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#its like shakespeare
phynoma · 9 months
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Since I saw an artist's rendition of Jon as a ginger I can't get it out of my head. It's perfect. Jon as a scraggly sad ginger. Martin is a fat British Indian man. Tim has Central Asian ancestry. Melanie is tiny and Swedish. Basira's family is from France. Sasha is chubby and Black. Elias is still just white middle aged management. Georgie is unidentifiably mixed race with gorgeous black hair. Daisy is literally anything but blonde
Please I'm begging you I need VARIETY
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iphigeniacomplex · 7 months
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breaking my silence on chess the musical to say that i would literally not give a fuck about this show if i thought it was good or fully successful at what it is saying. SORRY! i love how messy she is. i love how since 1984 and continuing to this very day people with entirely different perceptions of and opinions on the musical have attempted in their own ways to "make it good" by creating all these different versions with like notably different plots, characterization, and song order, and i love how fucking bad the vast majority of these are despite it all. i hope people keep trying to fix chess the musical forever and until the end of time. i hope no one ever figures it out. i want every currently living theatre director in existence to make their own version and for all these versions to come out on broadway at the same time, making that year's musical season entirely comprised of various different versions of the cold war chess musical by tim rice and half of abba. i want not only our greatest minds but also our middlest-of-the-road and worst minds to come up with their own conclusions as to why chess does not entirely work in its original form or any subsequent forms like to really think about it and yes i do want someone to dedicate their entire life to perfecting chess by releasing version after version after version until they die peacefully but still, as always, in the grips of obsession. i want marriages to be broken up. i want mental states to be shattered. i dream of this world
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mewtwo24 · 5 months
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
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LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
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Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
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Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
#svsss#bingqiu#moshang#i swear to god this series is just 'gay man who doesn't know shit inflicting his delusional reality on everyone else and inciting chaos'#and literally it's slapstick levels of hilarious every single time; mxtx never change#also i fully agree that we did not get NEARLY enough mobei-jun and sqh/airplane content#the amount of mental illness to mental illness communication going on there was astonishing#mobei-jun being afraid of his uncle and bringing sqh because that's the only person he trusts fully (WAILING NOISES)#sqh having a tantrum but running away because for the first time he was honest about his needs + his dissatisfaction with catering to other#how that reflects his narrative compulsions and how he felt forced to warp more creative story paths for the sake of survival as a writer#how sqq's restoration of much of his original intent--as well as mobei-jun's acceptance of his needs--helps airplane begin to heal#how his happiness begins; how just like sqq he wanders in such confusion and denial before he's forced to realize what truly matters to him#SHREK VOICE: STORIES HAVE. L A Y E R S#it feels like modern day shakespeare and when i say that i don't mean it in a hollow elevating sense i mean it more like#mxtx just hits that perfect balance of poignance but also hilarious concentric circles of botched communication and brainworms#okay but real talk for a minute? .........;-;#the way lbh constantly struggles with such a crushing feeling that he'll be abandoned over any little mishap/thing/problem#really hit me where it hurts??? if only because its so clearly an anxiety that stems from original goods' upbringing#the way it becomes even more heartrending when you think back to all the sect leaders clamoring that he should have been killed as an infan#that he should have been aborted as a fetus--insisting right in front of him that his birth was a mistake and a disgrace#over having demon blood in his veins. like my god that scene is so viscerally upsetting i struggle to read it#the way its so easy to see the demons as a manifestation of otherness in precipitated form#how both sqq and sqh are influenced by human rhetoric without evening meaning to--assuming the worst against their better judgment#how both sqq and sqh both struggle with their own otherness in different ways and only find solace when they begin to accept who they are#how their lovers (lbh and mbj respectively) both are willing to navigate those confusing waters with them#how both demons love them as they are--accept them as they are despite how difficult forgiveness of perceived betrayal is for them#ty mxtx for changing my brain chemistry#as i get older i have such a fondness for the messiness of thematic queer self-discovery and growth into self-acceptance#that and how youth can so easily be defined by perfectionistic self-harm and the violence of repression
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askblueandviolet · 18 days
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Ask Box for Macaque is open!
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Funny thing about the couch (other than the fact that it is the Mayor's couch but copy and pasted and recoloured) is that... It's a light coloured couch. Which doesn't really make sense because you would think Macaque would get a dark coloured couch like the emo monkey he is. But I think the reason I chose the lighter tone is because it makes him stand out more for drawing purposes, haha. And also, let's be honest, I don't think he would have gone out of his way to specifically get a darker couch. He probably found this one on the side of a street and called it a day.
Anyways, the box is open for 24 hours! Go ham everyone.
Update: Ask Box is now closed :)))
MASTER POST
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qweenofurheart · 6 months
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laertes in act 4, scene 5 of hamlet
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variousqueerthings · 5 months
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a few things i appreciated about the much ado about nothing with dt and ct:
very much enjoyed that they both exhibit loser-behaviour. that is, there can be a risk in this play of making beatrice too right and benedick just someone who's gotta level up to deserve her, but this one really allowed both of them to be brilliant as well as stupid, which is fun because it makes both of them more complex and equal to one another + I think it's fun for an actress to be a little silly sometimes and this role really allows for it, and especially an actress like catherine tate to be familiarly hilarious, which makes the parts where she's deadly serious hit all the harder
I feel like with the doctor and donna, yes it's text that they're not sexually or romantically attracted to each other and I am so very into that of course, but I'm just so happy to see proof that they could shift their tension a little to the left and be pretty damn sizzling -- this especially because donna was a couple of years older than rose and martha and I sometimes feel like people who read romantic and/or sexual context into things do so because they're reading a conventional early-20s youthful sexiness to the female characters. so just having them go "we can be very very sexy with each other if we so desire" was fun
several people have pointed out david tennant in a skirt vs catherine tate in a suit, and i will do so as well, specifically because that was so veeeery t4t bisexuality of them, and i feel like there was a deliberate choice in the party scene to make the audience think about femininity and masculinity as it pertains to sexuality and power, specifically through the lens of these two characters and their equal status with one another. it means that when we get to the more direct confession at the failed wedding, when beatrice is wearing a plunging blue dress and benedick is in full uniform, that feels directly juxtaposed -- the costuming deserves its whole own analysis really, and i'm sure someone's done that, but specifically those two scenes make my brain go brrr
the way it moved from comedy to drama and back again so effortlessly. the way it placed emphasis on certain words in order to give sentences new meanings. simply the general feeling of very deep, deliberate engagement with the text
catherine tate's boobs. they did those costumes like that on purpose, you cannot convince me otherwise
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bardofavon · 4 months
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thinking a lot about how fatal flaws are misconstrued as being moral failings when actually hamartia is a moral neutral.
the best kind of fatal flaw, in my opinion, is one that’s both a character’s greatest strength and biggest weakness at the same time. it needs to be their biggest weakness intertwined like vines with what makes them admirable. it’s their very virtues that bring them to ruin!!! it’s something they can be lauded for that spells their death!!
it’s macbeth’s ambition. it’s oedipus’s loyalty to his state and unending thirst for truth and justice. it’s hamlet’s obsessive contemplation and wish to make sure his every decision is the right one. it’s being loyal to the point of blindness or confident to the point of hubris.
in any other story they could succeed because of these traits, but they aren’t in any other story, and in theirs it’s exactly what damns them.
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britneyshakespeare · 8 months
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You versus the guy she tells you not to worry about
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ladymacbeths · 10 months
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macbeth + parallel lines of macbeth and lady macbeth
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So was anyone going to tell me Faust is a bigger menace than EVERYONE in the game put together or like. Was I supposed to play the Impossible Choices event (Vincent and Charles ver) myself. I LOVE that he's the definition of: 'being smarter doesn't make me more mature or helpful, it just makes my inherent lust for chaos/entropy all the more unstoppable' This shit FUCKS
I think this is the first time I've ever seen a character make Shakespeare's life a living hell and the latter didn't expect/see it coming, that was AMAZING. Mf was out here like "What the hell??? You lot don't make me suffer I make YOU suffer. Let a man obsess IN PRIVACY" and then nobody cared. Peak comedic interaction, no notes everyone pack it up
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kazoozled · 1 year
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christian borle makes me giggle so much so very giggly hes so cute hes so babygirl
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bkdk-and-extras · 1 year
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...AU where bkdk become roommates, strangers to Daily Inconveniences to "youre not so bad... but dont you fucking Ever eat my katsudon again" and finally friends. but make izuku a theater kid/dramatic nerdy soul and katsuki a jock/punk/band kid or whatever.
Eventually they get comfy enough with each other for izuku to tease him ✨️ waxing poetic Shakespeare ✨️ style over one of katsuki's woes while izuku himself spins in his dorky desk chair. Just as izuku makes the third spin to catch another a blurry glance, Katsuki slams his palms down on the chair arms, barks out an affectionate "fuck you" and flicks his forehead. It doesnt deter the little shit in the slightest
This becomes a bit between them and eventually katsuki gets in on it too. Its contagious, sue him... but somehow those eyes are far too fond and words a little too sincere as they play out a tragic love story to make their friends giggle, and well. If he kisses the nerd's hand, its all apart of the act, right?
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transsexualcoriolanus · 7 months
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me, about to read troilus and cressida: now i know this play has achilles and patroclus, but it was written in elizabethan england and as such the gayness will probably just be kept to subtext and 'very good friends'-
thersites: ah, patroclus, achilles' manwhore
me: what
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what would the doctors visits tom apparently endured have been like? what if he had been institutionalized as he apparently feared? what would have happened to him?
Sorry this took a little while! I had to do some research for this because I'm not super familiar with healthcare from this period.
This is potentially triggering for ppl who are neurodiverse or experience mental/chronic conditions as I'm discussing outdated language and treatments, some which are still prevalent today despite medical suggestion. So after the first part on general healthcare, I'm going to put the rest as hidden.
From what I can gather, general healthcare (like doctors) were largely free for working men, but that left women, children, the unemployed and homeless without. This also means Tom. Tom would've likely been treated, if he ever got ill (and I think its mentioned in Order of the Phoenix that wixen don't get the same health issues that muggles do, although that may just be JKR batshittery), by one of the staff at the orphanage, who would prescribe cod liver oil for colds and thats about it. Penicillin was only discovered in 1928 so its likely kids were still dying from infections, especially in the orphanage. A doctor might've been called for something more serious like a broken bone, but operations still were being done on stuff like kitchen tables, so I wouldn't trust a 20s/30s doctor. There would've been a sanitarium (basically a sick room) although I can imagine that children went there to essentially die, especially from the more dangerous conditions that were rife at the orphanage, which I also discussed here.
(This next part is the potentially triggering section. Read at your own discretion.)
Tom is commonly read, particularly to outsiders (as we are when we view him through others eyes), as neurodiverse or with an Anti-Social Personality Disorder. Especially with his magic, he likely would've been perceived the same way by those at the orphanage, most prevalently by Ms Cole and others in charge as kids just don't notice these things. Germany's Aktion T-4 during the 30s an 40s (the proposed eugenics and selective breeding, but in reality murder, of anyone 'mentally retarded') mirrored the attitudes of the first half of the 20th century. Not a lot was known about how children think anyway, so they were often treated as mini adults or dolls, despite children not even having the mental capacities to comprehend why they're doing something until they're literally 15.
Tom (with whatever condition he does have) would have fallen under the Mental Deficiency Act (1913) which was passed almost unanimously with only 3 votes against it. It was a step forward from the previous Idiots Act (1886), but the language and treatment was still poor. It categorised people into four groups:
a) Idiots. Those so deeply defective as to be unable to guard themselves against common physical dangers. b) Imbeciles. Whose defectiveness does not amount to idiocy, but is so pronounced that they are incapable of managing themselves or their affairs, or, in the case of children, of being taught to do so. c) Feeble-minded persons. Whose weakness does not amount to imbecility, yet who require care, supervision, or control, for their protection or for the protection of others, or, in the case of children, are incapable of receiving benefit from the instruction in ordinary schools. d) Moral Imbeciles. Displaying mental weakness coupled with strong vicious or criminal propensities, and on whom punishment has little or no deterrent effect.
It suggested institutionalisation was the best response to these conditions, and the now-obsolete Board of Control for Lunacy and Mental Deficiency oversaw this implementation of 'care'.
Tom wouldn't have been aware of what occurred in these places (lobotomies and shock therapy of various kinds for 'treatment', including insulin and forcing seizures; but also horrible treatments of patients by 'carers' including violence and abuse), but would know that it meant you were crazy. Bedlam (12th century — present) was notorious based on rumours alone. Tom would've been genuinely fearful of what happened in those places even though he had no idea himself.
I remember playing games about asylums when I was a kid, and I doubt children in Tom's time were much different, but there was no one around to de-stigmatise and so rumours perpetuated. I think Tom was very scared because he believed his magic was a sign of insanity or a hallucination, and although he probably wasn't politically aware, he realised his own ability to hurt and was afraid of what that meant for him. To Tom, as a young child knowing nothing about his strange powers, being crazy was just as frightening as death because it meant the end of freedom.
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the production of don giovanni im watching has a very talented leporello but im way too distracted by his outfit to focus on his lines
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what is this. pink on green? crosshatch on stripes? bigass feather cap?? this is the outfit of a man who hasn't realized he's bisexual yet. i need him
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herotune · 7 months
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in fair faerûn where we lay our scene.......
im a little late heading into wyll week and im so sad but here's an illustration for day 3: modern au!!!!
wyll gives me theater kid vibes and i think modern au wyll would Absolutely be an actor. and i think he'd be incredible in shakespeare adaptations and historical dramas... so i Had to redraw one of my favorite shots from baz luhrmann's romeo + juliet with him. a modern au in a modern au...its perfect 🎭
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