I'm a cryptid in Stardew valley. I live on the outskirts of town. I disappear for days on end, purchasing daily one-way tickets to the calico desert. Nobody knows where I go while I'm there. Can occasionally be found fishing at random spots throughout town. I am never not running on at least one triple shot espresso. I take the abandoned minecarts to get around and am frequently seen disappearing into the sewers. I carry a sword for some reason. Once every week or two I will stride into your bedroom to deliver you your favorite meal. I'm a self-made millionaire. I attend all the town events and will go to your concert in the next town over. I have donated approximately 2583 items to the local museum and singlehandedly revitalized the town community center. There are rumors I can talk to junimos. I'm friends with the local wizard
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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I really love the way they have written Sally and Percy’s relationship in the show. Sally being the mom of a neurodivergent kid and feeling like shes constantly failing. Her being isolated because she doesnt have anyone to talk to about this as a single parent. And she makes mistakes, she feels human. Then we have Percy feeling like a burden to his parent. He cant understand why none of his parents want him around even though its for his wellbeing. It’s so heartbreaking but so real.
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they gotta give me more enrichment at work look what i just doodled
^ joke that would have killed in 2011
🏳️⚧️ this post has come out as trans 🏳️⚧️
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please please please when something good happens, let yourself feel good! be proud of yourself, revel in that joy, bask in the happiness. you deserve it! you deserve to feel good!!
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