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#i'd have him say it there
inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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egophiliac · 1 month
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(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉
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he's just a lil' guy who's never done anything wrong in his life Ever
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royalarchivist · 1 year
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Wilbur: Who's the lucky- who's the lucky lady, who's Missa, what's she like?
Phil: It's a dude. *laughs*
Wilbur: Phil, you didn't tell me you were bi, and also polyamorous.
Phil: Definitely not.
Wilbur: What does Kri- what does Kristin think of your- of your... husband?
Phil: SHE'S NOT CANON IN THIS UNIVERSE! And we- and it's not like that, it's not like that- it's uh, we're- it's platonic, we're just dude's hanging out protecting an egg-
Wilbur: Who's the top?
Phil:
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coulsart · 7 months
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@venomous-qwille The opulence! The excess!
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whatudottu · 5 months
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Don't question what logical loops I had to leap through to make this happen, Shockwave's already doing that for y'all :)
do you think in universes where empurata exists that shockwave can remember the feeling of having a face? of remembering seeing from two eyes instead of one? does his head burn in pain as a twitch of non-existant lips spark incomplete pathways through his brain, does he miss the sensation of teeth and tongue beneath those twitching lips, heavy against the bottom of the mouth he no longer has?
:) Big Boobie Decepticons :)
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a2zillustration · 6 months
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My BG3 run is quickly devolving into a messy dating sim (sorry)
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[[ All Croissant Adventures (chronological, desktop) ]]
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"I don't know how someone who dislikes insects as much as you gets stung so often- have you seen Poppy for this?"
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sepia-stained-sunset · 9 months
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You know what, we deserve a Brentwood Academy Reunion mini comic where Tim brings Bernard along and all the other guys keep sending him pitying looks because they think the poor guy should be warned that Tim will never catch onto his feelings for him.
And Bernard is like, "um, why is everyone giving me so much sympathy?" And Tim's like, "what are you talking about?" And then people literally pat him on his shoulder and tell him that they "get it" and they've "been through this too"
Bernard: What are you talking about??
Some guy from Brentwood: It's okay, man. It's practically a rite of passage at this point. You're here with Tim Drake as just a friend, right?
Tim, who heard that: Um, no? Bernard's my date
Literally everyone there: What.
Tim: Uh...yeah? He's my boyfriend
Everyone: *squeeze their wine glasses so hard they literally shatter*
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vcrnons · 7 months
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[17:terview] EP. VERNON : 'Black Eye'.
bonus (see: gifs you can hear) :
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kevindavidday · 2 months
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neil's brain short-circuited the first time matt boyd said 'i love you man'
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nativehueofresolution · 5 months
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i think there's an interesting connective thread between sarah snook saying she thinks shiv just reads whatever's currently popular and got people talking ("everyone's reading this? all right, fine."), and alan ruck saying he thinks connor only reads books that are very old and considered classics - that way he doesn't have to decide if it has literary merit, because everyone else has already decided it's a seminal work. like, it takes them in the opposite direction when looking for materials, but in both cases they're being driven by a desire to not have to have original artistic tastes or opinions and just defer to someone else's judgements. which is just so telling?
shiv can be a bit of a black sheep politically, but she arrived there by just trying to define herself in opposition to her family; it's an indirect way of having someone else decide for you to keep trying to do the opposite of what's expected. it requires little in the way of genuine beliefs, which is why she flips very easily when it's convenient. connor meanwhile just wants any scrap of attention he can get, which is why he brings up random trivia or collects bizarre historical items. he likes to be able to just say or have something that gets people's attention, without having to provide any real explanation or show understanding. and i think it's interesting how that carries over into things like entertainment or art - the lack of self conception makes it hard to do things like pick up a random book you've never heard of because it looks interesting.
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whollyjoly · 4 days
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it's gon' be a long ride home tomorrow from tennessee to texas to la well if i could i'd never leave you i'd come home to stay another night from home away from you it ain't easy i know (baby, don't you want me)
the bucktommy cowboy au nobody asked for part three (parts one and two)
thinking about rancher!tommy who goes on long two-month cattle drives and dreams of the gorgeous cattle hand back home...
(song insp.)
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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incorrect-hs-quotes · 20 days
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Dirk: Listen pal, the subtitles stay ON during sex
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rottmnt-residuum · 11 months
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Any other LGBTQ+ Headcannons that are canon is the comic??;)
*patiently awaits Cupioromantic Donnie*
hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.
april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.
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raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?
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leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).
donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.
(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)
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mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace
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#residual asks#rottmnt#i really get a kick out of he/him butch lesbian raph and ghostbear-sexual raph#but i'd never use those seriously. or at least in this comic#co-author says what they get if they really had to choose for raph is ace homoromantic#but otherwise...#he's just raph#like we can't apply any identity to him. and we really mean ANY identity. not even straight or umbrella terms like queer#its a very odd feeling#i also really like trans april but we don't have enough evidence for it#in fact there's actually counter evidence- but don't let that stop your dreams y'all. it just stops ours :P#sorry for stepping on your donnie dreams anon#but honestly i think that label applies more to 2012 donnie imo#i really do personally prefer ace/aro donnie. but i'd make everyone ace if i were able lmao#co-author would also do the same thing ahaah#i just don't like depicting romantic relationships. or attraction ahahaah#with mikey... we get why people hc him as pan... but like its a fandomism stereotype#that literally every fandom applies to optimistic friendly characters. and honestly i really don't like the fandomism stereotypes#i just find them... unenjoyable i guess#cuz like y'alll... your sexuality isn't inherently determined by your personality or vise versa#cuz like i know for sure that in fandom spaces- if i were a character- i'd be stereotyped as pan or a hypersexual cis het#to which i am neither. at all.#and co-author would be stereotyped as the demure femme book lesbian#which they are VERY much not#and i know this because i've been fandomified by people in my life more than once#it is a very uncomfortable experience y'all#whoops rant in the tags#residuum#rottmnt residuum#residuum wb
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