cuff, straight draped collar, fan of white feathers.
Matériaux: 8 mètres de velours, (1 mètres de surah, 4 mètres de crépon soie. (Modèle de Mme Giacomotti, 2, rue du Marché-Saint-Honoré.)
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gaysagainststeve · 1 month
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Idk if i ever updated my stance on here but
It would actually be weirder if steve and Janet werent dating at this point
And that’s why it delights me so much that they never truly confirm it
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sistergeorge · 10 months
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e la nave va (1983)
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albertcapraro · 2 months
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March 14, 1975 - WWD Page 5 Rtw’s new stars Drawings by Steven Stipelman WWD photos
Thirty-one-year-old Albert Capraro, of Jerry Guttenberg, Ltd. hit the headlines recently when he paid a creative call on Betty Ford at the White House. Overnight success? Hardly. Capraro’s been behind the design scene for 11 years.
After Parson’s (where he picked up a Fernando Sarmi Gold Thimble), he worked briefly for Lilly Dache’s custom salon but left because, “I wanted to produce a series of ideas, not one thing for one person,” then went on to design evening clothes for the now defunct Jobere.
In 1966, Capraro became Oscar de la Renta’s better ready-to-wear assistant and, within two years, was doing the Boutique collection, but without design credit. “I was with Oscar eight years, and that’s a long time. I had grown as much as I could there and couldn’t afford to pass up this opportunity.
The “opportunity” was a partnership last July (with Jerry Guttenberg, Ben Shaw, and Tony Siano) and vice-presidency in Jerry Guttenberg, Ltd. to say nothing of having his own name on the label.
Capraro, a native New Yorker, combines the attitudes of a “hopeless romantic” (“When I see something lovely — a film, a gallery, a person — I try to get that into my clothes”) and a tough self-critic (‘I go over something again and again until it looks right to my eye”). The result is a summer collection, priced from $32 to $89, that swings from soft posh peasant looks to clean, crisp chintzes.
Capraro credits Mrs. Ford with “launching” him — “She even had some of my old La Renta Boutique clothes” — but claims that even before the White House publicity, “The business was in the black within six months.”
“I like to think of fashion as an art,” he adds, “because I approach it that way. But the supply and demand principle makes it a craft.”
Janet Reis, Saks Fifth Avenue Shop buyer, comments: “I’ve always believed in Capraro as a designer. His collection is fashion at a price, along with unusual fabrics, and that’s what people are looking for today.”
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raurquiz · 2 months
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#DiaInternacionalDeLaMujer #InternationalWomensDay    #DarcyLewis #agathaharness #monicarambeau #eternals #sprite #ajak #sersi #thena #makkari #melinavostokoff #hawkeye #yelenabelova #americachavez #msmarvel #KarliMorgenthau #sharoncarter #ayo #shehulk #titania #janetvandyne #cassielang
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giallofever2 · 4 months
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Girl in a Kimono, ca. 1908. An autochrome portrait of Janet Laing dressed in a pink kimono, taken by Etheldreda Janet Laing. | Getty Images
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Two girls in oriental costume, ca. 1908. An Autochrome of her daughters dressed in Japanese-style outfits, taken by Etheldreda Janet Laing. They both have flowers in their hair, which is typical in the geisha 'Shimada' fashion. | Getty Images
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An Autochrome portrait of her eldest daughter (Janet) dressed in a pink kimono, taken by Etheldreda Janet Laing circa 1908. The design of the kimono is mirrored by the flower arrangement beside her. Japanese style and art became increasingly popular in England at the turn of the twentieth century. | Getty Images
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haute-lifestyle-com · 5 months
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A Father's Promise, from Abramorama, presents the story of professional musician Mark Barden whose life changed instantly, when his son Daniel was murdered at Sandy Hook Elementary school, and the resilience to turn tragedy into hope.
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tetha1950 · 5 months
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Clave #2 para la oración eficaz – estar conectado
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En el devocional anterior encontramos que la primera clave para la oración eficaz es ser específicos cuando oramos. Hoy, quiero mostrarle la segunda clave: La necesidad de tener una relación estrecha con Dios.
En Juan 15:5, Jesús dijo: Yo soy la vid, vosotros los pámpanos; el que permanece en mí y yo en él, éste lleva mucho fruto, porque separados de mí nada podéis hacer.(RVR1995)
Dios desea que cada parte de nuestra vida esté conectada con Él. Y Él nos dice que, cuando eso sucede, al tener nuestras vidas conectadas a Él, daremos mucho fruto. Unos versículos más adelante, Jesús directamente asoció ese fruto a la oración.
En Juan 15:16, Jesús continuó diciendo: No me elegisteis vosotros a mí, sino que yo os elegí a vosotros y os he puesto para que vayáis y llevéis fruto, y vuestro fruto permanezca; para que todo lo que pidáis al Padre en mi nombre, él os lo dé. (RVR1995)
Si estamos conectados con Dios y permanecemos en Él, Jesús dijo que daremos mucho fruto, fruto de oración. Piense en un árbol frutal por un momento. Las hojas salen porque las ramas están pegadas al árbol. En la primavera la rama florece, y de esas flores sale la fruta.
Pero si algo sucede y la rama no está fuertemente conectada al árbol, es muy probable que no dé ningún fruto. Quizás haya algunas hojas, pero las flores no saldrán y no darán ningún fruto. Las flores y la fruta saludable solamente saldrán si la rama está bien conectada.
Dios nos quiere bien conectados con Él en cada área de nuestras vidas. Cuando eso sucede, nuestras oraciones están en línea con Sus deseos, y podemos estar confiados que Él nos contestará.
(Janet Conley).
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singular-nail · 1 year
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i am your own true love;
and then i'll change all in your arms—
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Revival Round - Group 1
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All these albums lost their respective first rounds... but one of them is getting a chance to advance nonetheless
Vote wisely and enjoy.
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