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#it's been...... not great a lot of the time :') it's sort of put all the PCs through the wringer in mostly 'they're just damaged now' ways
doomsday-dj · 3 days
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Yo. Bestie. Do you have any Rizzles author recommendations for me??
You have cruelly seduced me into this teeny-tiny-weeny fandom and now I have galloped my way through (almost) all of your brilliant body of work I am cast adrift and quickly finding out that "sort by kudos" simply does not bring up the goods here...
Help a gay out?
Oh fuck yeah, bestie. Yes. Do I ever!! I am about to WEAR OUT the link function. But before the recommendations: aw shucks and thank you and all that. Your comments this week have been a highlight. I'm sorry to have dragged you into this but hopefully this post makes up for it! I've been dabbling in some other fandoms lately, ones with a LOT of fics, and there's a lot of great writers out there, but I have to say that especially relative to how many fics there are, there's an outrageous amount of good writers who have written Rizzles.
Okay! So disclaimer that I’ve had a really ungodly amount of coffee today so if this is a little on the “un” side of hinged then I apologize. I am definitely gonna be REAL effusive. I was silly and shy about leaving comments and kudos when I first got on AO3 and now I make up for those crimes by being unabashedly keen.
I have gone and sorted by kudos (and, sidenote, discovered that I'm in the top 30????) and before I get to the under-appreciated bangers, I will say that plenty of my faves feature in the first two pages of sort by kudos (though their most kudosed work is almost never my fave one). Here I’m thinking of coolbyrne, @julieverne, DanteBeatrice77. All of these authors are awesome.
Also, amongst the highly kudosed works, Attachment by @performativezippers is a classic for in the fandom for good reason (and their Bachelor AU is a romp) and law of the lever by sharkfights is one of my favourites all time.
As for the other stuff, what do you WANT out of your fic, bestie?
You want the feelings? You want the beautifully written feelings? @ladyriot has got feelings FOR DAYS. If you want some one shots that will take you apart and put you back together, you’ve come to the right place. Good feelings, angsty feelings, all the feelings you need. My favourite is Let Our Hands Tell the Story but I recommend all of them. Mostly it's one shots but the one complete multi-chapter fic, Transference, is CRIMINALLY UNDERRATED. Less than 200 kudos?! Fuck all the way off. I don’t know if it’s because it’s an AU or if it’s because of the doctor/patient element but unless that’s a trigger, I promise you it it’s handled very artfully and also it’s fucking fiction and no patient’s rights were violated in the making of this fic. Oh and put your ink on my skin 'til it comes off on me is both devastating and stupid hot.
Haven’t had enough feelings?? Take your insufficiently battered heart over to @sideadde’s work. I especially like Who Needs Two Kidneys When Another Heart Can Be Had? and Immersion Therapy.
You want a big meaty casefic you can sink your teeth into?? Domini_porter’s CMYK is so goddamn good. The smutty chapters in this one are just...chef's kiss. Among my favourites all time. I am also entirely obsessed with their Victorian AU, which deserves more attention. Also if you want some crack-your-chest-open-and-pull-out-your-guts angst go alllll the way back to their first fics on AO3.
OH. @kurtsvonneslut too. I think and you cooled my mind that burned with longing is probably my favourite post-finale type fic, bit of an AU with some major canon changes. They also have an excellent picking-up-from-the-Jane-and-Maura-season-2/3-break-up casefic, A Crime of Passion, and they wrote a devastating exploration of PTSD that just...oooof.
God, I could really just keep going and going. And this is just on AO3!!! I feel like I could do a whole part two of this that's just flagging all the best stuff that's back on ff.net. I might have to because this is already really long. But I'm stopping for now. Thanks for the BEST ASK.
*dramatic stage whisper* psssst do you want smut? I feel like I could also do a whole post on smut alone. Maybe later.
Note: I’ve tagged authors if their tumblr name is the same as their ao3 name, because I assume they’re okay with being found. If any of you would like to be untagged from the post just DM me and I’ll do that lickety split.
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Fix You - Chapter 16 - Genesis
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Pairing: Frankie “Catfish” Morales x Fem!Reader
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Read on A03
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Chapter Summary: 🤷‍♀️
Word Count: 4K
Rating: Explicit
Chapter Warnings: cussing, graphic violence, mentions of sex. I'm not giving more warnings than that, sorry.
A/N: Hey all. First I want to say I'm sorry. I literally had no time or motivation to write this. I'm gonna be honest, this is a really tough chapter, and it was hard to get in this headspace. Suffering a recent heartbreak, things in this chapter are things I have thought also, and so it was really hard for me to voluntarily want to address that. I also started working in veterinary medicine, i do not have the spare time that I used to. We also recently adopted a puppy who we named Bucky! And if you read my earlier posts, you know that I was SA'd last January. All that to say, sorry I couldn't do this faster.
Also want to wish a happy birthday to @musings-of-a-rose, my beloved, my bestie, and my constant support. This is for you. Sorry it's not a happier chapter....
* If a character is speaking fully in Spanish, I will put “[ ]” around the dialogue. I speak pretty decent Spanish but not good enough for this
Suggested Songs: "Exile" Taylor Swift feat. Bon Iver, "I Love You" Billie Eilish, "Vampire" and "Logical" by Olivia Rodrigo, "The Night We Met" by Lord Huron and Phoebe Bridgers, "Genesis" by Grimes
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You didn’t even flinch at the landing, which was rough, so that’s saying a lot. When the janky cargo door (which looked like at any time during the flight would be ripped right off) opens, you barely even lift your eyes from the floor. You felt heavy and hollow, somewhere suspended in between shock and just not giving a fuck anymore. The only thing you could still fell was the pinching in your heart. It was still broken.
At some point during the journey, the co-pilot had taken pity on you and untied your arms from behind your back and bound them in front of you instead. You hadn’t struggled. There was no point. Where would you go? Jump in the ocean? You weren’t that great of a swimmer and you loved sharks and everything but the open ocean is not where you are supposed to be.
You have no sense of space and time, so you have no actual clue where you are other than not the mainland. You’re dehydrated as fuck, groggy, your vision’s blurry and you’d figured out the sticky moisture on your face was your own blood. 
Because when you had suddenly blacked out it was because they’d hit you, and had absolutely no hesitation doing so. They did not care about you, they did not see you as a human being, they didn’t even bother strapping you into a seat so you had been sliding around the cargo bay the entire flight, bumping into everything. You were in deep danger, any hope that you would have some ransom protection had pretty much disintegrated. You had hoped that the boys wouldn’t come for you at first. Then you had hoped that they would, because if you’re ransom, even if at the very least you’d be alive until then, right? But “alive” doesn’t mean unharmed.
A shadow looms over you and it finally makes you look up, squinting to adjust your eyes to something so close, as well as the brightness of the sun. It feels like it takes you 10 whole minutes to process that you were being spoken to in English.
“Eh!” The man leaning over you snips, and when you simply blink in confusion and don’t answer, he slaps you lightly on both cheeks. You’re stunned enough to finally look at him, his oval face, beady eyes and unique sideburns seeming so familiar to you but quite frankly you wouldn’t trust yourself with recognizing even your dad at the moment, so you push that thought aside.
He kneels down in front of you. “You listen to me. We don’t want you. We want the money. This means if you don’t fucking piss me off, I might be nice and not kill you, you understand? Be a smart little girl, eh?.”
You nod, you probably should be feeling some sort of panic setting in but you don’t. Whatever. Who even cares anymore.
He takes your silence as submission. “Bueno.” He whispers, leaning down and grabbing you by the arm, lifting you until you are back on your feet. He tilts his head and steps to the side, revealing 5 additional men with AKs pointed straight at you. From behind, you feel the sharp tip of another poking your back, urging you forward and down the precarious ramp. The pilots.
You didn’t trust that they wouldn’t hurt you, but you knew you had no other choice. Trying to fight was asking for it, and once you step out of the hold and realize you were in the fucking jungle, there would be no sensical place to go even if you did get away.
You step out of the plane onto a rickety steel ramp that bounces as the footpad of your sandals touches it and shuffle slowly down it. You feel suffocated sandwiched between four men, your hands chafe where they are tied and you have been in the same positions for so long your whole body is sore. Every touch and movement hurt.
You stumble as the ramp ends but one of the men grabs your arm and yanks you so you don’t fall. It wasn’t kindness. It was a way to hurt you that he could get away with. The tiny dirt landing strip is almost canopied completely by the jungle trees, leaving large patches here and there where the plane flew through, not noticeable from far above. It looks like you’re walking to nothing, just a dirt road that ends right into the thick middle of the jungle, but you don’t stop at the edge. You push through.
It’s hot as shit and you felt sweat buildup in every crevice of your body, your thighs are rubbing raw from your asinine decision to wear short shorts to the fair, and you could feel a heat rash growing under your tits that you couldn’t even scratch because your hands are bound.
You walk for forever. You walk until the friction rash on your inner thighs turn to lesions. You haven't drank water in almost 48 hours and it feels like 150 degrees out, with full humidity. You’ve had to stop twice already to vomit from heat exhaustion and you still occasionally gag even though there’s nothing in your stomach to come up anymore. All the years that you did not appeal to insects are making up for it now, they’re all over you and you can’t walk 3 steps without one getting in your eye.  The jungle gets tighter and you can’t breathe because it’s pushing in on you almost as tight as the hands on your shoulders pushing you forward..
You start crying. At least, that is what you tell yourself as you whimper and sob as quietly as you can. You know you’re strong, but this is just beyond reason that any normal person could take. And when you think about how this is probably what life was all the time in Delta for the boys, you cry even harder because you feel guilty, that you have no right to complain.
Finally, after what feels like forever, the tightness of the jungle seems to loosen. More open. You notice some of the trees look more oddly arranged than others. As you get closer you realize they aren’t trees at all, but tents and dilapidated buildings built into the shadows of the trees.  The huge roots and overhanging canopy of the jungle transformed a bustling camp into what looks like a little village. At the entrance, a line of guards in jungle fatigues that were impossible to detect until you got right up to them. You hear someone speak above you, alerting you to a man up in the trees on a platform tucked between the branches. There was another in the tree on the opposite side. He calls to the man with the sideburns, saying something in Spanish you can’t interpret fast enough, but it’s jovial and they laugh, and it makes you feel like you’re going to go mentally insane. 
It’s like it’s not even serious to them. And it’s so serious to you.
You are pushed through the camp quickly, but not quick enough that you don’t see the insane amount of cocaine packages piled up in the makeshift buildings, sheds, and tents toward the back. Men were milling about checking them, moving them and glaring at you as you walked past.
You continue past the main camp, crossing over a bustling creek whose bridge was literally just planks of wood, but you noticed there were tire marks across them so you felt at least safe it could handle a car’s weight. Across the creek, an old stonework manor stood. You can tell at one time it must have been glorious, but the white stone-worked walls were dirty and crumbling in many places, the fountains out front had dried crusty palm fronds and dirt in them and looked like they hadn’t sprayed water since the 1980s.
It was still oddly beautiful. You thought about how this house came to be, what it might have looked like when it had been first built. A beautiful Caribbean sea mansion. A jungle that hadn’t closed in on it yet. Fountains spraying and colorful birds resting on the rooftops. But then you  realize that this place has probably always been used for what it is now. Someone like Carl Lehder probably lived here and ran an entire cartel within this very jungle. Maybe it was the same one, just run by someone else.
There was a shabbily made shack to the left of the manor with padlocks, piles of debris piled next to the door. You assume that’s where you would be taken, but you were instead led up the stairs to the manor proper. And as your eyes focus in on the ground while you were being guided to the mansion instead, you realize the heap of matter by the shack that you thought was some dying plantation was actually a crumpled human body. A boy looking not much older than 17, shot execution style in the head and left to rot.
Then smell hits you, your knees buckle and you vomit on the stonework stairs, a scream of shock and realization pierces the jungle, making the nearby tropical birds explode from the treetops. When the sicarios pick you up and carry you through the mansion door, you’re still screaming.
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Eventually whoever was carrying you became fed up, and simply dropped you at the bottom of the stairs and dragged you up backwards by the armpits instead. You didn’t even feel the step edges hitting the small of your back all the way up, but you would later. 
You were tossed stricken and shivering on a disgusting, top-sheeted mattress on the floor in the corner of a room, your feet still bound together and your rope-bound hands looped through a radiator that was long enough only for you to lie down or shuffle over to a bucket for your business. Everything stank and you still had vomit on your chin so you curled up in a ball and slammed your eyes closed, hoping that in time the voices and smells and fear would give way to just simple numbness. You didn’t hear a female voice speaking to you for several seconds.
Your eyes snap open, skin pulled taut from dried unwiped tears,and you jolt upright to look in the direction of the voice. A woman who wasn’t even tied up was propped up against the adjoining wall, and as you take in her condition you could understand why they hadn’t even bothered. She wouldn’t have been able to run.
Her legs look..wrong, splaying at angles that shouldn’t be possible. They look like they could be broken, but you can’t tell for sure because she was wearing jeans that cover up most of her skin. The jeans were ripped in some places and stained with dark blood spots, the color turning brighter wherever her skin shows through the tears in the fabric. She’s missing several fingers on her left hand that had been burnt at the ends to cauterize, and her face was black and blue, swollen and smeared with more blood that seemed to be coming from her scalp somewhere. Her lips are pale and cracking and her eyes are glazed over and barely open. When she speaks, she already sounds like she is dead. 
She swallows and winces slightly in pain, then licks her cracked pale lips.“Is…my…her–my brother. Did you see him? Out there?” 
Your face scrunches in confusion, which actually hurts a little and you’re not sure from what specifically. Perhaps you look just as bad as the other girl. “Your–I—I don’t understand.”
She’s too exhausted to even be annoyed with you. “My brother. They took him from me days ago. They do not talk to me anymore. They don’t—need me anymore.” A single tear falls down her swollen cheek and you suddenly feel so much connection with this woman and how  incredibly fucking strong she is. Her eyes roll over to you, meeting yours for the first time. There are burst blood vessels in them. 
“I think that they killed him.”
Your lips part and you utter a shuddering breath as you connect the dots. There’s no point in sugar-coating it. You nod slowly. “I think so. But it’s not…recent.” You look away as her eyes slowly close, the additional tears she was holding back finally spilling over and cascading down her cheeks. 
“Bueno.” She says. “Then at least he is not suffering like me.” 
You both fall quiet and you look over her again. Her pants aren’t completely done up and her t shirt is ripped at the neckline, exposing a gashed shoulder. Almost like…
You start crying again, and you feel even worse about it this time because you have in front of you a woman who has been through much worse and is somehow NOT crying. You curl tighter into yourself to try and hide. 
But she simply asks. “Who are you?”
You swallow, raising your head up off your arms, quickly wiping the access tears off on your sleeve. It’s incredible how adrenaline and fear can sometimes make you the most clear-headed you’ve ever been. Your thoughts are swirling but you knew one thing for damn sure, if they didn’t know your name yet, you weren’t going to say it now. 
If I look forward I am lost. Focus on right now. Nothing else. It’s my best chance.
You know enough about trauma that compartmentalizing this moment is your best chance. You can’t think what will happen if you don’t escape, if you aren’t found, if they never come for you. You need to stay focused. You need to keep hope alive. You need to stay coherent, because if a chance pops up, you need to be able to think quickly.
“I’m no one.” You mumble. “Just happened to be dating the wrong person.”
She sniffs and looks away, but it’s muffled because her nose sounds congested. You don’t miss her tone though. “Mmmm. His new one then.”
You blink. “What?”
Her glazed over, discolored eyes snap back to yours. “Pope.” She spits. “Your man. Santia—”
“NO!” You cut her off with a shout, you know there is a guy who is in the area and you still don’t know how much these men do or do not know. “Don’t. Don’t give them names if they don’t already know it.”
“I don’t give a shit about Agent Garcia, or his friends, or anyone else, it’s their fault I am here and it’s their fault my brother is dead and..” She finally, finally starts to cry. “I told him I didn’t want to do it. They said they would let us go if we gave them what they wanted.”
“It was you.” You exhale with a shuddering breath. “They found us cause of you. You told them.” You shake your head, and for some reason you feel betrayed by this woman even though you’ve never met her.  “How could you?” 
“Because all I care about is my brother, do you understand?! I wish I’d never met him, Garcia, we would have just snuck away and no one would never seen us, but no, instead we listened to him and helped them steal from fucking Lorea, and now they found us and I knew they would, and YES, I gave them EVERYTHING because they said they’d let us go so long as they found you and–”
“Eh!” A voice trails in with a watchman you knew was hanging out somewhere in the hallway beyond. He slips through the doorway, a smaller man you were not expecting from that voice, and leans against the deteriorating door frame. He crosses his arms and his legs and it makes the handgun on his hip jut out prominently from his skinny hips. “No talking to each other.” His voice is silky and the words all slide together so it sounds like ‘no talkintoeeachother.’
You shrink back into the dirty wall behind you as your associate spits a bloody phlegm ball in the man’s direction. “FUCK you!” She snarls, a tirade of cuss words in Spanish flying from her lips. 
A loud pop almost bursts your eardrums and your heart and you exclaim in terror as your associate is shot point blank in the head, her back slumping against the wall and her head hitting with a bang, pieces of blood and brain tissue spraying over the back wall with pieces flying in your direction.  
The man remains completely motionless with his arms still raised before huffing a laugh to himself, putting the gun back on his hip, and looking at you with the such an unaffected gaze it leaves you feeling dizzy and you scream and scream and scream yourself hoarse, crumpling onto your mattress in a terrified heap, arms over your head, sobbing hysterically.
A gentle but firm palm wraps around your forearm, yanking you back up to a seated position. You look away, but the man’s other hand takes you gently by the jaw and makes you look at him. And just behind him, the woman slumped in a pool of blood and brain matter. You try to wriggle out of his grip but he tightens ever so slightly, and you can’t help but notice how different it is when Frankie would grab you like that versus this man. Frankie held you the same, sometimes harder, but you had trusted his domination and his care of you and because of that, it made it arousing. That same motion with this man has you more scared than you ever have been in your life. 
“Bebita.” He coos, thumb lightly caressing your jaw. He wipes at a small speck of blood you don’t know is even there. You can feel yourself shaking and breathing so fast you can see his half waxed back tousled locks that hang past his temples are blowing in its breeze. You can’t answer him. “Look at me.”
You do. His eyes are a dark, almost black chocolate brown, shape mismatched, a scruffy beard and goatee and thin lips. In another world you would find him devastatingly attractive and the fact that you do makes you feel absolutely violated and disgusted with yourself. 
“Do not cry.” He continues. “You have no reason to if you behave, si? You be good and you listen and I will keep you safe you understand? Well, at least for now.” He shifts closer to you, you can smell his breath. It smells like orange and cloves. “There are a lot of men here Bebita. I am sure you understand what this means, si? Answer me.”
“Yes.” A final fat tear spills from one of your eyes, and it stings as it mixes with your sweat and the raw skin around your eyes. 
He juts his head in the other woman’s direction. “This one, she fight the whole time. I like a easy job. Make my job easy, I make sure you always deal with me. Do not make me call in the other guys, they are not as nice. Understand?”
“Yes.”
“Good.” He releases your chin and you scoot back quickly as he saunters over to the other woman’s bloody body, grabs it by the arm, and casually drags her as dismissively as possible out the door and out of your sight, leaving a bloody trail behind.
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At first you just sit there in a slump staring at the opposite wall,, you don’t know for how long. Probably hours. Maybe days. The man, whose name you figured out from when he spoke to someone else in the hall, is Angel. Sometimes he would sit up and watch you, as if figuring you out, your body and the way you shift and switch positions when you are uncomfortable, what it looked like when you were crying and trying to keep quiet and unnoticed. But most of the time he ignored you. Occasionally others would come into the room and either speak to him or approach you, but upon noticing Angel watching them they would hiss or spit a curse and slink off.
The room reminded you of those old houses from the 70s that had those drafty unfinished basements that were simply concrete floors, painted stucco or white brick. To the sicarios, it served as an overflow area, there was a rotting desk along the side wall with a metal folding chair and piles of scattered papers and random household tools on them. Against the opposite side wall was a pretty nice tv, considering, which was always playing soccer. Angel seemed to make that his home base, his lithe frame sprawled across a grandma-fabric sofa, head resting on one of the puffy arm rests. He binge-smoked cigarettes and his right hand was always stretched over his head resting against his forehead in the direction of to an end table with an massive overflowing porcelain ashtray on it. You didn’t used to mind the smell of cigarettes too much but now it makes you feel sick.
You’re ashamed of how little you actually think about your current situation and like the hopeless romantic idiot you are, mostly all you can think about is Frankie. The things he said–you knew he said mean things when he was mad, or things he didn’t mean, but isn’t there always some truth to things that are said in the heat of the moment? That was enough for you to silently spiral. You thought about every memory you had of him and how it could be viewed through the lens that Frankie just wanted to fuck you. Your self confidence was low enough it was believable, and your mind races through every instance of an older man being in a relationship with someone much younger and how of course it was predatory, and how could you not see it, that you didn’t have anything in common? It’s a tale as old as time. He just wanted to fuck you, he wanted to fuck you and dominate you, his dark desires seducing you into feeling so wanted you can’t believe you thought he loved you and didn’t see right through it. 
And his friends, well, they were all in on it weren’t they, because why would they want to hang out with someone like you either? Why would men such as that actually want to be friends with you when you have never experienced half of what they have.
Fuck him. Fuck him and his lying ass, he was a fucking loser addict and you’re pissed at yourself for even considering him. Like how lonely were you?? To choose an old man with a kid who served in an institution that represented everything you hated about this country? To be so easily blinded by pretty words and love bombs to immediately take your clothes off. Because how, if he actually loved you or even like you, could he possibly have lied about something so big?! Or bought you something nice with all that fucking drug money he stole. Not that you’d want it or expected it, but why wouldn’t you want to treat someone you love as much as he claimed to? 
How could he sit there and make up what happened to Tom like that, when you were being so coddling and trying to be a caring ear. And Benny…Pope...if they were your friends they should have told you, that’s what real friends do…
But they weren’t your friends. They were never your friends. 
And if you went the other way, and considered that it was all true, that he did love you, that they were all your friends, and that he lied to you and threw stones to hurt you and push you away, how was that any better? You couldn't even think about a future not being with him, but obviously he could. He could watch you cry and question him and not even look at you, completely ignore you, then not even think about you again. No texts, no calls. No “I’m sorry, please come back.” Silence. 
How could it be so easy for him? How can he just go about his life like you never happened? Why did you still care?
Why did you still want him? 
Why did you still love him so so much. Part of you wishes they’d get on with it and just kill you. At least then you wouldn’t have to feel this excruciating pain. You wouldn’t have to see him show up to rescue you because he has to, to have to see his fucking face and every line, crinkle, scar, the bald patch in his beard and the tousled little curls that pop out of his hat…only for him to save you and then leave again, or die and then you have the guilt of killing a man who no longer loved you.
Yea. You think you’d rather die.
You feel like you’re going to throw up again. You’d let him force his cock in your mouth as far as it could go, let him tie you up and fuck you hard enough to leave bruises you had thought of as a badge of honor. You’d let him cum on your face. You’d let him fucking cum inside you! He’d gaslit you so you actually wanted him to tie you up with zip ties—-
Your heart almost stops. You can picture how his face looked exactly when he said it.
Sometimes rope can give over time.
That’s why we always used zip ties.
You look down at your bound hands.
They’re bound with rope.
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Ok I wanna talk about Ethari's clothing/design over all. His clothes and tattoos are different from every other Moonshadow elf we've seen, and he's one of the few that doesn't wear braids. Like:
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The recurring elements are intricate patterning; over layers and under layers; multiple colors in the same garment (or at least same outfit); wraparound construction, color contrast between mediums, lights, and darks; and the dominant color is always the medium, never the lightest or darkest color (usually navy, true black is very rare outside of the assassins). Even arc 2 Rayla follows most of these rules and she's been away from her culture for two years!
But then we have Ethari:
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He doesn't have an outer layer, he wears almost solid navy, none of those clothes are wraparound, he has no light color, there's not a lot of contrast, and his dark color is true black despite not being an assassin. He bends all the rules, though he only breaks one completely. He still has that patterning, but it's minimal compared to the others. He has plenty of accent colors, more than anyone else actually, but they show up on him far less. He does have light, medium, and dark colors, but his whole pallet is darker than everyone else's. The only rule he 100% breaks is the wraparound construction
A lot of this probably derives from the fact that he's a metalsmith:
For the most part his clothes quite are practical;
Black/navy hides coal dust/soot very well. It gets everywhere, on your pants and face especially, and is highly visible on just about every other color.
Forging is hot work & you do it next to a fire that needs to be at least 1000° celsius, I never wear more than one layer either.
those sleeves, while a bit looser than I'd be comfortable with, probably aren't going to get in the way. Plus I heard somewhere that they're spelled to repel heat (couldn't find if that's actually canon tho), so if that's true they're much better than my gloves.
The crop top isn't great but he's got that belt to stop most embers. Besides he's probably not the type to yelp every time one lands on him like I am.
if he pulls the scarf over his mouth & nose it'll help delay him getting lung cancer in the death trap of a smithy Wonderstorm designed for him (my problems with it are a post all on their own. I have nothing against the artists, its pretty, but by all rights he should be dead)
There might also be a cultural aspect to his clothing:
I think the navy blue, the arm bands, the boot decorations, and his belt & tabard could all be symbols that mean "I am a metalsmith" in Moonshadow culture. (Quick side note, he's not technically a blacksmith. historically blacksmith means specifically iron workers. If anything he's a whitesmith since he usually works with silver.) We see it with the assassins, why not metalsmiths too?
Plus if you take a look at his forge in the art book, there's a design carved on it that looks almost exactly like the one on his tabard. Elements of it also appear on other parts of his clothing:
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I suspect that this is some sort of symbol for metal working or fire protection. If he's in a guild it could be their symbol, or it could just be a wider cultural symbol. Either way it has a meaning that relates to the forge specifically. I couldn't find it anywhere else in the room.
I just realized that I never even brought up the metal hems on his sleeves. Then again what is there to say? It's metal, he's a metalsmith. It's pretty, he likes pretty things.
But what about the rule he completely breaks?
As I said, every moonshadow garment has some sort of wrap-and-secure construction to it-- except Ethari's clothes. I seriously doubt this is a metalsmith thing. Basic garment construction isn't a sensible way to differentiate your group within one culture. I fully believe Ethari is doing this on purpose. But why? That why gets even bigger when you realize that no other moonshadow elves we've met have brown eyes or periwinkle blue tattoos.
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Put a pin in all that, I need to explain my interpretation of Moonshadow culture for this to make sense.
"Moon Primal creatures can be private and secretive, and are keenly aware of the power of appearances." - from the official website
"Moonshadow Elves obey a rather rigid, honor-driven culture." - from the wiki
To me this paints a picture of a fairly collectivist culture. They place a heavy emphasis on community and duty, two things that are usually more peaceful/simpler when you have cohesion within the group. Cohesion creates less conflict, less conflict makes your community more peaceful and your duty to it easier to complete.
But they know that this cohesion is- to an extent- only an act, so each person has a sub community where they don't have to act. Your inner self is for family and friends close enough to be family. (I honestly think they might have some sort of ritual to formally adopt friends as family) To everyone else you're supposed to put up a front that makes you seem more like everyone else.
OK back to the pin
Even without his clothes, Ethari is already visually different from everyone else. No other Moonshadow elves we've seen have tattoos or eyes the same color as his. It's a subtle difference but it is noticeable, and in a culture so focused on appearances people would notice. Most people's instinct would be to try to hide or downplay it, to prop up that front as much as they can. Yet Ethari doesn't put up a front, not to the extent that most people seem to. He's even accentuating his differences by dressing in a different style than them- and he's respected.
In my comm class the other day we were talking about groups, and one of the things that came up was that cohesion fosters sameness and diversity fosters innovation. Ethari is an innovator, it's literally his job. He invents the wingalings in bloodmoon huntress, Runaan and Rayla's weapons, and probably a bunch more stuff we haven't seen. Maybe for all they value appearances and fitting in, moonshadow culture still recognizes that people like him are important and they aren't as effective when they have to fit in. They can't be too out there (remember, Ethari only bends the rules rather than breaking them) but as long as they stay within a certain radius of the norm they can gain a lot of respect. I think this is what Ethari has done. The fact that his family (Runaan, Tiadrin, Lain) are all pretty traditional probably helped a lot. They keep him from pushing too hard on the edge of the box and he keeps them flexible.
That they aren't there anymore has probably exacerbated the rift between him and the rest of the silvegrove caused by Rayla's ghosting and whatever news has reached them from the storm spire.
I am so excited to see him in S6. I thought about adding some speculation about what his new design might look like, but I honestly don't think he'll have changed that drastically aside from his hair. My biggest question is honestly whether or not he's still in The Silvergrove.
Bonus:
I bet that some of Ethari's relative weirdness rubbed off on Rayla. She didn't have many friends as a kid so, when she wasn't in school or with the assassins, it makes sense that hung out with Ethari a lot. Since he's less strict than Runaan she was probably only comfortable completely unmasking with him. He heard about all her crushes, fears, and insecurities that Runaan didn't. Which goes a long way to explaining why Ethari was the only one who could see she wouldn't be a good assassin; she was hiding those traits from everyone but him.
This also explains some of why he was so willing to believe that she ran away. Ethari saw all of her vulnerability, but he didn't see all of her strength. While she was out training and facing her fears with Runaan, Ethari was in the smithy and only heard about their exploits after the fact. Neither of them saw all of who Rayla is, but both of them thought they did and had to find out that they were wrong in just about the most heartbreaking way imaginable.
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crimeronan · 19 hours
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Oh, the great maker of trauma for the beans that are part of Princess Luz Au, heed my query and answer me:
Did Luz get any big bad evil guy energy or skill from being raised by the waste of space previously known as Belos?
I mean as we all know Luz is a precious bean, but I think she deserves to be a little evil towards bad people, like I assume that Hunter is already planning how to murder (or worse) Amity's parents, even if he isn't fully aware of it/is in denial that he is planning the horrors on the for making Amity, but I stay with me for a moment and imagine the verified cinnamon roll Luz Noceda Wittebane putting the fear of Titan into Odalia after learning that she abused Amity.
Also, her snapping out of it after Odalia faints out of fear (and pain), and panicking that she is just like below only for her parteners to be like, 'nooo~ it was hot normal and perfectly sane thing to do'.
this answer Might be disappointing in some ways, mainly: i don't Think luz would be physically violent with them without provocation, and i also don't think she's likely to lose emotional control around them. she'd want to be just as poised around amity's parents as she always was around belos and always is around the coven heads.
HOWEVER. as for the questions of "does luz know how to be scary" and "did she learn that from belos": UNEQUIVOCAL yes. to both.
i've been wanting to play with luz in this space with amity's parents for A While, actually, so. have a little fic :)
-
"Oh, Amity is my pride and joy," Odalia says, placing a hand over her heart. "I taught her everything she knows."
"Yes, I did get that impression." The Empress smiles, rising to her feet. "It's incredible how much she's accomplished in spite of you."
Odalia's breath catches around a shocked, bitten-down laugh. "Your Majesty, begging your pardon, I believe you meant 'because of-'"
"In spite of," Luz repeats, very firmly. "It's fortunate that Lilith Clawthorne has taken such an interest in her wellbeing."
Odalia's smile doesn't waver, but it does remain frozen for several seconds before she says, "I suppose Amity feels the need to invent an adversary. Some great trial she overcame to earn her place here. It's understandable. Children often lack the foundation to understand the sacrifices their parents make. She had a very privileged upbringing."
"Amity has never spoken unkindly of either of you," Luz says, although this she seems to mean more for Alador, whose face may give more away.
She steps lightly down the stairs from the throne, joining the pair of them on the ground. "Amity rarely speaks of either of you at all, actually. That isn't why I've called you here."
Odalia's voice turns cool, corporate. "Then how can we help you, Your Majesty?"
"Did you know that Blight Industries has a higher rate of workplace accidents than..." Luz slides a folder out of her tunic, flips it open, and raises her eyebrows. "...any other company on the Isles?"
This time, Odalia's laugh covers something else. "That's - that's preposterous. Our workplace safety records are excellent. Why, we haven't needed a single intervention by the Healing Coven in... oh, is it three years?" She taps the side of her mouth, frowning. "Four? Five?"
"That's fascinating," Luz says. "Not even for a scrape?"
"Abrasions heal quite well by themselves, given time."
"Absolutely fascinating," Luz repeats. "Did you know that it's illegal to purposefully deny people healing services?"
Odalia scoffs, incredulous. "For scrapes?"
"I know," Luz says pleasantly, "I was surprised, too. There are a lot of laws like that, it turns out. Text on paper that hasn't been enforced in half a century. From what I understand, this one is a holdover from early Empire anxieties. People were terribly worried about not having access to personal healing magic anymore. So healing services had to be protected."
Odalia's smile has become more teeth than pleasantry. "What a fun little history lesson. I'm sure you know all sorts of facts about the early Empire."
"It turns out that it's very easy to put laws in writing," Luz says, "without the intention to enforce them. My father, may the Titan bless him, had precious little interest in the rights of individuals to be seen by healers. But this isn't his Empire anymore. And I find the topic just captivating."
Odalia has stopped trying to hide her impatience, now. "So you'll fine us for not having healers on hand to wave away every little paper cut. That's fine. I apologize for the oversight. We'll settle up and make sure that going forward-"
"Mr. Blight," Luz says, ignoring Odalia entirely, "would you kindly remove your gloves for me?"
Alador startles.
Odalia doesn't glance at him. Her eyes are fixed unblinking on Luz. She speaks through her teeth, nearly a hiss. "Don't feel compelled to do that, dear."
"I assure you, I can compel him to do that," Luz says. Then, in a tone that would almost pass for apologetic if it wasn't so practiced, "I am sorry to compel it of you. I try not to compel my subjects very often. But if you find it difficult to remove your gloves, my scouts would be happy to assist you."
The scouts around the base of the throne don't move. Odalia's eyes slide uneasily over them anyway.
"That won't be necessary," Alador says, speaking for the first time. He pulls the gloves off without fanfare, holding up his hands.
Half of his left ring finger and pinky are conspicuously missing.
If Luz is uncomfortable with this revelation, she sure isn't showing it. "Oh, that's so interesting," she says, leaning forward to get a closer look. "The Healing Coven keeps meticulous records, and I'm certain a partial amputation was never reported to them. You were born with all five fingers, yes? I'm sure Amity will attest to that."
"This was from an accident in my personal lab," Alador says, with the mechanical precision of something rehearsed. "The severed digits were not... salvageable."
"It's so amazing that you were able to make that determination," Luz says, "without even needing to consult the Healing Coven. You must be a very proficient magician."
Alador blinks.
"Regardless," Odalia interrupts, "it happened outside of Blight Industries. The company isn't liable. You haven't 'gotten' us."
"Do you ever test Blight Industries products in your personal lab, Mr. Blight?"
"Prototypes," he says.
Odalia makes a sharp, exasperated gesture. "Alador!"
"That seems like company business to me," Luz says, still pleasant, still conversational. "Now, I will be fully transparent, before you accuse me of anything with regards to prejudice - it is true that I hate you both. It is true that I've hated you both for a while now. If you feel like I'm targeting you because I hate you, then you're very astute."
Odalia's fingers twitch, threatening to curl into fists.
Luz continues, "However, it's also true that there is no bias where my judgment is concerned. Not legally, anyway. So it doesn't matter whether I hate you or not. Whatever I decide to do with you is the Titan's will. Government is amazing."
Odalia exhales sharply.
When Luz doesn't waver, she shakes her head. For the first time, her voice cracks - properly cracks. There's a tiny tremble in her hands.
"Amity won't forgive you if anything happens to us," she says - but there's no bravado, no power, only pathetic uncertainty. "Regardless of any... petty grievances she may harbor. Family is everything to a Blight. She won't forgive this."
"I know that," Luz says. "I promise, I have no intention of doing Amity any unkindness. It's not her fault you two have chosen to be what you are."
Another sharp exhale. Odalia's breathing is ragged, audible. She's clearly not a woman accustomed to fearing for her own safety.
"That's fantastic news!" she chirps.
Luz's smile is beatific, magnanimous. The serene expression of someone who's never questioned the divine right of kings.
"Unfortunately, I'm not wholly opposed to doing an unkindness," she says, "if we can't seem to reach an agreement. It's really up to you how this goes."
She looks from Odalia to Alador and back, tilting her head.
"So. How badly do both of you want to live?"
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grendelsmilf · 3 days
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ok i still don’t get why ppl hate toshiro so much… he’s a great foil to both laios and marcille (in different ways), he’s sopping wet and miserable, he saw a weird bug girl and was like “this is my soulmate,” what’s not to like? because he secretly can’t stand laois, who doesn’t even call him by his real name? no offense, i know this is the autism website, but as someone who has been in toshiro’s shoes in those kinds of relationships, there’s absolutely nothing morally wrong about disliking someone who can’t take a hint and nonetheless being polite and courteous to them because you inhabit the same circles. if anything, toshiro is kind of a hero for wanting to marry a girl whose brother he cannot fucking stand, especially considering that she is so close to him and therefore he would have to spend a lot of time with laios as his brother-in-law. he was willing to do that for falin, because he was genuinely in love with her. he probably feels guilty as hell that he left the party to regroup, and in the meantime, falin’s cockblocking brother and the rival for falin’s affections concocted some sort of illegal scheme that would jeopardize everyone involved including falin’s safety. and he’s immediately proven right (at least in his mind), because she has now become the product of dark magic, so of course that’s marcille’s fault somehow, considering all he knows about the situation is that she used black magic to revive falin, and now falin is this. no, i don’t think falin actually feels the same way about him that he does about her, and mickbell is right that it’s weird to propose with absolutely no preamble, but like chilchuck says, it’s normal in his culture, and the normalization of marriage as an expression of romance leads to that kind of behavior from naive idealists, which toshiro is. i don’t think toshiro is knowingly participating in a misogynistic patriarchal tradition out of a desire to trap falin in a situation she feels she has no choice but to accept, i think he genuinely thinks that he’s following his heart and giving falin the choice to follow hers. and i don’t think he’s actively going “ugh this guy is so fucking annoying because he’s autistic and i hate autistic people.” like he clearly is in love with falin, so that’s not what it is…. he’s just unused to knowing someone so forward and unconcerned with reading the room; to toshiro that reads as callousness, even if he does know that laios means well. he’s a product of his culture. social cues and expectations are contextual, and laios is considered socially abnormal even within his own society. toshiro isn’t uniquely evil for being put off by an objectively offputting guy. he isn’t evil at all.
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amatres · 7 months
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stuck between liking the freedom having tav and durge separated gives for making players own characters, and feeling like bc of their separation the writing becomes watered down as it doesn't focus on telling one story
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mitamicah · 1 month
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I need to think out loud - feel free to ignore
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good-beanswrites · 6 months
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Woo hello 🎬!! I kept all of your ask here -- I put it like this for my own easy scrolling, but no way am I cutting any of this, it's so perfect AH
Oughhhhgh Haruka getting more confident from hanging out with everyone and getting such positive feedback… I’d imagine the back to back innocent verdict and night of compliments would do wonders for his psyche ;-; And same for Muu and Amane! Minus the inno verdict, but the sudden influx of explicit compliments and acknowledgement of “hey, that was fucked up what they did to you, okay?” I wonder if there’s any awkwardness since After Pain directly follows Bring it On, but I like to imagine Fuuta and Muu have a deeper talk about things in private (and maybe Muu hesitantly mentions her involvement with Rei in preparation for INMF…)
Damn, who’s going to give the sex talk to the kids after Yuno’s vide-- Shidou. Sidou does. Without hesitation. They have to stop him because no one wants to hear it and everyone there already understands the basics.I love the idea of she, Mahiru, Muu, and designer Mikoto chatting about everyone’s fashion sense (I can imagine them poking fun at Fuuta’s tracksuit and Shidou’s patterned shirts.) And planning shopping trips that include everyone!!! Amane and Kotoko are given no choice in the matter, and a lot of the guys are genuinely interested in coming along.
Awww, I love the thought of Haruka getting into a “boy” interest with Fuuta and Mikoto -- he never knew what it was like to have brothers but he’s really enjoying it <3 (Also I’m cracking up over Fuuta trying desperately to convince them “it’s not cringe!!!”)
ASDFSDF Mappi just straight up sobbing and Mikoto handing her tissues 😂 But yes, she also gets choked up during Magic and Amane can’t figure out why. This begins the adults’ efforts to get her out of whatever situation she’s currently in (which Jackalope was already half-working on, but is definitely spurred on by several angry almost-murderers demanding he get it done now.)
I do like that idea of Red more comfortable with showing skin than Blue. (I know people are very emotional about the stalker theory, but I personally never took it in a harmful way. I always enjoyed how it was a symbol of stripping away everything else until you’re left with your true, whole self.) So I like to think that Blue feels too exposed, but Red/Green are the ones who pitched it in a symbolic sense! 
I’m losing my mind at Kotoko/Kazui/Red talking about sparring. Everyone else is like “hell yeah, let’s see it!” and Shidou just sitting there like “you all are going to be the death of me. You are NOT fighting.” Because I really want to think about it happening, I’ll say they manage to sneak away at least once and nearly break a prop in the process, to which even Jackalope shuts them down.
I think they all manage to get pretty serious again by the time T2 rolls around, but the hiatus is filled with a lot of sweet moments and healing conversations between everyone. Also, making so many plans for the future helps keep them sane when some of the project immersion gets a bit too real. Whenever they start realizing they might be condemned for their actions and worried that they’re too broken/they’re life is ruined, they come back to those plans and relax a bit.
Absolutely no pressure, but I would love to hear your T2 thoughts! 👀👀👀 I’m so incredibly grateful you’ve taken the time to share your ideas -- from the very beginning this au has been a big collaboration, so it’s super fun bouncing ideas around :D
#milgram#ft everyone!#i really love all of these ;---;#thank you so much!! ive been enjoying these so much and im sure everyone else is as well#i keep swinging drastically from torturing myself by thinking deeply about upcoming angst#and then healing myself thinking of everyone chillin in this au sdfsdfa#pretty soon ill write up a post with little details ive had in mind here and there 👍👍#i just havent had the motivation to put em down on paper yet but youre inspiring me!!!!#and yeah... i swore id finish a few of my current milgram wips before starting anything new but youre tempting meeeee#there will be plenty of time over the upcoming trial break for me to get some writing in im sure 👀#in a more serious tone i want to write a little drabble of the prisoners leaving/returning to the prison area#the odd relief of dropping pretenses and feeling free again#and then the heaviness that settles over them when they put on their fake bandages and torn uniforms and walk back in#but movie night my beloved!!!#not in a limiting gender role sort of way but i think with all the femininity that was forced on haruka he has a great time with the boys#all that fashion advice was Not heeded when choosing outfits for backdraft and triage#the Dad Fit was all shidous idea#(<- says this but i love the backdraft look jsyk)#i feel like t2 movie night would be much more chaotic since they were involved for a lot so they can get rowdier#then again some things were left secretive -- they never got to meet shidous kids and most didnt watch tear drop filming#and some of the post-filming effects probably turned out cooler than they were expecting#lights camera sing your sins#ask
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theygender · 2 years
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I'm doing it. I'm gonna get a fucking hysterectomy
#its something ive talked about half jokingly for years bc the idea of ever being pregnant or giving birth makes me INCREDIBLY dysphoric#so it seems completely fucking pointless to have to go through so much pain and sickness every month for absolutely no reason#this past month where i couldnt get my medication already had me seriously thinking about it tho#bc even if im managing my endometriosis okay with BC i dont want to have to worry about going through hell if i cant fill my prescription#i was looking into the side effects and etc bc i was thinking about asking my doctor about it next time i went in#and the only thing that had me concerned was that a full hysterectomy or oophorectomy sends you into menopause which seems like itd suck#(but smaller surgeries like tube ligations dont actually stop you from having periods)#BUT i was complaining about this at work and one of my coworkers told me she had a hysterectomy for endometriosis#and her doctor gave her a partial hysterectomy so it stops periods and prevents pregnancy but doesnt send you into menopause#and that sounds fucking GREAT honestly so i wanted to ask my doctor about it even more#but now that roe v wade has been overturned? the deal is sealed im getting this hell machine out of me one way or another#im hoping that my doctor will be understanding as a woman herself but if not my coworker said she'll give me her doctors info#and if THAT doesnt work. i just checked out r/childfree and theyve got a list of doctors in my area who are willing to help#i dont want to keep suffering through chronic illness symptoms every month for absolutely no reason#i dont want to run the risk of getting pregnant and having to live through my worst nightmare as someone with dysphoria#AND like my gf just pointed out to me. ive got other health issues that im trying to get sorted out#im chronically underweight and i either have pots or some kind of hypertension. plus a low immune system and etc etc etc#being forced to carry a pregnancy could fucking kill me for all i know. AND i would have to go off of a lot of my meds??#all this thing does is cause me chronic pain and put my already precarious physical and mental health at risk#im GETTING it fucking taken out#rambling#ive got an appointment with my therapist on tuesday and i think im gonna ask about getting an official diagnosis of gender dysphoria#and im already in the process of getting tested for pots with my primary care doctor#so hopefully those diagnoses combined with my endometriosis will help speed it along... 🙏
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blujayonthewing · 1 year
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Previous anon here! I totally understand what you mean i have the same issue with my own ocs. So can I ask who's your oldesr oc (you've had the longest) and who's your favorite and why? :3c I wanna hear about them but it's hard to think of specific questions! Sidenote, you inspired me to start reblogging things as inspo for my own ocs!
OH I feel you, I'm the exact same way about not knowing what to specifically ask about other people's OCs lmao it's so hard to think of good questions!
My oldest (current) OC is my ranger, Elyss!! I've been playing her for coming up on EIGHT YEARS, which is admittedly not actually as much as it sounds because the run schedules for all the campaigns I'm in tend to be pretty sparse, ahaha :') She is also still my favorite, my beloved girl... 🥺💕 That's at least partly because I've been playing her for so long and for awhile she was my only dnd character, so I've had a lot of opportunity to think about her and play her and get to know her as a character.
She's a water genasi who was born and raised in a land where genasi are essentially unheard of, so she's spent most of her life fairly rejected and lonely. She ended up (voluntarily) living alone in the woods for something close to ten years, and she has a very nature-inspired True Neutral philosophy, so when we started the campaign with the premise of 'an established group of adventures trying to stop A Bad Guy from Taking Over The World' I had to figure out why she would care about that, and one of the answers was 'well... she loves her friends,' which has informed SO much about everything about her ever since. On a practical level, it means I get to engage with the game even if Elyss wouldn't necessarily want to (eg if the paladin wants to do a dangerous stupid thing to save some villagers, I want to go with him to help keep him safe), but it's also made her really interesting and really emotionally rewarding to roleplay with. I'm fortunate in that all my fellow players in her campaign are amazing AND Elyss has meaningful relationships with most of their characters, so I've been able to explore her navigating those relationships and her own feelings... at the beginning of the campaign, she felt really strongly that her love for her companions was completely one-sided, so had a lot of Issues about needing to be unambiguously useful and never a liability to avoid rejection and losing her right to be a part of the group. Unfortunately the circumstances of this campaign have given her... really severe trust issues to the point of sometimes paralyzing paranoia, BUT she DOES now believe that (most of) her close friends actually care about her in return, so, that's something :') I guess tl;dr without explaining the entire campaign and her entire personal development, she just has a lot of complex feelings and life circumstances that are not only interesting to play and think about but that also just... make me wish for the best for her. She's had a really hard time, so it fills me with joy whenever she gets a little reprieve, I'm overwhelmed on her behalf when things are inevitably really bad for her again, and I'm deeply invested in her path toward hope and growth and a happier, more stable future 🥺💕
All that said, I've gotten to play her a lot less lately, and while she's still my favorite, the margin isn't as wide as it used to be, lol. But I dunno if I could put a finger on the definitive second favorite? It depends on who I've played and/or have been obsessing over the most recently I think, lol. Right at this second that feels like a tossup between Juniper, my druid, and Melliwyk, my wizard; I'm not gonna do another wall of text for each of them for this ask BUT-- June is basically the character archetype I have the softest spot for (sweetheart, awkward, big ol nerd) and I wanna kiss her and give her soup, and Mel is a DIFFERENT archetype I tend to be drawn to (mad science type friendly little wierdo) but she has also developed depth that I wasn't expecting and now I have a lot of Thoughts and Feelings about HER as well. Also, June gives me a good outlet for a lot of soft tenderness, Mel is a good outlet for me in real life being a big fuckin nerd, and Elyss is my single best outlet for just. really loving to be really good at DPS when I'm playing a game kjhkdfhjd
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jaekaicx · 2 years
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lol dont mind me im just kind of shutting down bc wtf amphibia is ending in 2 1/2 hours
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foone · 1 year
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I see a lot of people joking about the adhd thing of "I have a appointment/phone call at 3pm, guess I won't do anything all day!"
But no one seems to make the connection that it's a time blindness thing. One of the symptoms of ADHD is not having a good and accurate sense of time. And not doing stuff prior to an event with a hard deadline is an obvious coping mechanism for that.
Can I go to the store? It's 10am and the appointment is at 3pm. How long does going to the store take? An hour? Three hours? Five hours? I DON'T KNOW!
I get anxious trying to do things before appointments because I'm aware that I don't know how long those things take, and that if I think I do, I may be very wrong. Too often I've been like "hey I can walk to the corner store and grab a drink, that'll take like 15 minutes!" and then an hour later I get back and whoops my rice has burnt.
Plus there's also the fact that ADHD people know that motivation and focus is a two-edged sword.
Like, let's say you decide to play a video game. You've got time, you can pause/save whenever, so this should be a perfect fit to make good use of your waiting-time. So you start playing and WHOOPS you get really focused for some reason today (because people with ADHD do not get to pick when their brain decides to focus) and the next time you look at the clock it's 2:49 and you haven't showered or dressed and the appointment is 30 minutes away. Fuck. (you could have set an alarm, but now you're asking people with the forgetting-things-and-time-ignoring condition to remember it set alarms)
And with motivation, it can be almost worse. Instead of playing a game, you so something useful or creative. You clean your room or fix your plumbing or write a story or draw a picture. And suddenly it's great. Your brain is firing on all cylinders. You've got all the motivation you can ask for, and you are FLYING. the ideas are brilliant, your hands are nimble, you're getting stuff done you've been putting off for weeks or months. And then the alarm goes off. Time to go to your appointment. Fuck.
You drive there, your brain still full of ideas and plans. But by the time you get back, the motivation is gone. You may still have the ideas but you don't have the drive to write them down. You can't force yourself to do it. Your sink is still in pieces. Your room is half-cleaned, and you have to shove all the sorted clothes into one big bin just so you have somewhere to sleep. You've left things half finished again, in a cycle that has been repeating your whole fucking life. It seems sometimes that nothing ever gets finished.
So next time you don't even start. There's not time. You've been burnt too many times. Why add another half-completed project to your pile of shame?
My point is that people seem to be going "lol I can't do anything all day if I have an appointment at 3pm" like this is a quirky "oh I'm so scatterbrained!" weirdness they alone have, and not a major complication of a disabling mental illness.
(and that's not even getting into the secondary effects. If you know that having an appointment ruins your whole damn day, you're going to avoid them. Even when it's things like "going to that party" or "meeting your friends for a drink/game" or "going to a movie with that cute girl from your math class". Things you should enjoy. Things that'd help you be social. Things that make you feel human.)
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laurasimonsdaughter · 5 months
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Picture this: Dragons using their caves to age cheese. Dragon Cheesemakers!!
The dragon coiled his enormous body, completely blocking the entrance of the tunnel that lead to the caves.
“No,” he snarled, smoke pluming from his nose.
The cheesemonger pinched the bridge of her own nose. “Look, I explained this to you at the start,” she tried once more. “I make cheese.”
“Yes,” the agreed, nodding his scaly head.
“Then I bring the cheese here.”
“Yes.”
“Then you store all the cheese in your cave, keeping it at the perfect temperature and humidity.”
“Yes.” He sounded particularly proud of this part.
“And then when the cheese has ripened,” she concluded. “I come to pick the cheese up again.”
A thunderous scowl clouded his maw. “No.”
“But that’s how it works!” she cried in exasperation. “I make the cheese, you store the cheese, I sell the cheese, I make more cheese!” She peered up at him. “You do realise I cannot bring you new cheese until I have sold this cheese.”
The dragon considered this for a moment. “Ah, but what if—” he began. “What if you go and make more cheese. And bring me the cheese. And I put it in my cave, with the rest of the hoard. And then I keep it there forever.”
“No,” she said flatly.
It was remarkable how much a dragon could look like it had just swallowed a lemon.
“You can’t keep cheese forever,” she insisted. “It will spoil and go bad!”
“You said it would get better and better!” the dragon roared indignantly. “And I take good care of them! With the air flow and the humidity and the temperature!”
“And that is great,” she said, trying to smile through her frustration. “But when a cheese is ripe, it’s ripe! Then you should not be kept anymore, it should be eaten.”
The dragon scraped it’s formidable claws against the stony ground and sulked.
“Look…” The cheese mongering business did not tend to require a lot of sweet-talking, but she was making an effort. “I’m sure the cheeses that aged in your cave are the best cheeses people have ever tasted. When they find out how delicious they are they will want us to make loads more. Maybe several caves’ worth!”
The reptilian eyes stared at her with disgruntled, reluctant interest. “Several caves?”
“If we’re lucky! And I could make so much cheese that I could bring you new cheese as soon as I pick up the aged cheese. Your cave would never even be empty!”
This seemed to strike a chord. The dragon lifted his head a little.
“And that would really be much better for the rest of your hoard,” she continued with fresh inspiration. “Because if you leave cheese too long, it might go bad and spoil the cheeses next to it too!”
A nervous ripple went through the beast’s scaly body, but he clearly was not convinced just yet. “But what sort of a hoard is it if I have to give it away,” he complained.
“Well! Cheese is not just any old hoard! It’s a developing creation! And you will have a hoard that is constantly developing too. Constantly changing, but, if we do this right, never shrinking.”
The dragon looked at her solemnly, wavering with uncertainty. Perhaps she shouldn’t hold it against the poor thing, it must be a difficult concept to wrap his head around.
“And I will tell you what,” she said encouragingly. “If business is good, I can start investing in some really good crumbly cheeses. You can keep those in your cave for five whole years!”
“That is quite a long time for humans, is it not?” he said, sounding a little more cheerful.
“Very long. Especially when it comes to cheese. Cheeses that have been aged that long are very expensive.”
In retrospect, she should perhaps have led with that. Gourmand or not, a dragon was still a dragon after all. A glittering, toothy grin appeared on her recalcitrant business partner’s shout and he moved just enough for her to move past him into the mountain.
“Tell me more about this expensive cheese that crumbles.”
She hid a smirk. “If you help me carry some of the current ones out, it would be my pleasure.”
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headspace-hotel · 4 months
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you know how people say "cats domesticated themselves?" I find this statement irksome because as i've been studying plants and particularly weeds, a theory has slowly been forming in my head about domestication that makes a lot more sense than other theories.
Basically, I think everything domesticated itself. Or rather, domestication involves adaptation and active participation on both sides.
Evidence for this is found in studying weed and crop plants—truth be told, most weeds are or were also crops.
Amaranthus, the genus that gives us the most costly USA agricultural weeds? All edible and healthy, and several members of the genus are domesticated. They were staple crops for Mesoamerican empires.
Kudzu, the vine so aggressive in the USA it turns trees into looming kudzu monoliths? It's been bred and cultivated by humans since the Neolithic in its native range, in China it was one of the main sources of fiber for cloth for MILLENNIA to the point that the Zhou dynasty had a whole government office of kudzu affairs. Kudzu roots are edible and they can be as tall as a human and weighing over 200 pounds, you can make them into flour, make noodles out of the flour, you can process them down into a starch and use it just like potato or tapioca starch and make all sorts of sauces and confections and stuff out of it. In Japan it was used for clothes too, if you see pictures of clothes worn by a samurai that's probably kudzu! It has loads of unresearched phytochemicals that probably have medicinal use, it's good for making paper, a researcher even made a biodegradable alternative to plastic out of it
Yellow Nutsedge is a food crop, Purslane is a food crop, at least some species of morning-glories are food crops, crabgrass is a food crop, Nettles are food AND fiber, Milkweed is food and fiber too, Broadleaf Plantain is food and medicinal, Dandelion is food and medicinal AND great companion plant (they used to sell them in seed catalogues around the 1890's or so!) and have y'all ever seen queen-anne's-lace along the side of the road? THATS CARROTS. That's the wild ancestor of carrots! (ofc don't eat anything you aren't 1000% sure you can identify)
Simply put. A weed is a plant that has co-evolved with humans. And most of them are Like That because they co-evolved with us. And honestly I reckon that many plants were domesticated in the first place because they liked to grow in disturbed environments near human settlements and agricultural fields.
Now thinking about this in terms of animals...when our domestic species were first domesticated, there weren't fences, there wasn't "inside" or any controlled environment to bring animals into, and if you tried to overpower or coerce any of those species, they would 100% just kill you. It makes a lot more sense if the humans were just following herds around, and it gradually developed into protecting those herds from predators and tending to them more intentionally until we were kind of just part of the herds ourselves.
a lot of people are familiar with Biblical stories and metaphors about shepherds...it's clear those guys were basically living with sheep 24/7. They were assimilated to the sheep lifestyle.
this theory kinda suggests that we've lost the ability to domesticate new animal species to some extent because domestication has never really involved removing an animal from its natural environment. Feeding wild animals and trying to socialize them to humans isn't in line with the mutualistic nature of domestication because it's trying to change the animal to our whims, and usually decreases the fitness of the animal rather than increases it. And domestication probably takes a long long time to reach the level where an animal can be a "pet" instead of a more distant form of domestication where the association is not as close.
EXCEPT. Animals that adapt to our environment are prime candidates for domestication. This actually checks out because rats and mice are some of the most recently domesticated animals, iirc. Basically, pest animals are the most likely to be domesticated because they've already started evolving into a relationship with us. Just like weeds.
An interesting side note is how both animals and plants can de-domesticate and become "weeds/pests" again. Like "weedy rice" is becoming a problem in some crops where rice has evolved into a weed. And with animals, there's pigeons who were domesticated by us and now their habitat is cities because they co-evolved with us.
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literalgrill · 4 months
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Do NOT Support Hard Drive On Patreon
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You might see friends today suggesting you support Hard Drive on Patreon today. You know, the funny video games version of The Onion? As a journalist, I will firmly tell you DO NOT GIVE THEM A DIME.
The CEO has pushed out all former staff that have built the site up to its current greatness and has been pushing the use of AI. The staff begged to have a Patreon before basically all being pushed out, but the idea was refused until now, when it will only line the pockets of a single person instead of hard working writers.
I know they might have provided laughs before, but Hard Drive is a shell of what it was once. Let it die and support the people who actually made those moments of joy possible. Don't believe me? Check out what former employees are saying below:
Kevin Podas: Okay you know what, I would feel bad saying nothing about this, so here goes:🚨SAVE YOUR MONEY🚨
We passionately advocated for a Patreon at Hard Drive & were aggressively shot down. The talent & people who built the site were pushed out. To see this now is beyond upsetting. For the past few years or so I put a lot of myself into this website. I pitched a ton of jokes, got over 120 articles published, & met a lot of great people. I'm sure if you've been following me for some time you could easily see this.
However, there is a lot of misinformation. I was eventually promoted to Managing Editor of the site & was ecstatic. Grateful for the opportunity. Felt like all of my hard work in the comedy mines was finally paying off. But things took a turn for the worst, & each day there were new surprises that affected our livelihoods. These were all very avoidable surprises, mind you.
A patreon was going to be our hail mary, but alas, for some reason, the power that be did not want it. Causing us to leave a dream job behind. "At least we did all we could," we consoled ourselves afterwards. I put a lot of myself into this project. I pitched all sorts of ideas that could have helped-- we all did. Merch collaborations, Patreon-integrated YouTube content, so much more. And most of them were shot down out of sheer stubbornness and nothing more. To see lie after lie spread, and multiple big publications and YouTubers that I am a fan of promote this Patreon under these pretenses is incredibly upsetting. There are so many receipts.
Please share this and consider pulling out if you've already put money into this. On Hard Drive using AI, also from Kevin Podas: I can't personally confirm that part aside from some of the recent header images for articles on both Hard Drive and Hard Times are being made with AI. As far as writing, it's been mentioned in the past, but I personally do not know. Maybe others do, maybe not. MORE From Kevin Podas suggesting the owner denying a Patreon being set up earlier cost an artist a job that was replaced by AI: We had a social media person who was awesome! He made the images until this AI implementation. He had to leave because ad revenue was low and a Patreon was aggressively refused.
Luca Fisher: at the risk of burning some bridges, i have to back up kevin here. i've only been part-time, in-and-out of hard drive since i got in last year, but i can corroborate that management doubled and tripled down about not hosting a patreon/crowdfunding and that many other suggestions and ideas, including mine (and ones much smarter than mine!), were shot down in really long, apocalyptic threads of everyone left on deck desperately trying to come up with ways to keep the lights on. managerially it has been messy and sad
i've written for multiple publications that have long since died, ones that were in the process of dying, and ones that, in this case, are soon to be put in the ground. it is sad and sucks every time. i don't know what could have been done differently, but i do know that a lot of great writers and content creators were left shorthanded and unhappy by the way things have gone. and it is sort of puzzling to see the sudden championing of patreon after we were all told plenty of times that it couldn't work and we should move on also, just to add my own personal two cents here, i was really disappointed by the shuttering of many different article sections on the site over the past 6-8 months. i understand cutting corners in a deficit, and i know it had to be done. that said…
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all in all, i'm really sad to see this all happen. i don't fault anyone, if only because i don't really know enough about how this all can happen to make sense of it. games journalism is in a sad, sorry state, and will likely no longer be a thing in the next decade
VideoSealMan: I'm gonna say this because I think I deserve to. For months, MONTHS on end I was bugging Hard Drive management about a Patreon. Often I got ignored for a week+, but when I actually got a response I was encouraged to - of all things, write up a Google Doc pitching the concept I did it regardless. I wasn't the only one trying to sway management on a Patreon, but so fiercely was I fighting for it that last night, I was accused of making this comment directly by the CEO! With no evidence whatsoever! After I'd been gone for over a month.
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I vouched so hard for Patreon because I wanted all the writers and creatives working with Hard Drive including myself to get paid better. When I actually got a response, the idea was often shut down. Eventually due to the state of my company, my pay was cut for a second time I confronted management alongside a couple other important figureheads at the org and told them that if we couldn't do a Patreon - I could no longer financially justify staying there. The answer was still no, so I left. Baffled at the decision, but whatever.
It is unendingly frustrating to know that myself and many other people who put their soul into Hard Drive LEFT because of management's absolute refusal to compromise on a Patreon, to then see them launch one anyway a month later and get over 1000 people pledging money. I'm seeing a lot of things float around about greed and people being fired. No one was fired. Everyone who left, left because they were sick of management's decision-making. And honestly, management is a lot of things but I would not call them greedy. (From my experience.) They did genuinely make an effort to pay people as much as possible. I found the pay very fair for a while. I am not disputing that I was paid what I was owed - yet management frequently feels the need to remind critics of that. Lmao, yes. I was paid what I was owed. No one is disputing payment. You did the bare minimum a business owner should do and paid everyone their due, very well done. I make no allegations of greed, cheating or foul play. I make allegations of poor management and incompetence that has fucked over other people.
Basically the only people left at Hard Drive have been there for about 2 months. They will reap the rewards of this successful Patreon I and so many others passionately fought for for so long. We will not see a dime.
I do not know the new people at Hard Drive, But I feel bad for them. They were haphazardly thrust into Hard Drive's workplace with little to no explanation on how anything works, or given any context on the state of the place. Even now managements feeds them half-truths and misinformation about other people's grievances. I am broke and have been for a while. I had to move out of my flat in Reading and back with my family because of how little money I was making. This has basically doomed my flatmate to moving back in with abusive parents, which is something I feel guilty about every day. If we had gone with the Patreon I worked myself hoarse over back then, this could have been avoided. Some of my other good pals could also not have been fucked over.
It was a bad judgment call, but it's not a crime. It's just management getting it wrong.
So should you give to the Hard Drive Patreon? I don't know! I don't think any of the new people working there to patch up the holes left by the recent mass exodus have any bad intentions. Maybe they deserve it! But it is not the same site you knew a year ago, or even a month ago. Myself and many people who were there far longer than me and did far more for it than I did are all gone now because we could not deal with management's terrible decision-making and dogass communication any longer. That's what you should know, imo
I had an agreement in place with management that I would receive the next 8 months of revenue from the Hard Drive YT channel from my leaving in November. This was a deal I appreciated, and thought was very fair on management's behalf. So far, the deal has been honoured for 2 months. However as of last night I was removed from the Hard Drive Slack without warning, and as an editor for the YouTube channel. This means I no longer have any way of verifying how much I am owed, I just have to take their word for it. I'm sure management will make their own statements full of half-truths and weird language on the many cases being brought against them - I'd take everything they say with a pinch of salt if some of the screenshots I've seen of them talking about me are any indication lol
To management; I do not want to talk to you. I want you to DM me a screenshot of how much I'm owed every month and then send me the money per our agreement until June, then we can go our separate ways. Do that and admit to your mistakes, and maybe you can recover your reputation! That's it from me, lol. If they pull out of the deal and fuck me over I'll have more to say, but most of what I know is other people's stories of incompetence and poor decision-making, lol. I genuinely get no pleasure out of doing this; I do not think management is evil - I just think they're really bad at what they do and it's cost other, more talented people, lol. You should believe the writers imo
One last thing I wanna say btw, management did often stress that no one should try to make Hard Drive a full time thing. They were transparent about that, and that is fair. I was working on it because at a few points, I was lead to believe we actually were doing a Patreon. Many other ppl have similar stories of being strung along by management changing their minds and stop-starting shit every 2 weeks. We all made the fatal mistake of overestimating our manager - who would tell you one thing one day and something totally opposite the next week lol
Hunter R. Thompson:
I'm not your dad, but speaking as a Hard Drive writer, I don't know that funding Hard Drive on Patreon is worth it
The driving talent on the back end—behind the kickass site I joined in 2019—have peaced out over the years as the site's been (in our view) increasingly mismanaged. Mismanagement like, not setting up crowdfunding before the ship sank and all its best crew failed; or publishing a screenshot of Andy Ngo pedojacketing a trans writer, complete with her deadname; or a disgruntled ex-writer getting falsely accused of shit-talk, by actual staff. I'm grateful for the writing I've gotten to produce for HD (and will forever be kicking myself for not writing even more, in the four years I've had to do it!! i'm a dumbass!!!) but it is very much no longer the site I signed up for.
I don't want to resign as a contributor altogether, because I'm open to the idea of the site recovering and bad practices being retired as finances level out-- it would just be dishonest for potential backers to not be Aware Of The Circumstances, I think.
Jeremy Kaplowitz: i truly don't want to start shit, but feel compelled to say: i want to see Hard Drive succeed w/o resorting to throwing former writers & editors, myself included, under the bus. surely there's a way to save the site without building it over the corpses of those who left. my $0.02 i don't blame anyone who wants to sign up for the HD patreon and i support the website, but that includes those who worked on it for years, have complaints, and don't deserve to be treated like bitter assholes like this kind of stuff is just objectively true, meanwhile there's these new writers who joined the site after i left (meaning, in the last ~3 months) claiming people are liars. decide for yourself if you care, but this is what happened! [Quotes this Tweet]
Seth Finkelstein: Writing for Hard Drive has been a privilege the past few years, and it makes me so angry to see people I looked up to get jerked around behind the scenes. The amount of grenades the editors jumped on our behalf is immense, and I don't think the way they're being treated is right.
Other Bits On AI: We do know for sure however that AI art has been used by the site. Its fucking owner confirms it here:https://twitter.com/MattSaincome/status/1743040541603123622. Seems the owner pushed AI written articles as well! TayFabe: My vaguetweet is making the rounds & these made me apoplectic. - owner regularly lobbied using ai. Once he tested it & said ai was writing better satire than 25% of the HT/HD writers. - ai images were used on the site & socials w/o consulting the team or disclosing it publicly I found the ai bit relevant to include bc 1) it illuminates a stark change in HD's current direction & leadership, 2) ai images have previously been used on the site and (since deleted) ig posts, 3) ai content fucking sucks, and repeatedly pushing to use it is a telling quality The "handful of writers who chose to leave" includes 2 editors-in-chief (both cofounders who wrote a combined total of >1,000 articles & defined the voice of HD), & at least 3 other editors. These guys put in WORK since 2017, so cool to be corrected by ppl who joined in Nov 2023 [Link to mentioned vague tweet from post.] More from TayFabe: owner continuously lobbied for using ai in every possible way. No one else wanted to do it, but he kept on, saying ai was writing better satire than 25% of the HT/HD writers. Also, ai images were used on the site & socials without public disclosure or consulting the team.
The owner has responded now multiple times in a private discord... Thank you for people sharing screenshots! First Screenshot:
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Kevin's Response: He banned me from the server for speaking out, so no, I didn't see it. And he gave no indication of a timeline, it was just "we'll do one when *I* say so" and gave every inclination he was totally against it. It bred an environment that pushed our hands to have to leave. Screenshot Round Two:
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Kevin's Response: "Starting one in 3 months" is an absolute lie. He denied it, I have screenshots and others who can confirm. No timeline was given. Just "this is what it is now" and like, I couldn't live off of that. I wanted to do more but he was allergic to good ideas from others around him.
Matt, owner of Hard Drive, responds publicly on Twitter.
Matt: Kevin, the patreon launch was delayed because I didn't think it would work. Everyone is happy that it did work. Everyone who left the site because we didn't have money to pay for creative content which didn't revenue is welcome to return home. But unclear why the hostility.
Hard Drive paid out literally every dollar it had, then a bunch more, to creative people who worked on the site. When we ran out of money, we couldn't pay anymore. We did our best.
Kevin: Right, and my point of this thread was that it was completely and totally avoidable. This is reasonable to be upset about. How could I have been any more clear?
Matt: If we knew with 100% certainly that the community would have supported us via patreon, we would have done that. We didn't know. We had tried 4 years ago and got no support. We were wrong this time. We did our best to figure it out. We paid all the money we could.
Kevin: So you knew with 100% certainty this time? Or you took a leap of faith?
Matt: It was a last gasp panic effort after ad rates got cut in half on january 1st due to seasonal spending changes. We didn't know it would work. We were embarrassed to ask for support. We wanted to figure it out.
Kevin: Every site has a Patreon. Every YouTuber, comedy group, etc. But you insisted that nobody cared about Hard Drive. Which is wildly untrue. I know you see that now, but again, I think you can see why I and many others are pretty upset. A last ditch panic effort was long overdue. A couple more things from Matt:
It was about the size of the hole we needed plugged budget wise, the time I had left of personal resources, and the past data I had about us trying a patreon (which turned out to be a bad indicator). I didn't think the Patreon would help us fast enough. I made a bad estimation
aka "if we make $1000 more dollars a month via patreon, which would be 10x what we got last time, we will not solve any of our problems. If instead we try to plow down path B, we might make it out in time." That was the thinking. I chose the wrong path, but didn't mean to Kevin also retweeted this comment from the user Matt was responding to: So you're saying that you're bad at running the business, didn't listen to any of your employees until after they were forced to leave their jobs, and now you're going to get more of the money from the Patreon that was their idea in the first place? Matt's Response: Respectfully, I made a mistake delaying the patreon decision. But keeping a comedy site alive for 9 years is not easy, there are lots of potential ideas, and think overall we've done a good and honorable job. Will leave this thread in peace now to allow people their space.
Sorry for linking to Elon's hellsite (derogatory), but sources need links so...
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prokopetz · 29 days
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In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:
In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.
The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.
A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.
Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.
Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.
At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.
This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.
Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".
(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)
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