could you imagine how good spirit animals would be if it wasn't written as a children's series
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man i really wish people would stop blaming demise for ganondorf being 'evil'
do you really think ganondorf being merely a puppet of an old, long dead and forgotten god of death is more compelling than him doing what he does bc he has other reasons we never get to see bc hes supposed to be an unquestionbly purely evil villain? (and lets ignore that opposing hyrules royal family is basically akin to being purely evil couhg couhg sheikah-yiga cough)
(aside from that it implies that demise is the source of all evil for no reason so its really just shifting the blame to yet another blankly evil character ... )
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I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting
Incoming tag rant because I need to yell about this, feel free to yell back
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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I think a lot of people don't support punitive justice on a governmental level (good), but they don't understand why punitive justice is overarchingly a bad thing, so they still operate with the idea that it's still the Best Option, but only when they can wield it.
Of course, there is a difference between a government having access to punitive justice and individuals or a small community having access to it, but the mindset is still strikingly similar. I've seen it time and time again where one's desire to destroy after even a small slight outweighs anything else, and that's alarming, actually. Yes, it's understandable, but I still don't think it is a healthy impulse or knee-jerk reaction for every minor affront.
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i kinda hate every mdzs fix-it fic because theyre all like “well actually everyone was willing to help wwx he was just too oblivious or prideful or stupid to notice” LIKE?????
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Hot take but I don’t think Hobie is ever gonna be comfortable around Jeff. He’s gonna force himself to be polite for Miles’ sake, but they’re never gonna have an easy-go-lucky relationship.
And the thing is, Jeff gets it. He’s a black cop. Of course he fucking gets it. He can just be glad that the kid calls him ‘Mr. Morales’ even if he doesn’t even pretend to respect his title as ‘Captain’ like Miles’ other friends do.
He wishes things were different and that this kid didn’t have to be so wary and defensive around him, but he chooses to put on the badge every day and be part of the force that he has first hand seen the corruption in. He has his reasons for doing what he does. He believes in being the change he wants to see and making sure that he can at least be one less corrupt asshole walking the beat, but he gets it.
He’s not so prideful that he expects every person to give him the respect he wishes he can someday claim. He hopes he can gain some level of trust from the punk (and oh boy, of all the people he imagined his son bringing home, an anarchic pierced up rebel was not on the list) eventually, but for now he settles for the forced politeness and let’s the clear mutual respect and adoration that Miles and Hobie share soothe him. He’s happy for his son. He’s glad he has someone who gets everything he goes through as a vigilante (and oh boy, again, that’s still something he’s getting used to).
He notices the way Hobie is constantly hanging off of Miles and the feigned casualty of his touches, but Jeff recognizes the way the young man scans the area for threats and the subtle but deliberate way he angles his body in front of Miles to protect him. Jeff feels the bone-deep weariness and guilt that the actions inflict in him — the thought that this teenager is so on guard around a cop that he feels the need to protect the people he loves even against their own damned father (and the added responsibility on both Hobie and Miles’ shoulders that comes from being superheroes of course. Always on guard, scanning for danger and ready to jump in at a moments notice to protect innocents. The same familiar urgency that Jeff feels every moment he’s on duty). He wishes it was different. but he gets it. One day, he vows, things will be different. He just has to keep working it until that day comes.
And yeah, they give each other a hard time about their life choices and sometimes things get tense and awkward, but at the end of the day, Jeff is a father and a damned good one and all he wants is to protect his family (even if it now includes a punk like Hobie).
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(This isn't bait, and you don't need to answer it if you don't want to). What's your beef with heartstopper?
The author and I have the same favorite mangaka but they tried to claim her as a "one of the good ones defying all problematic elements (of the gross bl genre of course)" without knowing that . One of the only other scanlated works from same mangaka is a psychological horror incest BL with every trigger warning under the sun
Also I hate white British people but that's on me #listening and learning
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had talia not been character assassinated do you think she and bruce should have gotten back together?
no. i hate to use the word "phase" bc that would seem to diminish the importance of what's between them, which is something that will always persist esp as their continued dedication to the same causes and their respect for each other remains. but i do think realistically bruce should be a phase in talia's life. at least in terms of consummated romances specifically. i do love the idea of them remaining allies, close friends, and co-parents, but i think allowing talia to walk away from ra's and bruce in the first place has to stand for something in the long term. before talia went her own way i think it was easier to imagine a potential future where she ended up with bruce bc it felt like the desirable option. she was in this very debilitating position where she had little to no freedom to act on her own desires and goals, the embodiment of which was none other than bruce. so when you frame her situation pre-tower of babel, obv wanting to be with bruce was appealing. he was as much the love of her life as he was a means of escape and freedom and talia having the scope to then act on her own desires. i think that's what subsequently makes dc #750 (or is it #570. i never get the numbers straight and i'm too lazy to check) a really clever issue, actually, bc it acknowledges that and the fact that bruce once again setting her free bc of his love for her actually gives her the courage to step out on her own where she never has before. the fact that she has the option to go back to gotham with bruce and presumably have everything she's ever wanted with him, but she leaves it anyway, is a really huge deal. it's a statement. she loves him, but not more than she loves herself. and sure, what talia puts herself through during lex corp era certainly begs the question of whether her version of loving herself is really viable or in any way healthy, and i would love to see bruce help her recognize that she's not alone and that she doesn't have to do it alone to prove that she's capable. all of this i agree with. but i don't think that really means she and bruce have to fall back on their once-imagined dream of playing house. even if talia did find methods of going about her work that were mentally healthier i don't really know what'd be in it for her to play house with bruce in gotham. bc that is what it would have to be, for their relationship to work in any way. bruce will never leave gotham and son of the demon didn't need to explore that issue bc it was never going to get there but trust that corny as the line about naming the baby thomas or martha was it was reflective of a reality: gotham is bruce's entire life. no matter where he goes, no matter what he does, no matter who he works with, in the end he will always belong to gotham. and i simply do not think that would ever work for talia bc there is so much more she is capable of. while her vision is aligned with bruce's her scope of access and ability is entirely distinct of his own and there is so much more that she can do aside from relegate herself to gotham (hence why lex corp as an arc makes so much sense, bc it capitalizes on that scope). and yeah every superhero couple is kinda crazy and they have teleportation and shit but idk i don't think it's really a relationship for each party to go on long missions with ill-defined parameters that give them the worst sleep schedules known to man and occasionally they share a bed. it really isn't. and that's something that bruce and talia have to live with. their duty is always going to come first even though they both have a passion for civilian life. for talia to be in a relationship again she would have to stop having the liberty of being able to go wherever the work carries her and for bruce to be in a relationship again he would have to have the equivalent of a robin-wife. neither of these things is ever going to happen. so
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I'm an anime only but i'm curious how is ferris relationship with gender?
im going to answer kinda quickly (and w/o spoilers) bc im abt to have dinner but the basic gist of it is:
crusch and ferris swapped gender presentations as part of a pact, something that goes back to their respective backstories. (might be harder to tell that crusch is intended to lean more masc, but its in like that knightly bishounen kinda way so it can come off more androgynous than anything). ferris takes the deal a lot more seriously than crusch does (partly bc of devotion, partly because of love) and even still "plays the part" when the pact no longer requires it after crusch got her memories eaten (and was acting more girlish). ferris wakes up every morning repeating the mantra of being a "cute girl" as an affirmation- saying that "this has been the mantra for a long time" believing whole-heatedly that there's magic in this sort of believing, and thats why they just somehow havent developed secondary sex characteristics (and they thank their ancestors for the lack of beard hair- i think it must be somekinda undiscovered divine protection of hrt). though they have a bit of a complex about the idea of this girlhood being "borrowed" because of the swap, and sort of have a higher sense of pressure to confirm as strictly to femininity because of this- because its for crusch. but dont necessarily mistake this for ferris disliking the pact itself, the pressure is something more internal. crusch never held herself to the same degree of devotion to it, wearing casual dresses while inside the house and such, while ferris has committed every fiber of their being to it. this has been the mantra for a long time. and there are genuine insecurities to be found within this- at a certain point a villain representing lust accuses ferris of dressing this way to "lead on" men, something that we as the audience know isnt true (ferris still loves crusch), but never the less messes with their head and in a way i think its meant to be a commentary on the general preconceptions audiences have when it comes to characters like ferris- rezero is a deconstruction series after all so stuff like that is to be expected.
all that being said do i think ferris is the most well done amazing rep in the whole universe? not really. i mean im not transfem so im not the authority on this topic, but im echoing stuff ive generally seen discussed- i think ferris is kind of an example of a character that suffers a bit from the creator not reeeaaallly knowing how trans people work or not realizing hes effectively written a trans person because of this. i defaulted to they/them to ferris here because it is kinda complicated and can be taken a few different ways. how much of it is for crusch vs how much is for ferris? how much of an identity does ferris have outside of crusch? outside of being crusch's "girl side" etc. this theme is something we see with ALL the knights! they all have a blinding and often self-destructive devotion to their liege. and a lot of these are heavily reliant on gender roles in a lot of ways (subaru projects his masc powerfantasy onto emilia, julius has to constantly be the Perfect Knight for anastasia, reinhard can only ever be a Hero and stakes his family's redemption on felt becoming king, al lets priscilla just behead him 100 times bc hes a freak.) in the case of crusch and ferris the entire concept is that these roles have been somewhat swapped, but the devotion stayed the same so. theres a lot there. a lot thats a lot more complicated than just like.... "boy dresses like a girl bc its my fetish" eugh
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"[Alice Perrers] requested that she be buried in the parish church of Upminster, St Laurence, before the altar of the Virgin Mary. Alice seems to have had an affinity with Mary through her life; a seal of hers from c. 1374 shows an image of the Virgin Mary and child, her tabernacle seized in 1377 had an image of the Virgin Mary on it, and now she wished to be buried before Mary’s altar."
-Gemma Hollman, "The Queen and the Mistress: The Women of Edward III"
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i'm the antonymph of the internet
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more and more it's feeling like we just...don't have room for people trying anymore. it's all or nothing; get it right the first time, or be crucified by a jury you can never fully see or convince. and this isn't new, isn't born of current events. it's become more and more prevalent over the last ten years thanks to social media putting every little thought on blast, but i'd put money on the idea that it's actually been brewing much longer than that. and, for me, it goes beyond being tiring or upsetting. it feels bleak. it feels downright fucking broken that we're all so busy trying not to condone anything remotely problematic that we don't leave room for good faith learning. watching people trying to suss out their own identity--something literally ONLY they can fully understand or explain--be vilified for trying to fit words around their own experience sucks. watching people misunderstand something and try to apologize for it later, only to be told they should have known all along, sucks. seeing people who once held truly toxic beliefs actually grow and learn and apologize and still be told to fuck themselves as if they're a lost cause--it sucks. just. does that not fill you with despair for the state of things? does that not break something in you, to think that if you one day don't understand something, or misuse a word, or grapple with complicated feelings, it will forever stain you in the eyes of perfect strangers?
dude the world is fucked, and we all see it, but like. it doesn't feel like it helps to be so goddamn reactive. it doesn't feel like it helps anyone to demand perfection out the gate. it's exhausting. there are enough people out there who don't want to learn, who aren't trying, who actively revel in cruelty. looking for malice in every little fuck-up from people who seem to be genuinely striving to live their lives with kindness strikes me as lending strength to an army that already glories in suffering. and makes the world look more fucked than ever. and i really don't know that that energy is what we need when there's already so much to set right.
maybe it's just me. maybe this last decade just shattered something in me. but i really, really hate the idea--reject the idea, frankly--that people can't learn and change and grow. that people can't be better than a bad day or a failure of understanding. i reject the idea that people are something to be thrown out because they fucked up. it just seems...yeah. bleak. really fuckin' bleak.
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I have successfully boiled my problem with most of the izzy reads that i hate down to a sentence:
he's not sexually repressed, he's emotionally repressed.
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losers playing ttrpgs... losers playing ttrpgs save me...
mike is running a multi-year homebrew ttrpg campaign that is basically just a combination of any rulebook the losers can get their hands on + anything they come up with. i know it to be true. the campaign started as a call of cuthulu campaign but it is now a terrifying mix of call of cuthulu, dungeons & dragons, and cyberpunk with elements from a dozen other games including star wars: the roleplaying game, warhammer, harnmaster and somehow alma mater(??? idk how. but i know this happened). richie was like. "mike man, i love you forever, you're great at this. but why don't i have magic powers?" and he pointed at ben's collection of d&d rulebooks he'd been browsing through and he sounded so earnest and excited that mike knew in that moment he was going to sacrifice the integrity of his cool mystery campaign so richie could cast vicious mockery (99% sure vicious mockery didn't exist yet... don't quote me on that but it doesn't matter because the idea of richie using it constantly is hilarious)
they've all been playing the same characters for years and they keep convincing mike to add more stuff so they're all like super powerful and mike keeps having to come up with more and more powerful enemies.
mike's dice collection is so so so cool he has so many dice, and whenever he introduces a new important character he goes out and gets dice that fit their theme and it is such a moneysink but it's worth it because ooooh pretty dice
after four occasions where the losers decided to adopt a random npc mike hadn't planned anything for, mike has started planning every single npc out down to the specifics of their childhood education. he has endless character sheets hanging out in his room with characters he's created that populate his game world.
okay hanbrough agenda time: bill is the most oblivious guy in the entire world. i know this. (he is the guy who looks at brokeback mountain and goes "what do you mean it was gay? why can't men be friends anymore?" this is based on that one passage at the beginning of the book where he goes on one of those "why can't the curtains just be blue because they're fucking blue" rants lol. he does not know what media literacy is. to me) and mike is. increasingly frustrated and feels like he's losing his mind. he is like head in hands because he asked bill to go to prom with him and bill was like "yeah sure man! sounds great, you're my bestie forever!", and he has no idea what to do, because how is this man this dense, so he just starts having all of his NPCs fall head over heels for bill's character and flirt like madmen. it is painful for everyone involved. except bill. who still has no idea what is going on. that is a very unfortunate month.
mike and ben hang out a lot and ben helps mike brainstorm for the campaign so ben has all this insider knowledge and mike will just look at him before something insane happens in the campaign. they'll like make eye contact and ben will be like holy shit holy shit holy shit :0 and mike just drops some insane new lore. it's very special to me.
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thoughts on bcs characters and their pullman-universe daemons
James McGill - Weasel or stoat family. The long sleek shape of the mustelid can squirm through any hole after its quarry, taking down prey several times its size. Folklore associations with being untrustworthy, unscrupulous, despite its diminutive size. Also known as the family from which Pantalaimon, daemon of Lyra Silvertongue, heralds from - associations of the protagonist.
Kim Wexler - Jackal. A desert animal with associations of the howling prairies, independence, a looming threat in a familiar canid form. However, jackals have a little known quality of centring the majority of their social behaviour around a monogamous relationship; marking out territory together, forsaking packs mostly for the pair bond. Cunning, determined, opportunistic.
Chuck McGill - Porcupine. Like all Rodentia, porcupines are intelligent and frugal, not carnivorous by nature but certainly with enough natural advantages. Unusual tree-dwellers that live far above the rest of the creatures on the forest floor, the porcupine's most notorious trait are its barbs, shaped so that they stick in the skin and cannot be pulled out.
Howard Hamlin - Golden retriever. Exactly what it appears to be to a fault, the ubiquitously loved animal has a few significant traits; it is above all a retriever, an animal that works in tandem with a master to seek out prey and skilfully return the prize, and any attempts to isolate this intensely social breed go awry - the animal withers away.
Nacho Varga - Rusty-spotted cat. The smallest wildcat in the world, to mistake this feline for its domesticated counterpart is a mistake; it is a predator of its lands, feeding on rodents and any creature beneath it, and has the hallmark of being one of the most successful predators relative to its size in the world. However, this elusive, nocturnal little wildcat has its weaknesses as a daemon; it will not stop until it is at the top of its food chain, even if it exists in an ecosystem where it will be swallowed alive. It has the typical feline traits of aloofness, independence, and particularly beautiful eyes.
Lalo Salamanca - Vampire bat. Largely associated with the handsome, deadly supernatural creatures of mythology, vampire bats do, in truth, hold blood as the superior tonic above all, and are also vastly social creatures; grooming, feeding, and raising families within a group that has strong ties to family members, but also makes room for non-relatives too. They hunt entirely in the dark. Like most of the bat family, their need to communicate means their high pitched chirps are constant when flying through the night sky. An unusual daemon for an unusual man; be watchful of his reflection in mirrors. It may not always be there.
Gus Fring - Coati. A daemon can sometimes settle in the appearance of an animal of meaning to an individual; and the mercurial and mysterious Gustavo Fring has inferred the coati's importance as much in his fateful recollection. However, the coati is also no insignificant animal; it is preyed upon by nearly every major predator in the Americas, but the coati has a tough hide attached to its underlying muscles, making it extremely difficult for teeth to get a hold. It is a contained and somewhat elegant looking small mammal with a handsome pair of spectacles around its dark, round eyes, and a reputation for intelligence rivalling that of its opportunistic cousin, the raccoon.
Mike Ehrmantraut - Badger. Whether of the European badger flavour; forest-bears of quiet and solitary pursuits, devoted to the burrows of their families, or of the American type, the fearsome ratel or honey badgers that face down mountain lions without a second look, badger daemons carry the traits of strength, perseverance, and an undeniable aggression that make them the animal that never backs down. Badgers construct setts that go deep below the earth, a vast underground system of resources that belies the staid, unemotional appearance of these creatures. Man + mountain indeed.
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