Brown silk dress, ca. 1892, American.
By Mme. De Latour.
Indianapolis Museum of Art at Newfields.
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some art ❤️
Designing my friend a Golden Kamuy Skateboard deck! Only have the sketch half way done so this is all i got at the moment.
I’m working with Newfields’ horticulture department (also known as The IMA/The Indianapolis Museum of Art) to design some graphics of native Hoosier plants in their pollinator garden. The yellow flower is the American Senna and the pink one is the Eastern Red Columbine.
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Woman washing her feet in a brook, 1894, Indianapolis Museum of Art - by Camille Pissarro (1830 – 1903), Danish/French
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Grill in the lobby of Circle Tower
55 Monument Circle, Indianapolis, Indiana, USA
Designed by William B. Jungclaus
Built: 1929-30
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It’s Fine Press Friday!
Today we’re taking a closer look at some of Indianapolis-based artist Carl Pope’s (b. 1961 ) work—a portfolio of broadsides produced for the installation series The Bad Air Smelled of Roses. The edition in our collection consists of 71 letterpress prints of varying dimensions (all around 56 x 36 cm) produced with wood type at York Show Prints in York, Alabama (formerly run by Amos Paul Kennedy, whose works are also represented in our collection) and Tribune Showprint in Earl Park, Indiana (“the oldest continuously operating letterpress shop in the country”) on poster and chip board between 2004-2005, nearly all of which are signed by the artist.
Pope characterizes the work, which has grown since its original iteration to include 108 posters, as “an ongoing essay about the presence and function of Blackness in society” and an exploration of the "various psychological and emotional states like forgetfulness, insanity, alienation" associated with "the poetics of Blackness." He chose to present a selection of texts drawn from a variety of sources including “modern Black literature, René Descartes, jazz and rap music, Sigmund Freud, Malcolm X, Dolly Parton, movie dialogue from Casablanca and The Matrix...” in letterpress print form because of the medium’s historical associations with marketing and political activism.
When installed in the rarified context of an art gallery or museum, as this series has now been exhibited on numerous occasions, the commercial qualities of Pope’s posters incite a productive slippage in our assumptions around high and low culture. As he puts it in a 2018 interview with Hyperallergic, “I don’t see culture as the production of beautiful paintings and works of art, you know, although culture includes that. For me the production of progressive culture is the collaborative practice with myself and other people in the world of ideals, to create and to advance human evolution... I’m not interested in using art as a tool for cultural imperialism.”
View more Fine Press Friday posts.
View Amos Paul Kennedy posts.
View more letterpress posts.
View more wood type posts.
– Ana, Special Collections Graduate Fieldworker
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Hey guys! This is in my home! It's super exciting that we might be getting a tiny house village to help the homeless! ESPECIALLY since a nearby homeless camp is getting shut down!
But they gotta hit their funding goal in less than a month!
Next week I'll probably be setting up donation commissions, but please take a look and if you can can throw a couple bucks their way or share this, please do!
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