Tumgik
#i'm the shakespeare quote
rapha-reads · 8 months
Text
Unrelated things I manage to evoke in my thesis on Beauty and the Beast, modern fairy tales and self-love (titled From Folktales to Fantasy: Beauty and the Beast, Contemporary Rewritings and Self-Love), a list (caution, long post ahead):
Hayao Miyazaki's environmental tales.
In contemporary rewritings of folktales and fairy tales, these revised critical versions often follow the major issues of the time: the feminist tales of Angela Carter or Margaret Atwood of the 20th century are amongst the prime examples, but one may just as well cite Hayao Miyazaki's contemporary environmentalist and anti-war stories.
Arthurian Legends:
Nonetheless, ages change, people’s priorities change, ways of life change, and with these evolutions, heroes and stories mutate too. They evolve, but they’re never forgotten. King Arthur and Merlin are still household names, even after a millennia and a half of legends; their stories followed the times and took on new shapes to keep on meaning something to their audience.
Le Roman de Renart and "Le hérisson, le chacal et le lion" (the hedgehog, the jackal and the lion, a traditional animal tale in North Africa, Tamazight in origin):
Animal Tales are the first chapter of the ATU Index, going from ATU 1 to 299, in which the characters are talking animals usually interacting between themselves (think Roman de Renart or the tales of the hedgehog, jackal and lion in North Africa).
*On the subject of the hedgehog, the jackal and the lion, I really recommend looking up their stories. If you like cartoonish stories of the clever fox and the stupid wolf, Tom and Jerry style, you will like them.
Narnia (actually referenced a few times, the thesis does talk about Fantasy, but CS Lewis is quoted only the once):
In the dedication of The Lion, the Witch and the Wardrobe, C. S. Lewis wrote “some day you will be old enough to start reading fairy tales again”. As the reader ages and grows up, the taste for stories also evolves.
Neil Gaiman (completely out of the blue, I just wanted to quote him at least once):
the classic tale of Beauty and the Beast with all its space left to creation easily lends itself to the new scene. “Fairy tales”, Neil Gaiman writes in the introduction to Fragile Things, “are transmissible. You can catch them, or be infected by them.” They are, in their most basic form, in the bare bones of their structures, the “currency we share with those who walked the world before ever we were here.”
Doctor Who (I will find a why to quote DW in any circumstances, just watch me):
“The Universe generally fails to be a fairy tale. And that’s where we [the helpers and the leaders, heroes, doctors, teachers] come in.” That’s where writers and storytellers come in. Crafting stories is recreating a kinder, more merciful and fair world, where good wins, evil is defeated, love is everything, good deeds are rewarded and bad actions punished, justice is served and honour is upheld.
Edith Nesbit's The Story of the Amulet + more Narnia, because I will also find a way to talk about the Pevensies:
Harper spends six weeks with Rhen and Grey, and when she comes back to DC, six weeks have also passed. This is different from most Fantasy novels which actions happens in both Primary and Secondary Worlds; from Edith Nesbith’s The Story of the Amulet (1906) to Lewis’ Narnia, the passage of time in the Secondary World never matches the passage of time in the Primary World—the Pevensies spent close to two decades being kings and queens of Narnia, and yet at their return in England, not a single second had gone by, and they were back to being children again, a fact that I have always found cruel; they were adults, competent and regal, soldiers, scholars and diplomats, and then they were back to being children, powerless and ordinary.
Yet another Narnia quote - in my defence, I use Tolkien's On Fairy Stories as one of my major reference, so I had to give some room to Lewis too - + me being very French:
C.S. Lewis does write that “adventures are never fun while you're having them” (The Voyage of the Dawn Treader, Narnia book 5), but après la pluie le beau temps—storms never last forever, and the adventure always ends. That is what Fantasy tells the reader: you will go through hard times, but there will always be joy to find after the sadness.
MeToo, Greta and Malala (I swear it makes sense):
Belle just wants to be left alone with her wood-carving tools. What introvert passionate about their hobby doesn’t understand that? Lucie wants revenge on the man who hurt her; that is the whole point of the MeToo movement. Nyx wants to save her people and is ready to sacrifice herself for the cause; real life heroines fighting for their ideals are the idols of today (Greta Thunberg, Malala Yousafzai…). Harper represents the everyday life of millions of poor, disabled people, not only in the USA, but across the world. Beast wants to be loved; don’t we all?
*I actually really love that one tiny paragraph.
The "we live in a society meme" (aka the beginning of the descent into madness of the writer):
In meme terms: “we live in a society”. And that society can be crushing, draining, destroying. How then does one uphold one’s sense of self and worth when everything conspires to ruin and empty one’s heart and mind? Even though the meme is originally absurd, it quickly became a satire of the world in which we live now, where there is no place nor time to slow down, to just breathe, to take care of others, to take care of one’s self, because there is always a bill to pay, a meeting to run to, a deadline looming close, a train to catch.
Queerness (by the way if you guys know any queer retellings of B&tB please send them my way):
Depending on one’s level of ease and comfort, the co-existing inside the community requires more or less efforts and concessions to one’s authentic identity and tastes. Consider, for example, the way homosexuality and any form of queerness have been and are still viewed in many parts of the world throughout time: the main history of the queer community is to hide away an authentic, personal part of who they are in order to stay safe within a larger community that discriminate against expressions of queerness.
The "mortifying ordeal of being known" meme (sos, the writer has lost the plot):
By agreeing to play the game and follow the rules, no matter how adverse to one’s authentic nature, we tacitly agree to be seen. There is another meme, that first appeared in an essay for The New York Times in 2013: “the mortifying ordeal of being known”. The full quote goes like this: “If we want the rewards of being loved we have to submit to the mortifying ordeal of being known.” In essence, trying to hide and conceal one’s authentic self is to deprive yourself from being truly known and loved for who you are; it is to take the risk of being only superficially known and loved for who you pretend to be, the role you play, the mask you wear.
The "I can fix him" meme (what the heck is the writer talking about):
Here is a third meme, much more recent, born on Twitter in 2019: “I can fix him. I can make him better.” While the urge to help your neighbour is perfectly honourable, it can sometimes take on a sort of narcissistic veneer: it becomes no longer about the person you want to help, but about the power you can exercise over that person by turning them into the exact image of them you have, no matter if this image coincide with their authentic self or not.
Shakespeare (hell yeah, finally! Okay, it's not R&J, but still; who am I if I am not rambling about Willy):
The self is not a stable entity. It evolves, adapts to its circumstances, to the situation at the hand. “All the world's a stage and all the men and women are merely players” (As You Like It, 2. 7. 139), Shakespeare was already writing at the end of the 16th century. The deal has not changed. Everyone keeps playing a part that they believe is what society demands of them.
And finally... Kintsugi. Just for fun:
The Japanese art of kintsugi consists of repairing broken pottery with gold, letting the breaks and the defects visible, thus making them part of the history of the piece. Being broken therefore is not a sign of weakness; it becomes another sort of beauty, a sign of strength. The Beast’s curse breaks him down to his base nature, but ending the curse does not mean that the breaks disappear.
18 notes · View notes
hekateinhell · 4 months
Text
Anne Rice plotting out Louis's (permanent) death in the early notes for Merrick...
Since I was already referencing a response I gave to a question about Armand's possible reaction to Louis's suicide attempt earlier today, I remembered this that I stumbled on while going through the Anne Rice Collection at Tulane — which in a way answers that very same question:
Tumblr media
This scene has to be major in the novel, and as I see it now, Claudia will be extremely horrible to Louis and drive him to suicide.
Louis will expose himself to the sun, and the others will find his burned body in its coffin on the flat portion of the slate roof of the townhouse.
Those who will come together, having felt the passing of Louis will include Armand and Merrique.
David will be for scattering all the ashes of Louis. But Armand and Lestat will refuse to do it. Then Lestat will be won over. Armand will want to pour blood on the ashes. Armand and Lestat will get in a battle, and finally Armand will give up, and Lestat will pick up the lumps of charcoal of the body, pulverize them and scatter them to the winds.
Okay, but Armand and Lestat battling over whether Louis can be brought back to life? Lestat scattering Louis's ashes while Armand presumably watches, defeated? My heart!
Next time you complain about Merrick, remember... it could've ended like this.
I love Louis and I love him with Armand and Lestat both (separately and all together), so of course I'm very grateful Anne didn't go this route! But the idea that she might've??? 🫢
I'm not up to write this level of Angst™️ and do it justice but it's definitely something that could be explored further in fic! And it is one (of many lmao) instances where you can see such a stark difference between where Anne started and where she ended with her novels.
180 notes · View notes
Text
Best Shakespeare Adaptation
since the 1600s, people have been rewriting shakespeare and writing spinoffs in good, bad, and frankly just kind of insane ways. today, they will compete until only one is left standing!
during the poll craze i ran a lot of brackets and had fun, but ended up with a couple spare blogs i ended up having to delete, so i'm running this one off my main.
q. is this a tournament for productions or adaptations?
a. adaptations! stuff that changes dialogue or medium (beyond play -> movie) or takes a really new spin on it! west side story counts, romeo and juliet (1996) doesn't.
q. will there be a limit on contestants?
i'll cut it at 64 or 32 depending on how many submissions we get! if we get a lot of adaptations of a few plays and less of others, i won't cut any of them out, but i'll make some of them face off in round one
q. are you biased?
yes. fortinbras sweep. i've been reading 'these violent delights' too and it's pretty good. oh and can't forget haider, and requiem of the rose king is an all timer... basically, yes i really like rosencrantz and guildenstern are dead, but i have much room in my heart
q. is it most best portrayal/analysis, or best on its own merits?
a. a little of both, but mostly the latter
q. does [x thing] (that's pretty different than the original inspiration) count?
a. if it is common knowledge that it's shakespeare inspired
q. does the lion king count?
a. yea
signal boosting! if yall great bracket blogs will help out @gayest-classiclit @byronicherobracket (this one's still in qualifiers, it seems cool!) @straightplayshowdown (this one's getting going again!) @bestadaptationtournament @gayestshakespearecouples
122 notes · View notes
flowersandfashion · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Sun & Moon
requested by @oops-it-is-i
121 notes · View notes
kentopedia · 2 months
Text
𝒾 𝓌𝑜𝓊𝓁𝒹 𝓃𝑜𝓉 𝓌𝒾𝓈𝒽 𝒶𝓃𝓎 𝒸𝑜𝓂𝓅𝒶𝓃𝒾𝑜𝓃 𝒾𝓃 𝓉𝒽𝑒 𝓌𝑜𝓇𝓁𝒹 𝒷𝓊𝓉 𝓎𝑜𝓊 ‪‪❤︎‬
Tumblr media
i had the pleasure of getting my very first levi commission by @freyzrc and it turned out so beautiful !!! <3 i’m so in love with it, thank you (again) a million times over!!
62 notes · View notes
emotinalsupportturtle · 6 months
Text
I saw what you did there Tom (*sneakily quoting Shakespeare)
Tumblr media
"I wasted time, and now doth time waste me"
King Richard (Act V, Richard II, Shakespeare)
(pretty sure he said the correct quote but the subtitles are wonky)
*edit
Tumblr media
i felt compelled to add the actual quote from the play ( also because I'll use any excuse to post David Tennant, especially as richard ii)
97 notes · View notes
Text
“I never thanked you,” Alonzo mutters to the wind, pushing the cool damp of his nose between the spaces of Munkustrap's ribs. The larger tomcat has not moved since sprawling beside him a half hour ago; more's the pity, Munkustrap thinks, amused, as his self imposed "break" which he had been hoping would turn into a nap (but the never ending turning cogs of his mind had very quickly vetoed that idea) was only meant to be ten minutes or so.
Munkustrap is hesitant to touch without permission, but he finds an opportunity such as this rare enough as is, and Alonzo hardly seems to mind the gentle pull of claws through the fur of his back. If anything, he is rewarded with a firmer pressure against his side, the softest beginnings of a purr rattling the cage of his heart. He is tempted to say nothing - to allow Alonzo to conclude the drifting of his thought until he reached shore - but if he had learned anything from their short time in one another's company, it's that oftentimes Alonzo needed a buoy thrown his way to keep the rare emotional displays from drowning. “Thanked me? For what?”
“I’m not sure," he answers, muffled and quiet. "If it weren't for you, well...for saving me, I guess.” Alonzo pretends to yawn, punctuating the statement with an attempt at frivolity; as though the promptness of his answer did not suggest he hadn't been working the courage up to say it for perhaps longer than they had been laying there.
He sits up, balanced on the cross of his forearms so they are near nose to nose. Munkustrap pauses, claw catching in the beginnings of a mat. Alonzo doesn't even flinch.
"So...thank you."
Suddenly, his heart is full. It is full and near bursting; he can hardly breathe. Dozens upon dozens of things he could say - should say - gather at the tip of his tongue, but none seem right. None seem to convey exactly the feeling bubbling within him, hotter and hotter until adoration threatens to pour from him like a whistling steam cloud. It only burns steady in his chest.
“Nothing so becomes a man as modest stillness and humility,” Munkustrap teases instead, settling on his stories and poets in that odd, shy way of his. Strange how often he seemed so much larger than life, yet in moments like these he shrunk and wilted. The larger tomcat wrinkles his nose, confused, but before he can open his mouth to object, Munkustrap hastily continues: “I think you did that all on your own.”
They are quiet a moment, staring back and forth in a single, unbroken loop. Munkustrap counts the stars - blinking and shifting in their shapes - reflected in the black of Alonzo's eyes.
The same eyes he eventually rolls, sclera glowing pale in the steady dropping of the moon instead. 
“You’re so weird, Munk," he sighs, but Munkustrap can hear how pleased he is - how embarrassed; and when he kisses him, whiskers, teeth and all, the kettle boils over.
20 notes · View notes
belle-keys · 4 months
Text
yeah riverdale could write "these violent delights have violent ends", but shakespeare could never write "you haven't known the triumphs and defeats, the epic highs and lows of high school football" like cmon
40 notes · View notes
raayllum · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
—act 5, scene i, The Tempest
73 notes · View notes
coffeeshopdragons · 8 months
Text
Hamlet: What are madness and sanity if not the same thing. Life's moments intertwined as brief intervals of either, leaving the choice up to the interpreter which side to see ~
Horatio: Homedawg, my dear, my one true exasperation. Did you or did you not eat the baby
30 notes · View notes
humaforever · 1 month
Text
Ivy/Claudine "If I were to kiss you then go to hell I would, so I can brag to the devils that I saw heaven without ever entering it"
12 notes · View notes
hekateinhell · 4 months
Text
In some of the earlier drafts of Memnoch the Devil, David Talbot was supposed to die, NOT Armand:
From what I saw, a lot of Anne's drafts and notes at Tulane for MtD where more heavily focused on developing the whole religious aspect and the lore that she wanted to follow, but this really caught my attention in a big way for obvious reasons. In an another world, David would've self-immolated instead of Armand, and the book would've ended with Armand and Lestat walking together in Central Park!
Tumblr media
"Almost Claudia, but not"... Ouch.
Tumblr media
I will say that I understand why ultimately Anne decided to go the route that she did with Armand in actual canon (aka what's literally on the page)—I think it does make sense for his arc given his background and religious trauma. I understand it, but also as a reader and an Armand girlie, I would have been much more satisfied by this ending 🥲 (no surprise there!). Alas, I am not Anne Rice, and I'm just so grateful that she thought ahead to make her notes, drafts, and diaries accessible to us after her passing so we can have fun trying to understand her creative process and considering all the possibilities!
Lastly:
Tumblr media
"I do think David has go to to go. Maybe he should go instead of Armand." just takes me right out.
ANNE.
96 notes · View notes
boltlightning · 3 months
Text
andre composing and playing a flute sonata for peggy is very sweet and romantic but it. it really fully is this huh. they framed it like this huh
Tumblr media
7 notes · View notes
Text
Tumblr media Tumblr media
"Sin from my lips? Oh, how you urge me onto another crime...
Tumblr media
Give me back my sin" - Romeo (William Shakespeare)
Tumblr media Tumblr media
20 notes · View notes
anne-bsd-bibliophile · 4 months
Text
What's in a name, anyway? That which we call a nose by any other name would still smell.
- The Reduced Shakespeare Company, The Complete Works of William Shakespeare (Abridged)
8 notes · View notes
starlene · 8 months
Text
I just saw a quote pulled from the local newspaper's review of the new Finnish-Swedish production of Something Rotten!
It said combining musicals and Shakespeare doesn't make any sense, but maybe that's exactly why Something Rotten! works so well.
Not to sound too cranky and done with everything or anything, but EVER HEARD OF A LITTLE MUSICAL CALLED WEST SIDE STORY??? I mean? Seriously??
At this point, I think I would feel happier if Finnish media just stopped publishing musical reviews altogether, seeing how time and time again, they appear to be written by people who've never seen a musical before.
11 notes · View notes