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#i think its pretty interesting to see how theyre handling all this growth
anonimusunnoan · 6 months
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OF COURSE I had to make a shared space in this new little tower space sky devs have given us!! Everyone else was doing it!
...although a dance party might not be the easiest heheheh
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sassykinzonline · 10 days
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ok so realistically, or not realistically, thoughts on Boruto? Thoughts on the whole family thing, Naruto being the hokage, would you change anything? Thoughts on other parings? Like, narusaku, sasuhina, sasusaku, narhina, gaanaru, etc. I’m having a brain riot and need opinions😭
boruto:
i feel like it wasnt really necessary to have bio kids be the lead of the anime especially if they were just going to rehash dynamics that already happened but het. based on the newest chapter, i have to say i wish they would stop hetconning things. naruto being hokage is whatever since im sure its what the audience was waiting for but in the manga they dont just have the older gen ninja just get trapped or killed, theyre off doing their own thing or dealing with subplots or whatever. i think the recent ninja storm game handles this way better than the manga and anime do. i think you can tell kishi isnt interested in this based on how lazy a lot of the storytelling choices are. he almost had something interesting going on with kawaki but then it just kinda went off the rails. so what would i change? i would just scrap the whole thing and approach it completely differently. im not even sure i would use kids given they had a real opportunity to make it more adult, kinda like the way atla transitioned into lok.
other pairings:
i pretty much hate the majority of ships ive come across, not gonna lie. i mean i dont judge anyone for coming up with them, thats their right but i just dont get the logic behind them. particularly certain ships like sasuhina would require both of us to be completely different people for it to work, but ultimately if people want to explore dynamics that way i dont care. if i look at certain ships as people are without their fundamental traits changing then...
narusaku - this is toxic because sakura doesnt respect naruto at all. she never will because shes always seen him as a nuisance. their relationship would be her "settling" for him given his newfound status as a hero and the fame and attention she would get from that, but behind closed doors she'd probably belittle him a lot. naruto would put up with it because he doesnt have a backbone /hj.
naruhina - i mean i think hinata's a nice enough person but they have no chemistry and she also just wants/needs things from naruto so its not healthy for him again. naruto should be with someone who can protect him, and who can fight for him (like me).
gaanaru - .........................begrudgingly gaara does fit the condition i mentioned above but i feel that politically they would be a bit at odds and gaara cant fully understand naruto. but yes as a consolation ship, this is probably one of the better ones.
this is where i say honestly, painfully, if you ask me, neji probably wouldve been best for naruto besides myself. he can understand naruto's worldview, he can protect naruto, he has a personality that complements naruto. the only thing is that neji still fundamentally sees hinata as a priority so i dont know how that would play out.
i cant comment on every single ship so i'll try and just go through ones i would fix and how, and then some "crackships" i have.
leesaku (or whatever you guys call it) - lee's probably the only one sakura disrespected and then ended up respecting. his personality is such that he deals with conflict extremely well and doesnt internalize things, so he would be able to respond to sakura's shallowness and pettiness. theyre both competitive. i feel that sakura would also learn from him how to take pride in achievements, failure, and growth and build her self-esteem properly. i dont like inosaku because regardless of Lesbian Rights or whatever, sakura has consistently treated ino like shit for no reason and its not even in a "um we're awkward way" its in a "ino risks her life for sakura because shes a good person and sakura curses her out" kind of thing. lesbians should be in healthy relationships.
tenkuro - theyre both meant to be experts in a certain field that complement each other. theyre both in the middle of two extreme personalities. kankuro is a bit less of a douchebag by the time he gets older. i wouldve paired this instead of shikatema if we had to have a crosscountry couple. shikatema is gross.
hinakiba - kiba's probably the only one who treated hinata with respect their entire lives and without wanting anything in return. like weirdly enough hes the only guy i can think of except maybe choji that didnt talk shit about a woman (whether it was deserved or not) so i feel like instantly that kind of makes him a good match for someone as meek as her. hes supportive without being passive and passionate without really being aggressive. i dont know what hinata does for him because i dont really know what hinata does for anyone, but i think kiba just wants A Woman so she fits the bill.
sasudeath - if i cant have naruto give me death.
inosai is probably the only ship i actually like because they compliment each other well. again i dont care about gay/straight whatever but if ino wants to date a hot guy, let her date one. she chose one that she gets along with easily, respects her (not just respects her but he loves her proudly), and tempers her personality well. theyre pretty cute in boruto. i would keep choji and karui only because cho cho is an angel.
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iridescentides · 3 years
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i watched the ep twice bc i didnt take notes the first time BUT. hsmtmts 2.04 thoughts under the cut
gina first. my favorite part of the episode was when she admitted that she feels out of place living in someone else’s house and that she wanted a bigger part in the play. i was SO worried they were gonna just let her happily sideline herself in a “yay she learned her lesson about not being the center of attention” kind of way bc i would not be able to handle that two seasons in a row. let her be angry!!! she has a lot to be upset about
the gina/carlos conflict was awful bc theyre making carlos unreasonably annoying this season. last season he was nice, he was enthusiastic, not competitive and just rooting for other people. idk why they needed to flip him so drastically to being spoiled, rich, selfish, pushy, and bitchy. and on top of that i have not been vibing with the pieces of dialogue theyve been giving him this season just to score woke points. its so unbearably obvious that even though hes a brown gay character, he was written by a white gay person who thought, on some level, that he was giving the gen z kids the #hashtag representation they wanted. his delivery of every line that screams “remember, im mexican” is so awkward, it doesnt land well, and im begging them to stop. they want so badly to commodify his character and parade him around as a “look how diverse our show is!” thing and im so so sick of it bc you can tell, with all the surface-level pieces of dialogue, that they dont actually care at all
(”look around, theres not a lot of me at this school” we GET it, this show wants to be glee so bad)
im honestly starting to slowly ship rina less and less. in season one i loved seeing someone make gina happy, especially since she had no friends before opening up to ricky. but now its just a whole mess and i wish she would love herself a lil more to realize that its not worth all this stress. he made a choice and no amount of conflicted moments of eye contact is going to fully take that back. im not necessarily against love triangle plots, but i HATE the whole “women wait around hopefully while male character, whose decisions have already hurt multiple people, makes up his mind” bullshit
that being said, gina handled the situation like a CHAMP, im dying over how quickly she was able to mask her pain and make the joke about the twix bar. im love her
we were absolutely ROBBED of an ej/big red performance this episode!!! i am at my LIMIT we better get gaston next week or i will riot
on the ej train, him not getting into duke was extremely predictable. we all kinda saw that coming and knew that would be his main point of growth this season. im glad they didnt wait super long to do it. now please @ writers i am BEGGING you to give my man more screen time than one scene per episode
its very odd that they keep making mr mazzara have emotionally tough conversations with the students. i will do a parallel gifset of those once the season ends. i liked his convo with ej for the most part, but he really didnt have to beat him over the head with the “youre an emotionless robot” thing again. its clear ej is gonna throw himself into av club or whatever (even though at the end of last season that was supposed to be big red?) and discover that he has a lot going for him. because he does, he literally has everything going for him, thats why they had to make his “problem” not knowing himself. bisexual ej caswell ftw
i love the parallels between ej and nini this episode? i think since the beginning ive felt that there was a lot about them under the surface that was similar. it was interesting seeing ej tell nini about duke first, instead of the obvious choice of ashlyn. i wouldve loved to see how that scene wouldve gone with ricky, gina, carlos, or big red though bc each reaction and attempt at comforting him wouldve been so different. i didnt love that nini had to be pulled away from the conversation, but im glad they can still talk to each other after everything that went down. and i love the juxtaposition of ej’s convo with mazzara directly following nini’s convo with miss jenn bc theyre essentially the same.
speaking of, i loved miss jenn in this episode. her stories are always so funny, but i loved seeing her care so much for nini and guide her, like a teacher. i loved how she pointed out that everyone who loves nini just wants her to be happy
im glad nini is leaving yac bc there was no good way to keep that up honestly. but im pretty annoyed that they were so obvious about it? like, they immediately made it the worst place in the world without exploring it very much. the place is super unrealistic, ive never been to drama school but im sure it wouldnt be like that. no creative arts place for KIDS would be so impossibly limiting. plus the weird bluish coloring in comparison to the nice warm tones of the rest of the show was, again, a dead giveaway. why send her to the school at all if it wasnt even gonna matter?
even though im glad nini left yac, im NOT looking forward to the way miss jenn is about to bend over backwards to put her in the play somehow. she plays obvious favorites and im so annoyed
(sidenote: nini just? decided to leave yac without consulting her parents??? ummm)
granted is a very good song, one of my faves so far
ricky deciding to tell nini he wants her to stay was stupid. what did he think that would accomplish? who in their right mind would drop out of a good school for you?
i loved when nini said yac was missing something, and miss jenn said “ricky” and nini said “you.” that was so so sweet and cute
i think the kourtney/howie thing is gonna grow on me. i hate amatonormativity so im not a big fan of them introducing a whole ass character exclusively so kourtney can have a love interest, but i loved the gesture he made of bringing her the pizzas and her flashcards. i feel like kourtneys love language is acts of service, and she was literally this meme when he did that for her:
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i liked seeing ashlyn try to be there emotionally for gina! i want more of them together
overall this episode was okay. not enough songs, and i wish they were spreading out the emotional conversations through the season instead of packing them all into literally one episode, but what we did get was pretty good.
after watching the preview i see that next weeks episode is gonna be about carlos’s party, and i love party episodes. BUT i hope that after that ep we finally get an advancement on the north high stuff! i dont give too many fucks about lily, but i wanna see my son asher angel
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slidewhistlebj · 4 years
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TUA Season 2 is finally here! I think it was a really cool season with some really awesome potential, but there are some parts that I think really didn’t work and this is how i think they should have been fixed
(Spoilers for Season 2 of the Umbrella Academy. Obviously)
i think landing the siblings in different years was amazing, they got time to explore themselves and we could see their personalities through what they did
On the other hand, they didnt devote enough time to those storylines so it never felt like they had a solid purpose (for most of the siblings), it was more to show “time has passed”
How did Luther end up boxing under a gangster? How is he adjusting to no dad, no academy?? He was alone on the moon, He was left behind by his siblings in the academy, now he is alone and in a whole other *time* like i wanna hear about that!
Klaus has mansion and a cult and had a girlfriend benefactor lady?? Like: lets get into that! if the show wants humor that can be amazing
but it can also be really interesting and deep for exploring klaus’s need for both personal space (physically and somewhat emotionally) yet also his need for positive attention from whoever will give it to him!
More on that alone now track: the opening scene with their fighting was built to get us hyped
it fucking worked, that shit was amazing
but along with wishing that we saw more of their individual stories, i wish some of their growth had been gradual
like Klaus should have been showing off ghost stuff with his cult which is part of why they follow him which would set up his new ability to summon and conjure multiple ghosts at a time
instead of it being a throw away scene at the end where he gets caught
or Diego could have been shown in his ‘alone in dallas’ storyline to be trying to escape multiple times from the asylum and in that, figuring out his ability to start affecting other peoples shots at him, etc
Stuff like that would have been a great way to both dive into the characters *and* ramp up their abilities
Moving onto The Commission who i absolutely love so so much 
Hell yeah u funky lil time-space assassins
I think that the Handler should have stayed dead
her return to the show while awesome (because she is played so well by her actress) continues this problem for the show of seemingly running in place where things dont have consequences like they should
I also think her return made a very campy feel to certain parts which is fine, the story should have fun! but it doesnt fit with the vibe very well with the other more serious plots
Imagine a storyline where the Handler is replaced by Carmichael, a competent replacement with no close personal relationship to Five
A head to head show down throughout the season of Five trying to outthink and outwit Carmichael and Commission Agents to get a briefcase 
The misdirects! 
The drama! 
The action sequences and reveals!
More Screen Time for the Cool Ass Talking Fish 2k20!
All of which culminates in the board of directors scene but now with real weight behind it for the audience because we have been watching these two face off with one another for a season of build up
LET FIVE EAT THE FISH!
Giving that scene to the handler was the worst part of the whole season, u cant change my mind bros
This would also open up Lila to be more of her own person
Her storyline would change without the Handler there so that instead of being actively manipulated by the Handler, she has gone rogue from the commission to kill Five for her parents deaths due to previous planning and programming from her mother
(its only been 14 days for Five, a very normal turn around for him to desert, have the Handler tell Lila her version of the story, get killed, and have Lila get ready to take him down)
its generally the same plot, but Lila is more in the drivers seat
Going from tagging along with Diego in the hopes that Five returns for him to questioning some of her commitment to her mission as she spending time with them, etc
it could culminate in a reveal of her mother to Five and Diego and then a redemption where she helps them get a case from Carmichael in someway, looping her into the main plot in an important way with generally the same story
but skipping the pretty basic “obviously evil character is obviously evil but hero doesn't see it” trope that they fell into
I think that Luther’s arc in this season was awesome 10/10 gold standard
he was still him, but this storyline showcases the softer side of his loyalty and lets him grow from season 1 mistakes which is everything I hoped for
Comforting Vanya? Check
Being there for Five? Check
Being a voice of reason but still being a dumbass? Cheeeeeck
Diegos arc this season fell flat for me which was hard because he was such a main part of the plot 
This whole season had a build-up trying to break down Diego’s need to be a hero (which they turned to a fucking 11 from last season?? he was not *this* intense last season, im not quite sure why they made the switch), telling him that he isnt / cant be the hero
I assumed this was leading to Diego having a big moment or sacrifice that proved that hero or not, he cares and the effort that he puts into all of these different things matters
But it just didnt??
He didnt stop the president from being assassinated, he didnt save vanya, at the farm he got trapped under a tractor
it just felt like the point was “haha see he isnt a hero”
which,,,,,,okay? What the point of that??
His involvement with the Commision was weird too, i didnt care for him being a part of that storyline very much, it just didnt add anything
Allison’s arc was just on the edge of greatness for me
it was an awesome choice to put in her in a position where she wasnt treated equally and show exactly what kind of person she is by how she fights back
her not using her rumors also seems very genuine and character based here like: 10/10 character motivations and work
My one complaint, like with just about all the partners in this season, is that she fell in love with a man and just had to leave him 
which makes sense and they talk about it but like: she loves him, its hard to picture someone as loving and loyal as Allison just leaving her husband behind forever 
Klaus’s arc just needed more *time*
He is a hella deep character but all of his story lines needed more time to be able to address that complexity 
Show us more of the cult and his ghost powers being used there to trick and amaze and how he has been handling being cut off from the family again
I,,,,,,I understand,,,dave’s storyline
I get the time period
but fuck
that just hurts
I think Klaus not trying to rekindle his relationship with a younger Dave, but trying to protect him from the war was an amazing angle and it needed more time to get the full punch of klaus pulling out all the stops to save him but failing to really land it
Five
My Son
My Trash Boy
I feel like his job as ‘leader of the stop the apocalypse’ movement is good but that was his whole story this time around
He should have gotten more to play off of with the Commission (*cough cough* Carmichael) in his fight to get a briefcase instead of what felt like 10 hours of Five trying to herd his siblings and them just fucking up in someway or another
Five and Older Five was a cool dynamic and im glad they brought him in but again, it just felt like another long storyline attempt that didnt have a purpose as they ended the scene without the case or anything new
Ben’s arc was,,,,,strange
I love Ben and i think his interplay with Klaus is really cool!
But the writers made him fall in love which someone so they could give him a reason to want to possess Klaus which i feel like didnt need to happen
The possession was a good part of the season and could have been taken to some awesome places
It was rough and the ‘consent’ wasnt run entirely well but i think the possession is supposed to be on the line and not quite black and white 
its Ben asking to take control of Klaus! That can be conflict! Thats good stuff right there! Ben is selfish! so is Klaus! thats a cool story to get into between them and see how they try to work it out
Ben wanting to connect with his other siblings after the small taste of being corporeal that he got and pushing Klaus for more and more of that freedom into possession territory would be A+ shit
and Finally: Vanya!
I think most amnesia plots are lazy and just a way to stall progress and reset a character so you can run a very similar plot again but this one seemed to genuinely grow Vanya’s character, even when she remembered 
She definitely has more personality in this season
And while shes quiet, thats just who she is, she isnt as afraid to take space and speak up which is awesome!
And this stays when she gets her memory back which is very good, i dont want to see backsliding for no reason! Give me growth!
I have two complaints about her storyline though
 First Sissy and Harlan
I love both of them and I think they are really cool characters!
Theyre pretty similar to vanya season 1, taking whatever is thrown at them which places Vanya in a more assertive position where she wants to protect them which i loved!
but their ending doesn't sit entirely right with me, just like Raymonds
These characters are in love and they all just leave each other so that the siblings can have a clean, no characters permanently added slate for the next season
it just makes me tired and i really want season 3 to have little to no romance if the only way the show can go about it is to do a love interest per season
My second problem gets its own section because it is the culmination of everything else i have said 
episode ten
Vanya is strong af so any writer that wants big final fight needs to very carefully weigh out how to give each sibling their appropriately sized struggle so they get equal ability to contribute
Instead of doing that though, they did my least favorite trope: Evil Character secretly can do everything the heros can but better and without a problem or ***training***
It meant that they could do whatever they wanted with throwing commission agents at them because Luther, Allison, and Klaus were completely added on just to react to things
Five sort of got to do some fighting (<3 thats my lil geriatric 13 year old) but it was minor, he was mainly there to very obviously turn back time when the big bad shoot out happened
Diego got the most to do out of the siblings and it was suddenly knowing a new ability and doing it a little bit
I dont want a final fight to be trying to woo a bad guy to the good side because theyre too strong to fight 
I want there to be stakes and drama as the siblings show off exactly what the season was all about, what they learned, how they grew together and apart, etc and to take down the big bad which could have very easily been the united front of the Commission instead of 18% Vanya, 15% Harlan, 30% Lila and the Handler, 20% the Swede(s), etc
Lila’s turn to good could have been to help them sneak attack the commission, maybe in their base so as to shrink the fighting to manageable bites for each character?
That would have allowed five’s killing of the board to draw the fighting to a close, a hard decision for him as he is trying to move away from killing but does so to save his family, always to save his family :’( 
Luther could protect his siblings from hits like they showed at the beginning in a way that mirrors how he has been doing that emotionally all season
etc etc etc for all of the siblings so that they each get to show off and have their moment in the spotlight as heros
I loved the season even though i just ranted for like 3 pages, and it has some of the best one liners and line readings ever (”Thats where you come in Five” “Nope. No it isnt”) I just wish that some parts of it had been given some more thought / care so they could really show of the amazing cast, effects, sets, etc without writing in the way
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bmpmp3 · 4 years
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Ok so we talk about cliches that we like but you know a cliche I hate? Love triangles. Rarely do I ever see them done well and they're usually just shoehorned in for some artificial drama instead of actually being creative. Like who's the mc gonna pick? The person they've spent all this time growing close with and developing a bond of mutual character growth or this dude who just showed up like an hour ago?
god love triangles are such a mess of a trope because like I FEEL....IT CAN BE USED FOR GOOD like one of my favourite anime when i was younger was School Rumble so the comedy potential of love triangles (and other polygons) is there but then you have late ninties early 2000s drama shoujo manga love triangles where its just like damn.............please god you each have two hands just date eachother together
also the specific example you mentioned, it is truly the worst.... i dont see it often outside of young adult paranormal romance novels i read in middle school (this is probably because 98% of what i read is shoujo manga from 10-20 years ago hjfdgfdshdfsm) but I hated it so bad....brown hair white girl already was in love with white boy #1 WHO is this white boy #2 and WHY should i care......i cant tell them apart theyre both BLONDE and have names like JOSH or JASON or whatever..........that last bit might be why i struggled a little with young adult books as a kid fjdsnbvdsskds
I do think theres a lot of potential with stuff like love triangles and like multiple people in love with the same person, that sorta situation, a while ago I listened to the Film Reroll podcast where they played a dnd game with the movie Aladdin and I genuinely think that the roll-to-not-fall-in-love mechanic they had going on created one of the most interesting love polygon I’ve seen in the past 5 years and i KNOW how I sound right now im so sorry its just its about the intricacies!!! the web of unrequited love............ anyway I think theres a lot of fun and potential with love triangle situations but I think a big problem with media with love triangles is they focus so aggressively on the dilemma of “oooh who will the main character choooose” (especially in things where it’s obvious who the main character will choose) when it could be so much more interesting exploring the emotions of the characters involved like characters moving on or falling in and out of love between eachother....amicable breakups and rejections.....ones that are specifically NOT amicable....i think there is INTEREST and CREATIVITY to be had narratively qwq even the melodrama can be fun sometimes.................. alas tho so many love triangles are like you said, shoehorned in with little exploration
going off of that tho, with certain things like otome games and really any video game with romance elements, because of the inherent personal-ness of the medium, like even if you dont self insert you still feel like You Are Doing The Game, like even if you dont identify or see yourself in Link, when you play a zelda game you tend to say “I cleared that dungeon” rather than “Link cleared that dungeon”, yknow? So like with video games specifically because of it’s inherent encouragement of self-insertion I do think love triangles, even well written ones, may need to be handled a little more delicately
like I really like the love rival formula in Ikemen Sengoku, how every boy has another boy in his route who’s varying degrees of in love with the main character (with varying degrees of success at being well written too, Mitsuhide as a love rival is famously pretty good, I love Sasuke and Mitsunari, Yoshimoto was good but I personally felt Ranmaru would have been more thematically satisfying, Nobunaga was a drive-by love rival and its the funniest thing in the world to me), but I also know that the love rival story beat makes a lot of people feel real bad and thats not neccessarily what everyone wants in their fun viddy game, I know thats a thing in other otome games and other games with romance in general, people feeling like theyre cheating on the other love interests or they feel like they’re breaking another love interest’s heart, that kinda thing
oh man and recently I found out that the original version of Harvest Moon Friends of Mineral Town had a mechanic where after a while, characters who you could marry would get married to other people if they werent married to you, and like some people like it cause it makes it feel like the world’s more alive, it actually made me interested in playing the original because I love the concept of a game mechanic where I Steal Yo Girl for comedic reasons BUT also lots of people didnt care for the mechanic, from what i can tell it made some folks feel super bad like they’re stealing someones gf and like, thats completely understandable honestly, video games have such a unique relationship with “action” and “who” is doing said “action” between the player and the player character, they’ve got this connection emotionally we can’t really sever easily so video games I definitely think should be especially cautious about how love triangles and love rivalry is handled
im sorry i wrote an essay with a bajillion sidetracks.......I just have lots of thoughts all the time and I think its fun to discuss these things and ur ask was good,,,,... its lots of fun to talk about tropes, ones you like, ones you hate, ones you want to see done better njgkfddjgfksafdsa gomennnnn
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flame-cat · 5 years
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oscar is overrated change my mind
*rubs my gay little goblin hands together* ok
first and foremost- i can understand why people feel that way. hes honestly very poorly written at the moment, but unfortunately i tend to get sucked into loving the characters with the least actual love from the writers (weeps about my constant yearning for a lance arc that never got fulfilled (vld was a dumpster fire))
i think the reason i like him so much is because of the potential he has as a character. people like him mostly because hes a #goodboy but i also firmly believe- as many others do- that theres far more to him, or at least there should be
hes an interesting character because he came into the series so late, was saddled with a responsibility completely unique to him because he essentially had no choice in the matter. hes also the youngest member of the cast. all of these traits make him very compelling
combine that with how FUCKING CUTE he is and well, you get people like me
so, let me list of the traits i think most accurately summarize oscar pine, at least what we know of him so far
1. he’s adaptable
yeah, that one seems pretty self-evident. his whole life got completely turned around and he handled it like a champ. hes also adaptable in the sense that hes a fast learner and a quick thinker- he learned how to fight in the span of a few weeks and in a month he was fighting griffons by himself. thats IMPRESSIVE. we also see how hes a good tactician and capable of thinking on his feet in the most recent fight with cordo- he literally turned around the whole fight by figuring out the mech’s weakness. even ruby and jaune, tacticians extraordinaire, didnt figure that out
oh, and by the way, did i mention hes a FOURTEEN YEAR OLD FARMHAND with ABSOLUTELY NO FORMAL HUNSTMAN SCHOOLING? my dude landed a crashing airship! oz mightve guided him but he still DID THAT
hes also the one to keep the most level head in times of crisis (more on where that comes from later). hes pretty similar to oz in that regard- if something goes wrong hes quick to put aside any of his personal feelings on the matter because thats not whats important right now. i think hes the only person not to lash out at anyone at brunswick (aside from blake). even when people are yelling at and being cold towards him, he does what needs to be done and tries to help where he can, because throwing a fit wont help anyone, regardless of whether or not the others seem to be taking the same route. when he goes missing in argus, too, he comes back with the decision to just. do what needs to be done. he might not like the situation theyre in, he might have felt scared or angry or hurt by jaunes (and qrows) words and actions, but he pushes that aside because thats not important right now
which brings me to my next point
2. he’s selfless
first of all, while it wasnt much of one, he still had a bit of a choice whether or not to do this crazy thing and go meet strangers to save the world. a selfish person wouldve done everything within their power to avoid it. of course he was averse to it at first- he thought he was going crazy! but like, at the end of the day, he pushes that aside because thats not important right now
(if youre sensing a pattern its because there is one)
it could be argued that his determination not to let oz fight for him, even in a situation that oscar was absolutely NOT capable of handling, was selfish. i would have to say i disagree with that, because who the hell wants some ghost in their head to take over their body and probably wreck it pulling off crazy cirque de soleil bullshit moves that knock you out for three days straight?
which brings me to another thing
3. he wants to prove himself
thats the big reason he does these crazy things. he knows hes the underdog here, knows he inexperienced and small and people look down on him- and even though hes scared he still has a sense of pride, a sense of duty. he wants to prove that he can do this. he will put everything on the line, even if it terrifies him, because its what needs to be done and he wants to prove that it CAN be done
a big portion of that comes from his admiration of the others, especially ruby (which is very sweet by the way- hes still a bit starstruck by everyone). in the scene where he confronts ruby about how shes “okay with any of this”, that was the validation he needed to go through with things despite his doubts because guess what? the people he idolizes are scared too, but thats not stopping THEM. so it shouldnt stop him either
which brings me to my favorite trait that is often overlooked-
4. hes stubborn
this kid is so headstrong. the very fact that he was able to overpower oz’s control over his body just to tell the others he was hiding something is a testament to that- we didnt even know that was POSSIBLE before! there are times where hes unsure of himself, but as his confidence has grown hes shown just how much conviction he has in the things he truly believes in. he wants to prove himself and nothing will stand in his way. his whole life is being thrown out the window for the sake of some eons-old war? fine, he’ll do everything he can to fight for what he cares about. he makes the decision to put others before himself. he won’t let someone else do it for him, he won’t let the people he looks up to make him run away, and he wont give up. ever
thats the biggest thing- he DOES. NOT. GIVE UP. EVER. unless hes convinced otherwise- which is very hard to do- hes GOING to do what he has to. he wont let himself be disheartened or beaten down because he just doesnt give up. if he ever truly loses a fight you bet its going to be because he was dragged down kicking and screaming the whole way, he was taken by a cheap shot, or because he took a hit for someone else (because he would do that, no hesitation, not for a second)
did i mention hes FUCKING FOURTEEN?
hes fourteen, and hes proven hes willing to
1. give up everything he knows
2. give up his IDENTITY
3. literally DIE
for what he believes in
HE. IS. A. CHILD.
and heres where things get really interesting
because, like, think back to when you were 14. the world is scary, you dont know who you are or what you want to be, and most importantly youre just learning about how your actions affect other people. this stage of your life makes you incredibly volatile because, and this is just child psychology, your worldview has just barely expanded beyond the self. the way you perceive the world is still shadowed by how YOUR actions affect others- other contributing factors dont lend themselves to scrutiny easily
that means you blame yourself
a lot
and now think about this- at this stage in your life, if your identity is stripped away from you, if people treat you like youre no one, directly tell you youre not your own person, take your autonomy, and treat you badly? if they hurt you or accuse you of things?
you start to think they might be right
i dont think oscars apparent acceptance of this situation is because he thinks things are ok. its less acceptance and more resignation
he does what he has to because he doesnt matter
he isnt important right now
and ok, you might think this is diving into fanon, and thats fine! you dont have to agree with me
but the facts are there, and the facts are hes pretty much been told over and over again that he, his feelings, and his identity are of no consequence in the face of what “needs to be done”, and hes resigned to that
and frankly, that reminds me a lot of a certain self-destructive blond (who gets a lot more screentime than i personally care for but thats all one)
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“If I die buying them time, then it’s worth it. They’re the ones that matter.”
frankly, the fact that it was jaune himself who cornered oscar like that in chapter 8, and it was the very next chapter where his grief and self-destruction met its resolution, tells me that he may be instrumental in oscars eventual admittance to the same thought process
which would be a cool way to show jaunes growth as well- hed be confronted with a mirror of himself and have to show why he was wrong
i really do hope this is the route the writers take, especially if they decide to echo the very same line but this time from oscar. that would be very cool
ANYWAY this was longer than i thought it would be ;w; hope ive successfully converted you to the oscar love corner!
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