Ride 736: The night of the training camp
Pag 1
2: Who is it? Someone is there....
3: …. rain
At the training camp.....
4: An umbrella....
Pag 2
1: Yo, Onoda
3: …. Te
…. ah..... Te
Pag 3
1: Teshima-san!!
Have you been well?
It's been a while, we haven't seen each other since my graduation
Pag 4
1: Waa- Teshi- Teshima-san! Di you come here on puropose to see ho-how things are going!?
Have you- have you been woll too, Teshima-san!?
Yeah, as usual – woll? (haha)
2: So-sorry this is so sudden and I'm so surprised! Co-come in!!
You do seem very surprised
3: You can put your shoes here, and your umbrealla here
Yeah, I know. I've had the training camp here for three years, too, after all
4: Ahh... but, it started to rain so suddenly
Good thing I had a spare umbrella in the car
5: Sorry I came here so suddenly
Pag 5
1: I thought you guys would have “prepared” if I had contacted you beforehand
2: Training camp is busy, you can't waste even one minute of these four days. I know how busy you are
When a senpai comes in the middle of that, it makes you waste too much time
3: … Teshima-san
4: Bu.... but, it's not a waste
Uhm- ah- we really owe you so much, Teshima-san!
5: And alos, at last year's Inter High.... uhm
6: I think we could win thanks to you, Teshima-san!!
Pag 6
1: Thank you
When you say it with such earnest eyes, I'm happy to think you really mean it
2: No no, I mean, it's true!! On the mountain during the first day... and of course the mountain stage on the third day...
Ahh, I did win that
Yeah well, it's beacause of that....
3: Ah- uhm, dammit I forgot to offer you some tea.... is the tea from the vending machine okay?
Ehi ehi, it's okay. You choose
Huh!?
4: I came all the way here, let me be your senpai
Pag 7
2: Teshima.... san
3: Than-
4: yo-
Waa- Onoda!!
5: My- my bad
So- sorry, this kind of things....
You're really not good at them... I forgot....
Pag 8
1: I see, so Danchiku.... and Sugimoto, too....
2: Yes
3: Well, you have no choice but to watch over them
Yes
6: That's what I intend to do!!
Pag 9
1: You got the “face of a third year”, Onoda
You change like that, when others count on you as a “third year”, your face....
2: Taking good care of the others isn't the only role of a third year
Sometimes, turning them down, or turning your back to them is also important
Just like Makishima-san once did
3: with you
6: Even so, you chased Makishima-san's back and admired him
Pag 10
1: Kohai watch their senpai's back and grow!!
2: If you slack off, they slack off
3: If you work hard, they imitate you
Pag 11
1: If you smile, they smile
2: Who's that guy, teh
He's talking with senpai.... here in the back
How can I know!!
But, he's smirking and has long hair, he's suspicious
4: Earlier, you said that last year's Inter High was thanks to me- what about this year's Inter High?
Thanks to whom will they work hard this year?
6: You
Pag 12
1: This time, it's your turn to become the object of their admiration
Pag 13
1: Onoda
3: That's what brings Sohoku together!!
4: That guy his Onoda-san!!
Do you think we should go there and help him, teh!?
No, wait, now he's stroking his neck!?
5: Honestly, choosing the members is hard
You trouble yourself, pace around, and still you'll have no answer
Ah-
6: But the important thing isn't how it was decided but “who you decided”
Pag 14
1: If you find the answer to “who” after worrying about it a lot, everyone will accept it and move forward
2: …. Teshima-san....
3: Uhm... how did you know that that's what I was worrying about....
I'm the former captain, am I not? Also, it's written on your face
Ah-
4: He wants to strangle him ike that!? That guy with shaggy hair!!
Ahh- this is bad, teh, we have to protect Back-gate-slope-san!!
5: Let's go!! Don't hesitate, Rokudai!!
Yeah, teh....!!
6: Eh!?
Huh?
Pag 15
2: Huh!?
Senpai, let's get away
3: Who are you!? Back-gate-slope-sa.... What do you want to do to Onoda-san!!
Pag 16
5: In the confusion I called him by his real name, “Onoda-san”, teh!! Sorry!!
6: Unathorized people shouldn't be able to enter, it's reserved!!
Right!! Shaggy-hair!!
Rokudai-kun!? Kinaka-kun!?
7: N-no, you two got it wrong-
8: Onoda....
Pag 17
1: You're really protecting your team members with all your strength
2: Eh-
3: Since you're protecting them, they're protecting you, too
4: What's your name
Yessir, my name is Rokudai Renta- no wait, that's not right!!
5: Huh
6: Since I'm protecting them.... with all my strength.....!!
Pag 18
2: Rokudai, if
Huh!? What
If you clear this training camp and get chosen as a member for the Inter High
Huh!?
3: Protect Onoda like this with all your strength
Pag 19
1: Huh
…. yes
2: Idiot, Rokudai, don't let your guard down just because of those sweet words!!
Ah!! That's right, teh!!
I'll introduce you: this is Teshima Junta-san
You have some goos first years!
He graduated last year and is now an university student, but
3: He's the former Sohoku captain
4: Cap....
I was nominated captain by Teshima-san
5: ta....in?
Pag 20
1: We- we- we're so sorry!!
It's nothing
2: We did that, teh....!!
To- to such an important senpai!!
3: Ah.... uh... thank you for your work!! What brings such an important senpai like you here?
He came to encourage us
4: Ah also, I brought
6: some new pedals for Onoda!!
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i didn't want to leave a wall of text on that muse post by @marxistgnome but i love it so much and this is going to be so rushed but i could go on and on and on about b'elanna and storytelling and narratives. this got really long and so under the cut it goes
it all really ties into that post i once saw about this consistency with b'elanna episodes where they reveal more about her as a person through her interior life- her thoughts and dreams and visions... what she does when she's alone. and muse really gives us this close up look at the way she sees things and what she cares about through kelis - the stories she tells him and the way she interacts with him- because he gives this good intimate portait of the world as b'elanna sees it- as she's described it to him (almost makes you wonder what she was considering there- whether she thought she should tell someone their stories because they're stuck in another quadrant and might not make it home, or if she thought she wasn't going to get off that planet and might not make it back to voyager)
and of course he's crafting a play so there's room for his own creativity but b'elanna tells him their story really well and she cares about it and you can tell. she cares a lot.
we get another really good look at this in barge of the dead like famously- and it's so consistent in that episode too because she's on the barge and she recognizes kortar from the stories her mom told her as a child and he directly acknowledges that. he says she believes in grethor and in him and she believes because her mother told her the story after she nearly drowned in the sea of gatan. remember prophecy? she's recounting the whole heroic battle with the borg to the klingon generation ship that think baby miral is their savior and the whole scene is framed like (at least it felt this way to me) that for all she says about not being familiar with klingon culture in any respect, the way she interacts with storytelling especially reveals the depth of her understanding of it- shes telling the story and she's telling it really well according to klingon custom and the first thing the visiting klingons do after she tells it is compliment that ability. and its sooo much.
when her and harry are going back and forth at the end of muse and she just goes harry have you ever inspired somebody? when he asks why she even cares so much about the ending of kelis' play. there's just like this klingon belief about living a life that's worthy of being shared with others- like when in day of honor the hologram is evaluating whether she's spent her year honorably and asks her what she's done with her life that's worth celebrating and she can't answer and he tells her that she's giving him excuses. and the direct parallel that could be drawn about how she feels about that with the janeway vision in barge of the dead where she's being condemned and the whole reason is that she's done nothing worthy of glory- 'nothing worthy of song and story.' my goodness
even when she convinces janeway to let her go back to the barge- janeway says it's not real, that she won't let her risk her life for something that she only thinks she experienced- but b'elanna tells her it doesn't even matter if she thinks it was real- that it was real to her and she cares about what her mother thinks of her and she doesn't want her to die thinking badly of her.
we see this with worf, of course the angle we're given is honor and truth and duty- but how you're remembered and talked about is important, even from generation to generation- disgrace in his family is disgrace for him. when they accuse his father of being a traitor at khitomer, it's important to him that his father be remembered as he was - truthfully, honorably, as someone to remember well (even the titles and names they give themselves being little retellings of their lives and the members of their family- on memory alpha worf isn't just worf, he's worf, son of mogh, of the human family rozhenko, mate to k'ehleyr, father to alexander, husband of jadzia, bane of the house of duras, slayer of gowron etc etc.)
((sidenote but b'elanna never in her life introduces herself as b'elanna daughter of miral always as b'elanna torres but on the barge of the dead kortar calls her miral's daughter immediately. and if she's partially from this culture where naming and titles are so important in that respect and b'elanna thinks her mother is. not what she wants to be known by not what she wants to be identified as it's soo relevant to what she calls herself. roxann dawson said that b'elanna wanted to be 'human and perfect' like her father and so she's not ' b'elanna daughter of miral' anymore because she doesn't want miral to be a part of her story, how she's remembered. so it's belanna torres.))
anyway this same- dedication to truth we get from worf and his father's memory we see even with b'elanna in 'remember' where she gets those telepathic dreams/visions from the alien woman about what really happened with that group of people they oppressed. the crew discover that the dreams are starting to affect her health- and so they offer to suppress them, take them away and b'elanna just refuses. because how else will she know what happens to them? who's going to tell their story? and she shares that story once she has it with anybody who will listen because its worth telling.
i'm going a little crazy but klingons and writing and literature and song and stories and living memory its all so. it's ridiculously important culturally. and how that translates back to b'elanna is so fascinating
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6, 12, 30 for the writing asks ^_^
6. What’s the last line you wrote?
Shaking its head in what seems like disbelief before meeting his eyes again, almost like it wants to say something before it makes a noise like a growl, "oh, you're one of those seraphs, aren't you. A star-eater. No wonder you act like you've lost your mind."
(ignore that that's a couple sentences, the Thought is important)
12. Do you outline your fics? If yes, how detailed are your outlines? How far do you stray from them?
Oh yes! I outline my fics thoroughly. Though, I do allowed myself to deviate as much from the outline as I feel like when things go off the rails.
Some snippets of planning from a couple fics & concepts:
My outlines are very... One for one. With some exceptions. I tend to basically write a very brief version of the fic and try to get the feelings and words right before I actually write it. This is... Also why it can and will take me a month to write a oneshot. I try to get things Right.
30. How much do you edit your fics? Do you edit as you write or wait until you finish the first draft?
So! I edit them a bit? I edit while I work, but often I don't really touch anything I've already written unless it's something longer that might be taking a few months to get through. I think the fic I've edited the most is the prologue of Artificial Stars, which was originally a quickly written 2k oneshot into about 5k of actually decent fic.
Usually I don't edit to make something shorter/more concise, since I tend to only come up with more ways to bridge concepts when I go back to it. Also to be fair... There's usually no difference between first draft and final product. I cannot be asked to edit my fics after I write them, I just release them to the birds and pray for the best. (Unless I actually decide to show it to my beta reader in full instead of just sharing snippets as I... usually do.)
Conclusion: Rarely, those thangs are being given to the world as-is unless something is horrifically wrong with them
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In today's episode of 'Sae, do you (...)': the topic of Ningguang and Yelan, and I thought that I should note my opinion more clearly outside of my rules as it's very important information for my portrayal: I do not ship Ningguang and Yelan romantically.
Honestly, while this is of course my own opinion, I don't find that there's anything to really substantiate a romantic interest between the two. For starters, I don't think that Ning, as interesting of a character as she is with a past that might just be similar in its 'rise' to Yelan's (we're left with very little information on the latter's childhood), ticks the right kind of boxes for her, though to be fair: not many do. Yelan craves a specific sort of thrill in her life, I mean she lives it at the roll of a dice because she is, on some level, bored, and craves the unexpected, the unusual, the 'surprise', and Ningguang's life nor personality seem to play into that. Beyond it, Yelan would need a kinship within this very specific 'loneliness' that I talk about too often and I think that Ning is not one who quite meshes into that in the right way.
Second, despite their long-standing history that even predates their mutual involvement with the Qixing, there seems to be a certain professional distance between the two that I'm quite fond of that is shown in brief event cutscenes, and also Yelan's vision story, that I find inherently intriguing. Perhaps this distance plays more into Yelan's character of not investing too heavily, or rather not too easily, into social dynamics than it does Ning's (I'm not one to weigh in on her character), but it seems evident to me that there's also that semblance of professionalism that creates a line that takes away the possibility of growing closer on an emotional level. And whether that's a mutual decision or not is not up to me to judge, but I think it's one that's made rather clearly from Yelan's side. On top of that, Yelan is Yelan and it's my personal belief that shipping her is rather difficult.
Now I'm also inherently of the opinion (unpopular, I know, I apologize) that dynamics aren't always more interesting when written in romantic settings, and I don't think it's a benefit for all of them to veer into a romantic nature. And in my opinion (and most importantly: in my depiction and understanding of Yelan's character), I think that having Ning and Yelan cross the line from professionalism into something inherently more rooted in romanticism, would be a detriment to their dynamic. Because honestly, I think the fact that Ningguang being one of two people (other being Uncle Tian) to know Yelan best, without ever crossing that line, is too good. I would simply, well, just prefer to keep that not only platonic, but professional, but of course not excluding it of Yelan's quips, and the occasional 'confidant' element.
/rambles in tags because I feel like I have more to say that I shouldn't flood the post with.
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