CONGRATS ON HITTING A HUGE MILESTONE!!!🤍 you absolutely deserve it and i truly love and adore your works so much! theyre so well written and exciting to read!!<3 i was wondering if you could write a little smth on Zayne form L&DS thats spicy.. hehehe the plot or flow i will leave it up to you?? but again i love you!!! so much!!! congrats once again<3
๋࣭⭑ 𝐌𝐀𝐈 𝐌𝐔𝐌𝐁𝐋𝐄𝐒 : AAAAA sweet anon you're making me blush!! (๛ ˘ ³˘ )♡ you are so sweet, thank you for these kind words!! it always makes me so happy to hear that you're enjoying my writing!! I hope I can continue sharing fics you all enjoy <333
୨ৎ haunting me followers event
" 𝐇𝐌𝐌 𝐘𝐎𝐔'𝐑𝐄 𝐍𝐎𝐓 very patient, are you? Seems like a virtue I'll have to teach you."
A whine sits high in your throat and you have to swallow several times in order to keep quiet, watching through a heavy lidded gaze as Zayne once again aligns his pool cue with the ball. You should be embarrassed by your current position, ashamed that you had managed to get yourself pinned down like this, but the mere sinful sight of him is enough to make you wish you could clench your thighs together.
What was supposed to be a simple lesson in pool had unfolded into a shameless display of debauchery. Zayne was testing your patience and you were testing his self control.
The clink of a ball hitting the surface of another reels your thoughts back to the present moment and you bite down hard on your bottom lip when you meet Zayne's gaze. He hardly looked like the man you knew — respected doctor, known colleague and close friend. If anything he looked like a predator ready to pounce at its prey, hazel eyes darkened by black rings around his irises and black strands of hair brushing across his brows.
He blows out a hot breath where he's still nestled between your thighs and you whimper, the sensitive skin there responding nicely, drawing out just the reaction he wanted. He wanted to rile you up, wind you up tight until you'd tremble and break down from nothing more than a simple touch.
Ever so slowly he lowers his head until his mouth ghosts over your clothed cunt, taking a sinful inhale before a sly smile spreads across his lips. "She's quivering," he whispers and you can feel every single syllable against your skin. Your clit throbs and your nails dig into the worsted wool beneath you, anchoring you to nothing. Your panties are far beyond ruined by now, stained with silky evidence of how badly you needed him to do something, anything.
"You're dripping, sweet girl. And I haven't even touched you yet..." A breath, a chuckle that hums underneath your heated skin. "Is that how bad you want me?"
The sound of his breathy laugh is enough to make you tilt your hips up, chasing those honeyed lips that spoke so many vulgar phrases, pouting at him. With ease he pushes you back down with a gloved hand before he murmurs, "Too bad. I have four more balls to sink."
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══ஓ๑ 𝓒𝓸𝓷𝓼𝓽𝓪𝓷𝓬𝓮
Constance is still, technically, a work in progress. This post may be updated over time, and this will be notated with a date at the bottom to show the last time it was updated. This post is a little long since I am just rambling about her as a whole.
First picrew (split hair is not an option, edited). Second picrew.
⁀➷ Basics
Constance is near her thirties, and had accepted the fact that her life would undoubtedly be a quiet one. She keeps to herself primarily, and while most may think this is due to her anxieties, it's only a small part of the overall reason.
She's short (5'2), has a little weight to her, and favors more earthy colors and purple when it comes to colors she wears. Likes to wear long sleeves with collars of some sort, with dark skirts. She has a few beauty marks in random places on her body, but nothing much else to note.
She's often seen carrying a very modest makeshift purse with her that she's sewn herself (not amazing at it, but proud of making it), that carries whatever journal she is on currently, as well as various pencils and a couple of books.
⁀➷ Background (Before becoming Belle)
Her upbringing to others sounds rough: orphaned, found, and raised by a man she has no blood ties to, but it's all she's ever known. She doesn't find it sad, and gets rather annoyed by the pity found in otherfs gazes when it's ever brought up. On a rare night where there are more self-depreciating thoughts than normal, she will muse on the ambiguity of her history, but otherwise she finds no point in getting beside herself as there could have been countless reasons she may had been abandoned.
It is, however, why she was so insistant on trying to help take care of Rio when he was found- even if he was rather unplesant at first. She had an inkling that if others treated him like her in that regard, it would do more damage than good. So even when he was an ass, she would still persist and chalk it up to difficulties surrounding why he lost his memory (and would scream into a pillow when it got too much, before promptly going on with her day).
She follows the canon Mc's story decently close, even working at the bookstore as well as living on her own, she develops a little outside of that. She does enjoy romance, but also various other fiction and some nonfiction as well. Most of her interest is in personal accounts of hardships, fictional or not, as well as just fantasy type of romances. She doesn't stray too far away from darker subjects, but tends not to discuss this with others.
Reading, writing, and drawing are her main hobbies. Rio does not get to view her journal for any reason, meanwhile her friend Maggie (vauge, npc-ish side character) does get to see tidbits. This is due to Maggie being part of a troupe, and enjoying the poems and stories Constance writes. One of her ideas became the inspiration for one of their preformances, but Constance refused to be mentioned in regards to it.
She's friendly with the townspeople, there are not too many people who are rude to her. When they are, it's always regarding her selective mutism. Most are patient with her when she tries to communicate (mostly through writing). Her selective mutism has been with her since Akatsuki found her, so there are older townspeople who are very used to her mannerisms regarding this.
⁀➷ Relationships (Before becoming Belle)
Maggie: She is rather vague and just an ambigious spaceholder for Constance to have someone in her life that supports her creative endevors, but not to an overwhelming manner like Rio would (he means well, but...). When Maggie's troupe is near, Constance spends a few hours a day watching them practice or preform, or spending time with Maggie outside of the troupe. Maggie is patient, but Constance is aware that her mutism causes small issues between them.
Rio: very sterotypical to the plot in this regard, however to her his love feels a bit stiffling. She loves him as a friend, and has put down some boundries so he does not overwhelm her with the shower of compliments he tries to give her. She feels very conflicted in regards to him due to how he seems to put her on a pedestal she didn't ask for, but she is too cowardly to say too much on the subject since they are close friends.
Her relationships with the princes has not been fully considered. i feel as though she would get along fine with a majority of them. Nokto may make her wary at first, as well as Chev, but she'd still persist to talk to them like normal (her heart will go a thousand miles per hour just due to all the social differences, but she'd still persist).
With Gilbert... Still being explored. The idea is that he would not look at her with pity due to the way she is- something that others do even if its unintentional. This would draw her towards him just a little, with him knowing sign making her stick even closer to him, and from there it's the way he treats her, some ideals, and smaller events between the two. Almost like a morbid curiousity over his reputation.
She'd ultimately feel betrayed during a point in their relationship (spoilers), but she'd also want to stay by him as the only one who knows some secrets about her. (will try to expand when I have more braincells)
I believe Chev would treat her similarly, but she wouldn't feel much of a connection.
⁀➷ Other Details
-> Constance is someone who had believed that her life would be very simple, and while daydreamed about love at times, did not forsee herself getting married or being so involved with someone. This was due to some internal issues, but primarily she was content with this. She knew a grand adventure did not await her, and while her quiet town life left her yearning for more at times, she found that relief in stories she read/watched or penned herself. Her life was acceptible to her, and she figured that if something needed to change, she could confidently work through that.
She did resign to the idea that if love was something that she truly felt she needed in life later on, then she'd more seriously consider Rio and debate her feelings on the subject more.
She became suddenly very adverse to such topics, and those close to her do not know why. They haven't broached the subject too much, save for when she snapped out of character towards Rio for his behavior with her. It took a week until she could form some sort of apology regarding it, but had to ask him to tone it down for a while. After a few months, she seemed okay again.
-> Becoming Belle terrified her. The idea of such a huge decision failing would keep her awake late at night, shaking. The idea of having to work through her speech issues terrified her, but she was trying to work through them a bit more with Rio and Sariel instead of clamming up completely. It's one thing for a stranger in town to treat her poorly over it, it's completely different when it's someone that holds power over her.
-> She finds most ease interacting with Licht, Luke, Leon, somewhat Yves, and Keith
-> She's not too fond of Nokto or Jin, but she still treats them politely. Just certain remarks make her unable to mask her distaste for the comments they can sometimes make. Silvio pisses her off.
-> Chev makes her uneasy, but she still treats him as well as the others. She isn't fond of how Clavis talks about him, but she's chalked it up to weird sibling rivalry. There's an odd comfort she can find in Chev at times but its rare it ever happens. Clavis, she's guarded with but enjoys when he's harmless.
-> She's constantly questioning her feelings towards Gilbert and is confused.
-> Can handle her alcohol well. She doesn't seem the type but theres many stormy nights where she enjoys having some alcohol while watching a light storm pass through. Hates getting drunk.
-> Has bad habits that I will not elaborate on, tied towards her random bouts of self depreciation.
⁀➷ Misc.
Constance herself became an idea with Clavis' route. I wanted to try and make an OC for him originally, since I was very in love with him. And then Gilbert needled his way through. After some daydreams of toxic polyships between them, I started forming a better idea of Constance- as previously, she was loose strings of ideas only barely connected.
She is still lose strings, but they are forming apart into a shape of a person now, and so she's slowly growing into being her own character. This got kickstarted with a song named Aura.
I don't think explaining how she came to be from that song will do a lot of good, it's vibes primarily- there is a section in the song where the singer is asking/pleading to be told when this curse of a fog will subside, and then a creaking type of noise in response. In my mind, this was a woman asking the embodiment of death when the fog that plagued them would end and life would get better. Due to my brainrot, this twisted into me visualizing this as Emma and Gilbert in a strange sense, then an Oc and Gilbert.
Constance was originally going to be a performer- she was to write this song and perform it, with Gilbert making some sly remarks about the symbolism that it could have with Obsidian. but I already have an oc like this. I didn't want to repeat. Instead, I now have Constance drafting these types of poems, songs, stories, in private. I've mused about having her publish a few things (erotica would be funny but not likely for her character), but haven't decided yet.
Last Updated : 05/28/2024
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I know that canonically (show-wise, at least) St Hilarion's worked to cover up Charles' death, and nothing was ever really done about the disappearance of Edwin and the other boys, but even so, do you think the school has a reputation for being haunted??
I'm imagining Niko following various ghost-hunter groups online, especially when the agency doesn't have many cases going on, and occasionally the boys will mirror hop over to an interesting-sounding location, and they'll even get a real case as a result
So when she tells them that one of the teams is planning to investigate St Hilarion's (either it's been closed for a while or they have special permission to go during the summer holidays), Edwin and Charles steel themselves and decide to go, in case there are other ghosts there that need help ('can't imagine a worse place to be trapped for the rest of my afterlife' says Charles, who has been to literal hell. Edwin, who spent 70 years in literal hell, agrees)
So they go, with Niko and Crystal as moral/emotional support, except when they get there they realise they've fucked up and are there on the same day/night as the ghost hunters. They could come back some other time, but what if there really are ghosts here that are suffering? No one wants to take that chance, so Crystal uses her powers to convince them that she and Niko are there for work experience, or are friends of a friend, or are here to replace one of the tech guys who called in sick
Both Charles and Edwin are tense and uncomfortable returning to the place they died - Edwin had gone there after he escaped Hell because he didn't know where else to go, but they've built themselves a home now with the agency. This isn't like before, when it was the closest place to familiar he could find. Charles, meanwhile, feels colder and colder the longer they're there - his hair is wet, there are bruises flaring and spreading, and a faint rattle in his chest that would have become pneumonia if he'd lived long enough
But they need to be sure there aren't any other lost ghosts stuck here that need their help crossing over, so they keep going
(maybe, as a consequence of a door to hell being opened in the school, there are unusual happenings, maybe there's still a place where the line between earth and hell is very thin, maybe there's some fragment of a demon left behind, and they can do something about it)
Anyway, the most important thing is that Charles, either accidentally or in a fit of pique at the whole situation, knocks something over just as one of the paranormal investigators is asking for spirits to make their presence known. In fact, this happens repeatedly - the boys move things, change things around, their presence is detected somehow with the equipment. Crystal and Niko are doing their best to distract the team and ruin as much of the footage as possible, and at least once the boys do something on purpose, maybe because someone is being a creep to the girls (and yes, they both know that Crystal and Niko are more than capable of taking care of themselves, but this way scares the asshole more and is also funnier), and then also to fuck with their readings
Anyway, it's coming to the end of the night, the problem has been identified, and whaddaya knows, of course it's in the attic where they both died. This is fine, why wouldn't it be fine. They get started, draw some (invisible, ghostly) runes and start working their magic when, of course, the paranormal investigators turn up, because this is thought to be the most 'active' area of the school, and the body of a schoolboy was found here in the 80s
Yeah, they try to contact 'any of the boys who disappeared in 1916' and Charles. It would be fine if they weren't so irritatingly loud, Edwin's trying to concentrate, and Charles is now shivering and dripping wet, but they managed to ignore the team right up until they start speculating that Charles was killed by one of the angry spirits from 1916
At which point, Charles - half visible, clearly enraged, looking very much like the half-drowned and frozen kid he was, like a proper ghost - tells them to fuck off already before they get hurt, they don't understand anything, and how dare they give a shit now when it's too late
Which is, of course, the exact moment Edwin finishes the spell, and causes some sort of a magical rebound that fritzes the cameras for a second, throws furniture around, and knocks them all flying. When the cameras start up again, they catch Edwin kneeling by Charles, holding his hand, and softly telling him that it's ok, it's over, they can go now. Charles sniffs and smiles and knocks their foreheads together and says yeah, let's get out of here, and together they fade from view
The investigators think this means gay love can pierce the veil of death and save the day that now that the truth of their story is known the ghosts have moved on, and it's all thanks to them! How beautiful, how wonderful, how affirming! Perhaps one of the boys from 1916 tried to help Charles, and when that didn't work, they both stayed to try and protect other people from these violent spirits, and now their unfinished business is finished! It's so tragic and touching story
Charles and Edwin, who are putting their tools back in the backpack, roll their eyes and smile at each other
On the way out, Charles swipes the memory cards from the cameras, Edwin inscribes a couple of sneaky runes on various pieces of equipment to fuck with it, and Crystal uses her powers to make sure they all remember a couple of details differently, so later they won't be able to agree on a bunch of stuff
The episode they were trying to make can't be released, their social media posts about the experience are full of details that don't match up, and fans are bitterly disappointed
Crystal and Niko watch the footage Charles stole with Jenny and the Night Nurse back at the agency. Jenny turns it into a drinking game. Charles does a dramatic reading of the posts with added commentary while Edwin pretends he's not laughing. They buy t-shirts of the paranormal investigators and wear them ironically. They leave anonymous comments
Just. The dead boy detectives having to work around ghost hunters, in a world where ghosts definitely, tangibly exist
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MarvelDC anon x5 sorry im back again I just wanted to say I agree 100% with everything you say and don’t rly have anything to add there that isnt just recycling your points. It’s genuinely fucking crazy how the entire point of the superhero in 90% of cases is that they are vigilantes who operate outside of the legal system and yet so many of them are given plot lines about how the cops or the military are Awesome. Or like will show them buddy buddy with cops or the government. LIKE STOP ITTTT. STOP ITTTTT. And most of the time too it’s for characters where them being hyper connected with the government etc makes their overall story Worse. Ill use flash as an example bc You Know that guy but I LOVE flash I love him as a disabled character struggling w addiction issues for personal reasons BUT HIM LOSING HIS LEGS LIKE SHOOTING PEOPLE IN THE SWANA REGION AND THEN BECOMING A GOVERNMENT GUY IS SO FUCKING ASSSSSSS IT MAKES HIM WORSE AS A CHARACTER AND A PERSON IN A WAY THAT ISNT INTERESTING BECAUSE THEY NEVER SAY ANYTHING INTERESTING ABOUT IT!!!!! Like why the fuck did Flash even become disabled in regard to Going To Commit Imperialism For The U. S. A like NYC gets destroyed on the daily!!!! Have him lose his legs by a building falling on top of him!!!! Im spitballing ideas here but why wasn’t Venom Flash uhhhhhh Him Losing his legs in an event like that, in conjunction with him saving someone else, since this is the era of Symby and Eddie's breakup Symby is slithering along + sees this and helps him out, bc you know they can make their own choices and do what they want and maybe they wanna be a hero too even for a moment, then like maybe a few months later or whatever They Meet again and Symby is like hey….. I felt something when we bonded for that brief time. Im going through something rough too right now (The Divorce) so why don’t we try something new together. AND NOW BOOM. you can have Flash as Venom. Now without the stupid venom as addiction metaphor too! Like if you really fucking want you can include stuff about the government trying to manipulate them or whatever but as a whole this would have been so much better of an angle to start venom flash with but NO that we DIDNT GET Because Of The Military Complex meaning We Cant Ever Have Good Things
i know this is so controversial among the venom fans but like i'm really not that attached to flash lmfao i know nothing about him he's just some guy to me i just know he's so much better than mac gargan cuz by god that was a dark time for venom comics.
so now i'm the one nodding along with you and not adding anything lol. i trust you to come up with a better backstory for him because i literally don't know anything about him beyond the vaguest outline. i don't even know what war he fought in that he lost his legs to i dont know Anything. eddie some little absolute freak to me but flash is just some guy
Like if you really fucking want you can include stuff about the government trying to manipulate them or whatever but as a whole this would have been so much better of an angle to start venom flash with but NO that we DIDNT GET Because Of The Military Complex meaning We Cant Ever Have Good Things
i do have to say though that this is totally how i thought venom 2011 was going to go. the first like, four-ish issues got my hopes up so much. i really honestly thought it was going to be drawing parallels between symby and flash how they are ultimately just tools of the government, just weapons that can be discarded in pushing the military's agenda.
this whole page drove me insane at the time and it still kinda does. the way flash is lying directly to his superior to stay with symby longer despite how much he's been drilled that being with the symbiote too long is a danger. they aren't friends yet this early but there's still this impulse to stick with it. and it's because they're parallels!!! the symbiote is quite literally being treated as a mindless tool by the government - it's deprived of all rights that a sentient, sapient being requires. it's trapped and it's being forced into serving and fighting on behalf of a government that doesn't even care for it. likewise, flash is being given the illusion of choice, and to some extent he still does have a choice, but he's being so manipulated by the government here that really he is also just a mindless tool for them - or at least, they want him to be mindless about it. the final fucking panel at the bottom of the final page is crazy.
it was such a strong start to a run that i was very apprehensive about due to aforementioned lack of knowledge of flash as a character, and my general fed-up-ness with the way the comics had been handling venom and eddie in general during that irl time period. so i was so so hoping that it would be taking a blatant and staunch anti-military stance, or even at the bare minimum if it was even still done in a liberal way, as long as there was still SOME criticism of the military complex i would be jumping for joy. and the idea of flash and symby then also bonding during all that?!! crazy. but then it just kinda. goes off the fucking rails halfway through that run/??? like demons and hell and satan kinda off the rails. absolute bonkers. i need to reread venom 2011 actually i barely remember it it was like a fever dream to me. could have been because i descended into madness shortly after i read it but i digress
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