Anyone else wanna regularly delete their entire presence of the internet cause they think that no one should have to look at their shit again or is it just me
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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.)
for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack.
for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands.
for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
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There are only so many fanfics that use the entirety of DC as cardboard cutouts to prop up bat family characters that I can read before I go berserk.
I swear to god. Every character that has ever been shipped with a bat or coexists on the same team as a bat is owed an apology.
How many Young Justice fanfics that solely revolve around Tim must exist? How many Titans fanfics centered only on Dick? Why is it a herculean task to find a Justice League fanfic without Bruce as the main character?
And then even when you do find a fic that seems like it's balanced, everything still revolves around the bat. Like Kon, Cassie and Bart have nothing else going on in their lives except Tim and Tim's issues or thinking about Tim. Like Donna and Wally and Roy just cannot function if they aren't spending every waking moment thinking about Dick.
I'm... Guys. I'm at my limit. I swear to god. We need to make a Batman tag and surgically remove all these fics and quarantine them there. We'll keep the actual DC fics and they can do whatever the fuck they want in their own tag. It's getting ridiculous how hard it is to find fanfic that's actually DC related and isn't just 'The BatFam Show'.
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I never thought the piece of art that would most perfectly capture the complicated, loving, and fraught relationship between mothers and daughters with generational trauma would be a fucking d&d campaign about stoats and nuclear power plants.
Like at it’s core this is the story of exile, filled with all the generational trauma and grief that comes with it. In just seconds, they lost everything they’ve ever known but each other. They lost their childhood homes, their community, and their way of life. All to find that the thing they were taught to respect and thought was an offer of safety, was just secrets, control, and more danger than they’ve ever known.
People joked for years that Brennan made capitalism the big bad, and then Aabria turned around and went “what if we give communism a turn?”
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theres people out there that dont want childe to die bc they like him.
me however. im different. i like childe and i explicitly want this guy to die. and im very specific about the when and how too.
i dont want a forced dumb predictable redemption arc or a self sacrifice. i dont want to see him reform his abysspilled unhinged chaos-sowing ways or break free from his 'twisted fate'. i dont want to see him "learn". i want to see him master foul legacy and witness as he grows stronger and stronger until he reaches his apex as a warrior rivaling the heavens at the peak of his pride and hubris.
i want him to embrace and finally fulfill the destiny the abyss bestowed upon him of being the one to overturn the world at the climax of the story. i want him to rip the tenets holding teyvats heavenly principles and world order apart as he gives gold a run for her money in terms of the utter catastrophe about to unfold if we dont stop him in time. forcing the traveler to face him once and for all as the world lies defeated at his feet just like he promised before. and all throughout this he remains the same gleeful battle maniac as before that sees us as his greatest rival and friend. only caring for the exhilaration of that fated final showdown even as the stakes couldnt be higher bc what does it matter to him? he may be acting as the abyss' chosen champion through the fulfillment of his ambition but for him it always boils down to the thrill of battle and conquest anyway. nothing more, nothing less - so he welcomes us with a smile once more for the last time.
and then i want us to fight him to the death. i want him to die as teyvat public enemy #1 and the final boss and the true manifestation of the world-devouring abyssal deep and the celestial star-whale he awakened at 14. dissolving into and becoming one with the very cosmic dark that made him who he was.
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