I have so many ides, I couldn’t choose just one! Feel free to only answer one, a few, or all of them!
“Something tragic, but almost pure” (broken, lovelytheband)
“Wings of feathers, tails and fin tips” (Fish in a Birdcage, Fish in a Birdcage)
“Be my Wings (and My Eyes)” (Fish in a Birdcage, Fish in a Birdcage)
“It’s Cold and You’re Standing There (You’re Trying To Face your Greatest Fear)” (adapted from Don’t Throw Out My Legos, AJR)
“Sharks” (Imagine Dragons)
Okey-dokes! Here we go:
"Something Tragic, But Almost Pure" - SQ fic. GUESS WHAT, IT'S ABOUT THE CAVE SCENE AGAIN.
"Wings of Feathers, Tails and Fin Tips" - A more serious take on @nobodysdaydreams' Sirens of the Sea and Sky universe where some people are mermaids and some people are avian.
"Be My Wings (And My Eyes)" - Wing AU fic where Sticky and Kate get lost in the woods and Sticky loses his glasses.
"It’s Cold and You’re Standing There (You’re Trying To Face your Greatest Fear)" - Sticky fic. When he runs away and is trying to decide whether to go home again or attend Mr. Benedict's tests.
"Sharks" - Executives fic!! A story about how the Executive Trio navigate being around the Ten Men/Recruiters all the time.
Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.
being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one
this started as a reply to someone (a million years ago) (I am so sorry) and then very quickly got out of control, as these things do. so...uhhh....here's everyone else at Playful Land!
i do have actual serious thoughts about bnha (currently at chapter 137) but for now. the thing that always catches me off guard is kirishima with his hair down. somehow i always forget that his hair doesnt naturally look like that
This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
Frame 1. "turn down the lights"
We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
Frame 2. "turn down the bed"
We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
Frame 3. "turn down these voices inside my head"
Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
Frame 4. "lay down with me"
Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
Frame 5. "tell me no lies"
An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
Frame 6. "just hold me close"
pspspspsps
Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
Frame 7. "don't patronize"
In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
Frames 8-9. "don't patronize me"
Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
Frame 10. "'cause I can't make you love me if you don't"
A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
Frame 11. "you can't make your heart feel something it won't"
Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
Frame 12. "here in the dark in these final hours"
Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
Frame 13. "I will lay down my heart"
A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
Frame 14. "and I'll feel the power"
Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
Frame 15. "but you won't, no, you won't"
A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
Frame 16. "'cause I can't make you love me"
We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
Frame 17. "if you don't"
But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
A phone gets shoved into his face, the brightness level way too high for comfort, but he squints to take a look at the screen. A small grunt leaves his lips at the lack of greeting from his red-haired friend, but he chooses to focus on the screen instead.
It's an Instagram post with a picture of him, one taken during the Olympics. He looks at the picture, confused, but then Tendou starts scrolling through the comments
"I'd combust if he called me 'baby' with that deep voice."
"Do you think he's vocal in bed?"
Reply: "He doesn't talk much in interviews, so I doubt it."
Reply: "What a waste. His voice is so hot."
"LOOK AT HIS ABS *drools*"
"The world is going crazy ever since you said 'baby' in that one interview!" Tendou wildly gestures with his phone still in his hand, his grin almost smug when he elbows Ushijima. A frown appears on the spiker's face as he tries to recall the interview. It was one that he wasn't too fond of, due to the number of personal questions that had been asked. Way too personal questions for his liking.
"Ushijima-san, do you have any plans to start a family soon? When can we expect a baby, a little Ushijima junior?"
"Baby?" he had echoed, clearly taken aback by this question, something that the interviewer probably failed to notice, but to the people close to him, it was fairly obvious. The silence after this question lead to speculation on the internet about his relationship status, something that he has kept private so far.
"It wasn't in a sexual way." Ushijima states after skimming through more comments, raising his eyebrows when the messages get more explicit and vulgar. "I was surprised when he asked the question."
"Doesn't matter! The world is going feral now, everybody wants to be Wakatoshi's baby! And even I have to admit that I got butterflies when I heard you say that. Y/n is really lucky~" Tendou hums, mischief clear in his eyes, but Ushijima fails to follow his train of thoughts with this.
"Why is she lucky?"
"Because she gets you to say sweet and dirty things to her all day long. You can't fool me, Wakatoshi-kun; I'm not only your best but also your oldest friend." Tendou winks and strolls ahead, oblivious to the way Wakatoshi is left standing there with a frown on his face, still.
xxxxx
"Y/n?"
You rub your arms dry with a fluffy towel when his voice comes from the other side of the door.
"Hmm?" you hum, smiling excitedly because he is finally back home. "I'll be out in a second."
"Yes, please. We need to talk." You hear him lean against the door frame, clearly waiting for you to come out.
You freeze at his words, eyes growing wide when realization settles in and you fully comprehend his words. "Talk? Talk about what?" you know that you sound shrill and loud, but you can't help yourself but to feel nervous at his serious tone- even more serious than normally.
"About us." Your jaw drops, and you quickly reach for your bathrobe, hastily unfolding the fabric to its full length.
"What do you mean about us? Is there a problem with us?" You finally manage to pull your arms through the fabric, quickly wrapping the fabric along your body before you open the door. You're met with Ushijima's broad chest as he quickly straightens to his full posture. His olive eyes roam over your body, lingering for a short moment on your exposed cleavage before they return back to your face. He looks nervous, there is no other way to put it. "I'm not sure. I think there could might be a problem."
"And what would that be?" You cross your arms in front of your chest, your eyes boring into his face as if you could find answers for his unusual behavior there. You've never seen him like this before. His usual warm eyes are clouded with worry, his hands fidgeting with his phone in his hands. "Toshi? What is it? Please, talk to me." You're tempted to take the phone out of his hands, but you refrain from touching him, not when you don't know what's going on.
"Are you happy with our sex life?" His eyes don't leave your face, not for even the slightest second to see your reaction, and your jaw drops at the sudden question- you expected a lot, but definitely not this.
"I'm- I mean, yes I am? Shouldn't I be? Are you unhappy?" You take a slight step back, creating distance between the two of you, baffled by the sudden implication that he thinks that you're not satisfied. Or that he might not be. Sex with Wakatoshi is great- hard, rough, and passionate. He knows how to fuck you, that is for sure, but he also knows how to be gentle and sweet, how to take care of you and spoil you, especially during aftercare. You lack nothing in your sex life with him- and you hope that he feels the same.
"I am happy. Very. I enjoy sex with you very much much," he states firmly, but that only confuses you more.
"Why are you asking me then? What made you think that I could be unhappy?" You move closer to him, worry etched in your features when you finally take his phone and put it aside to grab his hands.
"Do you want me to talk more? To be more vocal? I saw a video and people kept on commenting how they want me to call them 'baby' and some more things. Would you like that too?" The way he asks nonchalantly like he was just talking about dinner made this even more embarrassing somehow.
"For you to call me 'baby' during sex?"
"Hmm." He nods and looks expectantly at you, his hands squeezing yours while his gaze seems somewhat calmer now that he is convinced that you're satisfied.
"You... you can call me whatever you want. I'm fine with it." You try to sound unbothered and calm, but the slightly shaking note shows how the thought of him calling you "baby" or "his pretty girl" while he thrusts into you does something to you. He nods, hesitating for a second, but then his hands suddenly drop yours to pull you in by the waist, his other hand coming to your chin while he leans down until his lips are close to your ear.
"My baby. Or would you rather be my babygirl?" His honey-like voice almost puts a spell on you, and you find yourself shivering in his arms, thighs involuntarily clenching together. "S-sounds good, Toshi." You bring your hands up to his chest, feeling the hard muscles under his shirt and his slow and steady heartbeat.
"And what would my babygirl like me to do? Does my babygirl want to be touched?" He lowly mumbles against the shell of your ear, your heart now beating faster when his hands start to roam over your body. "Yes," you breathlessly answer, hands slightly clenching into the fabric of his shirt. Definitely not what you had expected as the outcome of the conversation, but vocal Wakatoshi makes your pussy throb with every single word.
"My babygirl needs me to touch her, huh? I will take care of that pretty little princess cunt." He kisses your cheek, and your legs feel like jelly at this point. You cling to him, hanging on every single one of his words. You feel your arousal growing, feel how you start to get wet the more his hands keep touching you.
"More," you whisper, feeling hot and bothered while he keeps on touching you and pressing kisses to your neck. "More? Is my babygirl needy? That pretty princess cunny needs me to touch her?" He lifts the bathrobe just enough to place one hand on your thigh, and you feel like your body is on fire when he touches you there.
"Yes," you gasp, your hands now finding purchase on his shoulders while you cling onto him like your life depends on it. "What does that little princess cunny want? My fingers?" He grazes his fingertips along your thigh, moving dangerously close to your pussy under the bathrobe- bare, and basically creaming for him the longer he keeps playing with your body.
"Or my tongue?" he licks along the column of your neck, and you gasp at his words, the sensation hot and forbidden god. "I want to taste you, baby. You always taste so sweet. Do you want my tongue between your legs? Licking at your pretty pussy?" His fingers reach your throbbing pussy, slightly parting your folds and dipping in your wetness.
"Do it, do it, Toshi, please," you press your legs together around his hand, effectively caging him right where you need it. "Hmm, but you have to cum on my fingers first." He pecks your cheek and pulls his hand away from your legs, just to place it on your hips to guide you towards the bed. "Lay down for me, baby. Open that bathrobe for me."
His baritone echoes through the room, and you feel yourself doing everything like you're in a haze, full of need for him. "Hmm, that's my good girl." He hums apporvingly when you discard the bathrobe on the floor. Your body is trembling in the cool air of the room, but Ushijima is quick to join you on the bed and to hover above you, radiating so much heat that you instantly feel warm.
"Baby, spread your legs for me. Show me everything." You take a deep breath and slowly part your legs, revealing your glistening folds to him. A shiver runs down his body, and he clears his throat before he speaks again, his voice now lower when he is obviously bothered and turned on by the situation. "Look at how wet you are for me. All for me."
You frantically nod, anticipation rushing through your body while you wait for him to touch you. His fingers finally roam over your thighs, and your head falls back into the pillow at the way he touches you, the way he knows exactly where and how to touch you.
"So impatient. I can't wait to be inside of you, to feel you around me." Your gaze falls to the tent in his pants, the thought of him fucking you making your head spin and your pussy throb with need. His fingers move between your legs, moving along your folds and pressing against your clit. You moan at the sensation, your hands fisting the sheets when his thumb prods on your entrance.
"You look so pretty like this. Just waiting for me to touch you, to fuck you. And you feel so good around my fingers." He pushes his thumb inside of you, and you almost close your legs around him. "I will make you feel so good. I will make you cum on my fingers, on my tongue, on my cock." You clench around the digit at his words, your eyes focused on his handsome face while he keeps on rubbing your clit. "More, please more," you whine your body shaking underneath his. "Shhh, I'll give you more. I'll give you what you need, baby." His eyes roam down your body and you almost protest when he pulls his thumb out, just to quickly replace it with three of his fingers. "Oh, Toshi," you whine, your hips arching into him, and you start to fuck yourself on his fingers. He keeps the fast rhythm, pulling his fingers out, and pushing them back inside, curling them pulling them out again. "You feel so good. You're is creaming for me, look at that." His words only add fuel to your desire, and you grab his shoulders to push him down to you to connect your lips in a needy kiss. He groans into your mouth, his movements slowing down for a few moments before he sets his rhythm again, a fast and punishing pace now.
Your nails rake along his bare shoulders, leaving red marks, and he groans at the sensation. "Come on, baby girl. Let me feel you clench around me. Cream on my fingers, make a mess for me," his voice sends you over the edge, and you moan his name when you cum, your walls pulsing and clenching softly around his fingers. He groans your name, sweet praises of how you're his good girl, how pretty you look under him, how much he loves you, leave his lips and your body arches from the bed into his while your face contorts in pure bliss.
He prolongs your high, making sure to keep his pace and to curl his fingers just the right way, and your body goes limp when he finally slows down. His lips meet yours, pressing chaste and loving kisses to your face. "Was that okay?" The slight frown on his face is back, a clear sign of him being deep in thoughts when he pulls back after a few more kisses.
"More than okay. I think I could cum from your voice alone." You smile up at him and cup his cheek, the afterglow making you feel so good while you lay under him.
He raises an eyebrow, curiosity now sparkling in his eyes at your words, and you are quick to explain further. "I- I didn't mean that literally. Like- I just wanted to say that your voice is hot. And you are hot." Your cheeks heat up when he simply nods and hums, a mild smile on his lips.
"I want to test that out. Let's see if I can make you cum with my voice alone, baby."