hey guys btw there is actually never a good reason to loudly and publicly talk about how much u dislike a fanfic!! Like. let's break this down for a sec:
i don't like it
ok, understandable. i've dnf'd lots of fics because i didn't like them. but the people writing fanfiction are doing it for free and for fun, and you don't know anything about their lives. they could be a young writer just starting out! they could be an older writer getting back into writing after years of being unable to! they could be someone going through a rough patch whose only source of joy right now is writing their silly little stories! talking about how much you dislike a fanfic literally does nothing except hurt the person writing it. that's it. it is not productive, it is not necessary. even strangers on the internet deserve basic human empathy.
ok but i really don't like it
babe, i feel u! i'm a hater too. rant about it privately. shit on it in private messages or group chats with friends. u can dislike something without dragging its creator into the town square to throw tomatoes at them, yknow?
ok but i really don't like it AND it's popular
ok? shouting about that on the internet doesn't make you cool or special or unique. it just makes you kind of mean and, honestly, bitter. like i said before, this is fanfiction. nobody is paying for it. nobody is profiting. there is no standard that these writers are obligated to meet. clearly, other people like the work. why not let them enjoy it in peace?
no u don't understand it doesn't deserve to be popular there are better fics that deserve it more!!!
talk about those fics then!! post about how much u love them!! uplift those writers!! ur tweet or tiktok or tumblr post is not going to suddenly make a popular fic lose all popularity, no matter how undeserving u perceive it to be. if this is actually coming from a place of frustration because you feel like there are other fics that deserve more attention, then just give those fics attention.
no but it's problematic
mmm ok. let's sit with this one for a second. i want you to ask yourself--is it really, really problematic? is it perpetuating harm against a marginalized group? remember, this is fanfic; it is outside the consumer economy, and the stories it tells will almost never make it to a mainstream audience. so is the story actually hurting people, or is the author just exploring something that you're uncomfortable with? because if you're just uncomfortable, then assuming the work is tagged properly, the best course of action is to just click away. as uncomfortable as it may be, people are allowed to write stories that you might find upsetting or gross or weird, and those stories existing is not inherently harmful in and of itself.
it is actively reinforcing harmful stereotypes/rhetoric/etc
okay! ok. if you are deeply concerned because you feel that this fic is genuinely harmful, then go to the writer. leave a comment. send them a message on tumblr or twitter or tiktok or wherever. explain your situation and see what they say! nine times out of ten, i'd bet that an ao3 writer means no harm and would be willing to listen and address your concerns. in fact, they might even be grateful to you for being kind enough to make them aware of a problem and educate them on it. every ao3 writer i've ever spoken to is an incredibly kind and thoughtful person; you don't need to immediately go on the attack
the writer is unreachable/nonresponsive/not willing to address or change the problematic thing
alright. if you truly feel that this fanfiction is actively harmful and can't reach any kind of conclusion with the writer, and you want to warn others who might read the fic, then do that. do that. make a post that says hey guys btw, x thing in this fic is not a good representation/perpetuates a harmful stereotype/whatever the problem is. and leave it at that! you don't need to go further and insult the writing or the person who wrote it. that is helpful to exactly no one, and if your goal is actually to make the world a better place, then you should learn how to draw attention to an issue in a way that encourages actual dialogue instead of dog-piling and personal attacks.
anyway the next time you feel the desire to post about how bad you think a fic is, feel free to use this as a guide before u do! xoxo
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thinking about the Lady again and she actually is the Character Ever.
Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.
But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.
And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.
(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)
These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?
That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.
(I wonder if that would make her envious of her younger counterpart in a different context?)
Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.
A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.
I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.
This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.
I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.
But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?
It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.
Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.
You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.
In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.
The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.
Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.
The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.
The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.
... For the most part. Until Six comes around.
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