Batman: The Animated Series: Death In The Family arc & Harley Quinn's involvement.
Hiiiiiii, I've been working on remaking a post and I wanted to briefly discuss this arc itself beforehand because of a panel that's being used in the other post. <3
So Ig to begin, in case you weren't unaware, the btas universe isn't technically over.
While the animated show has long since wrapped, Paul Dini has participated heavily in a continuation comic series that take place somewhere in the New Batman Adventures seasons.
(Side note: Batman: The Animated Series / The New Batman Adventures are the essentially the same show.
Wiki: Three years after the second season of Batman: The Animated Series ended production, the show was moved from Fox to The WB network, which was airing and producing Superman: The Animated Series. These shows were merged as part of an hour-long segment called The New Batman/Superman Adventures. The WB wanted more episodes of Batman, so 24 new episodes were produced, which featured a different format and more focus on Batman's supporting cast.
In addition to the network's demands, the producers decided to make the show match the graphic style of Superman, so all the characters and objects were redesigned with fewer lines, usually referred to by the fans and creative staff as the "revamp" (or alternately, the "new look"). A similar graphic style was used in the rest of the DCAU later on.
The entire series was released on DVD as Batman: The Animated Series Volume Four (From The New Batman Adventures), most likely to establish the connection with the original series.
Ex: Catwoman is shown in the first arc of these comics and she's based off TNBA's redesign.
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So, the Death in The Family storyline. It starts off right from the bat in Season 1 of the comic.
This story is being told multiple years after it happened, all from what Alfred knows of the event. He's telling the current Robin what happened after it's been discovered that Jason Todd is alive.
The first appearance Harley has in this series is this moment.
"Well, well! Looks like the bat-brood is in serious need of family therapy."
"I happen ta know a good shrink..."
He explains that Jason ran away and quickly remade his public image, from Boy Wonder to Boy Barbarian.
This change was noted by the Gotham Rogues.
Batman gets Intel that Jason's next target is rumored to be The Joker. Cut back to Harley & that creep.
Now, even though they'd commented on him needing a shrink, that's not what they were doing that night.
Knowing Harley, this was a very special night for her. Their anniversary.
They were out for a romantic night on the town, or so Harley had hoped...
"Ya call this romance?! I get more affection dewormin' th' hyenas!"
"Oh, don't be such a party pooper, Pooh. Look! Something for you to snuggle when I'm out with the bat-boys."
Of course, The Joker being the stupid little bitch he is, the night doesn't scream romance or anything close and she's frustrated. She tells him off and storms off, Joker giving a loving "Yeah, you'll come crawling back. You always do!". what a charmer 🔪💀
"An' now I'm out! Sayonara, smiley! We're done!"
"Yeah, you'll come crawling back. You always do! Now where's that pesky whack-a-mole..."
"Who's crawling now, Puddin'?!"
"Give my regards to th' laffin' fish!"
That was just the start of their very public breakup. Ms. Quinn appeared intent on destroying every place they had gone as a couple.
Let's make it clear that Harley did not have some elaborate "Let's pretend to fight and break up and I'll go pretend to be mad and destroy shit until the Boy Barbarian shows up." Plan with Joker.
She was destroying stuff that reminded her of him and their time together because she was mad and hurt. That's it. This wasn't a ploy to get Jason out of hiding.
He just happened to show up.
"I'm single an' celebratin'! Whoopee cushions fer all!"
Of course, these shenanigans would bring her out into the open. As they did that evening when she decided to close down their favorite restaurant.
"Red hots! Get 'em while they're hot! Umphh!"
"And here I thought you only dated weiners."
"Back off, boy scout!!"
"Boy scout? You haven't been watchin' the news."
"Agh!"
"I'm a bad boy now. More your type. In fact, we got something else totally in common."
And The Joker just happened to feel like stopping him.
Though it's Very Very doubtful he did this out of a "oh no, my love, Harley, is getting hurt." It was an opportunity and he took it.
That's it.
It had nothing to do with Harley being in danger.
It also likely had to do with the fact that he heard Jason ask her about his location and he didn't want to risk losing whatever hideout they'd acquired this time.
So he shocks him, asking Harley if she's playing the field already.
"We both want to get rid of The Joker. Tell me where he is and you'll only wind up in the emergency room."
"How could a girl say no ta that?"
[Jason gets shocked by Joker.]
"Playing the field already, punkin-pie?"
"Oh, Mista J., You really do care!"
"Smucks, Harley-Mae, I cain't stay mad at you. I even brung ya some flowers from ma's garden. Ah-hyuck!"
"It was a...trick....uuhh..."
"On second thought, they're more fittin' on this here young fella. Now don't that look purdy?"
While Jason passes out believing it was a trick, it wasn't.
It was just bad timing.
Harley wanted a romantic night on the town, and when that didn't happen, she wanted to instead destroy all the places she'd been with Joker that reminded her of that relationship. That's the Only thing she wanted.
Maybe Joker had a plan, but it wasn't one she was privy to.
This isn't what's stated by Alfred, but frankly, that's understandable. He does have bias in this situation.
But what we're shown does not align with "So Harley lured Jason in and Joker sprang the trap."
I said it once and I'll say it again, as great as Alfred and Bruce are, sometimes, they aren't reliable narrators. It was the same thing in the Mad Love episode and, especially, comic. As the comic is the only one that's got their conversation about Harleen. In the episode itself, it cuts straight from the Dentist's office to Harley trying to be seductive.
I've talked about that comic and the themes here and here.
Anyway.
"I wanted a cheerful environment for our playdate. You've been a busy bird lately. And an unhappy one too, it seems."
"I'll feel better when my hands are around your neck!"
"There! You see? All that pent up hostility! The boy is obviously in need of help."
"Oh, if only there was a trusted professional we could call!"
"A-hem. The doctor is in!
In...sane, that is! And ca-raaazy t' help ya!"
"You're dead, Quinn."
"Oh my! Such violent psychotic tendencies."
"What do you make of him, doctor?"
"The patient has a history of acting out destructive power fantasies. No doubt the effect of a very toxic home environment."
"Knowing the father, I concur."
"It's clear that Batman's obsession with building a vigilante dynasty has driven him to make anyone a so-called Robin. Even an unhinged maniac like this."
"Yes, yes! I'm in complete agreement with your diagnosis. With an emphasis on the "Die"!
What we're faced with is a case of self-preservation.
Penguin nearly splattered into street pizza, Clock King almost losing his second hand...and poor Crocky! He'd be a matching set of luggage now if our rabid Robin's aim had been better.
Junior here has become a real plague on our kind.
[Hits Jason with the crowbar.]
Fortunately, I've got the cure!"
[Hit]
"Yowzie! That's gonna hurt in the morning!"
[Hit]
I think something else to note is that if Harley was in on this elaborate plan, she would have been aware of what The Joker planned to do. She wouldn't have clearly thought this was a typical "let's rough up the punk cause he's being a pain in the ass for all of us rogues."
She's here to mockingly diagnosis him and watch him get roughed up a bit for all the trouble he's caused to the criminals in Gotham.
That's it.
"Indeed it would! If he weren't going to that big birdbath in the sky tonight!"
[Hit]
"Laugh it up, bird boy! These are the jokes! Ha, Ha, Ha!"
[Hit]
"Wait!"
"How selfish of me! Have a whack at him, Pooh."
"Roughin' th' punk up is one thing, but killing him?!"
Because that Is what she thought it was. She makes that apparent in her reaction.
Joker doesn't appreciate her hesitation, or interruptions while he's beating him. So he has her thrown out by his henchmen.
"Did you think we were just going to give him a love tap and let him go?!"
Harley cowers as he physically leaned towards her, the crowbar still gripped in his hand.
"He won't stop until he's killed every one of us! You've seen what he's done! He begged for this!"
"But..."
"Get her out of here!"
"Don't touch me! Slimy creeps! I'll knock yer heads off!"
Harley's restrained and lifted out of the warehouse by two goons.
Batman is perched outside, presumably already searching for Jason.
"Batman later admitted that Quinn volunteered to help him stop Joker, though he wisely left her cuffed outside."
Batman: The Adventures Continue Chapters 10, 11 & 12
Written By: Paul Dini, Alan Burnett
Artist: Ty Templeton
Colorist: Monica Kubina | Letterer: Josh Reed
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So I recently had the thought that Superman as depicted in the DCAU canon probably has the best-articulated-by-the-narrative and most-consistent character flaws of any Superman I’ve seen, in a way that’s enabled by the long-formedness and consistent creative vision of the series.
He’s got an Atlas complex that grinds the gears of his equally-durable, equally-capable colleagues in the Justice League. He has deep-seated fears of moving the wrong way and breaking something or someone, which is then upstream of some moderate control issues. He’s got anger problems, although it’s rare for someone to push him far enough that this takes center stage; you see this with Prof. Hamilton in the series finale of STAS, but also in a number of fights against opponents strong enough that he starts getting frustrated. When the stakes are lower, he can be cocky bordering on genuinely vindictive; there are lots of examples of him rubbing his opponents' noses in it when he finally gets them on the back foot, and it’s shown in flashbacks that he was genuinely kind of a dick when he was a teenager and hadn’t completely sorted out what proportional responses looked like. He doesn’t always think through the implications of his grand projects, be that the implicit threat-escalation posed by the expanded JLU, or the massive disarmament project he spearheaded that turned out to be part of an alien invasion scheme. There are probably more of these that I’m forgetting. The final roundup here is that he’s a good guy. He’s far and away from a perfect guy, with perfect judgement. All of this amounts to something that’s more coherent and specific than the contradictory, subject-to-eternal-revision mess you could assemble from his 60-something year publication history in the comics, but nonetheless with a substantial-enough runtime that all of these traits can be put on display again and again.
In turn, this allowed the collective DCAU continuity to get away with at least three “what if Superman went rogue” plots- four if you count the mind-control situation in Legacy- specifically because they did the legwork to establish the concrete neuroses and psychological vulnerabilities that might cause this specific version of Superman to go rogue. It was never completely insane that Luthor might figure out the exact set of words, actions, and personal losses necessary to coax this depiction of Superman into an authoritarian partnership for the supposed greater good. It’s not completely insane that this depiction of Superman, if pushed far enough, might lose faith in the collective judgement of humanity and decide to put the world and all his loved ones in a bottle. And when the Cadmus plot rolls around in JLU, it’s as effective as it is because they’ve already advanced two roads-not-taken, established what levers you need to pull to make this specific version of this guy cross the line, and that Cadmus and Luthor are pulling all of them.
I emphasize the specificity here, because the flipside of this are Superman-gone-rogue narratives that jump right to that as the cornerstone of the continuity, with no real opportunities for juxtaposition. A major issue I eventually developed with the Injustice franchise is that despite its pretenses of being an alternate universe, there’s no established continuity that it’s deviating from, bar its own. To some extent I feel as though it’s banking on the audience transposing their gestalt-understanding of Superman and the broader DCU- hell, their understanding of the Justice Lords arc in particular- in order to elide that they’re playing extremely fast-and-loose with the specifics of what has and hasn’t happened to Superman in this continuity. The DCEU is a runner-up- jumping right to the Damocles-sword of a bad-future after two movies is jumping the gun, in the same way everything about the 2010s DCEU was jumping the gun. I think you could plausibly attack TDKR’s portrayal of Superman under this logic, although I personally wouldn’t- but that’s its own post.
Point being that you can’t sell me the upset of a paradigm if you never established it-you need to set up the pins before you can bowl worth a damn.
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Why A Better World is my favourite "Evil Superman" Story
So in the last two decades or so, there's been a notable amount of dark and edgy stories around superheroes turning evil and whatnot and most of them really love to do their own expies of Superman. I've never been the biggest fans of these kinds of stories.
And then there's the actual stories of Superman and other heroes being outright villains or at least just massive assholes. In recent years, this has been largely thanks to the influence of media like the Injustice Games or the Synderverse DC movies. It's... honestly become a trope I am tired of.
Because you know the damnest thing? There is a story that does all these ideas really damn well and arguably better. It is the two-parter from the Justice League cartoon "A Better World".
Now, I am aware how most people favouring the DCAU has become a bit of toxic nostalgia at times and it's something I myself am trying to work through a bit. But in this case, I do think it's the best idea of doing an evil DC story, much better and more interesting than the Crime Syndicate, who if you ask me are not very interesting, though I do remember liking the Crisis On Two Earths movie a lot, which funny enough, was originally going to be this two parter before various things led to it being canned and then later repurposed as a direct to DVD movie.
Anyway, my main crux of why I love this story is simple... The entire Justice League turns evil... and the reasons are very much in-character for all of them. You look at the scene with Justice Lord Batman for example.
As fucking evil as the Justice Lords are... Batman can't quite fully hate his alternate self for his reason for taking part in all this being basically one-step further than his own mission, that no child should ever go through what he did. Hell, I recall reading that the reason the writers had Batman drop his batarang at the end of this scene... was because he genuinely wouldn't be able to come up with an argument to that.
Superman likewise kills Lex Luthor because yeah, Luthor literally exploited the flaws in Democracy and became president of the US, threatening to kinda basically start world war 3. It's obviously horrible... but Superman is a character whose main motivation is making the world a better place. And if people who abuse the systems of power of the world are hurting people, why shouldn't Superman put a stop to that?
And yeah, Superman should obviously never kill, he's the most paragon of paragons of the DC universe, a man committed to always being better than the villains he fights... but this is him pushed to his most logical extreme. Hell, the main Superman knows this and its why Lex used his knowledge of this alternate universe as part of his plan in the season after this, to goad our Superman into crossing the line because yeah, there's a part of him that could go this far.
But right as Superman is about to apparently finish him, the big guy says this.
"I'm not the man who killed President Luthor. I wish to heaven that I were but I'm not."
Because Superman like everyone else, obviously would have those same thoughts and same urges. He's human.
I've kinda gone off Injustice a bit because to be honest... the injustice games were kinda just this but a bit too edgelordy. Hell, in A Better World, Lois Lane still lives and the whole genesis of it doesn't revolve around her getting fridged.
So yeah, A Better World is probably one of my favourite mirror universe stories because of the fact that well... it really is like looking in a mirror and seeing just how easy the greatest heroes can become evil and how they wouldn't be massively out of character doing so. But also it reminds us that as much as this darkness can tempt some of our finest, the ones who don't go down this dark path are stronger in heart than anyone else. Because when the world becomes a dark and horrible place, it becomes very easy to be just as dark. But even though it can be hard to still try and be a good person even in dark times, it's ultimately worth it. Because good always triumphs over evil.
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Batman: The Animated Series & The DCAU - Paper Cut-Out Portraits and Profiles
Batman Beyond
Debuting on January 10th, 1999, Batman Beyond was a bold and surprising continuation of Batman’s journey. Its three seasons act as a concluding bookend to the story first started in Batman: The Animated Series.
Chronologically, the tale begins some forty years after the final installments of The New Batman Adventuress and Justice League Unlimited. The world has been greatly changed by advanced innovation, much likely derived from alien technology. Neo-Gotham is a cold megalopolis with staggering high rises, flying vehicles and all manner of futuristic invention. Greed, corruption and stark class stratification still grips the city, and the Batman, Gotham’s former protector, has not been seen in decades.
The show introduces Terry McGinnis, a troubled teen in search of answers after his father has been murdered. Happenstance brings Terry into the life of an aged and reclusive Bruce Wayne. Retired and estranged from his former friends and allies, Bruce has secluded himself in confines of Wayne Manner. Yet Terry discovers Bruce’s secret, that he had once been the legendary Dark Knight. Begrudgingly at first, Bruce ultimately agrees to train Terry in becoming the next Batman. Terry is eventually able to bring his father’s killer to justice and the streets of Gotham are once more patrolled by a Batman.
The show was met with much skepticism when it first premiered. It was a significant departure and many (this author included) were reluctant to accept someone else in the role of Batman. And yet its sleek production, dark themes, super cool character designs and top notch writing came to win over a fiercely loyal audience of fans (this author included).
Kevin Conroy returned to reprise his role as Bruce Wayne, with Will Friedle voicing Terry McGinnis. Cree Summer, Lauren Tom, Sherman Howard, Paul Winfield and Stockard Channing provided the voices for additional characters.
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