A. Honda is very good a roshambo ( when Otogi isn't cheating lol ) which leaves Jou and Otogi having to play for the last spot on the bed & B. Honda is very used to sleeping next to a chaotic cuddler
I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)
The Green family dynamics are so interesting because like, Viserys is the father but due to his decay he seems more like the grandfather, whereas Otto is the Grandsire but seems to fill out the role of a father more, not only to his daughter but also her children, so he and his daughter are a mother/father unit but in some situations Alicent is treated like a sibling to her children (by Otto) and then you have the obvious Helaena/Aegon happening (siblings who are also husband/wife and mother/father to their children), but at the same time it seems like Aemond is the one trying to be the family's protector and attempting to step up as patriarch, with some of the scenes between him and Alicent giving off the vibes of equals rather than Mother and Son (like when they discuss Aemond finding Aegon) and his relationship with Aegon seeming like he's the big brother and not the other way around, in this essay I will-
MWII Rodolfo refusing to help during the tank fight: I was far too scared to hit him...
MWIII Rodolfo, mauling Graves at first sight: BUT I WOULD HIT HIM IN A HEART BEAT NOWWW
Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen
A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death
rereading archie gave me a disease and the disease is shadow the hedgehog
just smth for fun . wanted to keep the panel layout and dialogue the same but change the drawings as i saw fit... the og is a lot more dynamic imo but i liked the expression practice i got
okay so a large part of my issue with halsin is that his character feels inconsistent, right. like larian wanted him to be a wise older man mentor character but then they wanted him to be fuckable, and they wanted him to be a nontraditional/nonmonogamous romance, so they made him sexually experienced and confident and casual, but he's also a romance option, so he talks about having Feelings for the player character. and then he needed to be a quest-giver, so he needed to ask for help. and what we ended up with is "guy who up and abandoned his responsibilities at the first chance of adventure, got captured and needed rescuing, makes all sorts of comments about his sexual experience but loses all self control and wildshapes at the first glimpse of ass, tells you he has feelings for you to get you in bed then leaves at the end of the game, and makes inappropriately sexual comments abt the sexual abuse victim if you're romancing him" - all of which reads as an uncomfortable, unlikeable mess of a guy.
halsin suffers from a lack of focus - he's neither a full romance on the level of the origin companions, nor is he a fling or sub-romance; he got more care and attention than wyll, in some ways, but the writing is flaky and weak and makes him look, frankly, like an incompetent, immature manchild. the bear scene is grossly pubescent (it should've been player choice to initiate that, not have it dropped on you that if he gets too horny there's a risk he'll CAST A SPELL and turn into a literal animal. by mistake. and if that's his reaction to seeing tits what's gonna happen when he cums) and the way he pushes for astarion to join you if you tell him you're in a relationship feels wildly inappropriate.
I know halsin has a history of sexual abuse himself (and I've seen good analyses/critiques of the way that's handled) but again I find it weird that finding out about that is locked behind not just a sex scene but a threesome+ scene - the writers really wanted to drive home that This Guy Fucks to the point where he comes across as pushy, and his trauma is reduced to background noise in a scene where he is essentially a sex object. he is simultaneously objectified by the writers, and in-universe by himself and those around him, but instead of exploring that we're just supposed to go with it; likewise, his lack of commitment and emotional immaturity aren't problems in and of themselves, but it feels like the writers aren't aware that that's the character they've written, and so these things are never appropriately addressed, and his arc and romance don't match up with the other characters' stories about growth and development.
not rly sure where I'm going with this, but it bothers me!! I think it's a nasty mix of the writers' intentions at a cross purpose with the push for fanservice, and the whole thing leaves a sour taste in my mouth t b h.
i think what really sells me on brocedes is the fact that they still, to this day, live in the same building. isn't that crazy??? your ex best friend with whom you had a very public falling out with still lives in the same building as you. no one told them to stay there, they chose to do that!!! like nico, i understand. he's got a wife and kids. it'd probably be too much work to uproot them and move somewhere new. but lewis? every time i blink that man is at a new fashion show or fuckin hanging out with shakira. he does not have to live there!!! he does not have to live two floors away from his ex childhood best friend!! and like i know for a fact that there are other luxury condos or apartment or whatever in monaco!! he does not have to do this!!!
random hc but. crowley being a plague doctor in the 16th/17th century bc he's supposedly "tempting people into death" but he can never, ever bring himself to actually do that so he ends up soothing their pain as best as he can and comforting them in their last moments. one night, after he held a little girl's hand as she passed away, he sits down at the banks of the river thames, with his plague mask discarded on the dirt, and he starts out over the water with tears in his eyes, wondering what the fuck is actually the point? it's not the first time he's asked himself the question nor the first plague he witnessed but, here, now after personally witnessing hundreds of deaths every day, he really wonders what actually is the point of him? why does he exist and why should he keep existing. why does he get to live when so many others don't? how is that fair? how is any of it fair? that's how aziraphale finds him, as he just got back from an assignment somewhere or other and hears crowley is in town, so he discreetly looks for him and finds him there, sitting in the dirt, now with his head in his hands, his shoulders silently shaking and is obviously immediately worried but doesn't know how to comfort him or what's allowed so he just sits beside crowley and watches him try to pull himself together. aziraphale's heart breaks, he put what happened together from the mask and the robes and he obviously knows about the bubonic plague but was convinced it was hell's doing and couldn't have even imagined crowley was out there everyday, helping people under the guise of hurting them. is he surprised? no, of course not but it still hurts to see crowley like this. but he's afraid to cross their unspoken rules so he quietly waits crowley out. he watches the water and doesn't dare look at crowley as he lifts his head and takes a few shaky breaths in. after a few minutes of breathing, crowley croaks out "her name was mary" and nothing else, and aziraphale understands, god he understands. it's one of the things they never speak about after it happens but aziraphale can't forget the night he sat with crowley for hours, till the sun came up, as he cried about a death of one little girl. he holds it close to his chest and never, ever forgets.