I'll scan this better tomorrow if I remember to do so, but it looks good, so you get that version now
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i will not stand here and say the quarry's writing is perfect by any means, but man. that moment. in the beginning. when chris absolutely loses his shit and you see every last one of the hacketteers freeze..............shocked, wide-eyed, so taken aback they don't move even to look at each other.............
and then, realizing what just happened, chris scrambles frantically to grab hold of the situation again. he tries to grin at ryan ("tries" being the keyword), he tosses him the keys like nothing's wrong. he tries to go back to being mr. h - he does, he tries so hard - and finally when ryan talks to him, there's what waver in his voice. that absolute lack of understanding in his eyes. ryan's not just surprised, he's not just shocked......for a second there, he is scared, and chris sees that, realizes it, and peels out of there before anyone can say anything else. just.....
JUST............
i think that moment is 100% the moment i realized UH OH I THINK I LOVE CHRIS HACKETT because that's when we see the counselors have been around this guy for two whole months (some of them even longer, possibly), and not once. not once!!!!!!!!!!! had they realized who he really was.
ugh. UGH. i LOVE IT.
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35. How do they feel about the fact that they've killed a lot of people and/or things?
Nailah's been a mercenary most of her life. She knows she's good at it and carries herself as a consummate professional - it's her life or theirs and she has work to do, it's not personal.
This is what she's told herself, anyways.
Truthfully, Nailah struggles with seeing worth in herself under all the blood on her hands. There's a lot of unspoken survivor's guilt just under the surface, bubbling up whenever things are a little too quiet.
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Watched B-Mask's video essays on the Sly games trilogy for the millionth time (you should watch them too btw) and I can't stop thinking of the similarities between Vol. 3 and Honor Among Thieves specifically in both dealing with the characters having to decide what comes next in their lives seperate from each other because they just can't do the same job forever, but what the Sly games do that the GotG films don't is build up to that being a main plot point from the second game up to the ending of the third. Vol. 3 really makes the odd choice to have that become a background plot point and then expects the audience to just be okay with them all suddenly deciding to part ways within ten minutes at the very end.
I can't stress this enough, but my problem isn't that everyone goes to do their own thing. My problem is that suddenly being the end goal of Vol. 3 after two films + a holiday special where that was never a possibility or a problem in the first place. The only reason everyone stopped progressing (and even then mainly just Rocket and Peter. You can say Mantis got held back but even she had character development to realize what she wanted during her time with them so she wasn't literally held back like she was with Ego) was because both of their lives only came to a screeching halt after what happened outside of the core films (IW+EG) But the film itself didn't even bother to address any of that stuff aside from only Peter being depressed about Gamora. So it comes off rather moot to me, personally.
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i've learned how to draw from complete strangers. like just. little internet tutorials, or seeing how someone draws a nose or a jawline and copying them, or watching speedpaints on youtube and learning what the hell an overlay layer was from that. like sure i've learned a lot of my ability from a few studies and experiments, but my perspective rules? colour theory? shape language? i only knew to study and experiment with those Because of all the tutorials i've seen. the second-most given art advice (beyond "practice") is "see what your favourite artist is doing and pick out what you like about their style!" and! idk! there's something so beautiful about how we're all strangers, but there's so much community in the art community? there's so so many strangers who took time out of their own lives to make flesh clouds or anatomy guides or explain perspective rules, and I wouldn't be where i am today without them. i cannot explain how grateful i am to those people, and how happy i am that so many people fucking. share. sometimes i think about a rose drawing tutorial made by some 15 yo that i watched when i was 12. it was pretty basic im not gonna lie, but i drew roses like that for years. I still draw roses like that when i want to spent a little extra time on them. i saw some artist talking about using thin lines so they'd have to get better with their linework rather than relying on the juicy thick lines, and i copied them and can now wield linewidth like a beast (when. i want to . which is not often). i've watched so many speedpaints that render skin in so many different ways that its all boiled down to the one method i use. neck width. hair physics. hair shine or lack thereof. eyes, pupils, mouth. fucking noses and the million variations. clothes???? idk i am like 100% rambling at this point but it's so fuckin nice to look at my art and see the ways i've been shaped by the kindness of other people
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