#insisting that it's wrong to gender bend characters at all | Explore Tumblr Posts and Blogs

astrella-writes · 3 years

Text

prompt | anonymous asked: Could I get some general relationship headcanons (with some fluff please!) for Chishiya, Arisu, and Kuina 🥺👉👈 let me know if you need a more specific ask! :)

warnings | written with the intention of female pronouns but can be read as gender neutral, very minor suggestive implications, mentions of alcohol, nicotine and eating habits, might be considered kinda cheesy oops, the use of the pet name ‘bunny’.

word count | 1.4K

author’s note | ‘m loving this request. this is written with the intention of it being pre-borderlands.

Shuntarō Chishiya

- Frequenting local cafes for routinely study dates. He helps you with topics that you may struggle on and you buy him the bizarre flavored ‘treat of the week’ as a thank you. He jokes around that you’re probably using him as a test subject, because who would order sweet potato brownies with the premise that they would taste good. Much to his surprise, they actually do.

- Visiting a cat cafe once, but not getting around to completing any work. The image of Chishiya cradling a fluffy kitten close to his chest and holding softened eye contact with it is now your permanent lock screen. He has a matching lock screen of you holding a kitten from under the armpits and touching noses with it.

- Learning new skills together. Chishiya is pretty much down for anything that he considers interesting enough. That’s how you ended up frustratingly trying to follow along to a complex origami cat tutorial at 2 in the morning as Chishiya worked quietly with his earbuds in, listening to a different tutorial. Only once he presented you with a perfect paper flower did you smile for the first time in the past hour, the frustration dissipating. That very flower has claimed its indefinite place on your bedside table, something that didn’t go unnoticed by him.

- Doing escape rooms together every so often. It baffles you to some degree how he figures things out so easily, but then again, you’ve known how smart your boyfriend was since the day you met so it shouldn’t really come as a surprise. You just can’t help but admire him, and voice these admirations out loud. Your compliments being the only ones which truly affect him.

- Despite how genius your boyfriend is, you remain concerned about the mental toll college might have on him. If he is stressed, he barely gives it away, but you’ve grown to read through his indifference and pick up when something is wrong - even if he’s attempting to hide it for your disburden. You allow him to de-stress in your arms, playing with the tips of his hair and speaking through what has got him so troubled.

- Late night dates that consist of trips to the corner store where you buy your favourite snacks and walk down to the beach together. It’s a relaxing way to wind down after a stressful week filled with work and college. If it’s not too cold that night, you substitute sitting on your usual bench for a stroll along the sand. If he finds a pretty seashell, Chishiya will give it to you wordlessly.

- He buys you a lot of small things that reminds him of you. A cute keychain he found by chance while buying groceries, splurging his money on a random claw machine because he spotted a plushie character from that show you really like, buying your favourite snacks to calm you down before a big exam that you’ve been studying really hard for. It’s the little things that show how much he really loves you.

Ryōhei Arisu

- Offering him a place to stay for a few days if he needs a break from his family, Arisu will pack up his gaming laptop along with him and you two will game with each other side by side. He anticipates the moment you rest your head on his shoulder and once you do, he rests his own head upon yours with a small: “you tired, bunny?”

- Being extremely supporting and non-judgemental on the topic of him getting a job. You search listings almost daily and send any promising ones through to him, leaving an encouraging message afterwards in hopes he gets the right intention. You care for him deeply and don’t want to see his father eventually kicking him out the house for being unemployed and making the situation ten times more difficult for him.

- Helping him get out more and introducing him to places he quickly grows to love. A quaint coffee shop with a grassy roof hidden deep within the cracks that he never would have found if it weren’t for you. It’s become your usual spot for dates, and Arisu enjoys the tranquility of it all.

- Going on trips to the game store together, even though Arisu usually just buys all his games online, and he’s pretty sure you do too. Regardless, it’s an excuse to meet up and hang out for a few hours after, something he’s found has become more enthralling than gaming.

- Staying up on video call into the late hours of the night as you both battle it out on some mmorpg. You’re confused when you see his idle avatar and look over at your phone screen to find him staring at you in a trance. It catches you off guard at first, but seeing him snap back to reality upon getting caught and getting all flustered left you replaying the scene over in your head for days later.

- Dates to the arcade, because of course. You two definitely hog a specific game with a line of pouting children waiting impatiently to get their chance. Arisu only agrees to move on when you mention a new game you spotted earlier. There is no new game, you just feel bad for the kids. Once he’s caught on, you merely give his lips a quick peck and you’re instantly forgiven.

- Playing in one of those immersive game machines with the curtains on both sides, only for Arisu to stare at you dumbly, leaving you a flustered and confused mess. This usually leads to a one-sided lean in and a small make out, only for an innocent kid to pull back the curtain and run away mortified. Their screams are the highlight of your boyfriend’s day, and you swear he’s holding some mental record of how many kids he traumatize through doing this.

Hikari Kuina

- Working at the same clothing store and having Kuina intervene whenever you’re faced with a rude customer. She might not be all too friendly if they insulted you, and if getting fired is the cost of standing up for you, then so be it. You’d quit alongside her and find some place new to work.

- Helping tend to her sickly mother in hospital, whom you had made speechless upon your first visit. She was delightfully thrilled upon finally being introduced to her daughter’s significant other, Kuina sharing to you afterwards that she hadn’t seen her mother smiling so brightly in a long time. You always present her mother with gifts upon each visit, whether it be flowers or a small cake. She’s become like your own mother, and so you help pay towards hospital bills as well.

- Comforting Kuina if she ever gets upset about her past (especially her relationship with her father) or her mother’s current poor health. You make her feel so valid; it leaves her a sobbing mess in your arms as you comfort her with soothing strokes and affectionate mumbles. Once her wailing has calmed, you offer to make her favourite - hot chocolate topped with cream.

- Constant sleepovers, which include wearing face masks, ordering takeout, watching some sappy romance before switching it over to an action movie and sipping on some cheap beer. The buzz of the alcohol always makes you more daring as you suggest showering together, and you’re never turned down by your equally audacious girlfriend.

- Helping her overcome her nicotine addiction and being the initial person to suggest chewing on a dummy cigarette whenever she felt the urge to smoke. Her mother couldn’t thank you enough for getting her into this, expressing her hidden fear of having to watch Kuina smoke herself into ill health or worse, a premature grave.

- In return, she looks out for your own well-being: reaching out to hold your hand before you both cross the street, showing up with lunch the next day at work if she thinks you haven’t been eating as much lately, keeping headache pills in her bag ever since you complained about a migraine that one time, keeping an extra umbrella in the break room just in case it rains later that day and you’ll need one.

- It’s never a dull moment dating Kuina, always planning fun and exciting dates like getting drunk in a private karaoke room only for it to lead to sloppy make outs. The one time she was so insistent on riding the kiddies train at the amusement park, only for the both of you to fall off once you reached the sharp bend in the tracks. It left you both a giggling mess, but the pain afterwards definitely made the whole situation regrettable.

#chishiya x reader #arisu x reader #kuina x reader #alice in borderland #alice in borderland x reader #aib fanfic #aib scenarios #chishiya shuntaro #ryohei arisu #hikari kuina #chishiya shuntaro x reader #alice in borderland imagines #chishiya

543 notes · View notes

butterysalt · 3 years

Text

Fun | Sherlock x platonic!Reader

Pairing: Sherlock x platonic!gender neutral reader

Request ( @a-paper-cut ):

Word Count: 2,202

Contains: Mentions of child abduction, platonic fluffiness and banter :)

A/N: AAAAAAA thank you so much, lovely! This was my first request and I was SUPER excited to write it hehe. I’ve been on a slight creative block lately and I enjoyed writing this so much. I hope this fic does justice for what you wanted and I hope that you are doing amazingly 🧡🧡

It was an early, snowy winter morning in London. You and Sherlock Holmes have been mind-boggled by a puzzling case for the past week. The detective proposed that the two of you go on a walk to allow some fresh air in the brains again. This suggested that even his extensive mind palace and composing weren’t helping the genius. Not that you were complaining about sharing a nice stroll with Sherlock. It had been years after all since you two had spent any casual time together. Like what people normally did in their free time, anyway.

The two of you stepped side by side, feet planting in the thin sheet of snow on the ground in unison. You grinned a little at the matched body language. You and Sherlock always had special ways to subtly communicate with one another. It was like a part of your minds were connected.

“Anything yet?” the tall brunette questioned. Your lip twitched upward. “Don’t rush the process, Sherlock. Just enjoy the moment. Live in it a little.” Sherlock’s long drawl could be heard next to you. His walking strides were growing longer as his patience began to thin out. You could practically hear the subtle gnawing of his teeth.

“We’ve only been walking 5 minutes,” you flouted, “Loosen up a bit.” Sherlock snickered to himself, messing with his gloved hands. “You’re already trying to read me?”

“You’re walking like you’ve got a stick up your arse. It’s clear you’re agitated,” you jested. The curly-haired detective sneered at you and kicked a clump of ice out of the way. “I can’t think, Y/n. We have potential homicide to solve and we’re here drudging in the snow.”

“Remember, this was your idea, genius. Unless you can come up with something else, this is all we’ve got.” Sherlock went silent, chewing the inside of his cheek. His mind wandered to try and come up with something snarky to throw at you. Perhaps a witty comeback that would leave you in doubt. The headache he was dealing with was enough to strike him in his train of thought. He shook it off and his focus returned to the matter of urgency. Unsolved case.

Sherlock lifted his face to the sky, blowing a hot cloud of breath into the chilly London air. He tugged his scarf a little closer to his neck, shoving his gloved hands down into his thick coat. The breath cloud was a common habit of Sherlock’s during cold weather. It mimicked the effect of blowing cigarette smoke, just without the tar and nicotine. Fortunately, the only time the detective abused drugs anymore was when cases had him horribly stumped; thanks to you and John’s efforts, his drug use was much more controlled now.

“Five missing children. All between the ages of 7 and 9. We know that the connection is tied to their private schools. Three different religious private schools within a 10 kilometer radius — so, fairly close together. The parents reported their children coming home with expensive gifts from a mysterious donor shortly before they went missing. They referred to the perpetrator as ‘Ray’. Anyone handing out shiny trinkets to naive children is either a philanthropist or a predator. I’d like to bet on the latter.”

You sighed, mentally reviewing all of the evidence from the case in your head. “But all of the children knew basic safety protocols: don’t talk to strangers, never accept anything from strangers, the whole package. Their parents are terribly traditional. They never would have let any of them see the light if they broke any of those rules. So the chances are near impossible that they would have fallen for such typical child abduction tricks.”

“Near impossible, L/n. That means there’s still a possibility and possible is all we need to screw this up,” Sherlock tutted. He blew another large cloud of air, shaking some light snow off his curls. You frowned, “The suspects. We’ve interrogated the popes, teachers, parents… who are we missing?”

Sherlock stopped walking. You turned to check up on him, finding him with his eyes shut. “Maybe we’re asking the wrong questions…”

“Of course we’re asking the wrong questions! We have all the pieces in our hands but no instructions, Sherlock. We’re running in circles with this case,” you walked over to a public railing, leaning against it and looking out across the long white blanket that stretched to the horizon.

He joined your side shortly after, bending down to pick up some rocks to toss down the snowy hill and watch as they made skinny trails in the frosty powder. Sherlock sighed out, exasperated and worn out. “We’re not getting anywhere by mulling over it, are we?”

You smiled at him and shook your head. You pulled your coat a little tighter around yourself. “That’s why I’m here to keep you in check. It’s good to get some air, you know? Christ knows when’s the last time you did that simply because you wanted to.”

Sherlock’s eyebrow perked up and he faced you with a blank expression. “How do you mean?” Your eyes widened a little, unsure of how you should pick out your next words. “Well… you know, you don’t exactly, uh…” Nervously, your eyes flicked up to his. He was watching your expression very carefully.

“You don’t spend a lot of time for yourself,” you said simply. Sherlock frowned in disagreement. “I spend a lot of time by myself. I thought you knew me better than that,” he teased.

You rolled your eyes, leaning your back against the cold railing now, crossing your arms. “In your mind palace, Sherlock. I mean you don’t do things you enjoy.”

“Who said I don’t enjoy things?” he countered your query. You found yourself forming a cold sweat, debating on how to deliver your message. “Hobbies?”

“Violin.”

“Meh. Parties?”

“You disturb me.” Your best friend’s disgust made you cackle. “See, that’s my point! You don’t know how to have fun anymore. What happened to old Sherlock?”

Now this was a personal offense against Sherlock. “What? You don’t think I’m fun?” Sherlock sounded incredibly appalled by your claim. A hot cloud of air rose to the sky when you scoffed.

“Holmes, you are probably the farthest thing when it comes to the definition of fun!”

“Well, probability-wise, that’s highly improbable when Mycroft exists.”

“His poshness makes up for it. You’re just irritating.” Sherlock puffed out his red cheeks, nudging you playfully. “Oh, come on. You must admit that I’m at least an interesting character?”

You pondered in fake thought, scrunching your face together. “Interesting is debatable. Fun? That’s foreign territory, Sherlock.” The tall man grimaced deeply at your bluntness that he clearly had issues with. “What do you mean by ‘Old Sherlock’? What was good about the ‘old me’? I consider myself much more refined in the present day.”

Old memories of the two of you hanging out with one another as teenagers came back to you. A smile melted on your face from the warm feelings of nostalgia, the chilliness from the snowfall leaving your body.

“You used to prank Mycroft all the time. Everything was always a competition with you and me; we would go from racing down the neighborhood to reach my house first or rush to finish homework and claim the telly before the other could. Oh! We would always make up fake cases, too, trying to entertain a mystery that didn’t even exist,” you laughed to yourself, “Look at us now.”

Sherlock grumbled at the reminder of your old shenanigans. He wasn’t always the fondest of his younger self. But he had to admit he was reckless, even as a child. It was a simpler time and kids didn’t have much to fret or fear.

“Now you’re all enigmatic and stoic with your flipped up coat collar and scary cheekbones. The difference is so disappointing, it’s sickening,” you gagged. Sherlock slipped off his glove and jabbed his freezing hand against your neck, making you exclaim at the coldness and shove him backward. He wore a victorious smirk at your suffering. You pointed a hard finger at him, holding back your own laughter to prove a point.

“NO, that’s not being fun, Sherlock. That’s torture- sadism! You’re just an arse!” He threw his arms in the air, tossing his glove in your face. “It’s subjective! I can be fun,” he insisted.

“You’re predictable, Holmes. You don’t remember what good humor is and it shows in your actions. You pick everything up from books and telly. You can’t surprise me anymore,” you declared. Sherlock’s expression contorted into shock as he stared at you in disbelief. You had left the great Sherlock Holmes baffled. The silence was deafening — music to your ears.

When you thought you were winning this argument, a special glint quickly shone in Sherlock’s eyes. Your expression dropped and then you were pushed backward. There was no railing behind you anymore to catch you.

As you were falling, you naturally grasped for something to hold on to. In this case, Sherlock’s coat. The evil smirk on his face was immediately replaced with shock then fear as he was crashing hard into you. Gravity did the rest of the work. With the momentum you had already begun, dragging Sherlock down with you was one of the worst possible outcomes of the situation. A crude curse slipped past his lips and both of you latched onto each other because there was nothing else to brace with.

What was initially meant to be a playful fall down the snowy hill turned into a rolling battle full of frantic thrashing and screaming as both of your bodies thumped and tangled with each other. The two of you occasionally bounced a few inches off the ground and crashed back into the ground, knocking the breath out of both of you. The wild human avalanche down the hill was finally put to a stop when you rolled into a tree. With a loud OOMPH, you and Sherlock flopped into the ground, groaning and croaking in pain. Neither of you moved for the first passing moments, unable to process what just happened.

Your fall was broken when you landed on top of Sherlock, his body sprawled out in the cold snow, rasping heavily. Some snow fell off your form and your arms shook as you propped yourself up, no longer caring about the fact that you applied all the pressure in your friend’s ribs.

“You alright, mate?” you panted, checking up on Sherlock, eyes analyzing him for any serious injuries.

“You take my breath away.” You sputtered and shook your head at his ridiculous humor. “Aren’t you just romantic?” He squinted his eyes and flashed a sarcastic smile but groaned out, “No, really. Please get off my chest.”

“Oh God, sorry,” you scrambled off of him and he rolled over into the snow, gasping for air as he clutched his side in pain. You punched him in the shoulder. “You bloody twat, Sherlock Holmes! Pushing me down a hill by Jove’s sake!”

“I remember it being much more fun when we were younger,” he grunted out, pushing himself onto his forearms. And just then, his eyes burst wide open. His face slack-jawed as his brain computed at top speed. He was onto something.

“Sherlo-”

“FUN, Y/n,” he articulated, scrambling over to you and grabbing you by the shoulders. You stiffened and backed away, startled by his abrupt realization.

“Oh, Y/n, you are brilliant! This is why we work together!”

“What?! What are you-”

“The kids were abducted because they were having fun! ‘Ray’ is Remus Stooge, another private school kid in the area. The Stooge family owns several of the land plots around this corner of London and they’re the ones funding all three schools — The Stooge’s are plenty wealthy. The children were going to Remus’s home, ditching class time to get a personal house tour of his daddy’s money. The fancy car rides, luxurious delights, shiny sneakers and tailored clothing… Who wouldn’t pass up on an opportunity like that? It only makes sense why they were lured in so easily! Their rich best pal Remus has been the one inviting them right into the trap!”

“What- Sherlock! Where is this all coming from?! How do you even-”

“Trust me, Y/n!! I have it figured out- It all makes sense!” he interjected again. The look on your faces was bizarre. You tossed a handful of snow at him as he blocked it with his hands. “NO?? It doesn’t! This is so sudden-”

Sherlock was on his feet in an instant, brushing off the powder from his coat and yanking you up. His eyes were gleaming with excitement. “We have to go tell Lestrade, now! Call John and get over to the Stooge’s place!”

“To arrest the kid?!”

“No, the butler!” He grabbed your gloved hand and dragged you up the steep white hill. You shook your head wildly, “Holmes, you better have a bloody good explanation for this in the cab or there will be hell to pay.” Sherlock smirked triumphantly and squeezed your hand.

“Come, L/n! The game is on!”

Requests are open! <3

#bbc sherlock #sherlock holmes #sherlock #sherlock x reader #sherlock x you #sherlock x y/n #bbc sherlock x reader #sherlock fic #reader insert #sherlock fanfic #sherlock x platonic reader #platonic #fluff #humor #request #gnc #gender neutral reader #a-paper-cut #prompt list request

162 notes · View notes

lordjohngreyreadingnook · 3 years

Text

Lord John AU Event Master List

A very special thank you to all of the writers, artists, and readers who helped make the Lord John AU Event a success! All good things must come to an end, and the body of Lord John fanworks has grown immensely during this event.

Because Pan is still a geek, here’s an infographic with some of our stats.

Below the cut, you’ll find a masterlist of all of the art and fics submitted for the event. Most of the fics can be found in the AO3 Collection, and all titles in the master list below are links to the original work posting (AO3 or Tumblr).

Here’s how we did!

Master List Below!

Art Links

“E-girl Claire and her boyfriend John” by @deanwinchesterangelfucker

“Gender-swapped, established relationship John and Jamie” by @deanwinchesterangelfucker

Fic Links

Title: extra credit Author: @iihappydaysii Rating: E Ship: Brian/John AU Category: High School Word Count: 2,532 Summary: Brian Randall (Jamie Fraser's gay son, of course) needs to get his grade up in his trig class taught by who other than his father's friend, John Grey.

Title: Die for this Kingdom Author: @mistresspandorawritesthings Rating: M Ship: Jamie/John AU Category: Mob Word Count: 45,255 Summary: All Jamie “Fortnight” Fraser wants is to provide a good, safe life for his family in Chicago. But with tragedies keeping him tangled in his uncle’s deadly schemes and one tenacious—and handsome—police officer determined to bring him in, Fortnight Fraser has a choice to make. Bend to Dougal’s will… or burn it all to the ground.

Title: Remember Hawaii Author: @mistresspandorawritesthings Rating: E Ship: Hector/John AU Category: Semi-Modern Word Count: 5,119 Summary: The chances of John Grey unexpectedly seeing Hector Dalrymple in a group of Marines was always small but never zero. In the vastness of the Pacific Ocean, Hawaii is tiny. What are the odds they'd both be there at the same time?

Title: Tasting Sunshine Author: @andhopethatsoon Rating: E Ship: John/Stephan AU Category: Supernatural/Fantasy Word Count: 6,421 Summary: Every fae and their godmother knows that you DON'T eat the oranges from THOSE trees or you will summon the Summer King who will demand your heart’s desire in return.

Title: At Operator’s Discretion Author: @mistresspandorawritesthings Rating: E Ship: Jamie/John AU Category: Assassins Word Count: 6,210 Summary: John Grey is an operator specializing in surveillance and termination--that is, spying and murder. He keeps all this a secret from his husband, Alex Malcolm, for Alex's protection. But when a contract comes in for one James Fraser, Grey's life gets all kinds of complicated.

Title: Theatre Masks Author: @faeriesfanficblog Rating: G Ship: Jamie/John AU Category: Modern Word Count: 1,238 Summary: A modern AU. Jamie Fraser is an autistic playwriter attending a theatre premiere with his husband Lord John Grey.

Title: The Wild Hunt Author: @mistresspandorawritesthings Rating: E Ship: Jamie/John/Tom AU Category: Supernatural/Fantasy Word Count: 8,033 Summary: The Sorcerer is rumored to be the only being able to influence the Wild Hunt, the same Wild Hunt hell-bent on destroying the world to get to John Grey. But the Sorcerer's aid comes with stipulations.

Title: The Right Tool for the Job Author: @iihappydaysii & @mistresspandorawritesthings Rating: E Ship: Jamie/John AU Category: Modern Word Count: 5,825 Summary: Jamie makes an embarrassing emergency call after a sexual mishap, and John Grey is the paramedic who shows up to help.

Title: gotta listen when the devil’s calling Author: @narastories Rating: E Ship: BJR/Jamie/John AU Category: Modern Word Count: 6,105 Summary: John wasn't looking forward to his birthday. Aberdeen was cold and bloody far away. This year they also got a surprise travel companion last minute and John is convinced, it couldn't get any worse. But perhaps, it's not so bad after all.

Title: Off the Only Path I Knew (WIP) Author: @jesuisprest747 Rating: M Ship: Jamie/John AU Category: College/University Word Count: 8,920 Summary: Nothing about University is going as Jamie Fraser planned. He misses his family and friends back home, and the friends he's made at University don't feel quite right. Under pressure from his father, he is studying business instead of his true passion - Classics and Literature. To top it all off, his roommate barely speaks to him. A story about friendship, love, and following your heart.

Title: And Say We’ll Never Part Author: @mistresspandorawritesthings Rating: E Ship: Hector/John AU Category: Semi-Modern Word Count: 6,872 Summary: The war has been over for months, and the Allied forces are slowly demobilizing. With the help of his friend and battle buddy Harry Quarry, newly-discharged John Grey ensures that Hector has a home waiting for him.

Title: Lemon Drop Author: @mistresspandorawritesthings Rating: E Ship: Hal/John/Percy AU Category: Modern Word Count: 6,335 Summary: Weeks into their mother's engagement, John and Hal still haven't been formally introduced to their soon-to-be step-brother. So Hal suggests they take matters into their own hands. And if it turns out Percy is up for a little fun... all the better.

Title: A Pocketful of Posies Author: @levisqueaks Rating: M Ship: Brian/John (end game); Jamie/John AU Category: Modern Word Count: 3,483 Summary: Jamie breaks up with John a mere week before his wedding to a girl John knew nothing about. 20 years later, John finally gets a little bit of closure.

Title: London Calling - Come out of the Cupboard Author: @angstosaur Rating: E Ship: Claire/Jamie/John AU Category: Semi-modern Word Count: 24,337 Summary: Setting – Bloomsbury, London, early 1980’s John is a newly qualified solicitor and is working in Holborn. When he was studying law in London his mother insisted he stay in her apartment in Bloomsbury. He agreed as long as he could share with his old school friend, Claire Beauchamp. Claire has just finished at medical school and has a post as a junior doctor at a large London Hospital. They’re just good friends. That’s all. Really. After all, John is gay. Then, Jamie Fraser enters their lives and suddenly all that was taken for granted is called into question.

Title: John Grey’s Anatomy (WIP) Author: @jesuisprest747 Rating: E Ship: Claire/Jamie/John AU Category: Modern medical Word Count: 25,452 Summary: When John Grey decided to move to America in early 2020 to escape his past and make a new start at Boston Memorial Hospital, he only wished to work hard at his anesthesiology fellowship and heal his broken heart. Little did he know that he would soon meet two people who would change his life forever, against the background of the world's first global pandemic in over a hundred years.

Title: Blood Bound (WIP) Author: @mistresspandorawritesthings Rating: E Ship: Jamie/John; Jenny/Minnie AU Category: Supernatural/fantasy Word Count: 2,862 Summary: Jamie Fraser grew up with the knowledge of the unholy evil that walks the earth. For more generations than his father could count, Fraser women have been the lone soldiers charged with keeping the evil things at bay. But when one wrong move on a haunted bog in Ireland transforms Jamie into the very thing he was taught to help his sister eradicate, he's forced to reevaluate everything he thought he knew about monsters.

Title: Love is a three-edged sword (WIP) Author: @angstosaur Rating: M Ship: Claire/Jamie/John AU Category: Authurian Word Count: 74,668 Summary: An Arthurian themed AU featuring characters from Diana Gabaldon’s Outlander series of books and the Lord John Grey stories. The enduring love triangle of Arthur, Guinevere and Lancelot retold with a different twist. Expect canon to be used and abused, mythology to be woven in as desired and for there to be scenes of an explicit nature.T his is neither Outlander nor Arthurian legend as you may know it, or accept it, but it’s a story that called to me many months ago and I shall endeavour to write it. The characters are fictional and I’ve put them in an indeterminate time, so there will be less historical accuracy than my previous long story.

#Lord John AU Bingo Event #Lord John Grey #Lord John #Rec List

39 notes · View notes

inkmyname · 3 years

Text

The Ember Island Players: performing toxic masculinity and narrative complicity in propagating misogyny

Initially I wasn’t going to respond to concerns about Katara’s racist/misogynistic portrayal in the Ember Island Players with anything more than snarky tags, but apparently I can’t keep my mouth shut, so I’m posting my response as a standalone meta about how the writers’ insistence on creating drama for drama’s sake leads them to--in lieu of actual character development--fall back on lazy narrative shortcuts whereby a performance of toxic masculinity against a gendered heternormative background is used to create tension in a romantic relationship, presumably with the goal of keeping the audience invested.

The Ember Island Players is problematic for a lot of reasons, not least of which is the pervasive tone-deaf misogyny, including racialized misogyny, directed at Katara. There’s a lot of meta on this, so I’d like to focus on something different: Aang’s relationship with gender and romantic attachments.

Aang seems so uncharacteristically chagrined the whole episode: “I’m not a woman!” Based on his previous characterization up to this point:

The Fortuneteller. This is the same Aang who makes a necklace for Katara when she loses her mother’s. Observe how he responds to Sokka’s jibe about jewelry-making, which can be seen as a feminine pursuit: Sokka: Great, Aang. Maybe instead of saving the world, you can go into the jewelry-making business. Aang: I don’t see why I can’t do both. Femininity isn’t presented as being mutually exclusive with narrative pursuits like saving the world which have traditionally centered male protagonists (especially if we take the entire canon of anything every written in any genre that’s not specifically, say, something like shoujo or jounen which are directed and young girls and women, the narrative focus on male personalities is overwhelming).

The Warriors of Kyoshi. Oh, and this is the same Aang that dressed up in full Kyoshi gear, kabuki makeup and all, without complaint. Why would he? After all, she was him in a past life. (There’s a whole meta here about gender-critical analysis of kabuki productions where male actors typically assumed female roles and how Avatar both takes inspiration from this real-life kernel and subverts it in Rise of Kyoshi where Kyoshi’s signature look is not only an homage to her parental heritage but also a reimagining of who can inhabit what roles. Her legacy, though imperfect, is also notably feminist, taking face paint worn typically by men IRL and expanding it into war paint for women warriors.) (There’s also great headcanon-adjacent meta here about gender non-conformity and non-binary identities in Avatar. Avatar was not overtly explicit about its feminist or gender-progressive mindset outside of episodes like The Warriors of Kyoshi or The Waterbending Master, but it was still way ahead of its time. If anyone was to be presented or headcanoned in such a way, it would be the Avatar who’s lived a thousand lives, inhabiting a thousand skins and a thousand identities, including gender identities. There’s also cool crossover meta here about the Legend of Korra depicting a female Avatar in Korra with masculine tendencies and visible muscle vs Aang as a male Avatar with a gentler pacifistic spirit and gender nonconforming tendencies.)

The Cave of Two Lovers. Aang wears a freaking flower crown and is generally wholesome and adorable, even leading up to the “let’s kiss lest we die” scene with Katara. He’s not pushy or overly concerned with appearing masculine and it is in fact Katara who suggests the kiss and Aang makes a fool of himself. From the transcript: Katara [Shyly, blushing.] Well, what if we … kissed? Aang [Very surprised.] Us … kissing‌? Katara See? It was a crazy idea. Aang [Dreamily.] Us … kissing … Katara [Fake-jokingly.] Us kissing. What was I thinking? Can you imagine that‌? Aang [Fake-jokingly.] Yeah. [Awkwardly laughs.] I definitely wouldn’t want to kiss you! [Beat.] Katara [Insulted.] Oh, well! I didn’t realize it was such a horrible option. [Angrily.] Sorry I suggested it! Aang [Realizing his mistake.] No, no, I mean … if there was a choice between kissing you and dying … Katara [Disgusted.] Ugh! Aang [Desperately.] What? I’m saying is I would rather kiss you than die - that’s a compliment. Katara [Enraged.] Well, I’m not sure which I’d rather do! [Slams the torch into his hand and storms away.] Aang [Miserably.] What is wrong with me … Aang, sweetie, this is not what you say to a girl you want to kiss, but generally, this is Wholesome™ and narratively, this is Good™. Eventually, they do kiss and that’s perfectly acceptable because there’s a whole conversation beforehand with humorous romantic framing. There’s consent and communication and initiative by the female protagonist. So solid A on the sensitive writing.

General Air Nomad culture. We don’t get a lot of Air Nomad culture in the show (and what little we do get what presented in such a misguided way, especially the whole commitment to forgiveness/pacifism which was handled in such an amateur black-and-white way from a writing perspective in season 3). But I digress. I really, really don’t think that Air Nomads who were so concerned with the spiritual side of bending and general existence had stringent notions of gender and romantic relationships–at the very least, they had very different notions of these issues compared to, say, the Northern Water Tribe. Canonically, even though AN philosophy emphasized detachment, Air Nomads practiced free love. Same-gender romance was freely accepted unlike in the homophobic Earth Kingdom (which even Kyoshi, a bisexual woman, wasn’t able to change) and the militant Fire Nation (Sozin outlawed homosexuality after declaring world war, essentially). And though the temples were gender-segregated, it seems that the burden of raising children fell to the entire community instead of just the women. Both male and female Air Nomads are revered. In the case of the former, Guru Laghima who unlocked the power of flight through achieving complete detachment from the material world. And in the case of the latter, Avatar Yangchen, who has statues everywhere because she came to be revered as a deity not just among Air Nomads but in the physical world in general. Nowhere in Air Nomad philosophy is the concept of gender, romance, love, sexuality, relationships etc. etc. tainted with jealousy and possessiveness (especially towards women) or rigid binary heternormativity.

So this was Aang for the better part of the first half of the series. Not overly concerned with gender roles. Pretty much fumbling his way through his first crush like a lovesick puppy and it’s all very wholesome. Supposedly a classic product of Air Nomad upbringing.

Meanwhile, Aang in EIP:

Checks out Katara’s butt as she’s sitting down.

Gets mad at being portrayed by a woman.

Accuses Katara of being the racialized misogynistic version of herself depicted on stage ([sarcastically]“Yeah, that’s not you at all.”).

Nods in agreement when the misogynistic stage production of Katara presents her as the “Avatar’s girl.”

Unable to differentiate between fiction and reality and puts the onus on Katara to do the emotional labor to justify something she never said (”Katara, did you really mean what you said in there? On stage, when you said I was just like a … brother to you, and you didn’t have feelings for me.”)

Assumes they would just… fall into a relationship… just because he forcibly kissed her at the invasion and again pressures Katara to do the emotional labor to justify why their relationship is not how he wants it (“But it’s true, isn’t it? We kissed at the Invasion, and I thought we were gonna be together. But we’re not.” / “Aang, I don’t know.” / “Why don’t you know?”)

Forces a non-consensual kiss on her even though “I just said I was confused!”

So, there’s so many things wrong with this, most of which are a laundry list of behaviors typical of toxic masculinity:

Ogling

Outdated misogynistic humor (what’s wrong with being a woman?)

Verbal abuse

Offloading emotional labor

Gaslighting

Pressuring a potential romantic partner

Lack of direct communication about romantic desires

Lack of sensitivity

Lack of active listening

Lack of emotional intelligence and empathy

Lack of consent and sexual assault

I could go on and on.

My question is Where and when did he learn these toxic behaviors? What happened to the wholesome boy making necklaces, wearing flower crowns, and generally being adorable in a kid with a first crush kind of way when it comes to romance?

Now, you can argue that EIP players Aang has been through a lot, including being shot by lightning and actually dying, and after the failed invasion, he’s stressed out with the weight of the world on his shoulders and maybe not expressing himself or his desires in the best way and taking out all of his frustrations on Katara.

Except… that is all just conjecture because the actual writing of the show doesn’t put in the hard work and make those connections. Instead, they fall back on misogynistic tropes and toxic heternormative romance tropes and a forced love triangle subtext and they just, to put it politely, fuck it up, two and a half seasons’ worth of work, gone, in the space of one episode. And even if it weren’t conjecture, it would still be wrong of Aang to act the way he did.

Let’s list Aang and Katara’s interaction in relation to each other in season 3:

The Headband. “Don’t worry about them. It’s just you and me right now,” Aang says as he pulls Katara into a dance. I have qualms about the writing of this episode: the creators wasted a golden opportunity to flesh out the Air Nomad genocide because they were too busy playing footloose in a cave, they wrote Katara–the same Katara would said fuck you to Pakku, freed enslaved earthbenders from a Fire Navy prison, and became a spirit goddess ecoterrorist to help a village in an enemy nation–as uncharacteristically shy just so Aang could sweep in and pull her into a dance. But like fine, whatever. It’s cute and really well-chreographed and there’s actually appropriate romantic framing here for once and at the end of the dance, look at Katara’s face–she’s happy! Positive Kataang interaction, and I don’t actually mind it. 7/10.

The Day of Black Sun Pt.1. He forces a kiss on her on the mouth, taking her completely by surprise. A chaste kiss on the cheek and a wistful pining last look and “Be safe” might have been acceptable, but given Katara’s shocked and uncomfortable body language, the kiss on the mouth was not. Worse yet, the show just… forgets… to follow up on it for several episodes and when it’s brought up again, it’s used as a sledgehammer to punish Katara for not magically being with Aang. 0/10.

The Painted Lady. Let’s look at the transcript: Katara [Using a disguised voice.] Well, hello Avatar. I wish I could talk, but I am very busy. Aang Yeah, me too. I hate that. [Looks at Katara’s face from behind the veil.] You know, you’re really pretty, for a spirit. I don’t meet too many spirits, but the ones I do meet, not very attractive. [Looks at Katara suspiciously. Tries to look under the hat.] Katara [Giggles nervously.] Thank you, but- Aang You seem familiar too. Katara A lot of people say that. Aang [Suspicious.] No, you really seem familiar. Katara Look, I really should get going. [Covers her face and runs, but Aang uses his airbending and blasts her hat up into the air, exposing her.] Aang Katara? Katara [Guiltily.] Hi, Aang. Aang [Shocked.] You’re the Painted Lady? [Pointing at Katara.] But how?Katara I wasn’t her at first, I was just trying to help the village. [Takes her hat off.] But since everyone thought that’s who I was anyway, I guess I just kinda became her. [Drops her hat on the ground.] Aang So you’ve been sneaking out at night? Wait, is Appa even sick?Katara He might be sick of the purple berries I’ve been feeding him, but other than that he’s fine! Aang I can’t believe you lied to everyone, so you could help these people. Katara I’m sorry, I know I shouldn’t have … Aang [Happily.] No, I think it’s great! You’re like a secret hero! Katara Well, if you wanna help, there’s one more thing I have to do. Aang gives her a curious look. Cut to the Fire Nation factory. Aang and Katara run along the river’s edge toward it. Aang looks at the polluted water. Aang You wanna destroy this factory? Katara Yes. Sokka was just kidding, but he was right. Getting rid of this factory is the only way to help these people permanently. He helps her blow up the Fire Nation smelting plant! Yes, he does call her pretty, but more importantly, this is one of the few times he acknowledges her faults (lying, deception, putting the mission at risk to help the enemy nation etc.) and still thinks she’s so fucking cool. He calls her a secret hero! There’s a lot of admiration and support here from Aang. He’s raising up Katara (instead of putting her down as in EIP) not because he sees her as a potential love interest but because he admires her and her compassion! This is great. Solid wholesome Kataang interaction. 10/10. But all good things must come to an end…

The Southern Raiders. I’m not going to spend too much time on this because there’s a million pieces of meta on this episode. He’s completely out of line asking Katara to be forgive her mother’s killer, the source of her greatest trauma as a victim of targeted ethnic cleansing. Given that he’s a victim of ethnic genocide himself, although he personally wasn’t there for it/didn’t actually witness it unlike Katara, he should have understood. He does say “You need to face this man,” which is good and supportive and he should have stopped there, because he continues on to say, “But when you do, please don’t choose revenge. Let your anger out, and then let it go. Forgive him.” Stop. Stop stop stop. No one should tell a traumatized victim of ethnic cleansing how to deal with their trauma. By the end of the episode, Katara doesn’t kill him–but she crafts a third path as the conclusion to her hero’s journey and it is not the path of forgiveness that Aang preaches. Ironically, it is Zuko, who also confronts Ozai, the source of his greatest trauma, who never tells Katara what to do but follows her lead instead: even though he redirects lightning at Ozai and could have killed him, he doesn’t go through with it. He understands Katara and he understands that she needs to this. Kataang interaction rating: 0/10.

So that’s where we are with Aang and Katara in Ember Island Players. Some positive interactions that are appropriately romantically framed and some that are just wholesome and good… but all ruined by forced kissing and moralizing about Katara’s trauma instead of offering understanding. So that still doesn’t answer when Aang would have learned all of the toxic masculine/heternormative behaviors he displayed in The Ember Islands Players.

The only answer, I’m forced to conclude, is bad fucking writing, where the creators were not only tone-deaf in portraying Katara in a racist/misogynistic way or, you know, in writing solely for the male gaze because fuck half the audience, I guess, but they just wanted to create drama for drama’s sake. They completely disrespected their female lead and I would argue they disrespected Aang’s character too in making him a stereotypical self-insert Gary Stu who displays toxic masculine behavior without consequences because that’s what’s expected of a toxic heternormative romantic plot device.

And worse yet, they never follow up on this, just like with the kiss at the Invasion. In the last five minutes of the finale, Katara looks up at him with admiration for saving the world and then kisses him. This is not only a missed opportunity for character development for Aang, but also a big fuck you to the female audience because the message is clear: the guy gets the girl as a trophy for saving the world, and fuck input from the female half of the partnership because that’s just not important and is not worthy of screentime. But I guess screentime dedicated to displaying toxic masculine/heternormative behaviors without ever condemning such behavior as a follow-up is just fine! :)))

If the EIP was supposed to make an argument for Kataang, then it failed. but more important:

By the show’s own high standards, The Ember Island Players is a failed episode, full of bad writing and worse characterization. For a show that was so ahead of its time, this episode is a narrative black mark, a failure of progressive representation and a disservice to its main characters.

There’s some wholesome Sukka and Zuko/Toph interaction, but even that doesn’t manage to save this episode, especially given there’s no resolution to the central conflict: the relationship between Aang and Katara. The entire unnecessarily OOC and forced Kataang drama drags it down.

We know Aang is capable of lifting up Katara and being supportive of her, as he was in episodes prior. We could have had honest, supportive, and open dialogue between Aang and Katara that actually followed up on the Invasion kiss, with Aang clearly expressing what he wants, Katara expressing that maybe she didn’t want that right now, and Aang completely respecting that and them hugging at the end because their friendship/connection is much more profound than pre-teen romance. This is an instance where Aang could have chosen to center Katara’s feelings, for once, instead of his own out of selfless love. If this happened, I would have been okay with a Kataang ending. But that isn’t what we got, obviously.

Part of what appealed to me about Aang as a male protagonist in media aimed at young audiences is that he–at least initially–did not start out as a toxic self-insert Gary Stu lifted from every problematic heternormative romance film ever. In fact, given his playful trickster archetype, general kindness/gentleness, and his stance against violence (a typically masculine trait), he both subverted expectations of and expanded the boundaries of what a male protagonist in children’s media can look like. Unfortunately, the creators don’t go all the way with Aang. In fact, they took a step back with his portrayal in The Ember Island Players, where the creators not only rely on misogynistic tropes to create drama but also make him complicit in propagating said misogyny. And that’s just a damn shame because we could have had a wholesome Kataang storyline and a sensitive male protagonist who cares not about your outdated gender roles and respects his partner’s autonomy!

#atla #aang #katara #kataang #eip #meta #my meta #aang deserved better #katara deserved better #queer #heteronormativity #toxic masculinity #misogyny #feminist criticism #kataang critical #but only in the sense that the writers messed it up #nothing against kataang personally

94 notes · View notes

rainingpouringetc · 3 years

Note

Hi! So, I’ve been wondering what the problem with Anna Lightwood is, because my brain saw that she was bending gender norms and hit love. But, now that I’m on tumblr, people are saying that she is problematic?

hi! i’ll try my best to explain, idk if i’ll hit everything but i hope this helps. and i’m sorry it took me a while, i wanted to do it justice so i tried to cover my bases and do my research.

basically, anna has said and done things that came across to many as ignorant, racist, and even misogynistic.

first, let’s look at “every exquisite thing” from ghosts of the shadowhunter market.

“If I were to tell my parents the truth about myself, if I were to reveal who I really am, they would despise me. I would be friendless, cast out, alone.”

Anna shook her head.

“They would not,” she said. “They would love you. You are their daughter.”

Ariadne drew her hand back from Anna’s. “I am adopted, Anna. My father is the Inquisitor. I do not have parents who are as understanding as yours must be.”

“But love is what matters,” said Anna.

this is from when ariadne was trying to explain why she would be getting engaged to charles. anna is very lucky: her family loves and accepts her and she’s able to live her life as she wishes, which we see her doing in chain of gold. ariadne, however, is not as lucky, and she has to take into consideration the conditions of her parents’ love. anna apparently struggles to understand this, ignoring ariadne’s valid concerns and telling her that it doesn’t matter because “love is what matters,” as if it makes everything perfect.

this is where anna’s ignorance begins to show through. ariadne is: (a) a woman in the late 1800s/early 1900s (i don’t remember for sure what year this story took place but i’d assume 1900s), (b) indian at a time when india is under british rule, (c) adopted, and (d) a lesbian shadowhunter. we know enough about how intolerant people have been about homosexuality, but shadowhunters are a whole other story. put all of this together and you have someone who is terrified of letting down her family and being shunned by society more than she already has been. in ariadne’s mind, she has no choice but to hide who she is.

anna ignores this. entirely. she doesn’t take the time to talk to ariadne about her concerns, but rather skirts around them and insists that what she wants is what’s more important. this is highly indicative of her privilege and how she puts herself before others and others’ feelings.

now let’s look at chain of gold. there are two scenes in particular that i want to look at, but there are more.

“I quite like your mother. She reminds me of a queen out of a fairy tale, or a peri from Lalla Rookh. You’re half-Persian, aren’t you?”

“Yes,” Cordelia said, a little warily.

“Then why is your brother so blond?” Anna asked. “And you so redheaded--I thought Persians were darker-haired.”

Cordelia set her cup down. “There are all sorts of Persians, and we all look different,” she said. “You wouldn’t expect everyone in England to look alike, would you? Why should it be different for us? My father is British and very fair, and my mother’s hair was red when she was a little girl. Then it darkened, and as for Alastair--he dyes his hair.”

“He does?” Anna’s eyebrows, graceful swooping curves, went up. “Why?”

“Because he hates that his hair and skin and eyes are dark,” said Cordelia. “He always has. We have a country house in Devon, and people used to stare when we went into the village.”

Anna’s eyebrows had ceased swooping and taken on a decidedly menacing look. “People are--” She broke off with a sigh and a word Cordelia didn’t know. “Now I rather feel sympathy toward your brother, and that was the last thing I wanted. Quick, as me a question.”

this scene is from cordelia’s tea with anna. i won’t touch so much on the “peri from lalla rookh” comment so much as i’m afraid i don’t feel well enough qualified or researched to adequately represent people’s concerns about this statement, but i do know that there were several posts going around about people discussing how it rubbed them the wrong way, so i thought i would include it as well.

the rest, though, is a bit more obvious. one of the things about books is that it can be more difficult to interpret someone’s words and their meaning because we don’t have things like tone or facial expressions or any of that unless the author explicitly includes it. however, we can draw on the way other characters react to certain comments. cordelia goes on the defense, answering anna’s question “a little warily,” setting aside her tea and explaining rather bluntly that not all persians look the same. it’s pretty easy to infer from her reaction that she’s uncomfortable from anna’s words. now, is that to say anna was intentionally being racist toward cordelia and her family? absolutely not. this is where microaggressions come into play. we see them with anna and also with matthew and even jessamine (though we see hers in the infernal devices rather than the last hours). microaggressions, while often unintentional, are still a form of racism. given the times these characters have grown up in, it’s not necessarily a surprise, but that certainly doesn’t excuse her behavior.

there is, however, a more intentional party to this scene that really rubbed me the wrong way. it’s her discussion of alastair. cordelia has just explained that alastair dyes his hair to stop people from staring at him when he’s walking down the street, and anna replies that she feels sympathy for him and that is “the last thing” she wanted. i understand that she has her own feelings about alastair, likely from listening to the merry thieves’ depiction of him, but that doesn’t excuse her. she even starts to say something about it, likely drawing on her own experiences of wearing menswear at a time when fashion was much more strictly regulated in society than it is today. but she stops herself and instead goes on to reemphasize her dislike for cordelia’s brother and changes the subject.

She held up a small black-bound memorandum book... “This,” she announced, “will hold answers to all our questions.”

...

Matthew looked up, his eyes fever-bright. “Is this your list of conquests?”

“Of course not,” Anna declared. “It’s a memorandum book... about my conquests. That is an important but meaningful distinction.”

...

Anna flipped through the book. There were many pages, and many names written in a bold, sprawling hand.

“Hmm, let me see. Katherine, Alicia, Virginia--a very promising writer, you should look out for her work, James--Mariane, Virna, Eugenia--”

“Not my sister Eugenia?” Thomas nearly upended his cake.

“Oh, probably not,” Anna said. “Laura, Lily... ah, Hypatia. Well, it was a brief encounter, and I suppose you might say she seduced me...”

i hope i don’t have to explain this one too much. there’s just something... unsettling about the fact that anna is held up as this feminist icon and yet she keeps a book with the names of and her encounters with all the women she’s slept with... and then reads those names aloud to everyone. it’s a bit much, don’t you think? and all of this is even without touching the leak we got about her and ariadne, which i’d rather not speculate on too much but is also quite damning.

all in all, i’d like to believe anna is really a good person who’s just misguided and confused, much because i love the idea of a genderqueer character, especially one in an era before stonewall, but her actions and behaviors have led me to believe that she has a long road ahead of her. as i said earlier this week:

let me get something clear: i would die for fanon anna but canon anna needs to get her shit together before i’ll willingly breathe in her direction

i really hope this was helpful... i did my best lol. if anyone else has more to add, please feel free.

#ask answered #anon #anna lightwood #tlh #the last hours #chain of gold

64 notes · View notes

tigerdrop · 3 years

Note

hey i just wanna say the long posts genuinely make my day. also can you talk more about gordon freeman character because the way you write him makes me quake in my gay little boots

i would love to talk about gordon freeman. thank u for the opportunity

the first thing i need to communicate about gordon is that this dude sucks. and i say this in the fondest way possible. he is a bitch from the moment he drops into the world until the moment he goes out. if you dont believe me, give it another watch! gordons mouthy and rude for no real reason, at least so far as “being a regular dude on his way into work” goes, and this dude goes around calling his coworkers names with zero provocation. (of course, we all know that the reason is because its a funny guy improv stream that borrows a bit from freemans mind, but im talkin from a character sense.)

but my argument isnt just that gordon freeman sucks. its that he sucks in a very specific way that i find insanely endearing. i love this dude. i love to hate him. hes awful in a very mundane sense - weve all known a guy like this, at least if youve spent too much time online - and its cathartic to watch him suffer because of it.

gordons a smart guy. as written, hes gotta be - hes a recent MIT grad, on his way to work at a top-secret research facility to do weird shit with crystals and theoretical physics. but the thing about smart guys is that theyre often......selectively intelligent. we can see this in the way that he has a hard time navigating his surroundings, and needs the science crew to guide him through it and keep him alive.

this is one of those things that is a natural consequence of somebody going through the game for the first time, but that i am interpreting as “gordon is kind of stupid sometimes”. its uncharitable but its not like he doesnt deserve it. he likes to boss around the crew as if he knows what hes doing, when he often very much does not, and is fond of demeaning their intelligence. hes real bad about this with tommy in particular, treating him like hes a kid whos playing at being a scientist when tommy is actually a decade older than him. all i am saying is that gordon ought to stay humble. hes awful cocky when he perceives himself as better than others.

which, i think, tracks with how cocky he gets when he gives up on the whole “well-meaning citizen” thing and just unloads bullets into people. he puts up a front of being a Nice Guy, you know, just some dude caught in a bad situation who doesnt like seeing his companions obliterate every NPC they come across, but that doesnt stop him from cackling like a fucking madman and mowing down aliens (and soldiers) every once in awhile. when he stops seeing himself as helpless and starts seeing himself as the one in control, the gloves come off. he gets mean. and i think thats very sexy of him

this, among other things, is why i am insistent that gordon freeman is a control freak. he desperately wants to be in control of the situation at all times, shepherding around the science crew primarily by bitching at them, but its of limited success. its futile. sisyphean. tommy, coomer, bubby, and benrey exist almost to torment him with exactly the thing that would make him suffer the most: a gaggle of people running around causing problems for him, but he cant go anywhere without them b/c hes reliant on them to make it out alive.

its perpetual suffering, and its cathartic to watch. and funny, too. and if youre a little weirdo like me, its very, very enjoyable. how twisted up he gets when nobodys listening to him! how sweaty and frazzled he must look. its cute, and it also makes me want to reach through the screen and shake him and tell him to just be a little nicer. he wants control but he doesnt know how to attain it, he doesnt know how to play nice like a real leader. i think its a neat contrast to gordon freeman as we know him in HL2, where he literally is the leader of the resistance and has to live up to it. this is gordon freeman but if he was moe through helplessness.

“helpless” is, i think, a great way to describe him. a core bit of imagery in half life is this sense of railroadedness and helplessness, with gordon freeman being put into play like a chess piece and having no choice but to move forward. and this iteration of gordon leans into that by being totally dependent on the science crew in order to make progress and Not Die. and hes also subject to the whims of benrey, local eldritch weirdo who has basically made it his life mission to fuck with gordon.

gordons anxieties dont help with that. if he wasnt so fun to stress out and fuck with, the science crew probably wouldnt do it so much! too bad for him that they like fucking with him so much that he was driven into a panic attack (multiple times, even, depending on your interpretation). hes got that real neurotic mindset. always worrying about shit that could go wrong, and attempting to exert control over his surroundings in an effort to control the anxiety.

IMO the real way to nail the Neurotic Gordon Freeman Experience is to combine the ever-present anxiety with his pervasive sense of self-loathing. he openly states that he has no friends and nobody seems to like him, and to that, i really gotta say, i wonder why. he doesnt really seem to factor in that hes kind of a bitch, and has way too high an estimation of his own intelligence relative to everybody elses. its really one of the worst ways to be: aware that people dont like you, but unaware of exactly why. if he was like, 10% nicer, he probably wouldnt have had half as many issues getting through black mesa, but also, its funny to see him squawking his way through the game. so, you know.

its stuff like that that makes me headcanon him as a dude with low self-esteem in general. convinced that hes not likable, not attractive, out of his element......impostor syndrome, except that theres some truth to it. this is a guy who truly does not realize how good he has it: he really is just an average shitty dude, and yet, somehow, benrey took a shine to him. some poor motherfucker out there actually likes him and wants to suck his dick. thats dedication

also, i keep bringing up “repression” when i talk about gordon. and hopefully, what ive been talking about helps explain why. he has a strong desire to be a regular dude, not just murdering his way through black mesa, but if hes pushed hard enough he leans into it. gets bossy. picks up a cigar off a dead soldier and takes a long drag, before smacking forzen around with a pistol and ordering him around. gordon freeman is a regular, kind of anxious guy who likes competitive swimming and streaming on justin.tv and making anime references, and he is also a guy who takes a filthy pleasure in making a trained soldier his bitch. and i didnt make up any of this shit - this is purestrain canon, baby. this is a guy with problems

to me, this screams the kind of guy who represses a lot of shit b/c he doesnt feel like its morally decent. you run into this guy a lot online: the wokeboy, the online leftist, the guy who spends too much time on social media websites. (like reddit. i think he would actively use reddit and he would never get any appreciable amount of karma but he never stops posting. its sisyphean! cathartic.) from the way he talks about “bootboys”, i think it tracks. he knows about imperialism, he knows about feminism, but at the end of the day hes your average american white dude who struggles with internalizing it.

a lot of those dudes struggle with sex and gender issues. (dont we all.) when youre trying to be a Good Person(tm), you spend a lot of time thinking about your own relationship to sex and kink and all that shit. and i maintain that a too-online dude who buries a lot of his control freak tendencies would also try to bury a lot of weird sexual shit in an attempt to seem Normal and Well-Adjusted and not like a little freak. i justify this by the sheer number of times gordon blurts out weird sex shit as a joke. there are only two outcomes to making that many piss jokes: either youre secretly a piss guy, or you lathe-of-heaven yourself into becoming one. i will stand by this

ive talked a lot about why this dude sucks. now, let me talk to you about what makes gordon so much fun to write. first things first: hes funny! a subjective evaluation, yeah, but both in- and out-of-character, hes aiming to be funny. and being the straight man to everybody else plays into that whole “helplessness” thing.

secondly: underneath it all, there is a good dude under there. gordon worries when his companions get hurt, he tries to clean them off and patch them up, and hes got his lil leftist heart in the right place. you could even read a lot of his bossy, bitchy demeanor as him wanting to make sure everyone gets out okay and doesnt hurt themselves. when it comes to animals and anti-imperialist sentiment, gordons a pretty good guy.

hes the kind of guy who would probably see a dog on the street and get excited and play with it, but would get really prickly about the correct way to put dishes in the dishwasher. control freak tendencies.

finally, subjecting such a miserable, tormented guy to even more psychological anguish is really, really fun. you feel a little bad for him, but he kind of deserves it. so many problems he goes through are purely of his own making, and if gordon would just relax and quit trying to hard to maintain control - of himself, of the people around him - and own up to having Problems and Issues, he would be a happier guy. but thats why its fun to bend him until he breaks. being a little control freak myself, putting gordon freeman thru psychosexual torment is cathartic.

when it comes to writing his thought processes, the fact that he is canonically some kind of psychotic (yes, i am boldly claiming this. suck me) and i am also canonically some kind of psychotic makes it easier to write what i think his thought processes are. i just give him my brain issues of “getting lost in thought” and “overthinking fucking everything”. a touch of paranoia helps. even if i dont explicitly label him as schizophrenic please know that i am writing him as a paranoid little nutcase at all times because, uh, you write what you know.

paranoid. anxious. of the mindset that everyones out to get him (which isnt helpful when everyone is out to get him). repressed and deeply Not Normal but trying so very fucking hard to be normal and well-adjusted. a control freak with sadistic tendencies who also really, really likes getting bullied by his best frenemy. a hapless little nerd who sounds really cute when his voice starts to break from nerves. and, most importantly, a dumb jock. do not ever forget this.

thats gordon freeman, babey. hope that helps

#asky #careposting

43 notes · View notes

the-ghost-and-the-writer · 4 years

Text

NSFW Alphabet-Wade Wilson

The boy! I love him. He’s perfect and he’s slightly messed up but I love him for it

18+ F!Reader

Actually his reaction to this probably

A = Aftercare (What they’re like after sex)

He’ll take a moment to silently (for once) admire you until you say something and then he’ll grin and say some out there comment that turns into a lewd ramble about what you’d just done

At first he was apprehensive to cuddle unless he was dressed in at least a shirt so you wouldn’t have to feel his scorched body, but with your gentle reassurances he’s more open to a near-instant snuggle session

B = Body part (Their favourite body part of theirs and also their partner’s)

With you, everywhere. Every part of you is amazing and gorgeous to him and he has to really wonder why someone as beautiful as you would want a guy like him, with a face like spoilt lasagne

Evidently, it took some time to convince him that any part of him was worth a second thought. He’s getting more used to being secure with himself but doesn’t particularly have a favourite just yet

C = Cum (Anything to do with cum basically… I’m a disgusting person)

If you’ll let him, he adores the sight of his cum on your stomach or your face. It’s a special type of dirty for him, especially when you’d run a finger through the mess and lick it off

D = Dirty Secret (Pretty self-explanatory, a dirty secret of theirs)

Wade has very few secrets, dirty or otherwise, and he will gladly share any thought at all that he has at the slightest provocation

However, since his mutation kicked in and his pain tolerance went up almost as much as his healing factor, he’s been quite tempted to try a bit more kinky stuff. More risky, harsh things

E = Experience (How experienced are they? Do they know what they’re doing?)

He is quite experienced, with many different types of people all across the gender spectrum in all sorts of situations. That doesn’t make him any less excited about being with you any way you’d like it, of course.

F = Favourite Position (This goes without saying. Will probably include a visual)

While of course he’ll never say no to missionary or simply bending you over a table or the couch or a counter (the classics are classics for a reason), he does have a preference for the more challenging positions, more for bragging rights

Any possible way the two of you can bend yourselves without causing injury, he’ll try to somehow turn it to sex...which does sometimes cause some injury.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

He’s never 100% serious, that’s not possible for Wade. There’s bound to be a few one-liners or sarcastic quips or comments to a person who isn’t there, but he won’t go too far with them in certain situations

Light-hearted is his favourite tone for sex anyway, since not only does he love to make you smile and laugh at any chance he can, but he’s slightly worried that having it be too serious will put him in his own head too much and he’ll get self-conscious

H = Hair (How well-groomed are they, does the carpet match the drapes, etc.)

There really is none, since the experimentation

I = Intimacy (How are they during the moment, romantic aspect…)

Wade has a special idea of romance. A mix of overly cheesy and completely pornographic.

He’ll fuck all levels of coherency and possible movement out of you, in a candlelit room on a bed covered in rose petals and filled with gentle music. Or he’ll take you to a beautiful wood cabin out in the middle of nowhere and rut you into the ground in front of the most picturesque view you could ever ask for.

J = Jack Off (Masturbation headcanon)

Any moment he needs to, he’ll masturbate, regardless of if you’re going to get down to It or not.

He also uses it as a build-up to the main event and keeps him ready for you while he’s waiting for you. Sometimes he’ll try to entice you into sex by showing you just how desperate he is for you by touching himself and whining for your attention

K = Kink (One or more of their kinks)

The Merc with a mouth is also the Merc with a multitude of kinks. Evidently. His more noticeable ones are post-fight sex, mutual masturbation, and having you touch him

Post-Fight; Not make up sex, though damn he loves that as well, but coming back to you from a fight or freshly killing a guy that probably deserved it. If it went good or bad, it doesn’t matter to him because either way he wants you in any room and any position that’s quickest so he can get all adrenaline out while simultaneously celebrating that he has you still

Mutual Masturbation; Watching you do almost anything can rile Wade up, and he’ll never have enough of seeing you naked so watching you touch yourself is enough to fry his brain. And that’s not even taking in the fact that you’d touch yourself at the sight of him. You getting off on him getting off makes it feel so much better than just jerking off

Touch; A majority of the physical contact he gets is either fleeting or violent, so he loves when you take the time to check over him after a fight despite his healing factor or you insist on smothering him in kisses when he’s down. For a minute, it helps him forget his situation and his insecurities and makes him only want you for as long as he can

L = Location (Favourite places to do the do)

Anywhere he can have you, most of the time. The X-mansion, Blind Al’s place, your shared place, the back room or a quiet corner booth of Sister Margret’s. He’s even brought you on a few missions where you end up having a risky fuck in a dangerous back-alley

M = Motivation (What turns them on, gets them going)

Just you. Having you around, and you wanting him, and you being there for him is enough

Of course, the adrenaline of a fight gets him riled up just as much though more noticeably

N = NO (Something they wouldn’t do, turn offs)

Hurting you to severely is a definite no-go for him, as it anything too reminiscent of what he went through with Francis

Otherwise, any non-con roleplay and toilet stuff is also off limits

O = Oral (Preference in giving or receiving, skill, etc)

Though he is by no means selfish, he does prefer receiving over giving. Having you so willing to get him off in such a way only enhances how good it feels. He always wants to finish in your mouth and he’ll sometimes ask you to beg him for it

He’ll eagerly return the favour whenever you want him to, or for any little excuse. He’s good at it as well, he can have you on the edge in record time and he always seems to relish that knowledge

P = Pace (Are they fast and rough? Slow and sensual? etc.)

He almost always goes quite slow, to make sure he can fuck you deeper or rougher and really pick you apart. Even when you might get caught, he rarely goes faster than his usual pace

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Quickies are almost as good as proper sex to him. Sometimes better but it depends on the occurrence. Any possible moment, he’s offering to take you aside for a bit of ‘tension relief’ regardless of how many times you’ve already had sex that day

Even if it’s totally the wrong time, or there’s no semi-private place, he’ll still offer

R = Risk (Are they game to experiment, do they take risks, etc.)

He’s down for trying almost everything and he’ll approach every new experience with the same enthusiasm each time

Evidently, he won’t push you to take any risks that you aren’t certain about, but he will try to encourage you in his usual way

S = Stamina (How many rounds can they go for, how long do they last…)

Since the Incident with Francis, his stamina in all ways has improved

He’s borderline insatiable, able to easily go for four rounds before he’s spent, and with that he could keep you up almost all night

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

He owns a few, a small collection, or a couple vibrators and dildoes as well as one or two masturbation toys. There is a strap-on hidden somewhere, half forgotten

All the toys are tried and tested, he is very willing to use each one on himself or have you use them in any way

U = Unfair (how much they like to tease)

Wade teases, mostly, by giving you almost enough but not quite to make you whine and beg

Other times, it’s the typical denial and delay teasing also but only when he’s feeling more playful

V = Volume (How loud they are, what sounds they make)

He is unashamed with his moans and whines, any little noise that wants to get out, and can be loud but he can’t see the issue

However, when there are complaints, he can get obnoxiously louder out of spite.

W = Wild Card (Get a random headcanon for the character of your choice)

Because of his situation, his insecurities, he gets quite easily jealous over any possible sexual interest you could show to anyone else. He trusts you implicitly, he just thinks that he isn’t the most physically appealing person

To take that jealousy out of his system, he makes you cum in the nearest possibly-private place he can, hoping that whoever it is that is causing the jealousy might come by and see that they have no chance

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

As almost everyone who knows him will know, he’s got a pretty big dick. While they know from his bragging and overly descriptive recollections of nights or even hours before, you know from the ache that lasts for hours after sex

Y = Yearning (How high is their sex drive?)

Wade is always down for sex. He’s insatiable, having gotten you both in trouble multiple times for sneaking away to fuck when you should be focusing on something else

Z = ZZZ (… how quickly they fall asleep afterwards)

When you’re both settled down in bed, he’ll make a point of staying awake after you’ve fallen asleep so he can be more obviously worriedly-overjoyed that he has you in his life and his bed and his heart

Give me requests or give me death. If you want the notifications for when I rise from the dead again, then the tag list is always open.

#wade wilson #wade wilson x reader #deadpool #deadpool x reader #reader fic #Female reader #fanfiction #Admin-Hannah #nfw alphabet #lemon

276 notes · View notes

mocha-sim · 4 years

Text

For a while now I’ve wanted to write out a post concerning where I stand on the whole issue with YanSim and its developer (in short: neutral, leaning heavily towards the negative side, but I like the potential of the story and characters). There are a lot of problems and I really want to throw in my two cents

This might not be necessary, but I need to get it off my chest, and hopefully make some people think about other points of view

Warning: long post ahead

1. Six years and still in development

I can really see both sides here

On one hand, six full years without even one rival - the single most important part of the game - and a game still full of placeholder assets, and terrible code on top of that, is pathetic

On the other hand, Yandev is working with only a small team of volunteers and himself, who (no matter what he claims) knows very little about game development (from what i’ve seen, he’s made one before, but it looks like a very small-scale and basic fighting game, unlike YanSim which is much more large-scale and has a lot of features)

Professional game teams do have full, high-quality games made in less than six years, but that time is also a product of game company employees being extremely overworked. Lately I’ve seen a lot more people talking about this issue, which is good, but isn’t it hypocritical to not also apply that logic to Yandev?

Again, though, I’m not sure how much time he spends actually working on the game - to me, it seems like he spends a lot of time on discord, reddit, etc. even if he does only stream for a few hours every night. Maybe the “harassment” that’s “slowing down game development” wouldn’t be such an issue if he didn’t spend so much time online interacting with these people?

2. The writing and characters

I’m not a huge fan of how the game’s story is handled, either

I don’t think it’s 100% fair to cast a final judgement with the game the way it is now - Osana not being out is in no way a good thing, but it also means that there hasn’t really been any opportunity for story or character development yet, especially for the rivals. That being said:

I feel like there’s a lot of wasted potential with characters’ individual stories and with the game’s story as a whole, like the “Aishi curse” - I just can’t think of many good stories with a main character who’s basically an empty husk. If Ayano had emotions from the beginning, and actually had to struggle with them, she could be a much more interesting character. There doesn’t even need to be a magical curse for it to run in the family - the way children are raised has a serious impact on the person they grow into. If Ayano is raised by a crazy, abusive stalker of a mother, she may well turn into the same thing.

Taro, too - he has so many contradicting character traits. He yells at Ayano for “scaring him” when she’s carrying a box cutter or laughing, but has the courage to run right up to a murderer and take off their mask?? He doesn’t care about reputations for Osoro or Oka, but won’t love Ayano if her reputation drops too low?? We’re told that he’s “friendly and respectful”, but we’re never shown that part of his personality. On top of that, we’re not really given a reason to like or pursue him as the goal of the game - when he’s not interacting with Girl of the Week, he doesn’t really do anything except sit by the fountain and read. I feel as though Taro should have a routine that involves interacting with other characters and gives us more of a feel for the personality we’re told he’s supposed to have

Raibaru as a whole makes no sense and feels like a satellite character to Osana. In Osana’s shoes, I would want to have a word with her about personal space. There’s not a lot to say about her aside from that, because... she doesn’t really do anything except follow Osana around all day and shut down the player’s attempts to kill her. She feels more like a soulless obstacle than a character

I think there should be more true pacifist options than just matchmaking - even the befriending elimination route will, in Yandev’s own words, involve someone getting hurt. If we’re supposed to have a choice on whether or not to hurt and kill people, there should be more variety in our options

3. The game’s code sucks/it’s poorly-optimized

Yeah.

I don’t know much about coding but the amount of awkward stretching/bending limbs on corpses, clipping through walls, low fps, etc. makes this obvious. It was definitely a bad move on Yandev’s part to start a project like this without at least taking a coding/game development class or something

I think the best course of action for Yandev would be to get a professional programmer on board after Osana is released and spend a few months fixing the game’s code before he starts work on the next rival

4. The character models are just stolen Unity models

They are just unity models, but not “stolen” at all - YanDev paid for them.

That being said, they’re sort of ugly and inexpressive, and personally i’m hoping they get replaced soon

5. The characters are all minors

They’re not. It’s in flashing red letters on the screen when you open the game. I can’t help but feel like the reason people keep insisting that the characters are minors is so that they can feel like heroes for defending them or something

It doesn’t make a lot of logical sense, but there’s still plenty of time for this to be fixed. I think it was recently confirmed that Akademi is called an “academy” now and won’t be referred to as a high school again

Imo YanDev should just change it to a post-secondary school, since that’s probably the most seamless way for all the characters to be adults

One last thing I want to say on this is that, when it gets brought up, I often see people use the excuse “the age of consent in Japan is 13″. 1: it isn’t - the Japanese government lets each prefecture decide its own age of consent, but 13 is the minimum. As far as I know, no prefecture has set it below 16. 2: even if 13 was the age of consent, that doesn’t mean we should accept and defend it as “part of a different culture”. It’s still pedophilia. 3: Japanese people actively protest against things like this

6. The uniforms are middle-school uniforms/don’t look like they belong in a prestigious school

Yeah

However there are multiple uniform options, and it looks like the default uniforms will be completely changed in the final game

7. Panty shots

YanSim is an 18+ game, but there is such a thing as too far

I’ve seen people who tolerate it, but I haven’t seen a single person who actively likes the panty shots and would complain if they were removed. Imo the part that makes this bad is the fact that we, the player, actively have to point our camera up a girl’s skirt and take a photo of her underwear with it being in full view; the whole way this works makes it obvious that the feature was put in there for titillation more than anything else, and it just feels uncomfortable. If it were more like Uekiya’s key-stealing minigame where all we have to do is push a few buttons, the whole gross/uncomfortable aspect could be taken away and a lot of people would probably be fine with it

It would also be better to replace it with an expanded version of the phone-stealing feature: this would let the player get “points” for students of both genders, plus it would still make sense to gain more points for certain students, like the student council or the bullies. Maybe you could even steal teachers’ phones under certain circumstances?

8. YanDev is homophobic

Again not too sure on this one

Iirc, most of the comments people bring up on this are from years ago when he still went by EvaXephon

But speaking as a wlw, I think some of the ways I’ve seen him talk about f/f relationships are pretty creepy. And on top of that, he seems to be considering adding a “female senpai” option to the game, but no male player character? (though i guess i can see the point of view that a male mc would need a lot more new voice lines, animations, etc. while the senpai follows a mostly fixed routine and would only need so many. still, it seems wrong to have one without the other). I hope I’m wrong about this but his support of the LGBT community seems mostly focused on the L and more for his own entertainment than any actual support

9. YanDev is making more money than he should (and handles it poorly)

His Patreon may be dropping, but his YouTube channel is raking in even more money with 2M+ subscribers, and he’s making even more money from things like merch and donations... all while apparently still living with his parents (which i don’t find hard to believe). He’s also apparently bought 2 switches and a sex doll instead of using the money to hire the help he desperately needs with his game

Assuming he really does still live with his parents, I fully support the petition to get his Patreon suspended until he at least finishes Osana. Most game devs don’t make any money off of their games until they’ve finished it completely

10. YanDev wrote rape fanfics

So I did briefly check his old ffn profile some time ago, and as far as I could see everything had the proper ratings and warnings

Tagging/warning/rating is a fanfic author’s only responsibility to you. You make the choice on whether or not to read it. If everything is appropriately tagged and you read it anyway, that’s on you, not the author. If you are mature enough to be on the internet unsupervised, then you are mature enough to curate your own experience.

Fiction is the place to explore controversial themes and topics. It doesn’t mean in any way that a content creator would condone the things they write about in real life

11. YanDev steals art/assets

He does, and still hasn’t apologized for the DLC rivals thing. In fact he made a post defending himself for it, and even compared himself to Andy Warhol in the process (lol)

I’m not sure but I think I heard something recently about him continuing to do this type of thing (the grass, etc.). In which case we should continue to put pressure on him until he credits the creators of whatever art/assets he stole. Art theft is inexcusable

12. The fanbase is mostly kids

This is unfortunately true, and it’s a big problem (i’ve had to deal with it myself on my youtube channel)

However I would personally say that this problem is outside of YanDev’s control. Kids seem to be drawn to edgy/violent things, or things they shouldn’t be allowed to see (just look at Call of Duty). I put the blame for this on the parents who aren’t monitoring their kids’ computer activities. As for YanDev, he’s not a babysitter and it’s not his responsibility to censor his content for kids who shouldn’t be viewing it in the first place

Underage or not though, he should really avoid calling his fans things like “fuck kittens”. Even from the perspective of an adult that’s super creepy to hear

13. The character designs suck

Some are alright, others are absolutely awful

I think that, in a game built on anime tropes, characters should be allowed to have unnaturally-coloured hair. I mean, a lot of characters in anime do have weird hair that you wouldn’t see in real life (seemingly without any dye), and it can add a lot of personality to their designs

But some YanSim characters push that too far. The science club is the worst of the worst imo, despite being otherwise one of my favourite clubs. The neon streaks are ugly, and what’s up with the visors? Why are they allowed to wear those outside of club time? Why do they wear them during club time, as opposed to actual goggles or something? (i have this issue with a lot of club accessories, imo the accessories are unnecessary in the first place)

The bullies and the light music club also take things too far. Their designs are crowded, hard to look at, and out-of-place. Nothing against characters with multi-coloured hair, but there’s a time and a place and a “prestigious” school setting isn’t it

(also, slightly off-topic, but why does almost every “intended couple” look like they could be siblings?)

I could probably make a whole separate post on the character designs in YS, but I’ll save that for another day. (i’m just very passionate about character design)

14. YanDev has collaborated with porn games 3 times now

Once I could overlook (after all, the characters are 18+ and YS is already not for kids) but a third time? Seriously? And so soon after the last one?

Not only do I have mixed feelings about Yandev doing crossovers when his game isn’t even in the demo stage yet, isn’t this game supposed to be taken seriously as a horror game? I can’t think of a single other horror game that has willingly put its characters in porn.

Also I can’t help noticing that he advertises the porn game crossovers a lot more than he did with that one Dark Deception crossover. Did he ever even mention that one? I only ever saw it on the Dark Deception Twitter

15. YanDev is rude to his fans

I don’t have a lot to say against this one. As far as I’ve seen, he is, and he doesn’t take criticism well at all (just look at the subreddit - yes, a lot of the things that were removed deserved it (unfunny cum chalice jokes, etc.) but there have also been completely innocent questions, fanarts, jokes, and fanfics that have been removed. Not to mention mods going through peoples’ post history and banning them for being active in r/Osana. Both he and his mod team seem insanely paranoid)

I think he’s going to have to grow a thicker skin and stop censoring critiques if he wants to get anywhere with this game. Not just fans who bring up tiny details that might need changing, but also big, glaring issues like the code and character designs and such. He also doesn’t seem that professional for a game developer who wants to be taken seriously

That being said, if you’re the type to spam the discord server/subreddit/fan communities who have nothing to do with Yandev like the amino, you deserved that ban

16. YanDev defends pedophiles/the “sex license” thing

“No adult ever has any excuse to do anything sexual with a child. As soon as you touch a kid, you have crossed the line from being someone with a mental disorder to being the worst scum imaginable. Having a mental illness is involuntary, but touching a kid is a choice. If you have a mental illness, I feel bad for you. If you violate a child, I feel disgust and contempt for you, and I think you deserve the death penalty.” -From YanDev himself on this page

The sex license thing is also debunked on the same page: the whole conversation was taken out of context and the hypothetical “license” was supposed to be something that only an adult could meet the requirements for

17. “Corona-chan”

This was a really insensitive move to make in the middle of a pandemic, and I agree that the design was racist

However, YanDev listened to the fans’ complaints and removed the easter egg a day later, plus gave an apology. I think that this was the best thing he could do in that scenario and idk what else people are expecting him to do about it

18. YanDev’s general portrayal of high schoolers

Honestly, it’s not 100% realistic (especially in some of the dialogue. you know what i’m talking about)

I’m surprised that more students don’t seem to have friends outside of their clubs. It seems like all the students mostly stick within their club/group - walking to school together, spending their breaks together, etc. A lot of the ways the characters behave are very robotic, like walking in a perfectly straight line everywhere they go

That being said, a lot of the things i’ve seen criticized in regards to this are not part of the problem. By the time you’re in high school, you’ve probably hit puberty. It doesn’t make a character automatically sexualized if they have bigger breasts (though some designs in the game are over-sexualized, like a few certain staff members)

19. Muja, Mida, and Hanako

Let’s start with Hanako: Yandev has already said that she’s not romantically interested in her brother, she’s just insanely clingy and doesn’t want him to get a girlfriend out of fear that he’ll forget about her. If you still insist that she’s in love with Taro, then that’s on you

Muja and Mida I have mixed feelings on.

If every student is 18 or older, meaning that the first-years are 18, that makes Taro, a third-year, 20-21 years old. If Mida and Muja are in their early 20s as Yandev has said, that means that the age gap isn’t an issue. However, it’s still wrong for a teacher or a nurse to pursue their student/patient

I don’t think Yandev should need to spell out “hey, Mida and Muja are not good people” in flashing neon signs. The game is rated M and anyone who’s old enough to play it should be able to understand that without it being said. If you need morality in fiction spoon-fed to you, you probably shouldn’t be watching/reading/playing anything rated above PG

On the other hand, YanDev has a nasty habit of making these things into a joke, which is really insensitive and creepy. Like saying that Mida’s favourite food is “the spit of a younger man” (yikes), that she’s tried to seduce her own students 69 times (haha 69 so funney right guys XD), or that whole confession scene mess. It’s less of a problem with Muja, but it’s still there. As much as the audience shouldn’t need everything served to them on a silver platter, issues like these should still be treated with respect, not made into gags

20. Yandev wastes time on “Easter eggs”

I have to agree that he does spend time implementing unnecessary things sometimes (like the abc challenge), but as far as I know the Easter eggs are what he does in his spare time while waiting for assets from volunteers. However: snap mode, which was hyped up for years, turned out to be a flop with zero purpose, disappointing a good portion of the fanbase.

21. Love Letter

So far I’m really liking the look of this game: I like the models and the school environment they’ve shown, and it seems like they’re doing a lot of things in better or more interesting ways than YanDev, like not outright telling us who the rivals are. I don’t think it’s fair to accuse them of “stealing” anything, when it seems like most of the assets the games have in common are the things they bought from the Unity store (Love Letter even changed the base Unity model to have a more appealing look)

I'm glad to see that they actually listened to criticism from fans on things like Setsuna’s design (I love her newest look and I hope it’s the final one). From design alone she’s already a more interesting protagonist, and she looks like the sort of character you’d actually enjoy playing as

Not sure I totally buy the claim that it was all done in two weeks, but even if it was over the span of months, that’s still miles better than YanSim’s six years

Knowing that Dr. Apeis has already ditched one project I’m staying open to new information on this, but as of right now I’m looking forward to playing the demo!

Overall: A lot of the hate against the game and the dev are unnecessary, but some is justified and we shouldn’t blindly defend everything he does (seriously, you can admit that the character designs are shit. no one is going to stone you for it). There are a lot of improvements Dev could make, both on the game and on his behaviour towards fans.

I think that the biggest improvement would be for the game to just stop taking itself so seriously. At this point, it’s so full of memes, cringy google translate names, excessive edginess, and gags that it may as well just be a fun ridiculous anime game instead of a serious horror game. I feel like taking this approach could make it more successful (plus, it doesn’t really have a lot of horror elements aside from the gore)

There are a lot of cases of people taking things too far. Like spamming YanDev with explicit gore/animal abuse, trying to swat him, spamming volunteers with weird porn, trying to hack into volunteers’ accounts (including bank accounts), etc. That is going way too far, no matter how awful or pathetic you think a person is. If you are doing these kinds of things, you are doing more harm than Dev or his volunteers

Attacking YanDev’s appearance is unnecessary and not related to his behaviour or skills. Same with the chalice memes

However, I’ve seen a lot of YanDev’s defenders lashing out against “gremlins”, lumping all of them in with the kinds of people who do these things. If you check r/Osana, you’ll see that most if not all of the people there condemn this behaviour: the gore and porn spammers are a loud minority (and i’m willing to bet most of them are the basement-dwelling losers from KiwiFarms and 4Chan)

Attacking and/or spamming fans who are just trying to enjoy the game is also unnecessary. Someone liking a video game you don’t like is not doing you any harm. Be mature and move on

I’m not sure if some of what I’ve said above is 100% accurate so if anyone actually read this and has evidence against it then feel free to add

I think that’s about all I have to say on that. Again, i don’t know if it will change anything in the fandom but i really just wanted to get this off my chest

#yandere simulator #yansim #yanderedev #yandev #not sure if i should tag this as crit or not

20 notes · View notes

gaiatheorist · 4 years

Text

“50% Feminine.”

I’m going mad again, I’m listing probable reasons, but going mad isn’t reasonable, it’s something that just happens to me from time to time. This is one of the slow, creepy-uppy episodes, not one of the sudden, explosive ones, possibly less dangerous, but incredibly draining. It’ll pass, it always does, it had better do, it’s bloody horrible.

Standard disclaimer, I am at increased risk of harm, but I have no intent or ideation of deliberately harming myself, apart from drinking too much cheap-and-nasty wine, which is my standard maladaptive coping mechanism.

I woke up at 1.30am, and, after a brief discussion with my wonky brain, acknowledged that I was Awake-awake, and there was no chance of going back to sleep. This will have a knock-on effect for a few days, there’s a fair chance I’ll fall asleep in my dinner, but it’s mostly containable. (The madness, as well as the dinner.) Scrolling through Twitter, to see if I’d ‘missed anything’, I found a link to ‘My Gender Coordinates’, and decided to take the quiz, no better or worse use of my time than a Fakebook quiz to tell me what sort of sandwich, or shoe I am.

There are 35 questions, I can’t remember exactly how they’re worded, but it’s along the lines of “I am...” or “I consider myself...” about various character traits, or behaviours, you ‘answer’ on a sliding scale from double-thumbs-up to double-thumbs-down. There’s a ‘middle’ option, which, when I’m going mad, is always a bit tempting, I’m indifferent, I don’t care much about much when I’m in this state.(Until I do, and get all emotionally peaky, HATING an empty shampoo bottle on the bathroom floor, but refusing to move it, because it’s not mine, or finding myself close to tears because I think I’ve offended someone, and not quite knowing how to check.)

The ‘results’ come out on a quadrant-graph thingy, Masculine/Androgynous/Undifferentiated/Feminine, I deliberately didn’t look at that first, because I would have skewed my answers, aiming for ‘undifferentiated’, I’m awkward like that. My results were that I ‘fall between quadrants’, no big surprise there, my dot was bang on the line between ‘masculine’ and ‘androgynous’, all in the top half of the square, ‘68.3% Masculine, 50% Feminine’, I don’t know how that works, it’s numbers, and maths and stuff, and my brain doesn’t work like that. (Haha, because I’m a girl, and girls are better at biology than physics. Bullshit.)

What does it mean? In all likelihood, nothing, it does look kind-of scientific, which is why I answered all of the questions, instead of giving up at the first hint of a cartoon dinosaur, or a ‘pick which colour-scheme appeals to you’. (Cartoon dinosaurs are my new pet hate, I’ve recently had to wade back through the clip-art infested worksheets from the last mental health course, and I’m fairly certain I’ve imagined a cartoon dinosaur, but that’s a tangent I’ll try to avoid.) I have strong opinions on the concept of gender, for however-many years I’ve been writing on here, I’ve identified as ‘meat no-one eats’, my biological sex is female, and my uterus is certainly reminding me of that fact this week. My gender? Human. Probably.

“Identified as”, how very modern, it’s not ‘really’ a new thing, to me, or the world, what I’m trying to do here is type out a safe-release, to vent, I suppose it all boils down to my resentment of being ‘told’. There are vague childhood memories of being told “Ladies do/don’t do...”, and I have a ridiculous rage-bubble of “Yes, and sloths poo once a week, what’s your point?”, too late one thinks of what one might have said. I’m no more a lady than I am a sloth, I’m probably leaning more towards sloth at the moment, I’m overdue a bath.

Working through the statement-ratings, I noticed I was pulling a face at some of them. All of them, to be honest, which surprised me, because, with a diagnosis of autism, there’s the preconception that my response would be binary-linear, black-or-white, always/never. It wasn’t, my response was invariably “That’s a stupid question.”, and they weren’t questions, for every single statement, I decided “Unable to answer without context.”, and had to imagine a scenario to contextualise “I am generous” or “I am decisive”, or whatever. ( I *am* decisive, given sufficient context.) I need to watch that I don’t fall into a psychopath/sociopath rabbit-hole here, my sometimes-linear approach could be viewed as psychopathic, and my bending/masking could fit a sociopathic profile. Too many personality quizzes in my teen-girl magazines, and an on-going desire to name and categorize things.

I was pulling a face at the statements that are usually associated with the concept of femininity, there really isn’t a male-brain/female-brain. (All brains smell horrible, I have smelled my own brain, wasn’t pleasant.) There are some biological differences, most notably the reproductive bits, but not really a great deal else, the ex used to say that humans were evolving to be more androgynous, but I see now that he was trying to justify the societally-imposed feelings of inadequacy that I was as tall as him, with more body-hair. He ascribed to the concept of androgyny when it suited him, lauding Bowie in public, and insisting I was ‘better’ at housework in private. A product of his upbringing, but deeply coercive-toxic. He enjoyed my androgynous-atypical nature up to a point, I was a trophy in more ways than just my long legs and pretty mouth, I confused the hell out of his ‘traditional’ family, though.

The statements that made me screw up my face could have been coloured pink, they were the ones that ‘ladies do’, some, I consciously, deliberately-don’t, and some are just a natural hard-no, nature vs nurture in evidence. I have learned behaviours, and innate, natural tendencies, there was a bit of a domestic issue the other day when I noted my son being manipulative, and destroyed-devastated myself wondering if he’d learned-observed that from me. I don’t think so, my avoidance-behaviours are quite different. I was pulling faces at the stereotypical ‘female’ traits, initially an “Ew, no, I don’t do that!” response, but, as I realised I was doing it, I wondered WHY I was repulsed. There’s nothing ‘wrong’ with being kind/sensitive/compassionate, they’re human responses, not ‘masculine’ or ‘feminine’, but even the quiz itself refers to them as “Traits commonly found in people of the ... gender.” (Androgynous is referred to as high in male- and female-typical traits, undifferentiated as low in both.) Commonly, not exclusively.

Part of the issue is that I associate femininity with vulnerability and weakness. I choose not to ‘present as’ female most of the time, my sex usually isn’t obvious until people get close, and I don’t let many people get that close. (Even before the virus-distancing.) There are ‘historical and complicating factors’ behind some of that, but there’s also the gender-conditioning I grew up with, girls-should, and boys-should, I didn’t have particularly positive experiences or role-models, but, even aside from that, the general concensus was that male was stronger, better, more important, female was secondary and subservient. To do something ‘like a girl’ was an insult, but, by the same token, I was often criticised for not being ‘girly’, ever the outlier. I’m wondering how much of the non-femininity is reactive-protective, how much could be part of the autism, and how much is just ‘how I am’?

Girly-females irritate me, vacuous conversations, hair-and-make-up, dependence on others, incessant diets and fads, I don’t ‘get’ any of it, and I don’t buy into it, I don’t see why I should, just because my genitals are in the more difficult-to-kick arrangement. (True to form, my son has more make-up and hair-stuff than I do, I can’t remember how he referred to my presentation a few weeks ago, but it might have involved goblins, and a bin.) Occasionally, people tell me I could be attractive if I made an effort, my go-to response is “What for?”, I do generally look as if I live in a tree, it doesn’t bother me. That’s not wholly a girl-thing or a boy-thing, I do know some very well-presented people of both flavours, but I’ve genuinely never overheard a group of men discussing razor-blades or underpants the way I’ve heard gaggles of women banging on about make-up and such.

Women who talk in baby-voices, women who giggle and simper around men, women who don’t even try to pick things up themselves, I think what I’m saying is that I don’t like women who ‘act as’ women, and it is an act, my mother’s phone-laugh used to make me want to scream.

Before I became annoyed at myself for placing more value on the traits more commonly associated with masculinity than femininity, I’d had a mini-argument with myself that it was impossible to rate any of the statements objectively. Am I kind? It depends on the situation, last week I helped a little old lady sort out a mis-delivered parcel, but the week before that, I’d sped up my walking pace, so I could get into the corner shop before the person behind me, it might have been the same little old lady, I wasn’t paying attention. I’d viewed the thumbs-rating as a never-always continuum, so, technically, all of the responses ‘should’ have been middle-option, for ‘sometimes’. (There might have been an explanation in the site somewhere, it was daft o’clock in the morning.) For each behaviour, I was thinking of a situation, which was wrong, I think I should have been rating least-likely to most-likely. The situation has an influence on the behaviour, if I had friends, I’d behave differently with them to the way I’d behave with a doctor, or a manager, or my son, and even that behaviour would depend on multiple external factors, it wouldn’t be static-consistent, it would be dynamic. We all do it, we’re socially conditioned to behave according to audience and environment.

I didn’t go to finishing school, I didn’t even go to university, there were no elocution or deportment classes at my rough-as-arseholes comprehensive school, and most of my childhood meals at home were eaten from a plate on my knee, on the sofa, in front of the TV. There were still expectations, though. Standing up if a teacher came into the classroom, not interrupting an adult speaking, letting elderly or otherwise infirm people on the bus first. I don’t remember my brother being given as many instructions as I was, though, and I think that was more to do with me being a girl than being two and a half years older, he did pretty much as he pleased, and was a ‘rascal’, or a ‘scamp’, whereas I was told to sit down (nicely), be quiet, smile, be helpful etc long before the wear a bra, brush your hair, show a bit of leg nonsense started.

I’m fairly certain that the gender-specific conditioning is part of the reason my autism wasn’t diagnosed until I was 42. I’d had expectations drummed, and sometimes beaten into me all my life, everything was already an act, a performance, so I just assumed everyone else was ‘faking it’ all the time, over-riding gut-instinct on everything, and acting according to these confusing social scripts. The “What for?” streak in me is problematic for other people, I’m viewed as difficult, challenging, sometimes plain rude, and overly bold ‘for a woman’. I don’t speak much, but, when I do, I make it count, I’m tenacious and determined, and, most of the time, completely exhausted trying to remember and correctly apply rules and boundaries, scripts I don’t understand the reasoning behind, and constantly-consistently assess environments and audiences, to avoid ‘getting it wrong’.

I am blunt at times. I can be articulate and eloquent, but sometimes a situation demands just-enough information to convey the salient point. I don’t tend to ‘waste words’, and am frustrated when people fanny about with “Does that make sense?” and “This might sound silly, but...” Anecdotally, I hear that from women more than men, we’re discouraged from being too much to-the-point, to go the long way around things, instead of straight at them, and to check for reassurance. I speak ‘like a man’, it’s more efficient. (”Does everyone understand what they are to do?” was my preferred meeting-closing-statement, I’m brutal.)

I sometimes see the reverse-of-me in my son, he isn’t the least bit blunt or brutal most of the time. (He did shout “Stop it!” at me quite forcefully one day last week when I was having a meltdown after getting bin-juice on my face. He saves his command-voice for emergencies.) He ties himself in knots about communicating with people, and avoids most conversation, although he’ll babble incessantly to himself to process thoughts and ideas. (I have sores inside my ears that won’t heal, because I keep putting my earphones in to drown out his waffling about D&D plots and such.) He’s nervous-anxious where I’m bold, he’s scared of a million things that I’m not in the least bit concerned by, but then, I am an idiot. Biological sex is not gender, but neither of us are really binary-gendered. (I’m not going to suggest he does the quiz, he’s so incredibly indecisive it would melt his brain.) I never conditioned him ‘male’, he’s always just been another human to me, but he has had conflicting messages from his Dad’s side of the family, boys-don’t-cry, come-and-kick-this-ball, look-at-the-tits-on-that, and the girly-girl aunts and cousins. Confusing times, but he has referred to himself as a pan-sexual trans-humanist, and I don’t really know what that is. (He hasn’t asked me to use different pronouns, or a different name, so he’s still ‘him’.)

I’m rambling. I’ve been pecking away at this for hours, but I do feel a little more settled for doing it. I didn’t go off on as many ranty tangents as I thought I might, which is reassuring, this episode of going mad has been mostly-irritable, and I don’t like it. Catch-22, there, as a female, I’m ‘supposed to’ be all pink and fluffy, and nice, but the lazy stereotype of a woman can also be a nagging old harridan, I’m straddling that line as well as the line between quadrants on the quiz. I bet you 10p that if I did the quiz again, I’d be able to skew the answers to place the dot dead-centre in the grid, but I might blow up the internet if I did that, and imagine the mess that would make.

8 notes · View notes

scienceteamherder · 4 years

Text

The Black Mesa Prison Break AU

Welcome to the reason this Sideblog exists, my AU cause I’ve fallen, way to far.

First off we have Notable Differences:

- not a game

- benry WILL live to the end and beyond

-no resonance cascade

- everyone is one of Black Mesa's experiments

Now, Character Lineups: Gordos Feetman! Recently hit rock bottom trans man, he lost his right arm to a car crash and his son to his parents following a breakdown. He's picked as the unwitting test subject for the limb regrowth potion. When he wakes up from the pain nap and sees his arm is a gun he freaks the fuck out and it goes off, freeing... (Powers include: Gun.)

Bubby! An experiment into raising spare scientists from adulthood and cutting out the child stage all together. With some funky powers to make him more durable, even more feral then cannon. (Powers include: Pyrokenisis, Immunity to Fire and a moderate boost of strength)

Dr. Coomer! Not actually a doctor he just likes to say that. Had to drop out of collage after his ex wife took everything he had. Fell into debt and signed his life away to black Mesa. Legally declared dead. Still super upbeat. Is even stronger now, do not let him pat you on the back you'll go flying. Enhancements left a little brain damage so now he repeats shit a lot (Powers include: Super strength in all limbs, ability to extend arms. Extremely smart, Immunity to electicity)

Tommy! Half human half.... something else. Was found in an orphanage at the age of 7 after he brought his dog back to life, apparently immortal, and made a man vanish from existence for beating it to death in the first place. Incredibly powerful, very little control because he's kept too sedated to learn best friends with... (Powers include: Reality warp, levitation, Black Mesa Sweet Voice, Intuitive understanding of all language. Being a Good Boi:tm:)

Benry! Born to two black Mesa employees and given up to the company, Benry's experiment predates Bubby but ultimately they kept him to see what their fiddling had done. Along with what Black Mesa did to him expositor to Tommy since he was small has given him some funky abilities. Black Mesa Sweet Voice started with him and the organ that lets him do that was surgically implanted in a bunch of other people. He's still got the helmet. The only thing his parents left for him (Powers include: Intangibility, Black Mesa Sweet Voice, Minor strength increase. Immunity to Fire and Electricity. Skeletons.) G-Man! Tommy’s Something Else parent. Left him at the orphanage because he didn’t think he was capable of raising him. Regrets that he missed out on Tommy’s life, Only features for the end and past that. (Reality Warp.)

Sunkist! Tommy’s Pubby! Escaped when Tommy was still little and learned they were going to try and cut her open, distress activated his powers and let her escape. Has been trying to figure out a way to rescue him since. (Being the Perfect Dog, Black Mesa Sweet Voice, Immortality)

Now we’re onto! Key Events: Gordon is kidnapped after hitting his lowest point, seen as someone no one will miss and already missing a limb. Gets antiquated with the Science Team who are all in the same lab sector. Benry makes the Passport Joke.

Gordon drinks the potion and wakes up with a gun attached to his arm, panics and ends up killing the scientists around him and freeing the others The group agrees to escape together, except Benry never actually says he wants to leave he just follows. Tommy ends up shaking off the last of the sedation and straight up wills a man out of existence. Tommy’s powers end up out of control in a shootout and Benry has to calm him down. This happens multiple times. Gordon’s gun ends up falling apart, leaving his stump badly burned and him severely weakened. The Team Don’t Abandon him since he’s dragged their asses this far to safety. Benry starts getting antsy about leaving. Their almost out when Benry has a panic attack and ends up lashing out with all his powers, including ones he ended up picking up from the once again unsedated Tommy. When the battle is over Gordon and Tommy refuse to leave him behind just cause he was scared. Gordon carries him.

G-Man finds them in the desert, and rescues them all because he still feels bad about loosing Tommy. They don’t have to worry about Black Mesa Anymore

Post Breakout Stuff:

It takes a while to reality bend Tommy, Benry and Bubby into legal existence, Much less time to reality bend Coomer back to life though, While they wait on that the group lives with Gordon, and by the time its done their all used to being around each other so they just, move into a bigger house

Gordon gets Joshie back! The Science Team Helped.

Gordon’s new prosthetic is a group effort, it works a shitton better then his old one. Its got an assassins creed style blade in it. Benry insisted.

They get to relax because Black Mesa suddenly is a lot less real for everyone else. Other Details: There is a lot of being carried in this au. I like people carrying others. Benry’s completely pronoun indifferent and doesn’t really think about gender to much

Tommy’s a demiboy because I thought it was funny if the demigod was demigender

Bubby’s last name ends up being Sharp. He was put on the spot.

Tommy/Gordon/Benry is the main ship in this thing.

Frozon is the man who ended up kidnapping Gordon and later was the man Tommy unexistified. He had a similar past to Benry but was raised in another lab sector. The way Tommy’s freakouts work is Reality just starts to go Wrong. Basically, imagine if during an overstim episode, things began to glitch and warp and actually go as wrong as you see them, throw in some eldrich flavoring and anyone who isn't a safe person basically having their hearts exploded if they get to close, and you have Tommy's freakouts

And thats all the important shit. Feel free to badger me with questions I am literally dying for it.

#Hlvrai #BMPB Au #Long Post #AU Explination #Benry/Gordon/Tommy #My Writing

6 notes · View notes

mythiica · 5 years

Text

Mini Scenarios - The Warlords + Being Fed

Fandom: Ikemen Sengoku

Character: All warlords

Genre: Fluff, Micro fics! Mini scenes!

Warnings: some are slightly suggestive!

Intended Gender Audience: Female Audience

Word Count: 1732 words total

Other comments: requests who?

Nobunaga…

...watches you as you lift the piece of pink konpeito to your lips and kiss it gently. Then, you lower it to Nobunaga’s mouth and push it into his mouth, successfully feeding him the candy. He catches your wrist and kisses your fingers, making you shiver and blush. “You should do that more often,” he murmurs, reaching for another konpeito. “It’s very seductive.”

“Oh?”

He smirks and feeds you the sugar candy as you did to him. “Don’t you agree?” His voice is low and rough, like he’s suggesting something completely different than the innocent thoughts swirling around in your mind.

Throwing your leg over his waist, you narrow your eyes and grin widely. “I couldn’t agree more-“

Hideyoshi…

...sits under the cover of the gazebo, in the shade and away from the sun. It beats down on the garden, and although you walk only a few paces in full sun, sweat begins to run down your brow.

When you take a seat next to him, Hideyoshi smiles and points at the box you’ve brought. “What is that?”

“Some cold sweets to share.” You take one out, powdered sugar dusting your fingers. “Open wide~”

He complies, and you place it on his tongue and his lips brush against your fingers. “Delicious, princess.”

“Happy you like them!”

But Hideyoshi hooks his thumb under your chin. “I wasn’t talking about the desserts...”

Masamune...

...turns around immediately when you call his name and breaks into a large smile. “Lass! To what do I owe this pleasure?” He bends at the waist slightly, bowing before you.

“I made some dumplings. Will you try one and tell me what you think?”

“Of course, lass, anything for you.” He takes one of the dumplings and plops it into his mouth. You wait for his opinion with anticipation, but Masamune clicks his tongue.

“Is something wrong?”

“I need to try another one to make my final judgement,” he explains.

“Oh, okay, well, here-“

But before you can offer him another one, Masamune catches your lips in a swift kiss. He tastes like fried meat and dough, and you can’t help but smirk into the kiss.

Ieyasu…

...does not hear you enter the infirmary. He only notices your presence when you sit down directly in front of him, so he sits back and tips his head to the side. “What are you doing here?”

“I’ve come with tea.” You nod at the tray you’ve brought with you.

“Ah... thank you.”

You pour the tea for him and then you, but Ieyasu adds a lot more sugar than you thought he would.

“Sweet tooth?”

He looks up. “Don’t tell Hideyoshi,” Ieyasu whispers.

You laugh and the two of you take a sip of tea. A small grain of sugar hangs off of his lip, so you reach forward and brush it away with your thumb.

Ieyasu inhales sharply as your finger touches his skin, and prays you can’t hear his heart flutter.

Mitsuhide…

...wipes the sweat that drips from his brow, and despite doing so, his skin glistens with perspiration. The sun is brutal, but he still insists on practicing his aim. You take refuge in the shade of a nearby tree, but you decide to take a peach to him.

“Little mouse, is that for me?” He notices the fruit in your hand and sets down the gun on the grass.

“Yes. You’ve been working so hard, I don’t want you to get sunstroke.”

He grins at your kindness and accepts the peach from you. As he sinks his teeth into the flesh of the fruit, juices dribble down his chin and onto his clothes. “Oh no, I’ve made a mess of myself-“

You click your tongue and reach up to pat the juice away, but Mitsuhide sweeps you into his chest and kisses you deeply. When you lean back, you wipe your lips and laugh. “You could have just asked for a napkin.”

“And miss an opportunity to kiss you? Never~”

Mitsunari...

...is hunched over his books as per usual when you enter his office. Even though you call out to him, he is engrossed in his studies. Setting down the breakfast tray, you clap your hands to get his attention.

Finally, he looks up. “Oh! I didn’t hear you come in.”

Putting your hands on your hips, you laugh. “I could tell. I’ve brought you breakfast.”

Mitsunari smiles and almost immediately returns to reading. You scoff and raise a slice of sour fruit to his mouth. Never would you have guess that he would open his mouth and eat it.

The warlord feels back at the tartness and gasps at you. “What was that?!”

You burst into laughter. “You weren’t paying attention, Mitsunari.”

“Serves me right, I suppose..”

Kenshin…

...hears you shuffling around the kitchen, so he goes to investigate what you are doing. When he enters, Kenshin finds you on your tiptoes, doing your best to reach a jar of pickled plums, but you are too short. He stands behind you, and, because you haven’t noticed him yet, he smirks at his idea.

Kenshin hoists you up, making you squeal in surprise. “Aren’t you trying to get those?” He sets you down on his shoulder. Now you are tall enough to reach the jar. After picking it up, Kenshin sets you down gently.

“You scared me!”

He smirks and taps the tip of your nose. “Should you really be up this late?”

Lowering your head slightly, you pout sheepishly. “No…”

Kenshin looks at the jar. “And do you plan on eating all of those yourself?”

“Also no.” You take the top off and pull one out, juices dribbling down your fingers. “Would you like one?”

His fingers wrap around your wrist and he raises the plum to his lips, eating it from your hand. He does this all while keeping his eyes locked with yours. “Best you take those back to your room now,” he whispers as he licks his lips.

Shingen...

...basks in the moonlight when you open the door and sneak outside. The glow illuminates his defined features, seemingly carving his jaw from marble and his neck from quartz. You take a seat next to him and throw your legs over the edge of the deck. “I brought you some food from the festival. I’m sorry you couldn’t come.”

He gives you a bright smile. “The fact that you thought about me makes me feel as if I were there to enjoy it with you.” Instead of reaching for the food, Shingen takes your hand and kisses your palm.

“Lean back,” you say with a giggle.

“Hm?”

“You’ll see.”

Shingen does as you ask, and when he does, you hold out a fruit and feed it to him. He eats it and tucks his arm around you, pulling you close to his body. “Just so you don’t drop anything,” Shingen explains with a smirk.

Sasuke…

...watches you from a tree as you search for him. When he notices you carrying a small container, he jumps down from the tree and lands in front of you with a soft oof.

“Sasuke!” You throw your arms around his neck and hug him tightly.

“Hey–” he replies before you squeeze the air out of his lungs. “What do you have there?”

“Some lunch for us.”

Sasuke takes the container from you and nods at the tree. “Would you like to eat with a view?” Before you have a chance to respond, Sasuke helps you up the first branches. You start climbing and take a seat among the green leaves.

After settling next to you, Sasuke opens the container and reaches for one of the small tarts. You swat his hand away and pick one up. “Open wide~”

“What am I, a child?”

You pout. “Let me be cute!”

Sasuke cups your face and kisses the tip of your nose. “You already are cute.”

Yukimura…

...is playing with his wolf when you walk into the garden. He sees you and cannot help but gawk. The sun illuminates your hair with a halo of light, making you shine beautifully.

“I brought you some food, Yukimura!”

He plops down into the grass, nearly like Muramasa does on the other side of the lawn. If Yukimura had a tail, you are sure it would be wagging back and forth. You take a seat as well, tucking your legs under yourself, before pulling out a small box with a few tarts inside. “I made them myself.”

Yukimura marvels at the tarts. “Really? They’re so pretty I don’t want to eat them..”

Laughing, you place one between your teeth and lean forward, pushing the other side to his lips. He freezes for a split second before melting into your kiss – Yukimura takes the sweet from you, and when you lean back, he chews it.

“That was sweeter than I expected. Can I have another one-?”

Kennyo…

...hands you a skewer with a few dumplings. “These are the best ones,” he explains as you accept it.

The festival is lively and bustling with people – you can barely hear Kennyo over the chatter, so you take his hand and lead him to the outskirts of the mainstreet. Cicadas sing from the trees, and the moon shines on the lake, so you stop by a tree to enjoy the food.

Kennyo lingers behind you, admiring the scene as well. It had taken everything to convince him to leave the temple and visit the festival. You are very happy that you managed to – although he tries to hide it, you can tell that Kennyo is having a good time.

You take a bite of the dumple and marvel at the delicious flavor. You’ve never had anything like this before, and it is certainly the best one, as Kennyo had said.

You offer him the skewer. “You’re right! It’s super good. Try some~”

He looks at the dumpling, then at you – as if he is really wondering if you are offering it to him. “But you bit from it.”

“And? I promise I’m not sick. Just try it!”

Kennyo hesitates, but when you lift the dumpling closer to him, Kennyo bites it off of the stick. You smile brightly and clap your hands. “Good?”

His gaze wavers and he looks away for a moment. Despite this, you hear a muffled yes escape his lips.

#ikesen #ikemen sengoku #cybird #otome #ikesen nobunaga #ikesen hideyoshi #ikesen mitsunari #ikesen mitsuhide #ikesen masamune #ieyasu ikesen #ikesen kenshin #shingen ikesen #yukimura ikesen #sasuke ikesen #kennyo ikesen

372 notes · View notes

maddmuses · 4 years

Text

Avatar Li of The Fire Nation

faceclaim: Chella Man

Age: 18 Gender: Non-binary (They/Them, presents as male) Sex: Male Affiliation: The Fire Nation's Royal Family, The Fire Nation, Order of The White Lotus Date of Birth: June 21st, 288 AG (Year of The Dragon) Place of Birth: The Fire Nation Capital Ethnicity: Mixed (Predominantly Fire Nation, though some Earth Kingdom Descent) Predecessor: Hojin (As Avatar), Fire Lord Zaiho (As Crown Prince) Successor: Ichizan (As Crown Prince) Family: Fire Lord Zaiho (Father), Zashi (Mother), Ichizan (Younger Brother)

Universe Inspiration: Un-Retconned Retcon post-Korra universe

Appearance Li is a young person of average height, though for someone who tends to bend they bias more towards the solid side of build. Being predominantly of Fire Nation ethnicity, and in fact a member of that country's royal family, Li has physical qualities that are common among citizens of this country, notably dark hair, light skin, and dark eyes. Notably, pictures of Li have been compared to paintings and tapestries of Fire Lord Sozin, though his eyes are possessed of a gentler quality, one described by his grandmother of being more reminiscent of Uncle Iroh.

Generally, Li dresses in a fashion that is typical for the post-Hojin era, often dressing casually, and favoring jeans, usually dyed blue or black, to remain comfortable and able to move when bending. Though they generally wears long-sleeved shirts, Li most often rolls them up to prevent singing from fire bending, though in environments that are much colder than a Fire Nation's winter, they'll often pull the sleeves down.

As a bender, and furthermore as the Avatar, Li has spent much of their youth and adolescence learning the forms and techniques of Firebending, resulting in a muscular stature. This is a quality that's fairly common among more striking-oriented bending styles, as well as many Avatars who have to employ a variety of forms, stances, styles, and techniques to become fully realized.

Personality Li finds themself in a unique situation. Growing up, they thought that they were the crown prince of the fire nation, though by the age of six, the lessons in diplomacy and culture became less frequent, as well as the emphasis from their father on any duties that would be expected of them. With time, upon their sixteenth birthday, the reason for this was revealed that they were determined to be the Avatar.

As an avatar, Li finds it a difficult position, as they feel a strong affinity and loyalty to their home country, but now has to be an ally and protector of the entire world, rather than simply one part of it as Fire Lord. Due to being a part of the fire nation's royal family, Li grew up with a healthy respect for the title and position, though the story of the two avatars that preceded them, Hojin and Korra, left the young firebender largely unimpressed. This would be compounded upon the beginning of their journey to become avatar, and learning to connect to their spirituality, rather than solely their firebending.

Through this, and connecting to previous Avatars, an ability that Hojin had rediscovered, Li finds themselves frequently at odds with their prior incarnations, thinking the both of them too bullheaded and short-sighted to be effective. Even Hojin, as avatar, was best known for his ability to rectify and undo something that Korra had done, in severing future reincarnations from their past lives. Despite this, Li may still consider their advice, and does still read the letters written, a tradition that Hojin chose to keep alive despite reconnecting to Korra, but often gives more credence to the allies of their past lives, rather than the avatars themselves.

Strong willed and prone to outbursts of temper, though, Li is not always the most vindicated person in their criticisms of Korra and Hojin, as even in childhood they struggled initially to develop the discipline necessary to become an effective firebender. The qualities that Li expresses, though one might think would make them a natural firebender, serves as a double-edged sword, as it is difficult to teach Li anything, which requires not only teachers with infinite patience, but also those who can allow Li to discover for themself how to do things. Many often blame this on Li's royal upbringing, but when asked by their younger brother, Ichizan always insists that "Li has always been that stubborn."

Biography Born in the summer, Li correlates to the traditional superstition of firebenders, within the Fire Nation's Royal Palace. His birth occurred during a period of time known as "The Stoking" in which the fire sages search for an avatar by way of exposing children to a small open flame, in fear they would, typically, bend other present elements to protect themselves. This is not an unfailing method of determination, however, as a normal firebending child can merely snuff the fire out as easily as an avatar child might use airbending to blow it out. However, due to a longstanding superstition that the royal family didn't produce avatar children, Li was never tested for this quality.

Growing up in the temple, Li had a very typical upbringing for a crown prince, including a great amount of time being spent with their father, and eventually with another child named Tooru, a girl who had been falsely identified as avatar after a display of airbending ability. The two made fast friends, though Tooru often failed to produce any flame, it was simply assumed that her more passive nature meant that she may have not only been an avatar like Korra, who was able to bend prodigally, but also was most well-suited to air, not a typical quality among firebending avatars, but not also unheard of.

As the two spent many of their days training, and learning of their respective duties, it was understood that Li's and Tooru's teachers would have a difficult time with both students, once believing that Tooru was simply too weak to be a firebender. It wasn't until an incident at which Li was twelve that the teacher questioned which one was actually the avatar, when he had begun to notice the air around Li shift as they used more circular forms and techniques.

At about this time, the fire sages paid the royal family a visit, under the guise of checking on Tooru, to instead test Li at their teacher's behest. By encouraging him and Tooru to stand in a heated chamber, and practice meditation and breathing exercises, they noticed that not only did the water, but so did the air, respond more to Li's breathing, while only the air occasionally overpowered Li long enough to respond to the other.

This information was brought to the fire lord who, honored that his child was the avatar, felt some melancholy that such a strong-willed heir was taken out of consideration for the throne, though at the request of the sages they withheld the revelation to his child, allowing Li's friendship with Tooru, who still believed she was the avatar, to remain unstrained, and giving the former heir opportunity to become more mature before learning this. Accordingly, though, Li began to notice that they were treated differently following the visit, with there being fewer invitations to formal and state-related affairs, though they were still welcome, the explicit invitations that were once always extended now went to Li's younger brother Ichizan.

The result of this was a period of resentment towards Ichizan that Li held, the sages must have told their father that Li's firebending was too weak, or that there was something wrong with their character. Maybe the sages had figured out Li's gender? Maybe this was some sort of bigotry? Regardless, Li would grow cold to their younger brother for about five or so years, focusing more on their firebending, and spending most of their time with Tooru. As time went on, Li's firebending eventually did become stronger, though hardly at a level that one might mistake them for a master.

Eventually, though, Li's sixteenth birthday would come, and culturally they would be considered an adult in their society. At this time, one would expect Li's position as crown prince to either be formally declared, or an absence of any such declaration would make the young royal's position evident and clear.

What ended up happening took not only Li, but anyone ignorant to these facts by surprise as well. Indeed, Li was the avatar, and was to depart for their journey to become a fully realized avatar, though their firebending may not be quite satisfactory, it was assumed to be acceptable that Li would grow in their fire, along with the other elements, like avatars before them. It was at this time that Li was given the letters of the avatars, and expected to travel to the Air Nation in Republic City for training in a familiar setting.

Skills, Abilities, and Powers -Avatar Spirit: Like all Avatars, Li is the reincarnation of the first Avatar, an incarnation of the planet's spirit given human form. Connected to the Avatar Cycle, though only to Korra and Hojin, the predecessive avatars in the current cycle. This enables Li to not only bend all four of the elements naturally, but also enables them to learn techniques such as energybending, as well as allows Li to initiate a state of spiritual acceleration known as "The Avatar State" that enhances Li's ability to bend, as well as drawing upon the knowledge of all Avatars before Li. Though Li can only consciously access the knowledge of Korra and Hojin, they may still do so on a subconscious level for the others. --Firebender: As an avatar in the fire quarter of the cycle, Li naturally bends fire, and developed skill in the element first. A late bloomer in this art, Li is considered a strong firebender, but only slightly above average when compared to what one would expect of a master, less a firebending avatar. --Airbender: The second element for Li to learn in the cycle, Li has expressed a small amount of ability with the element, though this has been passive at best. They are currently seeking out a teacher for this element. --Earthbender: Not yet trained, the ability to bend it exists. --Waterbender: Not yet trained, the ability to bend it exists.

-Martial Arts: Beyond the simple ability to bend, Firebending itself is a martial art, and can be applicable external to throwing around fire. Capable in a style similar to Northern Shaolin, Lin uses a style with many quick movements and strikes with a great amount of power, as well as a certain degree of ability using close range to evade the attacks of others.

-Swordplay: Traditionally taught among the royal family, following the institution of this practice by Zuko, Li is more skilled with swords than he is flame. Traditionally known to use broadswords and sabers, the young avatar is known to be especially deadly when armed.

-Poetry: A popular discipline in the fire nation, Li is particularly fond of haiku and songs. Li has spent a great amount of their time listening to, and composing, poetry. Through some connection, possibly to a past life, or multiple, Li believes that poetry is the embodiment of being. To live is a fine poem, and the way you live it is reflected in the prose and plot.

-Paisho: Much like other Avatars following Kuruk, Li is talented at Paisho, though like other qualities consistent among them, their recollection of strategies and talent is not a cerebral process. It's actually when Li plays by feeling, rather than strategy, that the skill of their past lives begins to show.

-Education: As the heir apparent until the age of 12, but also a member of the royal family, Li received a more sophisticated education than most, with an understanding in a variety of subjects. This was given to Li, as well as their brother, through a group of tutors hired by the fire lord.

-Leadership: Through the years, Li was lectured by their father, and expected to become a leader on the world stage. This predominantly had more to do with state affairs, though, and as Li begins to work with a Team Avatar, they'll discover that these are totally different.

Bending Abilities and Techniques -The Avatar State: Through delving into the power of their past lives, Li is able to unlock something called The Avatar State. In this state, the power and knowledge of their past lives courses through Li, though they can't experience any specific memories or recall information, for any incarnations prior to Korra. Notably, in this state, Li is able to metal bend like their predecessor Korra could. Aside from technique, the Avatar State also enhances the potency of an avatar's bending, acting as something of a boost. While in the Avatar State, though, there runs a risk of permanent death of the Avatar Cycle, as when one uses this state and dies, the cycle ends forever.

-Lightning Redirection: A common technique, especially in the region of the New Republic, Li is able to capably redirect the attacks of lightningbending.

#The Third Wave (Avatar Li)

4 notes · View notes

homenum-revelio-hq · 5 years

Photo

Welcome (again) to the Order of the Phoenix, Gracie!

You have been accepted for the role of ALICE LONGBOTTOM! We really enjoyed your application for Alice! We loved the personality section and the discussion of Alice’s worldview weaved throughout. Definitely looking forward to see how her black-and-white thinking will play out in the Order!

Please take a look at the new member checklist and send in your account within 24 hours! Thank you for joining the fight against Voldemort!

OUT OF CHARACTER:

NAME: Gracie

AGE: 21

TIMEZONE: EST

ACTIVITY LEVEL: I’m in my fourth year of college, and I’ve managed to be a part of tumblr rpgs my entire college career, so I’m quite good at balancing my IRL responsibilities with managing replies and all the fun stuff. If I had to put it on a scale of 1-10, probably like a 7, 7.5. I usually know well enough in advance when I’m going to have some tough schedules so I can work around it or ask for a brief hiatus.

ANYTHING ELSE: No triggers or squicks to note, but I’ll let you know if that changes.

CHARACTER DETAILS:

NAME: Alice Aurelia Longbottom (née Edgecombe)

AGE: 33

GENDER, PRONOUNS, and SEXUALITY: Female, She/Her, heterosexual

BLOOD STATUS: Pureblood

HOUSE ALUMNI: Slytherin

ANY CHANGES: Nope! Love everything! <3

CHARACTER BACKGROUND:

PERSONALITY:

There’s something interesting about being caught in the middle. It forces a person to think, rather than to just pass by.

That’s where the Edgecombe family had always been. Not quite so lofty as to be a part of the Sacred 28, but still, a perfectly respectable pureblooded family. They never really stood out. That was, until Alice.

Unlike her older brother Frederick (or Freddie to his friends), Alice was always quick to question something. Why was the sky blue? Why was her name Alice? Why could they perform such amazing acts of magic, while muggles lived their whole lives without it? She could always be found digging through her father’s study for the answers or climbing to the tallest tree or digging up the garden to see if she could figure out some of the answers for herself.

In school, she had a bit of a reputation as a know-it-all. But not your typical know-it-all. She never insisted on interjecting into every class, every conversation; No, no Alice wasn’t at all like that. It wasn’t that she talked very much. Alice would only speak when she had something to say. She was very quick to correct you if she thought you were wrong and could verbally cite all the reasons why. Needless to say, this didn’t help her make any friends. If someone asked her a question, she almost always had the answer and then some. If she didn’t have the answer for you, you could rest assured that after an evening in the library, she’d basically be an expert on it and could tell you just about anything you’d want to know. The thirst for knowledge was relentless. She wanted so desperately to understand everything, and whatever Alice wanted, Alice would get.

Alice is a perfect balance of soft and tough. She’s like the soft beauty of fresh snowfall mixed with the sharp bite that whips in the winter wind. Being raised as the proper daughter of a pureblood family, she could play the part of the polite, soft spoken, and quite witch. However, she never bothered to hide the wit and charm that crackled in everything she did and said. She’s poised, and at times quite cunning, but never, never cruel or harsh. She’s quite captivating, though she never wants to be the center of attention. At her core, she’s kind, and she’s sturdy. She’s also stubborn as anything. As such, it’s very difficult getting through to her when she believes something.

Her world view is one of black and white. There aren’t any shades of grey. There is only right and wrong. In Alice’s mind, the laws are there to protect everyone- to keep everything and everyone in the right. By breaking the laws- even bending it, could spell out something disastrous. Her world view is why becoming an auror seemed like such a natural fit for her. She could make things right, and she could solve problems. She could see something wrong, look for the pieces of the puzzle and reassemble them to find the answer.

Alice is kind of like a pointillism picture. From up close, there’s nothing that seems to stand out. Just another dot on a canvas- one in a million. But upon further inspection, and a different perspective, she’s remarkable. She could be the center of attention, if she didn’t prefer to hide in plain sight. She liked being considered average. It drew less attention to her, and it made it even more satisfying to surprise people when their assumptions proved to be wrong.

But pictures aren’t always pretty.

The clever, calculated nature of the way her mind works means that some people tend to consider her cold, or unfeeling. The know-it-all wound up separating herself from pleasantries and conversation, as people never seemed to like to talk with her. Alice is incredibly blunt and doesn’t sugar coat things. Facts are facts, and there’s no point in making things seem like they aren’t all that bad when they are exactly as bad as they look. In this way, Alice is her own worst enemy. No matter how hard she tries to make friends, to get people close enough to her so that they might begin to understand her, she says something harsh, or doesn’t let emotions influence her response. Then it’s just one more person who finds her completely intolerable.

There’s also the fact that she was in Slytherin. While being in Slytherin doesn’t automatically stain you with certain irredeemable qualities and brand you forever as a dark wizard, it does sometimes create situations where you’re surrounded by people who tend to agree with the sentiments of dark wizards. Being surrounded by these ideas for seven years of her life, hearing the whispers in the halls and the common room conversations, she learned to think like them. Part of these experiences are what helped her to the top of her field. The other part allowed her to work as they do- to be manipulative, to toy with people. These are aspects of herself that Alice hates the most and would love to see disappear. However, they are a part of who she is, and she will still slip into old habits from time to time when these undesirable qualities are called for in whatever task is at hand. And sometimes, even when they aren’t called for. Sometimes it’s just a subtle comment on something, but this controlling aspect of her will rear its ugly head from time to time.

Alice is a force to be reckoned with. She knows what it is she wants, and she will get it. She knew she wanted to make her family proud. So, she did as she was told, sat straight, acted the proper lady. She still bites her tongue around them rather than tell them how she really feels. Once she knew she wanted to become an auror, to protect those who couldn’t protect themselves, she worked hard and got it. She wanted Frank, and she got him too… But now she’s not so sure he wants her too. He’s grown so distant.

BRIEF OVERVIEW OF FAMILY:

Alice’s family isn’t exactly easy. Her mother, Cordelia, is the definition of a mother hen. Constantly fluffing and preening and just ever-so-slightly overbearing. It took years, and a muggle book from a Hogwarts friend, to realize that her mother is Mrs. Bennet from Pride and Prejudice- to a T. While she would probably never utter it allowed, Alice’s mother wanted desperately for her daughter to marry up in pureblood society. She was positively thrilled when Alice brought Frank home for dinner. But that’s not to say the woman doesn’t care about Alice. She’s incredibly proud of her daughter and her accomplishments. In polite society, she gushes endlessly about her Alice, the auror, who managed to snag THE Frank Longbottom.

Alice is more like her father, Atticus, than anything. The man is quiet. While he doesn’t say much, his mind is always working, always playing some elaborate game of chess with the world, a game that he will inevitably win. He taught Alice to think before she speaks. To always have a plan, all the way from A to Z- just in case something was to go wrong. Alice was always much closer to him than to her father. He just seemed to understand her better than her mother. The clucking and fussing and frills were nice, but Alice needed time away from all that noise to function. She’d much rather be hiding in her father’s study, in silence but never alone. That’s not to say it was always quiet. The battles of wits between these two were legendary- it’s better to never bring up politics around them unless you’re willing to listen to a very well mannered, but absolutely scathing debate.

Freddie had been her best friend and confidant growing up. She’d constantly pester her big brother for the answers to her innumerable questions that swirled around her head. He was always more of a “mama’s boy” though. Always looking to stay in the woman’s good graces and do as he was told.

Now, it’s quite difficult. Cordelia and Atticus are both inclined to stay in the graces of pureblood society. Instead of speaking up, they bow their heads, turn a blind eye. To agree that perhaps Lord Voldemort isn’t all that bad and that everyone’s just blowing it out of proportion. Freddie, never one to question his parents, is following blindly along with them. Alice is forced to watch silently as her family slowly aligns with something she views as truly, and irredeemably wrong.

OCCUPATION

Alice is an auror. Alice is bright. She knows the spells to use, she knows the laws, the protocols to follow. But it’s not just that that makes her such an excellent fit for the job. The ability to think quickly, to solve the problem in front of her efficiently and effectively, was the key to her success. She had a clear mind in the face of danger, which helped to make her one of the best duelists in the business. She and Frank had been nearly unbeatable. But something is off with them, and it’s throwing off their dueling, and it’s throwing Alice off her whole work game.

ROLE WITHIN THE ORDER/THOUGHTS ABOUT THE ORDER:

Alice is in the inner-circle of the Order. She was there to provide a level head and a ministry insight into what was going on politically. She’s there to try to keep everyone safe and protected. At first, the work she was doing with the Order was right. They were protecting the innocent and defenseless. But when things began to fall more and more into a legally grey area, Alice wasn’t so certain anymore.

She’s known who she is and what she stood for her whole life. To be questioning something now is ground shaking. Watching as the younger Order members are more inclined to cause chaos that increases the panic within the community rather than focus on quickly, quietly, and legally helping the others and slowly dismantling the forces that He-Who-Must-Not-Be-Named is assembling is painful for her. She’s trying so desperately to show them that there’s a better way of doing things. A safer way, for everyone involved. But they don’t seem to want to listen.

Watching as Frank takes on more dangerous and legally questionable jobs from the Order has been causing a pit to form in her stomach. Not just because she adores him and would be inconsolable if anything were to ever happen to him, but also because the one thing she cares about most above all is beginning to exist on the fringe of the black area in her mind. In her world without a grey area, she’s not sure what she can do. She knows she won’t turn on him or expose him, but then, what is she supposed to do here?

SURVIVAL:

The British “Stiff Upper Lip” defines how Alice gets by. Living in the Longbottom family house is a step up from the tiny Edgecombe household, and a very welcome change to the tiny London flat she’d holed up in after Hogwarts as she was getting her start at the Ministry. Having copious amounts of floo-powder in the house always makes the commute to work a breeze.

More eyes are on her now than when she was younger. Marrying up meant that people paid marginally more attention to her, even more so as a respected auror. She’s forced herself to be very careful. She never talks of the Order in public. At work, if the group is mentioned, she’s always the first to volunteer to investigate them. Better her than any of the other aurors. If it were anyone else, it was likely all their faces would be on the front page of the Daily Prophet, holding numbers across their chests and looking incredibly grim. Worse the end of her career, if she was discovered to be associated with the Order, it would almost definitely be certain death, now that so many of Lord Voldemort’s followers are also working in the Ministry. She can never be too careful with who she trusts.

RELATIONSHIPS:

While it may not seem like it from the surface, Alice is holding on for dear life with Frank. They’d always been a team in her mind. The two of them against the world. But now he won’t talk to her. He’s been distant, and she barely recognizes him some days. The man she’d married isn’t who’s sleeping beside her anymore, and she isn’t sure where he went, or what she must do in order to bring him back. It’s not as though she can talk to her family or work friends about the problem without exposing the Longbottom’s dirty little (illegal) secret to the entire wizarding world. She can’t talk to anyone about it. She can’t talk to Frank about it. Her parents cannot know that she’s part of the Order, or else they could be in serious trouble. Not that she’d even like to imagine it, but she knows there’s a chance that they could turn on her and turn her in or inform someone in Voldemort’s ranks of just what the Longbottom’s are up to. She can’t talk about it at work or risk exposing herself as a member of the Order. Alice is a cauldron of stress that is at risk of bubbling over. She needs a shoulder to cry on, or at least someone to vent to. Otherwise, Alice is going to explode.

Caradoc Dearborn is clever. He’s got a good head on his shoulders. He knows how to think, and not just blindly stumble into things firing spells left and right. He’s one of the reasons that she still has faith in the Order and what it’s doing, and why she hasn’t withdrawn. She hopes he can help direct to Order into doing what’s best for the entire wizarding community, without making a muck of every law and statute the wizarding world lives by. She can’t imagine what it’s like to lose a parent, and she’s sort of taken him under her wing as a younger sibling of sorts.

Mary MacDonald stresses Alice out more than anything. The girl’s completely all over the map. She flickers back and forth between what’s right and what’s wrong in Alice’s view like a light bulb on the fritz. It doesn’t make sense to her that one person can change her opinion on something a million times in a minute. In Alice’s mind, maybe the girl changes her mind so much because she isn’t sure what she believes. Or worse yet, she knows what she believes, and she’s trying to take the whole Order down from the inside and take everyone along with it. She doesn’t trust her as far as she can throw her.

OOC EXPLORATION:

SHIPS/ANTI-SHIPS: Alice x Frank, Alice x Chemistry

WHAT PRIVILEGES AND BIASES DOES YOUR CHARACTER HAVE?

Alice is very privileged. A pureblood witch who married into another pureblood family? A respectable Ministry job? That’s as good as it gets, as far as some in their community are concerned. But she’s never been one to judge. In school, she enjoyed seeing the other half of the world. She’d trade books and music with muggle-born students, read as much as she could about everything- vampires, werewolves, shape shifters- everything. The unquenchable thirst to know all that there was out there provided her with the facts. But the facts, she’s beginning to find, are often different than the reality.

The underlying prejudice with her still exists, as much as she tries to fight it. She listens to her family and questions whether they always thought that way. Whether or not she used to agree with them. She can’t recall, and she hopes it wasn’t so. But sometimes, watching as these youths who think they’re changing the world by tearing it apart… She wonders just where they learned to think this way. Are they muggle ideas? I want her to try and better understand the struggles that others who aren’t nearly as privileged as her face daily. To try and understand why some are, in her mind, so intent on blowing things up and starting again. To understand their struggle, so that maybe Alice can learn to think beyond what’s black and white in the eyes of the law, and instead see what’s morally and ethically the right thing to do. Perhaps this ability to better understand may help her to realize where her loyalties should truly lie in this war.

WHAT ARE YOU MOST LOOKING FORWARD TO?

Literally, everything. Alice Longbottom has always been my favorite of the Marauders era characters, as I feel like she can be interpreted a plethora of different ways, and I think that this interpretation of her may just be my favorite yet.

PLOT DROP IDEAS: Maybe an inspection of ministry workers, or something that could poke at whether they’re involved in anything suspicious? Or a raid on Diagon Alley.

ANYTHING ELSE? Nope! <3 Mischief Managed!

#homenumaccepted #harry potter rp #harry potter roleplay #marauders rp #marauders era roleplay

5 notes · View notes

learningrendezvous · 4 years

Text

Media Studies

FATTITUDE

By Lindsey Averill, Viridiana Lieberman

An eye-opening look at how popular media perpetuates fat hatred that results in cultural bias and discrimination.

FATTITUDE is an eye-opening look at how popular media perpetuates fat hatred that results in a cultural bias and a civil rights issue for people living in fat bodies.

Fat people are paid $1.25 less an hour than their thin counterparts and can still legally lose jobs just because they're fat. Additionally, 1 in 3 doctors associates fat bodies with hostility, dishonesty and poor hygiene. FATTITUDE looks at how this systemic cultural prejudice results in fat discrimination. Informed by a post-modern, post-colonial, feminist perspective, FATTITUDE also examines how fat-shaming crosses the lines of race, class, sexuality and gender. It features a diverse variety of voices such as academic scholars, activists, filmmakers, actors and psychologists, including Lindy West, Sonya Renee Taylor, Virgie Tovar, Ricki Lake, and more.

A body positive documentary intent on inspiring change, FATTITUDE offers alternative ideas that embrace body acceptance at all sizes, explores examples of fat positive representations being produced today by activists and the media, and focuses on real life solutions for moving forward and changing the national conversation about body image.

DVD (Color, Closed Captioned) / 2019 / 88 minutes

TVTV: VIDEO REVOLUTIONARIES

Director: Paul Goldsmith

Featuring Bill Murray, Hunter Thompson, Steven Spielberg, Lynn Swan, Goldie Hawn, Abbie Hoffman, Lily Tomlin and more, "TVTV: Video Revolutionaries" is a documentary about Top Value Television (TVTV), a band of merry video makers who, from 1972 to 1977, took the then brand-new portable video camera and went out to document the world. In those days, there were only three TV networks, using giant studio cameras, and no one had ever seen a portable camera stuck in their face, let alone one held by what Newsweek called "braless, blue-jeaned video freaks." Because the technology was so new, there were no rules about how to use it or what to make. So the "freaks" used it to make format-bending satirical shows about whatever interested them - from the 1972 Republican Convention to an award-winning expose of a 15-year-old jet-set guru named Guru Maharaj Ji, called "Lord of the Universe" to capturing the Steelers and Cowboys partying hard the night before Super Bowl X.

Directed by TVTV alum Paul Goldsmith, the film is like opening a treasure chest into the 1970s, filled with cultural and political events hosted by now-famous characters who were then just beginning their climb to iconic.

DVD / 2018 / 82 minutes

ACORN AND THE FIRESTORM

Director: Reuben Atlas, Sam Pollard

If you were impoverished and politically voiceless, ACORN hoped to change your mind. For 40 years, the community-organizing group sought to empower marginalized communities. Its critics, though, believed ACORN exemplified everything wrong with liberal ideals.

Fueled by a YouTube video made by two young conservatives who posed as pimp and prostitute in a sting, ACORN's very existence would be challenged. ACORN and the Firestorm goes beyond the 24-hour news cycle and cuts to the heart of the great political divide.

DVD / 2017 / 84 minutes

GRAY STATE, A

Director: Erik Nelson

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film's crowd-funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right.

In January 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause celebre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

A Gray State combs through Crowley's archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of Crowley's work in progress to reveal what happens when a paranoid view of the government turns inward - blurring the lines of what is real and what people want to believe.

DVD / 2017 / 93 minutes

OBIT.

Directed by Vanessa Gould

At a time when the free press is under threat, OBIT. takes a rare look inside one of the United States' foremost journalistic institutions, The New York Times. The steadfast writers of the paper's Obituaries section approach their work with journalistic rigor and narrative flair, each day depositing the details of a handful of extraordinary lives into the cultural memory. Going beyond the byline and into the minds of those chronicling the recently deceased, OBIT. is ultimately a celebration of life that conveys the central role journalism plays in capturing and reporting vital pieces of our history.

DVD (Region 1, Color, Closed Captioned) / 2017 / 95 minutes

TRUMP: THE ART OF THE INSULT

By Joel Gilbert

Donald Trump used his special brand of the Art of the Insult to attack opponents and bash the media all the way to the White House in 2016. He continues to master the art with ongoing fine-tuning from the podium, his office and of course on Twitter.

While critics insisted "The Donald" was merely a chaotic sideshow, Trump continues to dominate the 24-hour news cycle with a master plan of political incorrectness. Hurling insults like Low-Energy Jeb, Lyin' Ted, Crooked Hillary, Little Marco, Pocahontas, and Fake News, Trump has emerged as an unstoppable political phenomenon who has transformed the Presidential voice into the greatest show on earth.

Trump: The Art of the Insult tells the story of Donald Trump's improbable journey from Trump Tower to rallies across America to the debate stage, where he reveled in mocking and taunting rivals with targeted insults and nicknames, leaving them gasping for air. As President of the US, he continues the trend.

In Trump: The Art of the Insult, the President is often sophomoric and sometimes brutal, yet America seems to always find him entertaining. Love or hate Donald Trump, you'll find yourself laughing along with the leader of the free world, and marveling at Trump.

Is "the Real Donald Trump" a marketing genius and accomplished performance artist or....?

DVD / 2017 / 95 minutes

ALL GOVERNMENTS LIE: TRUTH, DECEPTION, AND THE SPIRIT OF I.F. STONE

Director: Fred Peabody

Independent journalists like Amy Goodman, Glenn Greenwald, Jeremy Scahill, and Matt Taibbi are changing the face of journalism, providing investigative, adversarial alternatives to mainstream, corporate news outlets. Our cameras follow as they expose government and corporate deception - just as the ground-breaking independent journalist I.F. Stone did decades ago.

DVD / 2016 / 91 minutes

DEMOCRACY ROAD

By Turid Rogne

After more than 20 years in exile in Norway, the Burmese journalists of DVB are returning to their homeland to establish their independent news station there. Editor-in-chief Aye Chan Naing and reporter Than Win Htut have dreamt about this for years, but their struggle for freedom and democracy is not over yet.

DEMOCRACY ROAD is a road movie documentary following the journalists of DVB in Myanmar in a critical phase of the establishment of the newborn democracy. With their existence as an independent news channel and Myanmar's future as a democracy at stake, senior reporter Than Win Htut and his colleagues hit the road with their groundbreaking show "Our Nation, Our Land." Their goal is to investigate the living conditions of ordinary people off the beaten path in Myanmar, but the machinery of the old dictatorship is still running. Simultaneously, editor-in-chief, Aye Chan Naing, has to negotiate with DVB's former enemies in the infamous Ministry of Information. The road towards democracy has only just begun...

Director Turid Rogne has followed the journalists of DVB for more than 10 years. With both boldness and sensitivity, she tells the story of life in a former dictatorship through the people who try to influence history.

DVD (Color) / 2016 / 60 minutes

KINGS OF THE PAGES: THE GOLDEN AGE OF COMIC STRIPS

Directed by Robert Lemieux

At the turn of the 20th century, two of the most powerful men in America were newspaper magnates William Randolph Hearst and Joseph Pulitzer. Noted mostly for their contentious rivalry and sensationalist news coverage, they were also responsible for cultivating some of the era's most recognizable celebrities-Nemo, Krazy, Happy Hooligan, George McManus, Ignatz, Mutt, Buster Brown, Hans and Fritz, and Offissa Pup, to name a few.

In their ongoing battle to attract newspaper readers, both Hearst and Pulitzer had discovered that comic strips were a strategic addition. Often raiding each other's staffs to acquire the best talent, both men recognized the potential. It wasn't until Hearst unveiled the first full color, 8-page comic supplement in 1896, that the potential was fully realized, prompting Hearst's now famous quote motto... "Eight Pages of Iridescent Polychromous Effulgence That Makes The Rainbow Look Like A Lead Pipe!"

Over the next fifty years, that polychromatic effulgence would usher in the Golden Age of the American comic strip. During that time span, more than 150 different strips made their way into America's living rooms. Every week the characters and their creators provided humorous entertainment and tickled many a funny bone. Reading the comics became a cultural phenomenon.

Only available in North America.

DVD / 2016 / 24 minutes

WHAT HAPPENED TO HER

By Kristy Guevara-Flanagan

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor's experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.

The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliche laid bare. Essential viewing for Pop Culture, Women's and Cinema Studies classes.

DVD (Color) / 2016 / 15 minutes

1971

Director: Johanna Hamilton

On March 8, 1971, a group of citizens broke into an FBI office in Media, PA, took every file, and shared them with the public. Their actions exposed the FBI's illegal surveillance program of law-abiding Americans. Now, these previously anonymous Americans publicly share their story for the first time.

The FBI, established in 1908, was for 60 years held unaccountable and untouchable until 1971, when The Citizens' Commission to Investigate the FBI, as they called themselves, sent the stolen files to journalists at the Washington Post, which published them and shed light on the FBI's widespread abuse of power. These actions exposed COINTELPRO, the FBI's illegal surveillance program that involved the intimidation of law-abiding Americans, and helped lead to the country's first congressional investigation of U.S. intelligence agencies.

The activist-burglars then disappeared into anonymity for forty years. Until now. Never caught, these previously anonymous Americans parents, teachers and citizens publicly reveal themselves for the first time and share their story in the documentary 1971. Using a mix of dramatic re-enactments and candid interviews with all involved, the film vividly brings to life one of the more important, yet relatively unexplored, chapters in modern American history.

DVD / 2015 / 79 minutes

BAPTISM OF FIRE, A

By Jerome Clement-Wilz

"As it gets harder to sell pictures, we take greater and greater risks," explains Corentin Fohlen. A war correspondent still in his twenties, Fohlen is part of a new generation of freelance journalists who fly to war zones from Libya to Afghanistan on their own dime in the hope of selling images to news media outlets.

But the carefree attitude of youth can change when confronted with the harsh reality of life in wartime. When a colleague is killed in Syria, Fohlen's thirst for adventure turns into a deeper reflection on the meaning of work and life. Director Clement-Wilz followed Fohlen through shells and bullets for four years in order to create this riveting portrait of the life of a contemporary war correspondent.

DVD (Color, Closed Captioned) / 2015 / 52 minutes

DREAMS REWIRED

Narrated by Tilda Swinton By Manu Luksch, Martin Reinhart & Thomas Tode

Tilda Swinton's hypnotic voiceover and a treasure trove of rare archival footage culled from hundreds of films from the 1880s through the 1930s—much of it previously unseen—combine to trace the anxieties of today's hyper-connected world back a hundred years. Then, too, electric media sparked idealism in the public imagination—hailed as the beginning of an era of total communication, annihilation of distance and the end of war. But then, too, fears over the erosion of privacy, security, morality proved to be well-founded.

DREAMS REWIRED traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. At the time, early electric media were as revolutionary as social media are now. The technologies were expected to serve everyone, not just the elite classes. Human relationships would become stronger, efficiency would increase and the society would be revolutionized... But these initial promises were very different from what new media eventually brought to daily life.

Using excerpts from early dramatic films, slapstick comedies, political newsreels, advertisements and recordings of scientific experiments culled during years of research in film archives around the world, co-directors Manu Luksch, Martin Reinhart and Thomas Tode unearth material that is by turns hilarious, revelatory, beautiful and prescient. The archival footage, combined with poetic narration and a virtuosic score by Siegfried Friedrich forges a cross-generational connection between contemporary viewers and their idealistic forbearers of a century ago.

DVD (Color, Closed Captioned) / 2015 / 85 minutes

HOT TYPE: 150 YEARS OF THE NATION

Director: Barbara Kopple

Hot Type: 150 Years of The Nation is a vivid, inside look at America's oldest continuously published weekly magazine. Shot over three years in intimate, cinema verite style, the film captures the day-to-day pressures and challenges of publishing the progressive magazine as it follows reporters out into the field, the editors who shape their work, and the editor-in chief who tries to keep all of the plates spinning.

Writers are the heart and soul of the magazine, and the film follows them extensively. Sasha Abramsky travels to West Texas to report on the years-long drought that has gripped the region and the devastating economic impact on farmers and residents. John Nichols unpacks what's going on behind the effort to recall Wisconsin governor Scott Walker. Amy Wilentz visits the "temporary" tent camps of Haiti, three years after the earthquake, to shed light on the dire conditions and lackluster international response. And Dani McClain reports on the Moral Monday movement in North Carolina, and its dynamic leader Rev. William Barber, as they push back against an extreme right-wing takeover of the state legislature.

In all of the current-day reported stories, The Nation's incredible trove of archival articles - and roster of writers - acts as an historical touchstone and illuminates how the past continuously ripples through and shapes current events.

At a fascinating moment in American history - politically, socially and culturally - the media landscape is changing at breathtaking speed. The film charts the journey of The Nation - and the nation - evolving into the future, as it is guided by its remarkable past.

DVD / 2015 / 92 minutes

HOW TO CHANGE THE WORLD

Director: Jerry Rothwell

How to Change the World chronicles the adventures of an eclectic group of young pioneers - Canadian hippie journalists, photographers, musicians, scientists, and American draft dodgers - who set out to stop Richard Nixon's atomic bomb tests in Amchitka, Alaska, and end up creating the worldwide green movement.

Greenpeace was founded on tight knit, passionate friendships forged in Vancouver in the early 1970s. Together they pioneered a template for environmental activism which mixed daring iconic feats and worldwide media: placing small rubber inflatables between harpooners and whales, blocking ice-breaking sealing ships with their bodies, spraying the pelts of baby seals with dye to make them valueless in the fur market. The group had a prescient understanding of the power of media, knowing that the advent of global mass communications meant that the image had become a more effective tool for change than the strike or the demonstration.

DVD (Region 1, Color) / 2015 / 109 minutes

SEX, LIES AND TABLOIDS!

By Jean-Baptiste Peretie

They're lurid, obnoxious, disdainful and explicit. And we love them - and love to hate them.

SEX, LIES AND TABLOIDS! charts the rise and fall of tabloid papers in the UK and US, including the New York Post, The Sun, and notorious supermarket tabloids like the National Enquirer and The Star.

In the beginning, they were upstarts. Papers that shamelessly pandered with stories about sex scandals, and celebrities - often skirting ethical lines, and sometimes outright making things up ("Run it through the typewriter again," was one editor's mantra.) But by the 1980s and '90s they had become the media heavyweights. Left behind by the tabloids' coverage of Bill Clinton's sex life, Princess Diana and the OJ Simpson trial, the mainstream media started to adopt their techniques.

SEX, LIES AND TABLOIDS! Features extensive interviews with key tabloid players such as notorious editor Kelvin MacKenzie ("If you have no news... you get a picture of Diana and make it as big as possible"), journalist Paul McMullan ("People need to understand that privacy is an evil, bad concept"), and the late Vincent Musetto (famed for the headline "Headless body in topless bar"). The film provides an insider's account of the no-holds-barred mentality driving tabloid journalism while also using fun and campy footage mimicking the style of the tabloids themselves.

Eventually, the tabs would go too far. Briefly chastened by the death of Diana and shunned after the British phone hacking scandal, the papers would go into a downward spiral, with The News of the World even shutting down. But culture they spawned is stronger than ever. Sites like TMZ and The Smoking Gun and an omni-present gotcha culture have brought the spirit of the tabloids to the Internet. At the same time, the ubiquity of sharing means photos that would once have been prized by paparazzi (hello Kim Kardashian in a bikini) are posted by celebrities and would-be-celebs themselves. The tabloids may be gone, but the tabloid spirit is everywhere.

DVD (Closed Captioned) / 2015 / 52 minutes

WORLD ACCORDING TO RUSSIA TODAY, THE

By Misja Pekel

In 2014, Malaysian Airlines passenger flight 17 was shot down with a rocket intended for the private plane of Russian president Vladimir Putin... If, that is, a viewer is relying on the satellite TV network Russia Today as their source for news.

These claims were not the first time Russia Today drew attention for counter-factual reporting: during the 2008 war in Georgia, the network reported that South Ossetians were the victims of genocide at the hands of Georgians. In 2014, the channel was warned by the British TV agency for its biased and inaccurate reporting on the uprising on Maidan Square in Kiev. The list goes on and on.

Russia Today (now renamed just RT) was launched in 2005 to bring a Russian-centric perspective on current political events to a global audience. After a decade of generous Kremlin funding, 2015 found the 24-hour news channel the biggest media organization on YouTube with 2 billion viewers: more than CNN and the BBC combined.

The network claims only to offer an alternative perspective to the monolithic view presented by mainstream Western media. But what kind of "reporting" is Russia Today actually doing? What is it like to work for the channel? How much influence does the Kremlin really have there? Is it possible to differentiate between fact and opinion on a Russian channel when the Russian interests are at stake?

In Misja Pekel's disturbing documentary THE WORLD ACCORDING TO RUSSIA TODAY, former and current news anchors, editors and correspondents for the network-including William Dunbar, Sara Firth, Marc de Jersey, Afshin Rattansi and Liz Wahl-join journalists and media professionals Alexander Nekrassov, Peter Pomerantsev, Richard Sambrook, Daniel Sandford, Derk Sauer and more in a detailed dissection of the channel's modus operandi and the challenges and dangers of reporting and consuming news in a globalized world.

DVD (Color, Closed Captioned) / 2015 / 40 minutes

INVESTIGATIVE REPORTING IN THE DIGITAL ERA

In the new world of tweets, blogs, and citizen journalism, what is the outlook for true investigative reporting? This program highlights the ways investigative journalism is changing, particularly in the context of digital and online media. Social media and globalization have changed the ways reporters connect with their readers. What are the advantages and disadvantages of nearly instantaneous access to news as it unfolds? A panel of heavy hitters from the world of journalism weighs in on these and other issues, such as emerging financial models for (costly) investigative reporting as traditional news budgets shrink. Young reporters entering the field will be particularly encouraged by many of the exciting technologies and resources available for developing stories that are more in-depth, media-rich, and engaging. Investigative journalism is a fast-evolving field, and this program helps entry-level reporters as well as veterans to bear witness more effectively in the Internet era.

DVD / 2014 / 17 minutes

ADJUST YOUR TRACKING: THE UNTOLD STORY OF THE VHS COLLECTOR

It revolutionized the film business. The birth and life of VHS as a format brought films into the homes of millions around the world. And, it brought genre films to the forefront. Now, if you think VHS is dead, you're wrong!

Over 100 collectors, filmmakers, producers, and video store owners express how VHS changed their lives. Some see VHS as worthless plastic, but Adjust Your Tracking shows a vibrant world of collectors and movie fans who are keeping the format, and the movies, alive. Travel back to the days of video rental stores with those who still buy, sell, rent and trade the format that will not die-VHS.

DVD / 2013 / 84 minutes

CAPTIVATED: FINDING FREEDOM IN A MEDIA CAPTIVE CULTURE

This feature-length documentary is not anti-media or anti-technology, but it raises critical concerns about our culture's seemingly unchecked enthusiasm for media consumption. It highlights the overwhelming evidence of growing problems on multiple fronts, including the potential physical, psychological, moral, and spiritual impacts of media technology when used or consumed without discretion.

Features outstanding interviews with Ray Comfort, Bob Waliszewsi, Dr. Ted Baehr, Dr. Jeff Myers, Kerby Anderson, Kevin Swanson, Dr. David Walsh, Al Menconi, Dr. Dimitri Christakis, Dick Rolfe, Phil Chalmers, Professor Mark Bauerlein, Maggie Jackson, and more. .

DVD / 2013 / 107 minutes

INREALLIFE

Director: Beeban Kidron InRealLife asks what exactly is the internet and what is it doing to our children? Taking us on a journey from the bedrooms of teenagers to Silicon Valley, filmmaker Beeban Kidron suggests that rather than the promise of free and open connectivity, young people are increasingly ensnared in a commercial world. Beguiling and glittering on the outside, it can be alienating and addictive. Quietly building its case, Kidron's film asks if we can afford to stand by while our children, trapped in their 24/7 connectivity, are being outsourced to the net?

While newspapers alternately praise and panic about the glittering world of the Internet, there is a generation of children who have grown up with a smart phone in their hand, connected to the world 24 hours a day, seven days a week.

Public discourse seems to revolve around privacy, an issue that embodies the fears and concerns of adults. What is less discussed is what it really means to always be online, never alone and increasingly bombarded by a world that has something to sell you and appears to know you better than yourself. A world that is so ubiquitous that it is the first thing you see as you wake up in the morning and the last thing you see before you go to sleep at night.

For adults there was a 'before' the net. But for the current generation, at the time of their most rapid development they have no other experience and few tools with which to negotiate the overwhelming parade of opportunity and cost that the internet delivers directly into their hands.

From the bedrooms of five disparate teenagers and then into the companies that profit from the internet, InRealLifetakes a closer look at some of the behavioral outcomes that come from living in a commercially driven, 'interruption' culture.

Following the physical journey of the internet, from fiber optic cables through sewers and under oceans, from London to NYC and finally to Silicon Valley, the film reveals that what is often thought of as an 'open, democratic and free' world is in fact dominated by a small group of powerful players. Meanwhile our kids - merely pawns in the game - are adapting to this new world - along with their expectation of friendship, their cognition and their sexuality.

DVD / 2013 / 90 minutes

SMILING THROUGH THE APOCALYPSE

Director: Tom Hayes

Esquire magazine was a galvanizing force in American culture from the early 1960s through the early '70s. Forging its pop-cultural capital on the basis of provocative cover art, intellectual audacity and riveting articles by the preeminent and cutting edge writers of the time, the magazine captured the zeitgeist of America in the crucible of the '60s.

The chief architect of this print revolution was Harold Hayes, a brilliant and tenacious editor who granted Esquire's contributors unprecedented journalistic freedom. Hayes' fearless instincts provided a haven for writers like Gore Vidal, Tom Wolfe, Gay Talese, Nora Ephron, William F. Buckley and Norman Mailer, and nurtured the iconoclastic talents of art director George Lois. By making it possible for writers and artists to bring novelistic techniques into reportage Hayes fostered what became known as "New Journalism".

The indelible cultural contributions captured in this enthralling documentary by his son, Tom Hayes, provide a vivid context for nothing less than the rebirth of American aesthetics. Featuring interviews with Robert Benton, Candice Bergen, Peter Bogdanovich, Brock Brower, Graydon Carter, Lee Eisenberg, Harlan Ellison, Nora Ephron, Robert Frank, Hugh Hefner, Tom Meehan, Frank Rich, Bob Rifkind, Gay Talese, Gore Vidal, Ed Wilson, Tom Wolfe and many others.

DVD / 2013 / 99 minutes

BATTLE FOR THE ARAB VIEWER, THE

By Nordin Lasfar

In early 2011, people around the world tuned into Al Jazeera to watch the Egyptian revolution in real time. Meanwhile, rival broadcaster Al Arabiya was also offering near continuous coverage, with cameras on a balcony overlooking the 6th October Bridge, where protesters and police clashed.

How was the content of those broadcasts - and the networks' subsequent coverage - influenced by their political allegiances?

Featuring interviews with current and former journalists from both networks, and analysis from independent pundits, The Battle for the Arab Viewer highlights the philosophical differences between the two pan-Arab networks.

Al Jazeera was created by the Emir of Qatar after he deposed his father in a coup. The station typically champions the poor and social movements - such as the Muslim Brotherhood - that are hostile to the Saudi regime. The station has grown highly influential. In the film, a passerby stops Al Jazeera's chief Cairo correspondent on the street to thank him and the government of Qatar for supporting the anti-Mubarak forces, saying the network is "90%" responsible for the revolution.

With Al Jazeera supporting elements hostile to Saudi Arabia, the Saudis set up their own network as a counterpoint: the more conservative Al Arabiya, owned by a close friend of the royal family.

While The Battle for the Arab Viewer offers insight and analysis, it also shows how the battle between the two networks plays out on the ground in Cairo. We go behind the scenes with Al Arabiya journalist Randa Abul Azm and Al Jazeera's Abdelfattah Fayed as they follow stories, break news, and cover events such as Hosni Mubarak's trial. (Azm is allowed into the courtroom, but Fayed is not.)

Azm and Fayed each mirror their networks' respective demographics. Al Arabiya appeals to well-off, middle-class viewers who value security and stability. Enter Amz, who lives in a building built by her engineer father, on a street named for her grandfather. Fayed, representing the network that purports to stand for the downtrodden, shows us a photo of his father, who worked in agriculture.

Both deny that their work is influenced by the political agendas of their networks' owners. But former employees of both networks tell a different story. Particularly striking is the case of Hafez al Mirazi, who was taken off Al Arabiya's airwaves after promising to put Saudi Arabia under the microscope on his show.

Media bias is nothing new - as Mirazi says, viewers of Fox News and MSNBC each know what they are going to get. What is different in the Arab world is that the networks are directly owned by states. He says, "They keep shifting according to the countries they are sponsored by, and that affects the stories their citizens get on a daily basis."

Ultimately, the problem may resolve itself. As democracy spreads through the region, will truly independent media follow?

DVD (Color) / 2011 / 48 minutes

WAR PHOTOGRAPHER

Director: Christian Frei

"If your pictures aren't good enough, you're not close enough." - Robert Capa

War photographer James Nachtwey has been close enough for twenty years. Over this time he hasn't missed a single war. And he probably has seen more suffering and dying than anyone else alive. For War Photographer, which was nominated for the Academy Award for Best Documentary Feature, Christian Frei followed Nachtwey for two years into the wars in Indonesia, Kosovo, and Palestine, as well as to other troubled areas around the world.

If we believe Hollywood pictures, war photographers are all hard-boiled and cynical old troopers. How can they think about 'exposure time' at the very moment of dread? But James Nachtwey is no rumbling swaggerer. He is an unobtrusive man, with grey hair and the deliberation of a professor of philosophy. A thoughtful, rather shy person - who many think of as the bravest and best war photographer ever.

Christiane Amanpour of CNN, Hans-Hermann Klare of Stern Magazine and many other friends and colleagues of Nachtwey talk about his photos, his relationship to his work, and the impact it has on his personal life. And many of his most powerful images are shown in the film.

Finally, and most amazingly, in War Photographer special video micro-cameras are attached to Nachtwey's still camera. We hear every breath of the photographer. We participate in the act of shooting war photos. And for the first time in the history of movies about photographers, this technique allows us the most intimate insight into the work of a concerned photojournalist.

DVD (English and German) / 2001 / 96 minutes

http://www.learningemall.com/News/Media_1911.html

5 notes · View notes