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#in reference to the drawing i posted not long ago

rainystressed247 · 5 hours

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Question!! I think I saw a drawing of yours a while back but idk if it was actually you and I can’t find the post again 😭 did you by any chance draw Dream as a Fae sometime in 2021? 🤔

That is a very specific timing. In fact, I did as part of an appreciation for a fic. That is so long ago and i can’t remember the fic off the top of my head but I think this is the one you are referring to?

(I don’t blame you for not being able to find it, I dun think I post it widely, but now we get to see <3)

#rainyaskbox #dream fanart #fae!dream but in another font #I think the fic is siren sth #or sth else entirely #it has been a long time

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darqx · 19 days

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Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

#boyfriend to death #art #rire answer dump #answer dump #doodle #long post #decided to actually redesign what a naga rire would viably look like since the old design was bad XD

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queerfables · 6 months

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Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

#good omens #good omens meta #fable talks good omens

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fatesundress · 1 year

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⭑ observations ii. tom riddle x reader

part i here.

summary. two weeks after your last encounter with tom shatters all of your previous observations, tensions are high, and eventually, something's gotta give. (it's tom. he’s giving head)

tags. smut (so. so much. minors BE GONE TO WHENCE YOU CAME!), fem anatomy + reader is referred to as a woman by someone, fingering, cunnilingus, piv, again implied tall!tom or short!reader (take it however you prefer), jealous tom does not understand friendship but then again neither does reader apparently, a little wine is had, the room of requirement is used shamelessly as a plot device, did i mention smut, i’ve lost my mind etc etc.

note. this is a part two, so go ahead and read the first part and come back if you'd like :) obligatory preface: it's safe to assume any smut i write within hogwarts is a university au — these people are all 18+ tyvm. also woahh was not expecting the love on my last post so thank you! i'm still trying to figure this whole acc out so support, questions, (requests? never done those before) anything is appreciated ♡

word count. 6.3k

The next two weeks are agony. You don’t, in fact, stop meeting with Godefrey to study, because you do, in fact, still need a good mark in Ancient Runes and for all his faults he can reach the tallest shelves and he’s a faster writer than you. Also, Tom Riddle is fantastic with his hands but this does not make him God.

You find pureblood politics a bit archaic. You find muggle courting a bit stifling. This leaves very little space for what took place between you and Tom in the middle of a corridor two weeks ago (you can’t stop wincing at how insane that sounds) and very little patience for his utterly original and not-at-all entitled request that you halt your studies with Godefrey. Godefrey doesn’t stick his hands up your skirts while the two of you are studying, doesn’t silence your gasps with a shush and a finger to your mouth, doesn’t — wouldn’t (you’re so imaginative when you want to be) — tell you to keep reading as his thumb draws circles between your legs, tell you to repeat the words that get caught in your throat, tell you how much he likes it when your eyes go dumb and glassy and all you can say is his name. So, really, Tom should have nothing to worry about.

“I swear,” Selwyn says, picking at a plate you don’t think she’s actually eaten anything off with how distracted she is, “he’s looked over here at least three times.”

You don’t dare glance at who you know she’s talking about. “You’re obsessed.”

Pot. Kettle. Whatever.

“Are you sure you didn’t do something to upset him in Potions? Didn’t botch something that might mar his perfect record?”

You flick her forehead and she scowls. “I’m not an idiot, Selwyn. I handle myself just as well in Potions as he does — he wouldn’t —” Wouldn’t have complimented your rapport if that weren’t true, wouldn’t have said you communicate efficiently, make a good pair, probably wouldn’t have — fingered you in the hallway? — yes, that too. Slipped your mind. So easy to forget.

You take a long exhale, and smile impassively at her. “I didn’t botch anything, trust me.”

She finally takes a bite of food. “Maybe I did something…”

And then she’s lost in thought again, eating now, at least, and you shake your head softly as you watch what are likely a million different theories flitting through her head.

“Morning,” Tom says to you when you enter Potions after breakfast, a delicate smile tugging at his lips.

You have, of course, trained for this.

It’s your fifth — sixth? — time sharing a table with him since that night and it is somehow easier by nature and harder by anticipation (of what, you have no idea) every time. The first was terrible. Unsalvageable and without a silver lining. It had taken almost an hour that morning to charm the violent hues of red and purple spanning the column of your throat, and ultimately, the marks were so persistent you’d forgone the glamours and decided to just wear a turtleneck. You’d been fortunate it was completely inconspicuous to wear such a thing in December, but that was about all there’d been to be grateful for. You hadn’t been able to look at Tom all class and his hand had brushed yours once to take a phial from you and you’d flinched so sharply it would have shattered on the floor if he hadn’t caught it. And he’d smiled, like he’s smiling now, a soft, “Careful,” that honestly, for a short moment, made you want him dead.

Now you could speak just fine, look him in the eyes in practised intervals, and almost, impressively, make articulate conversation with him again. Make stupid comments about Slughorn and Lestrange and bear the weight of his grin knowing it was there for you.

His, he’d called you. A very funny thing.

“Morning,” you answer on a smiling sigh, sleepy but jovial all the same.

You deserve applause for this.

“Tired?”

“Mhm — Essays for Ancient Runes are due Friday and it’s been keeping us up all night.”

His eyes flash with something you’ve yet to ascertain. Your research has been put temporarily on hold, scattered and splintered by the revelation that your first observation was, admittedly, a little bit off, and you have no means of figuring out a look like that when you can’t even begin to figure out anything else.

“Has it?” he asks, a tinge less friendly.

“Well,” you say, grinding the lacewing flies, “that’s commonplace, isn’t it? You take all sorts of advanced classes, I’m sure you understand the work it takes.”

“...Hm.”

That’s it. That’s all you get from him.

And if Selwyn’s concern over you botching your work in Potions wasn’t already, obviously dispelled, the glee on Slughorn’s face as he assesses your and Tom’s cauldron should do it.

“Brilliant! Just brilliant!” He claps a hand over Tom’s back, regarding you both with pride so thick it clouds his eyes, like he's drifted into a revery of the future (you and Tom, you expect, are his most prized graduates, making history under his name, proving his immense wisdom) before he appears to return to Earth. “Ten points between the two of you, hm? Very, very good — though, of course, no surprises there!”

He chuckles to himself as he evaluates the other students, and you catch a horrified wheeze of Godefrey’s name (bless his heart) as one of the cauldrons in the back begins to sputter and froth.

You look to Tom with some droll little comment at making it to the end of term with top marks, but his gaze is burning into Godefrey’s table in such a way you wouldn’t be surprised if it was what was causing his cauldron to boil.

Well. Perhaps not, then.

You and Godefrey hand in your essay that Friday with more relief than apprehension — you both decide it’s quite good — and you laugh loudly and breathlessly as he picks you up and thanks you a thousand times, spinning you until you’re dizzy. You refrain from making any promises to attend his Quidditch games, but he vows to let you have the snitch he catches.

And Slughorn, you come to find, was not exaggerating his elation at your skill. After trotting after you on your walk back from Ancient Runes to invite you to the last Slug Club dinner of the year, your spirits are high with the blissful satisfaction of a job well done and a night to celebrate it with.

You can breathe, finally, when it’s the last week of school before Christmas break and Selwyn’s zipping the back of a last-minute dress you purchased in Hogsmeade.

“Gorgeous,” Selwyn says with a grin. “Wish this school would have a bloody ball so I could really dress you up.”

“Buy a doll, Selwyn; you can dress them however you like.”

“You are such a —”

You burst into laugher, swatting her wand away as she pokes your side with it.

“Just — go then, before I hex you.”

“All right, all right!” you concede, arms raised in surrender. “Don’t ruin all your hard work now.”

“Oh,” she calls on your way out the door. You turn and there’s a mischievous look in her eyes as she tucks her wand back in her pocket. “And do tell me before I leave tomorrow if Riddle stares at you all night.”

You groan as if it’s a truly abominable thing to imagine. Riddle, staring with those dark eyes of his? You, the centre of his attention? Ghastly. You daresay you’d never recover from the horror of it.

“Don’t leave before I tell you how remarkably uneventful a night it was,” you say with a sidelong glare, and leave before she can edge in the final word.

You have no idea what a Slug Club supper typically consists of, but you imagine for Christmas he’s gone a little further with his festivities. His office is glittering in hues of green and red and fleecy, snow-dappled gold. The lights overheard (some similar charm to the one in the Great Hall but a tad less complex, you think) drip and then vanish into the air like squeezed berries, and the berries — served with pastries and ice cream — taste like they must be enchanted with something.

Selwyn was right that the standard dress isn’t quite formal enough for a ball, but it’s… formal. The boys are in clean-cut dress robes and the girls are in fine gowns of different lengths. By the overwhelming number of them you recall being archetypes of Slytherin pureblood fanaticism, it makes sense how expensive they all look. You yourself brush up nicely, if not a bit more frugally, but you haven’t been to an event like this at the school yet, and that’s exciting on its own.

It’s another degree of training (is there going to be a marathon? Are you at war?), a step up from your preparations before Potions every other day, to be ready when Tom Riddle enters the room a respectable five minutes late with a gleam about him more captivating than any of the lights.

“Ah, Tom!” Slughorn exclaims, and ushers him into a seat you remark before Tom is even in it is discomfitingly near to yours. “We’re all here at last… Supper, then? Hope you aren’t too full already, I’ve got the House Elves running laps!”

You’re spared Tom’s closeness by a Ravenclaw couple sat in the chairs between you, their hands clasped under the table while they sip wine from their goblets, and you only realise the length of your observation when Tom glances at you from the spot over, and you startle yourself into reaching for your own goblet and pretending to enjoy Slughorn’s bitter wine.

You eat. You listen to cluttered, unending tales of Slughorn’s time at school and how he earned his post. You drink, and then you regret not drinking before eating because there’s only a very light, very nice buzz that warms you when you finish your cup, and the Ravenclaw couple is — oh, wait, it isn’t just them — they’re standing up to dance as a gramophone sparks to life and a low, dulcet instrumental begins to play. There are now two notably empty seats separating you from Tom.

What had you said this night would be? Blissful satisfaction?

You couldn’t blame Selwyn for suggesting you’d blundered Potions — you didn’t feel exceptionally smart right now.

“I didn’t know you would be here tonight,” Tom says, pulling the chair beside you.

Where is the bottle of wine? No. Nevermind. You behave regrettably enough sober.

You manage a simple, “And yet.”

“...And yet.” His lips quirk before he takes a drink from his goblet.

You lament for a second that you’ve only actually kissed those lips once. They spent a great deal longer on your neck.

“Will you be here over break?” he asks, and it isn’t an unreasonable thing to ask, you suppose.

“I think so. Why?”

“I’d like to know whether to expect you or not.”

Expect you… No, yes — revert to observation two: unusual is not an apt enough word for him.

It takes you a moment to conjure a response befitting polite dinner conversation. That is, after all, still what this is.

“I suppose you can. I’ll be busy, of course.”

Well, you didn’t say you conjured something good. It’s a big fat lie. Placating, vague, empty. And you suspect Tom knows that.

“Pity.”

Yes, he knows. He’s all quiet amusement again.

You stare off, satisfied to be left alone —

"And what is it that'll be taking so much of your time?"

“Well, I'm —” And now you have to build the lie — “I’ve told Godefrey I’ll attend to his Quidditch practise. Since the pitch isn’t in use.”

God, it’s so stupid it’s almost impressive — you don’t even know if Godefrey will be here over break, and you could have chosen any number of excuses that would pique Tom’s interest less than it’s apparently consistently piqued by the mention of your study partner.

There’s that strange, indecipherable look again. Riddle is a perfect surname for him, you decide then, and you almost laugh at yourself for it, but that would probably not go over well should he ask what’s so funny.

“Have you, now? That’s very kind of you.”

“It’s hardly charity.”

“Hm, it’s kind of you to think so.”

You huff, tipping your goblet back to swallow the last meagre dregs of your wine.

“You look lovely.”

It’s just a little bit — just a tiny, straggling little bit of elderflower that captures your throat — and you cough into your goblet. “Thank — thank you.”

And, well, he looks lovely too. Obviously. Sickeningly so. You know little about his personal life but you’re positive he’s at least a half-blood, if not muggle-born, and it makes you wonder the influence of his renownedly plain black suit in a crowd of neat, long robes.

He manages with little effort to look better than all of them at their best.

His eyes drift over you appreciatively, quick enough not to be rude but — enough. (Enough that you daresay you might never recover from the horror of it.) You adjust under his gaze even when it’s situated on your face, far too heavy a thing for you to carry. “Does Godefrey call you lovely?”

What?

You blink at him, your mouth is probably open and you probably look stupid but he’s so… irritating. Yes, of course Godefrey calls you lovely. Godefrey tells you you’re the smartest woman he’s ever met (after his mother), and he drowns you with sherbet lemons at no cost, and he writes at the speed of light to match the quickness with which you recite your textbook, and none of it means anything. Tom is just —

“Unbelievable…”

He quirks a brow. “What was that?”

“I said you’re unbelievable, Riddle. Is it impossible for you to comprehend that I might have friends? That Godefrey is my friend?”

“Well, memory serves me right that you seemed a bit confused on the conventions of friendship last you mentioned it. Do forgive my uncertainty.”

He — that was —

“Well, that’s because we are not friends.”

“No.” He leans in. “We are not.”

You push your chair from the table with all the grace you can manage for such an abrupt thing: a tight, impersonal smile on your face as you walk away and approach Slughorn, only realising when you get there that your empty goblet is clutched in your hand like you’re trying to strangle it.

Whatever he sees on your face, he isn’t drunk enough not to frown at. “Ah, our newest gem — hardly seen you all night! Not leaving already, are we?”

You glance at the clock. It isn’t as though you’re being impolite by abandoning his party in the middle of the event. It’s quite late, the servers are stuck to the walls with little to do, and most of the room has divided into waltzing pairs.

“I’m taking my friend to the train station tomorrow, sir. Unfortunately I need to be up quite early.”

Yes, yes, it’s all so tragic. You’re depressed to go.

“Such a shame,” Slughorn frets, wobbling a tad and balancing himself on the wall. “You’ll be all right getting back? Not at all dizzy, are you?” His laugh is cleaved by a loud hiccough, and then he laughs even more. “My, well, I myself will need to be carried!”

“...I’ll be fine, sir. Thank you.”

“Oh, no trouble at all — there’s — hm… ah, Tom!”

No, no — is it bad you almost reach over and slap your palm over your professor’s mouth? Is it at all impressive that you don’t? You should look on the bright side in moments like these. You should admire your restraint.

But of course, Slughorn’s eyes don’t fall upon Tom for nothing. He's halfway across the room already, and Slughorn must have spotted him approaching to achieve this brilliant solution. “Tom can escort you back, no?”

Tom (unforgivably) is beside you now, a very mean, very pretty smile on his face.

“Not too much to ask, I should think? You know the castle best. Head Boy — sometimes I still can’t believe it!”

You look up at Tom and your jaw is clenched where you’ve since put down your goblet. There is too much tension in you to know what to do with, and he looks positively thrilled.

“It’s hardly charity, sir.” He holds out his arm.

You wonder what spell would catch him most off-guard if you were to blast him in the face right now.

Slughorn claps his hands together. “Ha! Yes, well… perfect, then! Off now, the two of you, off now. Do have a good — ” He hiccoughs again — “rest!”

You don’t even bother the diplomacy of smiling at Slughorn as your arm loops through Tom’s and you’re exiting the party.

Neither of you say a word on the journey, and that’s very well.

If you could just get back to bed without speaking to him you may still consider it a good night. You may be able to push his strangeness and his entitlement and the annoying way his hair falls to another day, when he pesters you about Godefrey’s nonexistent Quidditch practise, which — come to think of it — you do think he told you he'd be headed home for the holidays. You really fumbled that one.

And then Tom’s thumb is brushing the bare skin of your arm and your walk stutters a bit. But he doesn’t mention it, and so neither do you.

And then he’s drawing down your elbow to your forearm so softly it almost feels like he isn’t touching you at all. He doesn’t mention it. Neither do you.

And then your arm, without really meaning for it to, is slipping from his and his hand is holding yours instead, feather-light as his fingers clasp yours and your breath is not the same as it was when you left.

He doesn’t mention it. He just keeps going.

His fingers work back up your arm and you shiver as they drag across your shoulder, gaze searing your neck as the soft digits find their way to your jaw, and you get the sense he’s remembering just how much he liked the taste of it, and you’re… you’re allowing it all again. You’re leaning in, you’re seeking him out, you want him flush against you and even that might not be satisfactory.

You are, in the end, a half-decent observer and a terrible liar.

You’re grabbing his hand with a small amount of direction and a great deal of meaning. You suppose it's because, historically, you’ve proven to have trouble with words in moments like these, and you don’t really know where you’re taking him but god, you know where you want him. Somewhere soft, this time, thick enough that you can fist your hands around it and melt. Somewhere he can hover over you, maybe hold you down a little, just until — maybe, miraculously — you might make him break a little too. Clamber over his lap. Make him yours.

“Tom,” you mouth, some question in the way your eyebrows knit.

The moment you say his name — the instant — he’s pulling you in, crushing his mouth against yours. And, ah, right, that’s what his lips feel like. You’d almost forgotten.

This kiss is not chaste, hardly tender. It resists in that it asks you to push, to plead, to take this for yourself to prove how badly you want it, and he smiles into it when you do. And then, sated by your efforts, he lets you have him. You’re gripping the collar of his suit in your hands as his wander appreciatively over the back of your dress, pulling you into him as the kiss deepens. He’s savouring you like you’re something religious that’s been offered to him, and there’s the taste of wine on his tongue and you’re still here, aware enough that the symbolism isn’t lost on you.

“I've been thinking," he says between kisses, “about the way you felt when I touched you. I've been thinking about how long it might take before you need it again."

You gasp at the sensation, and god, god, you've been wondering too, haven't you?

You’re pulling him impossibly closer and something hard is pressing into your hip and you clutch tighter onto his shirt as you moan into his mouth. You need it off, you think, and — has your dress been clinging to you like this all night? You need that off too. You need skin on skin. You careen him backwards without aim, your mind a muddled mess of all the many things your body is screaming it needs, like this is fucking imperative; to give it up would be catastrophic.

You suppose, based on what you’ve read, that that’s how the Room of Requirement works, but it’s still funny to think it would apply to this.

It hurts to remove yourself from him to watch in dumb awe as the door forms in the stone (to see the dark, languid shape of his eyes bearing down on you, the wet, stained pink of his lips), and Tom seems to recover from the revelation much faster than you.

His mouth is on yours once more, a hungry kiss; his free hand at your waist, guiding you through the door and shutting it carelessly behind him.

He’s like fire against you, radiating as he presses down on you, his hand tangled in your hair and his hips flush against yours. You shiver as his mouth starts to move down (a cheap trick — he hasn’t forgotten how much you liked it the last time) from your jaw to your throat, as his lips trail down your chest and you're shivering into the warmth of him.

You’ve heard it said before, in some romantic sense, that it’s sometimes hard to tell where you end and someone else begins.

This is not like that.

You've never been more aware of anything than the point where you and him meet.

You’re tugging at him blindly again, trusting in the nature of the Room like this isn't the first time you've been in it, and then you're stumbling down onto a bed you're quite sure wasn't there a moment ago (people say magic is a neutral force but evidently this is not the fucking case), fingers carding through Tom's hair as his body pins you into the mattress.

His mouth is molten hot as you squirm and pant beneath him, your breath coming faster than it ever has. Everything feels sharper and deeper and more intense under his touch, every sensation heightened until it's almost impossible to tell pleasure from pain, his tongue from his teeth.

How did it take you this long to do this again? To need him like this?

And his — you should really have the mind to see the mistake in all of this but perhaps that's for later — his fingers are pulling your sleeves down, propping your back to arch as he reaches under you to unzip your dress, apparently too impatient to sit you up and take it off properly so he just bunches it around your waist instead. There’s a moment where he stops to look at you, your chest exposed to him in the dim sconce-light, and then his mouth returns to circle your breast and you're biting down on a pillow to hold back the whimpering gasp that seeks to escape you. He hums around your flesh, and then he’s at your sternum, kissing a stripe to your belly button before pushing past the dress he's left ringed around your abdomen.

You shimmy under the weight of him to prop your head up — to see past the mass of silk that obscures his face from you as moves lower and lower, hands spanning your hips to keep you still.

His face hovers above your thighs, and he doesn’t move.

“Did you enjoy my fingers?" he asks.

At that you freeze, thighs pressing together to bury the hand that's rising between them.

Tom smiles. “Hm, you did."

And then he spreads your legs apart, one hand pushing your underwear aside and regarding you with delicate, shameless appetite — something that might even be adoration: like this is all he ever wanted you to want.

“Do you think you'd enjoy my mouth, too?"

Words are gone. There's nothing left in you.

His head moves happily between your knees, holding them apart, pressing kisses to the base of your thighs. Your hands flail from the sheets, desperate to grip something else and you hold back a sound that feels like irritation and need at the same time. You need him closer, higher than this. He knows. You can feel his smile biting into your skin.

And then you manage a nod though you're not even sure he's looking at your face anymore (and what a picture to imagine he is) and you worry momentarily it won’t be enough for him — that he’ll ask you to be nice and say it out loud for him — but he hums with something merciful, and — his chin dips. You catch the smallest glimpse of his tongue before it’s on you, wet and slow and unrelenting and you say his name, but it’s a mewl; you choke on it. It sounds like a cry.

Pitiful, needy, undone. Just how he wants you.

You think all efforts to remain even remotely composed are thrown to the wind as soon as his tongue is lapping at you, fast and then slow, everything you want and not even remotely close. He sinks all his weight down as if he can predict the moment you'll writhe before you do — and you do. And with his grip he tells you to endure it. You only need him to say it with his hands and his mouth but he breathes back, licking his lips and he actually says it. “Be good.”

That makes your breath hitch and your cheeks swell impossibly hotter, and reality is a small glint in your peripheral where everything else is burning red. “Y-you’re—”

His mouth returns to you, tongue catching your clit in a drawn-out, agonising motion, and you gasp and lurch forward to inch through the sensation, craving more, more, more. Reason is lost on you, a throbbing familiarity forcing you to grind your teeth down on the pillow to stop yourself from telling him to — you don’t even know. Finish you. Abandon all reluctance. Just let you come as hard as you know he wants you to.

But he pauses, observant as he starts to work his fingers against you. Watching how your slick coats them like it’s the most enthralling sight he’s ever witnessed. Slowly, ever so slowly, he starts to push one inside of you, hearing your breath catch above him and the moan that comes tumbling out of your throat, pillow be damned.

You do your best to breathe through it, and you know he knows how to make you unfold like this, so the meticulous lightness of his ministrations tells you he’s trying to keep it from you now. You’re almost embarrassed about the fact that you’re dripping onto his hand regardless; his lips puffy, his gaze unnervingly, dizzyingly carving you in two.

“Just,” you rasp, clutching desperately at his wrist. “Tom, please.”

Your begging must be music to his ears. (It’s a rare, unplanned fifth observation: that you think he’ll never get tired of hearing you say his name like that.)

He adds a finger. It’s encircling you, first, and no amount of restraint can stop the harsh gasp that leaves you, but then it’s his tongue and two fingers and he’s pushing into you how you wanted, and he makes a pleased sound against you, gripping you tighter with his free hand, still not allowing you movement and fuck, are you trying. What you're feeling now — the need, the want, everything — is more than rational thought. Your mind goes blank, and all that matters is this, him, right here and now; nothing else exists, not even for a second. You moan, a low, throaty noise that's a little too loud, a little too intense; you can't recall if anything has ever come from you quite like it and Tom devours you at the sound.

More, you agree; it's almost an obsession in you now; more, more, please, anything and everything.

It’s the precision of his touch — not some bored, hurried transgression — that brings your hands helplessly to his hair.

“Tom,” you whine, holding him tight, and the purr of his mouth finding you again is something destructive.

As soon as you feel another swell of something deep down, your mouth is dropping open.

His tongue is sliding through you, fingers curling, and then your clit is in his mouth, and he’s watching you between your thighs as your eyes clench shut, and you’re coming.

Your voice breaks somewhere in the catastrophe of it. Your body spasms, electric down to every atom, and he pins you down through it. He doesn’t grant you the reprieve of escaping the frenzied, glorious torture of it. His mouth still lingers. His tongue moves thankful and unrelenting.

He takes all of you, and you think this is destruction — creation — both. How terrifyingly similar they suddenly feel.

His lips are swollen and slick when he finally detaches them from you and you want to kiss him, but he’s leaning back to admire his work. You swallow, unable to blame him for it because you look down at yourself and — this is something else. You’re dripping down his chin. You're shaking. Your legs are still clenching around his torso. They’re holding him so tight you can’t imagine it doesn’t hurt.

But he just rolls off of you. Adjusts his trousers and your abdomen flutters and you think, don’t.

You don’t even realise you’re reaching for him until your hand is around his wrist and you’re still fucking sighing through the come-down, panting into the hot air.

He presses a kiss to your forehead, fingers damp on your chin as he holds you. You make a note that that’s the second time he’s done that. That you thought it was strangely intimate the first time and nothing’s changed other than how much more you like it.

And it doesn’t really feel like you can help it but crawl with gooey, trembling legs onto his lap. Doesn’t feel like you can help it when you lean in and capture his lips with yours, moan unabashedly into his mouth at the stiffness that presses against your core when you do, steal his tongue and the taste of you on it.

When he pulls away he’s looking at you like he doesn’t think you can actually do this. Like you’d just crumble the moment you tried.

A low, determined protest rises in your throat and you’re kissing him again. You’re unbuttoning his dress shirt, you’re trembling to reach for his trousers.

When you can finally shrug his shirt off, press yourself against him, feel that skin on skin you wanted so badly, you find it somehow even more suffocating than its absence. You’re left wanting a more you aren’t able to even conceptualise, but you’re grinding involuntarily against him and his teeth are scraping your neck and he's hissing at the sensation, and — yes, there’s more.

Your breath is staggered when your hips stutter into a roll and you — fuck. You’re tugging desperately to remove his belt and he smiles against your throat as he takes your hands and guides them to him. You can feel his bulge against your thigh and you’re spreading your legs to usher him where you want, clawing at his chest without even meaning to.

Tom’s taking off his belt, and he’s pulling down his trousers just enough to bare himself to you, and maybe he’s right that you can’t manage it yourself but he stops his assistance like the intrigue of finding out is too good to resist. There's something both intimate and imperious, in a way, about the way he's looking at you now; it's a kind of focus and intensity and withheld hunger just for you; and you're more than happy to give yourself over to it, to let his hands and his eyes and his mouth claim you for his own. To claim him for yours, at last.

You do. You struggle for it. He’s very patient.

But then it’s there — more — as you finally sink down on him and bite his shoulder and he shudders a low, pained exhale, his hands clutching your waist.

There’s a silent, suspended moment where neither of you move. The room feels entirely still.

Your lips quiver over his pulse, and your stomach flips at the intensity of it, the undeniable rate of his desire beneath you. You smile against him now, like he always does to you, conscious enough to mumble into his neck, “Mine.”

Tom stutters inside you, fingers gripping you impossible tighter as you dare to think he even gasps. You dare to think he likes it.

And then one of his hands grabs your jaw and his kiss is searing. He thrusts upward and you cry into his mouth, searching to match his pace in a way that you appreciate, for once, he seems unlearned in.

It’s all a bit messy, a bit new, palms in fists, in skin, in hair, digging for every part they haven’t already taken from. The sound in the back of Tom’s throat is divine, the feeling of him inside you as he slips his hand back between your legs — like he needs everything, like he knows you do too — it’s ineffable. It coils somewhere deep, touches something you didn’t know existed. Your hips are rotating, thighs still soft and slack from coming apart on his tongue, but you’re determined. It feels like finding even ground. It feels like something you deserve: to make him feel how you did.

Your head rolls back, eyes pinching shut in bliss, but Tom is there at your jaw again, forcing your blurry gaze back to him.

His hips are inching even further, the intensity of his pace as he adjusts to you making you dizzy. You think, realistically, there’s sound coming out of you, but you aren’t entirely sure when it’s so close to him, when your mouth is between his fingers and your ears are ringing and he’s looking at you like you’re made for him.

“Mine.” And it isn’t a dismissal of your own claim but a confirmation that one will not be without the other. His voice is raw and breathy and something about the way he says it makes you contract inadvertently around him, hands swatting his chest like they don’t know what else to do. There’s just too much.

You recognize you’re trying to say something. Some plea, a moan, his name (is there anything else left?), but you’re just babbling into his mouth and he holds you there. He doesn’t kiss you. It’s your failing words against his lips. He swallows whatever syllables try to shape them.

It’s there again when you need it most; the heavy, swirling feeling inside you as he snaps his hips, his fingers returning to your waist with punishing firmness. His breathing accelerates, low in his throat, and you push harder against him. Your vision is gone again, head held in his hands to keep from rolling back so that, you suspect, he can watch defeat split you down the middle again — not over your shoulder, not with his head between your legs — with his eyes on yours, with every broken moan you let out so close to his face he can feel the breath of each one.

You’re grappling desperately at skin that doesn’t feel like enough, even though he’s rocking inside you, and you see the insanity of it, you see that it isn’t logical. Too much and not enough at once — you’re smart enough to know that doesn’t work, but it just is.

“Please,” you manage in a voice you don’t recognize. “Please, Tom, pleasepleaseplease —”

Had you said before it was foolish to call him forgiving? You take it back. He’s very eager to oblige you.

He finds some place inside of you and you don’t know quite what it is that he changes but it's new, uncharted, and you break there. You dissolve. You’re liquid in his hands as you sob, stuttering around him, trembling like you didn’t know was possible, and you swear — you swear you’re going to take him there with you. It isn’t that you could stop yourself if you tried but your body is gripping around him, fingers carving halved spheres into his skin, and you’re pushing down on him through the ecstasy — you’re forcing your eyes open so he can see you break, watch them flutter back all soft and pretty.

And you're sated by your ruin when it ruins him too.

The sound he makes is ragged. Undone. He can only bury it halfway with a kiss you think is actually more of a bite, twitching inside you as he fucks you through it.

You’re both lost in each other for a moment that feels detached from time, feeling his hips stutter to a halt, feeling your body soften. And he’s pulling out of you like it hurts, mouth falling open as he does. You wince at the loss, the sweet soreness between your legs, and you’re held only by the weight of him. You think — and you actually sway like the mere idea is too strong — that if it weren’t for his hands, you’d fall flat off the bed.

But he sort of lifts you off him, lays you down and watches you for a long time as if to decide something important before he's laying down beside you. You watch him too. His fingers brush your hair out of your face, and when there’s not a single curl left clinging to the sweat on your skin, he continues anyway. You let him trace your lips, your jaw, your nose, and somehow, a bit terrifyingly, your final observation: nothing about it feels unusual at all.

You did say he was yours.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle smut #tom riddle x y/n #tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle fanfiction #tom riddle oneshot #NO LONGER!#but it is only a two-parter sorry. this is it #harry potter fanfiction #wizarding world

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patheticbatman · 3 months

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I haven't seen any posts about this yet but l've seen some fan art that makes me feel this needs to be said:

Don't forget Leah Sava Jeffries has darker skin when making Annabeth Chase fan art!

She is much closer to Lupita Nyong'o than Zoe Kravitz when it comes to shading, reflection, and complementary color usage :).

Lighting for dark skin is different on light skin. Light skin gets changed by lighting, and dark skin reflects the lighting. Below is a lovely shot of Nyong'o's character from Wakanda Forever in mourning. The filmmakers emphasize the umber qualities of her skin in contrast to the funereal white and (arguably harsh) light across her shoulder below.

Try to pick spots that aren't directly in or near the light, and try mixing 3 or more! You can put it into a color mixer online, or even color pick, lower the opacity, and lay the shades over each other until you find one that fits. And of course, the more 'realistic' you want to go with shading and lighting, the more shades you're going to want to be able to explore vivaciously :D.

Let's take a look at the same 3 beautiful actresses I mentioned at the beginning, with a bad color picked area and a better-ish color picked area. (Please keep in mind, these are not perfect comparisons, as I was not able to find pictures of all 3 actresses under the same kind of lighting.)

Kravitz's has a clear difference between the two, but they aren't too far apart, in comparison to Nyong’o’s and Jeffries’s. Note the dullness in the poorly picked shades as opposed to the better ones. Also keep in mind that while Kravitz has a rosy undertone (at least in that picture - it’s from The Batman, which has stylized coloring) Nyong’o has a slight cool undertone (I can’t pin down quite what, but the picture is definitely not stylized like Kravitz’s).

Jeffries runs more ochre or russet, but neither of those are pink. They are more red than terracotta or umber, but to call Jeffries’s face rosy would be wrong. Err more towards the golden when drawing her.

^^saved an image from a writing tutorial long ago, but can’t seem to find it. If someone recognizes it, I’ll link it. EDIT: it’s from this post. Thanks @autumnrowancollector ! <3

And also, the darker skin gets, the less likely warm undertones are going to appear. Don't be afraid to use blue or purple or even green on occasion!

Additionally, cool lighting on dark skin is always a win imo.

(I was going to use that picture of Jeffries as Annabeth by the lightning bolt, but then I realized the lighting on her face doesn’t quite match up with where it should hit from that angle, and I realized they kind of just turned everything bluer, so screenshot time!)

(Also if you want another really great live action example, check out anything Aldis Hodge is in, like Leverage and Black Adam)(and of course there’s Spiderverse <3 but I want to post pictures of Hodge)

Now, to here’s a list of more experienced people’s advice:

Black facial features & hair

Shading digitally for a (somewhat) monotone Black character

Stylistic choices and places to start looking for inspiration (besides a search engine).

Coloring Black people’s lips

A better coloration tutorial

Also a nice tutorial for Indigenous skin tones, just in case yall want to draw Piper or use this information for other dark skinned characters :).

EDIT: Some actresses who are closer in skintone to use for Annabeth, provided by the lovely @blackfemmecharacterdependency ! If you can’t find a reference for Jeffries in a specific lighting, maybe check out these ladies’ pictures! It’s a reblog, so scroll down.

TLDR: Don’t make Annabeth pink and pale, make her dark and golden.

#Annabeth chase #Percy Jackson #percabeth #leah sava jeffries #pjo #leah jeffries #art tutorial #percy jackon and the olympians #I love superheroes and so of course all of the actors I thought of were from superhero movies lmao #also for the record my advice is mostly from reading others’ tutorials and observation #and I don’t really use it a lot because I stick to lineart a lot lol #like down to mentioning Hodge (love himmmm) as a reference for good lighting on dark skin #there’s another post floating around here that specifically mentions him and Leverage for that #I’m tagging this as an art tutorial but really i want it to be more of a master post #master post so yall can see the tutorials I usually use #but then I ended up writing about Jeffries specifically because I’m dumb #I wanted to go to sleep four hours ago I’m dumb #I really want to draw her and ginger Percy but #irl it’s starting to get busy at school again :/

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tcustodisart · 4 days

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Because the farm is really Shadowheart's ending I was thinking, what would be Connie's post-game thing (he loves the farm life to pieces, but I was thinking, you know, if he was a companion what he'd be talking about during the epilogue party). And I came up with this idea - he writes and illustrates the very first Guide to the Birds of Faerûn. I don't want to torment you with my words, so if you're interested, the rest is under the cut. It's long but there are some additional doodles there.

About the book:

The book is basically like Collins Bird Guide. Including very detailed descriptions of what sounds the birds make.

Connie's already in touch with a publisher (recommended by Volo)

While Shadowheart does proofreading to see if it's digestible for non-bird-obsessed people, Connie's stepfather and Arnell help him with fact checking.

Connie was consulting Halsin while writing about waterfowl.

The book's dedication reads: "To my dearest wife and our four dogs, eight cats, nine chickens, six pigeons, four sheep, Daphne the milk cow, the odd little squirrel, Buttons and last but not least, our crow."

He thought that dedication was hilarious.

After publishing the book, he's been getting at least one letter every week regarding it.

Thanks to these letters the book gets improved with further editions.

He gets invited to various schools across the country to hold lectures but he almost always declines. (Public speeches aren't his thing and he also doesn't want to leave the farm that often.)(He made one exception for Gale because he asked very nicely and didn't take no for an answer).

Far in the future nobody remembers him as one of the heroes who saved Baldur's Gate. He's being remembered as one of Faerûn's best ornithologists.

Other companions reactions:

Lae'zel genuinely liked the book. So much in fact, she read it more than once.

Tara hates Mondays.

I projected on Karlach how hard it is to read books sometimes.

The scary part of the book was the birds of prey section.

Jaheira didn't even read the book, but she does a bang up job pretending she did. She's still very proud.

Shadowheart read it so many times during proofreading she could recite some parts with her eyes closed. For a week she had nightmares about geese.

Details:

Because whenever I make a drawing with a proper background I like talking about the details I put there. So:

The picture of magpies on the wall is the same one Connie gave Shadowheart in this comic. She kept it in the same book she kept the first night orchid he gave her.

That brigs us to the night orchid next to magpies. It's the same one.

There's a doodle of Shadowheart and Daphne near the window.

As references for all the feathers in this drawing I used feathers from my own collection.

Wooden duck is obviously the one Halsin gives you in the epilogue.

The bird drawings are from this drawing I made almost 3 years ago.

Oof, thank you for reading all that, here's one last doodle:

#bg3 #connecticut tav #shadowheart #baldur's gate 3 #oc:faust #what can i say: brainrot

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galactic-rhea · 3 months

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WDYM Anakin is Luke and Leia's dad

I dunno if this post will reach the Star Wars fandom but I hope it does because I'm sure you all will get a good laugh at me.

As of recent I have developed a good hiperfixation for Star Wars, the thing is I knew nothing. NOTHING about Star Wars besides the fact it had aliens and...a war...in space? And funny swords. And main character is Luke or something, I spent over 20 years ignoring anything about Star Wars and somehow missing most references out there.

And recently, literally less than a month ago I saw a gif and said to my partner "oh this guy this guy looks cool, this gif looks nice" and he said "Oh well, he's a good character." And it all developed into me watching Clone Wars, the animated series you know and...and I was kinda blown away, on my opinion the show IS GREAT. And I love every character and their interactions, I love how much they focus on side characters, and they all seem very well written. I got hiperfixated really fast and saw Anakin and I was like "Omg, babygirl. He's a blorbo now."

And because of the show, this was super unexpected, but somehow I also got, really got, into the ship with Padmé because omg, cool woman. Literal happy squeaky noises of someone who was in a bad state and needed some good ol' distraction and comfort.

Now, like I said I knew nothing about Star Wars as a whole. And I still haven't watched the movies, besides the ocassional gif?

So imagine my shock, my surprise, my...bewilderment when I realized.

"Wait a minute, LUKE IS ANAKIN'S SON?! HOLY-"

Ladies, gentleman, and others, I think I came very late to this party and I don't even know how it took me so long.

Not only that, but because of this sudden love for the series, I went to my friends circle like "BESTIE, GUESS WHAT, I HAVE A NEW BLROBO AND A NEW FAV SHIP AND EEEP"

And my friends are like "omg that's amazing, what is it?"

I tell them, and of course they all know these characters and they all react like they know this very bad secret fact and I got told several times already "Please, don't watch the episodes 2 and 3 alone, it will hurt."

I feel like blissfully walking among rainbows and blue skies while everyone else know that my future is doomed. Somehow.

(Uncomfortable silence)

Not only that, but then I spent a whole deal of time thinking "Where the heck I have seen these guys" cus there was some fmailiarity I couldn't just point out and then one day I woke up, brushed my teeth and of all sudden I realized and it was such a shock.

Do you know how SURREAL is to get very into a character, and into a ship, and then realize they're the same from that super widespread meme that has been around for who knows how much time?

I swear I thought that meme was from some old medieval fantasy movies or something.

But alas, Star Wars now is EVERYWHERE. People do references to Star Wars ALL THE TIME and it's just now I'm catching them.

I got spoilers. From a meme. In a youtube review that had nothing to do with Star Wars hah. Everything is a spoiler, the world is an apparent spoiler. Now I'm here, trying to avoid spoilers from something everyone seems to know, even my family knows. It's so surreal and I wouldn't have it any other way 😂

Anyways, if you read until here, know that a wild ride still waits me, cuz I'm only starting Season 3 of Clone Wars and I don't plan to watch the movies until I finish the series.

And yes, I made this blog just to ramble freely about SW and draw stuff because it sparked my inspiration after a long art block.

Have this doodle I drew after watching the two first episodes, my offering for you reaching this far.