#i think i have different opinions than a lot of other people but i was playing roguelikes before it got a tag on itch io..
In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?
Thank you so much for all your answers and insight!
Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.
I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.
I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".
I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.
The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:
"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."
And then later:
"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."
I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.
But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.
I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.
Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.
It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.
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So y'all may have noticed I've been posting a lot about progesterone lately. I'm at the point on HRT (just passed the 9 month mark [with the asterisk that my levels didn't get good until 7 months or so]) where I'm actively considering it. I'm waiting a bit more for a couple reasons, but its still on my mind a lot.
And it bothers me how much the "no compelling evidence for progesterone" line is floated around. And this is true, for the exact case of breast size in transgender women. And yeah, maybe this study has been done.
But I have two things that I think should be said about this:
1, there will never be a clinical study that studies the exact niche case of person that you are. That's why thinking about when results can be translated from a different group that has been studied, to your group. In my opinion, most information about cis female hormones can be translated to trans women. There's far less of a physiological difference than people think, and most of those differences are dictated by hormones anyways.
2, progesterone has an enormous number of effects beyond breast development, in both cis and trans women.
Why do I bring these up?
Take a look at this review paper (if you can meaningfully read it):
This is a review paper that I somehow only just stumbled upon that summarizes a lot of my thoughts about progesterone that I developed from other sources.
It primarily uses data from cis women, but also supplements with data from trans women when applicable, about the effects of progesterone. And, as can be seen just by the sheer number of topics addressed, it finds a diverse set of functions that it regulates and improves. At that point, any breast growth that may or may not occur is a happy side effect.
Progesterone is part of normal female physiology, just like estrogen. So why the hell is it not standard practice with HRT the same way that estradiol is? It just needs to be applied later. That's pretty much it.
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The Derivative Fashion Sense of Lore Olympus
So I'm usually out here going Gordon Ramsay on Rachel's ass about her writing and art, but for this unsolicited essay I will be wearing a different hat.
Yep, we're going Miranda Priestly today. Specifically the Miranda Priestly who talks fashion, not the Miranda Priestly who abuses employees lmao (though rest assured, I'm gonna have a lot of curt words throughout this).
Disclaimer: I am not at all an expert on fashion, these are just my thoughts and observations from studying fashion styles as part of my own artistic journey, so as always, take what I have to say with loads of salt. I also realize the irony that I am addressing the derivative nature of Lore Olympus when I, myself, am creating a derivative retelling of Lore Olympus.
Alright, enough small talk.
There's this general misconception in runway fashion that all those "impractical outfits" are meant to be worn by the average person, people such as myself who see these outfits and go "what the fuck do you mean Lady Gaga wore a dress made out of meat?!" When we see these crazy fits, our first impression is often "Why would anyone wear that?"
Well, because they aren't outfits. They're art pieces.
And not only are the outfits themselves art pieces, but the people wearing them are the canvases. These outfits aren't designed for just anyone to wear, especially not your average Joe, they're designed both with the artist's vision as well as the model in mind. A lot of thought, expression, cultural influences, and personal messaging is sewn into these designs.
Think about it this way, you couldn't take that aforementioned Gaga meat dress and put it on Taylor Swift. Not only would it not be physically tailored to her, but it wouldn't align with Swift's brand of music. Gaga, at the time of wearing that dress, was making a statement that came about from a collaborative effort between herself, the canvas, and her fashion designer, the artist. The meaning would be lost if you put Swift, Katy Perry, or any other musician into it, because the fact that Gaga is the one wearing it is part of that meaning.
What would happen if you did take the meat dress and put it on someone else? Well, that's how you get the controversial 2022 Met Gala when Kim Kardashian wore the sequin dress that Marilyn Monroe wore for JFK back in 1962.
Not a replica. Not a re-interpretation. The actual literal dress that Monroe once wore. This was a very bold - and in my opinion, reckless - move on Kim's part, because not only was she forcing herself into a dress not tailored to her (and yes, there has been deliberation on what damage was caused to the dress on account of this) but rather than working with a fashion designer to come up with a fresh new interpretation of the same concept, she just went "yeah I'm gonna wear the exact dress", in what many interpreted as a disrespectful power move to artificially put herself on the same level of prestige as Monroe. But she still isn't on that level of prestige and it speaks volumes that she thought carving out her own legacy would be as simple as just taking someone else's. The wolf wore the sheep's clothing with the intent to fool the sheep, but it was still a wolf.
But okay okay, WHAT does this have to do with Lore Olympus?
Well, Rachel released a new interview clip.
I will say, these seem to have all been recorded at once probably when she was back at NYCC and they're probably going to be released daily leading up to the free release of the finale. Why they're hyping up the free version rather than hyping up the FastPass version that actually generates income, I have no clue, but I digress.
As always, the transcript is as follows:
"I really like looking at like, uh, vintage clothing and silhouettes that are... y'know, timeless. I mean, obviously it's really hard to future-proof work that's set in the modern setting because of course the times are gonna change, like, rapidly and there's not a lot you can do about it, but in terms of, like, fashion, there are just some silhouettes that are always going to look very classy, so... I try to put things that will not age. Like, I think there was a chapter recently where she [Persephone?] had like a very vintage Dior look which I really liked, um... and I feel like that will always look nice, like in 10 years time I'll be like, 'She looked good'. But there are some outfits which are more modern where I'm like, 'That probably won't look good in 10 years time'. But, y'know, we still got the inspired vintage Dior outfit so that's good, that's safe."
There isn't much to say about the actual transcribed text itself, but I do think it's very telling that Rachel tries to upsell her sense of fashion sense in LO when... much of it is just flat out derivative. At best she's often referencing real life people (mostly Hollywood celebrities) and at worst she's usually just grabbing stuff off Pinterest inspo boards without any consideration towards the influences or who she's putting into them.
That said, I do think she told on herself quite a bit in that final line of the interview clip - "that's good, that's safe."
I can understand wanting to play it safe in terms of knowing your limitations and not wanting to create something that would be dated in a few years.
But fashion... isn't about playing it safe. Because ultimately, how something ages in the long term isn't something that you, the artist, can control, and like many art mediums, you need to be focused on what to create next, not on how well your old art pieces still hold up in the present where they've been removed from their original context.
And I think this rings true for a lot of Lore Olympus, beyond just the fashion. It's all just a little too safe. We see it in the fashion, we see it in her uncommitted writing decisions, we see it in how often she's willing to retcon things just to write herself out of corners.
And I think that's really Rachel's biggest weakness as a creator at the end of the day. As much as she's tried to put on the persona of "screw you, I'll do what I want", her actions are always the opposite of what she says. She says that the fashion in LO is very vintage, but I can count on one hand how many outfits were actually vintage. The vast majority of them are a lot more modern, with a lot of Western influences, and sometimes with a boob window thrown in.
Case in point, the most recent outfit of Persephone wearing a practically-nude sparkle dress?
That's Rihanna's Swarovski dress that she wore in 2014.
Now, to Rachel's credit, she did find a way to personalize this to Persephone by removing the cap and giving her a rose-shaped bun, but the outfit itself is still just copied directly from Rihanna. Not only is there not a whole lot of Persephone's influence beyond her being literally made out of roses-
-but there isn't anything calling attention to the fact that this is a Greek myth retelling. And this isn't just a problem with the Swarovski dress callback, this is a problem EVERYWHERE.
And of course, that's not even touching on the fact that Hades and Hecate are forced to wear suits constantly. Because, according to Rachel, the fashion inspiration for Hades and Persephone only went as deep is "he's the groom and she's the bride"-
Rachel plays it safe by sticking purely to the inspirations she consumes from modern American media. The "modern twist" on the myths in LO is literally just "it's Greek myth but it's set in Los Angeles". She doesn't seem to want to put herself out there and actually consume Greek content any deeper than what she can find on Google, and it shows in how little Greek there is in this Greek myth comic.
There is, ironically, as I've been told by community members in ULO, a fashion collection called Persephone created by Paolo Sebastian, and in it you can see the actual Greek influences in these outfits far more than what you see in even Persephone's most visually stunning outfits:
These are dresses and yet Paolo uses them as an opportunity to tell the story of Persephone, somehow even more faithfully than an actual written adaption of The Hymn to Demeter. Because fashion, too, can tell a story - and Lore Olympus' fashion, like its writing, has no story to really tell, at least not in Rachel's hands when she's just pulling whatever she can find from what she treats as a pile of "stuff" on Google.
And that's not even getting into how the writing plays it safe much in the same way as the fashion influences and artistic choices. A good example is that S3 premiere sequence, in which Hades and Persephone are pulled away from each other so that... they can get washed down by their family and peers.
Rachel doesn't really do anything to re-contextualize this reference for the context and setting and circumstances of LO, she just goes "I liked that bath scene from Beauty and the Beast so I'm going to put it in LO."
And of course, it doesn't work as effectively as it did in Beauty and the Beast, because the whole original point of that scene was to showcase the big and scary Beast being washed down like a dog by his servants-turned-into-furniture while he stresses over how he's going to win over Belle. It's a comedic subversion, artistically by showing the ferocious beast reduced into a wet dog, but also on a narrative level by showing through his dialogue and actions how nervous he is to impress Belle because his own fate - as well as the fates of his servants - depend on her falling in love with him. He can't afford to mess this up.
But in LO, it's two naked people who we already know love each other and are committed to each other, we've already seen countless scenes of them being sweet on each other and showcasing that they're into each other, and by all accounts they've already gotten their happy ending, so it makes no sense for them to just be like "OMG SHE LIKES ME?? I CAN'T BELIEVE SHE LIKES ME!" "should I seduce him?!?!??" because this seems like a no-brainer and there's zero actual stakes riding on this the way that there was with Belle and the Beast. Plus the people washing them down aren't their servants who are in the same situation as them, they're random gods from the Pantheon whose affiliation ranges from "family" to "never even had a conversation before". One of the women washing down Persephone has literally never spoken a single line of dialogue to her; another one of them was literally dumped by her partner because he wanted Persephone more than her. Who are these people and why are they enthusiastically appearing to give her a bath? Why is Hades being given a scrub down by his own brother?
And that's really the most striking difference between inspired references and derivative ones. Undertale was a game created by a guy who was in love with retro games like Earthbound and Megaman. Stardew Valley was a game created by a guy who loved Harvest Moon and used to play it with his girlfriend. Content that's built on the foundation of another is natural and the basis of inspiration, but you have to go further with it than just going "yeah this thing existed and I'm taking it", otherwise you miss the purpose of why those inspirations were created the way they were.
And when you don't actually explore how you can re-interpret those influences and add your own voice into them, that's how you wind up writing like Rachel whose writing is about as inspired as a cheap character swap cutaway gag from Family Guy.
Rachel's great at referencing, but that's not at all an impressive thing to do as proven by Peter Griffin. She's not at all re-contextualizing or expanding on what inspired her... but she still claims that she's exactly what she's doing because she calls Lore Olympus a "deconstruction". But her deconstruction only ever goes so far as "well what if Aphrodite left Ares for Hephaestus instead of the other way around?" and then just showing that question and never answering it or delivering on the potential of what that could cause. At best, she'll ask a "what if?" but then never actually show us the what if, it begins and ends with the question and the question itself doesn't provoke any thought deeper than "huh, yeah, that would be neat I guess." Episode's over, next scene. What if we showed that clip of Bill O'Reilly freaking out on set, but like, replaced it with Stewie Griffin and changed nothing else about it except for that? That's the joke, next scene.
I know, we're digressing hard off the fashion here, but the fashion itself is just a symptom of a much bigger problem that expands even beyond Lore Olympus - Rachel plays things way too safe. Even her responses in her interviews are painfully subdued, often resorting to the same tired answers that we've heard 823190589320 times before to the same hand-picked questions that are undoubtedly chosen ahead of time to ensure she doesn't have to answer anything too complicated. And when she does say "I have thoughts about xyz" she never actually... expresses her thoughts. She just says she does and then moves on without any further elaboration because she can't wholeheartedly commit to whatever thoughts she has going on.
Granted, I'm sure that part of that is owed to the fact that she might feel like she can't say anything while the critics are breathing down her neck. I can understand that. But it's gotten so chronic that it's now bleeding into the work itself and it's led to even more criticism of her work. Need I remind you that this is the same person who copy pasted the definition of "xenia" from a first result Google search into her comic instead of naturally writing it into the script:
Rachel played it so safe that she basically treated her own audience like kindergartners by explaining what a scene meant even after explaining it in the text:
As true as it is in fashion, writing stories and making art takes risks. That doesn't mean you have to completely throw caution to the wind, but if you don't take risks, you do yourself the disservice of writing something that can truly be called unique and special to you. If you don't use your influences wisely, if you don't analyze and re-analyze what's influenced you over the years, you're going to wind up losing a lot of subtext in those influences and missing out on the opportunity to add your own voice into the re-interpretation. Rachel does take a lot of risks in LO, but they're not calculated risks, they're not risks that actually have any meaning behind them, she's sort of just throwing stuff at a wall and seeing what sticks, and worst of all, when it doesn't stick, she herself doesn't stick to it, she backpedals, she cowers away from the decisions she's made.
Rachel expressed her worries about depicting fashion that would become aged, but Lore Olympus is already aged through her own inability to commit to her decisions, take risks, and find her voice. It's aged itself through its poor interpretations of the myth, it's aged itself through its reliance on Tumblr tropes that have already been replaced tenfold, and it's aged itself through Rachel herself riding off the initial innovation of creating Lore Olympus and then never continuing to challenge herself or raise the bar for herself.
It proves true the discussion around why Lore Olympus became popular - at the time, it was groundbreaking, drawn in a style that we hadn't seen much of before, with fresh new takes on the myth; now, in 2024, its 'takes' feel tired and half-baked, and its art style has become a corporate-scrubbed shell of what it once was. And yet, Rachel is still rewarded for it all the same, so settling for comfortable mediocrity has become the name of the game.
Rachel may be trying as hard as the Disney life action remakes and Kim Kardashian to put herself on the same pedestal as the greats of yesteryear simply by copying what they did, but in playing it this safe and refusing to find her own voice out of the voices that influenced her, Lore Olympus isn't timeless. It's soulless.
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Nin, light of my life. I wanna know how you hc Andrew and Aaron's relationship after college. I love doomed by the narrative sibling relationships but I honestly can't see either of them losing contact with one another considering how much they fought to stay in orbit.
I’ve very briefly talked about Aaron/Andrews relationship post TKM but honestly okay this is just one of many opinions on everything but I don’t really think they keep in contact THAT much until there’s a reason to but hear me out
I think maybe two years post TKM, in a session with Betsy, Aaron says something about Drake/Andrew and it’s as if there’s a switch that has been flicked on their relationship. They don’t really talk that much, still, but they have a really fucking raw and honest conversation that day. Andrew is receptive, and they’re talking, and it’s just so deep and intimate it’s not like any conversation they’ve had before.
There’s a lot of things tarnished but changed in their relationship by both the death of Tilda and the death of Drake. Aaron can’t help but see Andrew differently once he finds out about Drake, and maybe that’s something they talk about more, because it really humanises Andrew for him. Like a LOT. It’s like, “Okay, now there’s a reason why he is the way that he is. He’s not just an asshole for fun.” Andrew can’t help but see Aaron differently when maybe at some point he compares Tilda to Cass, putting up with abuse (by Drake/by Tilda) just to feel loved, to feel like you have a place. I don’t know. A lot of things change about how they see each other, but they still don’t feel like they could be…friends? Theyll be able to have a joke once in a blue moon, or they’ll talk to each other if there’s nobody else to talk to, but they’re not exactly texting each other for advice. Aaron still doesn’t trust him around Katelyn, and Andrew is fine with that.
They take pictures with each other at their graduations, though, and Andrew goes to his med school graduation and has drinks with him the day he becomes Dr Aaron Minyard, and every now and again they’ll text each other something that reminds them of each other. Like Andrew will text Aaron: “You” And it’s just like a meme about being a doctor or something
etc etc etc
but I believe this if Katelyn were to get pregnant, or they were getting married, or either of them finally had to chance to be a real loving caring family, they’d come together and be in much better contact with each other. Like their texts would look like this but it’s SOMETHING you know??? It’s a relationship they never had before?? Idk
I think in their real adult lives, with families and careers and people to look after that isn’t themselves, it’d bring them together a whole lot more than anything else. They both realise this is an opportunity to be different than their families, to raise their lineage in a more loving environment than what they grew up in, you know? Andrew sees an opportunity to break the cycle, and maybe he mentions this to Bee or Neil and they’re like yeah you’re right. You’re an Uncle now. You’re a brother-in-law.
I think at the end of it all, continuing on their families becomes the thing to bring them the closest together. I think then, maybe they’ll have a drink and laugh and sing together at some Christmas holiday sometime in the way way way distant future. Maybe they’ll go fishing together while Katelyn is minding the baby. I can see them being brothers then.
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Let's talk about Caelum.
I'm gonna preface this with saying that everyone is entitled to their opinions, and if once you're done reading this you decide you don't want to follow me or you want to block me, that's completely up to you. I'm not trying to change your opinion or attack anyone who has a different one than mine, I just wanted to put my two cents out there.
I also wanted to say that whatever your opinion on the matter is, it's yours and yours alone, and you should respect the opinions of other people even if they don't match up. I personally do not sexualize Caelum, but I do think he is an adult with childlike characteristics, and those two statements are not mutually exclusive. He can be an adult, but he also doesnt have to be put in adult situations.
It's okay to have strong feelings one way or the other about this topic, but it is not okay to harass people or go on a witch hunt for those with the opposite opinion to give them shit about what they think. If you disagree with someone and do not want to see their stuff on your timeline, just block them or scroll away. You alone are responsible for your own dash, you cannot make other people responsible for what you see on your timeline.
All that being said, I do not like how the fandom treats Caelum and Empathy Daemons in general.
My stance on the matter is that Empathy Daemons as a whole are adults, but because of how E'Laetum created them, they tend to have childlike characteristics. Those who say that Empathy Daemons are ALL children blatantly ignore the fact that Regulus is an Empathy Daemon as well, and that he has been shown to have adult tendancies (his BA, getting possessive over his charge, etc) while also maintaining his childlike characteristics (telling his charge a bedtime story to sleep, having a very one dimensional view of himself and his charge, etc). This is where I have a problem whenever I see people try to say that all Empathy Daemons are children. Regulus is clearly an adult. There is no "reading between the lines" about this.
Caelum is also an Empathy Daemon, but he is a very different character than Regulus. He is a lot more childlike compared to Regulus. He gets his words mixed up, he likes sweets, he likes hugs, etc. But in his most recent video (Your Bakadere Empathy Daemon Friend Visits You), even he says that he almost went down a path similar to Regulus' until Delphinus stepped in and assigned him to Freelancer, and that stopped him from falling (timestamps from 2:40 - 3:18, and 8:45 in that video). It may be uncomfortable for some people to think of Caelum as going down the same path that Regulus did, but this video clearly shows that he had the potential to. Caelum and Regulus are not as different as one may think.
Erik has also said himself that D(a)emons step out of the Elision Well as adults and they do not age. Of course they don't know everything so they still have to learn, but that's not the same as being a child. On top of the most recent Redacted 101 video, take this screenshot from Wonderworld (previously Redacted Records, when Erik was still in the server) from 2020, where Erik talks about how D(a)emons coalesce.
He even mentions how in earlier Caelum videos he didn't know what he wanted the d(a)emon life cycle to be yet, and that's why he had Caelum state that he was a "kid daemon" at one point.
Not to mention the fact that in the official timeline, it shows that Caelum coalesced in 1999, and is even older than Damien.
At the end of the day, Caelum is a fictional character. Whatever someone ends up deciding to make of him is their choice, this is a fandom after all. If it really bothers you to see what certain people make, block them and move on. DO NOT berate them for their headcanons or fanart or whatever else. People are allowed to have their own headcanons, make their own fics, and draw their own fanart. This is a fandom space, and people are allowed their creative liberties.
Anyways, that has been my two cents. Feel free to voice your opinions in the comments if u want to, but please please be respectful and don't attack anyone.
TLDR; I don't sexualize Caelum but I do think he and all Empathy Daemons are adults (ex: Regulus), everyone should respect everyone else's opinions and just block what they don't want to see on their timelines, and the fandom needs to chill out lol
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I am "radqueer" to an extent. I believe that terms such as "transdisabled" and "transrace" both dismiss the struggles of their respective communities, but I believe things such as "transage" are completely okay. I also think that "lesboys" and "mspec lesbians" are, for the most part, invalid identities. Even if I do have a negative opinion on lesboys and mspec lesbians, I do believe that the queer community has no need to go against eachother while we still have so many people attacking us as a whole. Queer people should come together to fight injustice against us, not fight our brothers, sisters, and others in arms.
Transdisabled and transrace are both terms that dismiss the struggle that both disabled people and people of color have both gone through for basic human rights, and in some disabled people's cases their struggle to have a stable life.
Transdisabled - As someone with Autism, I struggle with a ton of things socially due to my disability. A "transautistic" person just feels like a slap to my face, because they are taking the "silly" and "cute" parts of autism while dismissing the struggle that some actual autistic people go through on the daily. I can't even begin to understand why someone would "feel as though they were meant to have [disability]", because if you don't have it then you clearly weren't meant to and will never truely be able to see the world in the exact way they do. Not to mention how a lot of these "transdisabled" people inforce stereotypes of the disabilities they're "transitioning" to. I have lost friends and had close bonds with family severed because of things I've been hyperfixated on, my struggles with tone, and many more autistic traits. I've been denied certain things because "an autistic person won't be able to do that!", and I've been told "you're just being lazy and using your autisim as an excuse" while I was crying due to overstimulation. Being autistic is something that I personally wish wasn't apart of me at times, but as every disabled person will learn, my disability is a part of me that I will have to learn to live with and manage.
Transrace - I won't go in too much depth about "transracial" people, because I myself am not a person of color. In my opinion, "transracial" completely dismisses the struggles that people of color experience around the world. If you are white and "transition" to a different race, you will still never fully understand the struggle that people of color have getting jobs or the way they're judged on the street. Also, every time I've seen a "transracial" person they simply live based on the stereotypes of that race which sounds beyond insulting. Claiming to be apart of that race while still inforcing the harmful stereotypes that they've been fighting for years just screams loud and incorrect.
Transage & others - I can get behind some transids though, like transage or transspecies. The only issue I have with these sorts of identities is the romantic and sexual aspects, but from what I've experienced in my years on the internet that hasn't proved itself to be a problem outside of bait accounts. I understand the want to be older than you are, and feeling as though you were meant to be an adult or a child. Sometimes I too feel as though I know more than the average child, not intillectually, and that I would maybe function better as an adult. I've also experienced the feeling that I should be younger, because I am not very emotionally developed and if I were younger that wouldn't be a problem anymore. It's an understandable feeling, and something I myself have experienced at some points. I wouldn't say I am "transage" or whatever a person who's age is fluid would be called, but I can understand the appeal and I support those who identify as such.
As for lesboys and mspec lesbians? I believe that this issue shouldn't be a priority while queer people are still being arrested, assulted in public, denied jobs, and more for simply being queer. I disagree with the idea of mspec lesbians competely, but I can understand lesboys in some contexts. But in the end, who am I to judge two consenting people in a relationship? It's not my place to decide what you do in your freetime, as long as both parties are okay with it.
Lesboys - I disagree with the idea of lesbian men, as the definition of lesbian is "non men loving non men". Though I can understand genderfluid people or nonbinary transmasc people being lesbians, and using the term "lesboy" to describe their experiences. Transmasculine people are not always "men", they are "masculine". I dislike the idea of a transgender man being a lesbian, because it defeats the purpose of "non men loving non men".
Mspec lesbians - The term "lesbian" is not an umbrella term for any nonman who loves nonmen. If you're looking for an umbrella term that accurately describes this, the term would be "sapphic". If you are a non man who loves men, you are by definition not a lesbian.
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TRIGGER WARNING // SA
Analysis of Vash and His Assault in Trigun
Now that I’ve finally finished the manga, I want to discuss why I believe the fifth moon incident in Trigun is supposed to represent sexual assault. Apparently this interpretation is somewhat controversial so I’m going to go over how I see it. If you have a different interpretation that’s completely fine, I’m not trying to say one is more correct than the other.
One other thing I will preface this with, is that I do not think Knives canonically SAed Vash. I think the situation is supposed to be metaphor for sexual assault.
So anyways, why do I think it’s supposed to represent sexual assault and not physical assault? In my opinion, Knives’ main objective is not to physically hurt Vash, his goal is to force Vash into preforming non consensual acts.
The symbolism in fifth moon is very heavy handed. This is the first time we see Vash be assaulted. Knives is depicted as completely naked. Yes, there is an explanation for this in the plot but I do think it was a deliberate choice.
Prior to the fifth moon incident, Vash has no memories of what happened at July. This is unusual because Vash does not have a pattern of shutting out distressing events in his life. He’s able to remember his childhood and Rem’s death in great detail. So something about what happened was particularly disturbing and violating to Vash in a way he’d never experienced before. Even Knives notes that this is unusual, apparently expecting the incident would have ‘after effects’ for his brother.
During this initial discussion Vash begins to recall some of the memories of what happened, or rather, what he felt. He describes the feelings surrounding what happened as ‘something horrifyingly sick’.
Now we will get into the meat of things.
The visuals of the actual assault are horrifying. Nightow uses some great body horror to amplify the severity of what is happening to Vash’s body. During this assault, Knives is constantly grabbing at Vash’s body, forcing it to do what he wants. This one particular panel I don’t see talked about much really hit me in the gut, with knives standing naked between Vash’s legs. This is kinda what solidified everything for me.
Knives is almost always seen holding a hand over Vash’s eyes and his heart. This is a very intimate gesture and I think this can have a lot of different reads depending on who you ask. For me covering his eyes further takes away Vash’s control over what’s happening to his body, Knives’ hand clawing at his heart representing his desire to violate Vash’s very being and take it for himself. To possess him. To objectify him.
He asks Vash how it feels, and Vash can be seen sobbing in what I think is emotional agony rather than physical pain. Having this happen to him again seems to have triggered the memories he had tried to burry.
Other people have pointed out that the angel arm can be seen as a phallic symbol. I’m not really sure where I fall on this idea but I thought I’d mention it at least.
I will also point out one more instance of assault after fifth moon because this is not the only time Vash is assaulted by his brother
I think this takes place towards the middle of the manga if I remember correctly. This scene (to me) represents the ‘loss of self’ victims often feel as well as the physical aspect of sexual assault. Knives briefly attempts to force Vash’s body into his. He stabs Vash through his arm, pinning him down in attempt to ‘merge’ Vash with himself. When it doesn’t work he rips it out of Vash which seems to cause him horrific pain.
The fact Vash goes on to use his angel arm to save people later on in the story is very powerful. It was once a reminder of the violations he had endured but he reclaimed it as well as his bodily autonomy.
After this there are a few other more minor instances of Knives violating Vash, but I won’t get into those because I feel I’ve made my point. If you have anything to add I’d love to hear it!
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Ride 753: Bird's eye-view
Pag 18
5: That day, three people climbed on the Minegayama
Pag 19
1: The first one to arrive, surpassing by 10 seconds the course record made three years before on that same mountain by Makishima Yuusuke
2: was the man wearing the blue jersey
Pag 20
3: 12 seconds after him, was the man wearing the yellow jersey
4: And then, 48 seconds after, appeared the figure of the mean riding a mountain bike
Pag 21
1: One week after this
2: Those three people will move the stage to Kyuushu
3: and fight again
Pag 22
1: For Onoda Sakamichi is the start of his last summer Inter High
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I’d love to hear your thoughts on what Eldritch peredhel entail
-@@outofangband
Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3
alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency
shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!
thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it
but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨
that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.
As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not
(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)
(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)
(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)
They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.
Oh! This is a new headcanon of mine actually but!
They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life
It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another
It's not unrecognizable but if you've ever seen the subject in real life you can just tell
It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful
(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)
(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)
(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)
The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior
Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face
(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)
Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!
(This leads to much affectionate eye-rolling on Melian and Luthien's part)
Hair stuff!
It's alive! kinda! it's definitely not normal hair!
It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.
They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable
Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star
(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)
Speed round!
Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!
They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.
Weird Foresight Powers++
(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)
Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.
(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)
Their sclerae turn black and their pupils white, on occasion, usually when using powers
They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin
They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.
The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.
This is the fundamental separation between them and everyone else.
The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.
The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.
No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.
(This is about being neurodivergent)
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If there's one thing I like more than time travel it's crossover reincarnation, so.
Botk link reincarnated as Damian Wayne.
An incredible weapon master of all types, but especially prodigious with a sword - he was beating knights at the age of 4 and with his memories as intact as they get for him I can see that goalpost moving even further (probably with traps and tricks, a 3yo doesn't exactly have great bodily control).
He's an excellent survivalist, agile, strong, durable, cunning and creative. He can move like a feather in the breeze, strike from behind with ease. His first kill, an animal, did not stir him as it did the other children. With his poise, grace, skills, obedience, he ought to be ra'as' finest assassin in the making, a jewel in the crown of the league.
Except he never speaks a word. Half his targets escape unscathed. He skates by true punishment on the merit of his skills and achievements in other missions. Testing has shown it is not a physical deformity that prevents his speech, but not even talia has been able to coaxe a word from him past his second birthday.
It is a defect ra'as is growing more and more frustrated by, as each attempt to fix these two final flaws ends in resounding failure. Less extreme solutions are running dry.
Talia fears those solutions. Her child does too, she knows. For them, there is a possible solution, more extreme than anything ra'as would tolerate.
She sends him out of the league. To his father.
To Gotham.
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something I think is actually hilarious is that if you go left enough you start having more stances in common with (individual) conservatives, and if you go right enough you start agreeing with (individual) leftists. like i have a pretty close friend who's self described as "just far enough right that I hate politicians" , whom I hard disagree with his overarching political stances. but the finer details of it... yeah we agree with each other. gun control/gun rights opinions taxation opinions pro-small government opinions slight separatist opinions anti two party opinions anti-corporation opinion ect ect ect.
we stand on opposite sides of a standard political compass but I genuinely think if I were to count stats, I'd agree with as many of his stances as I would a liberals/democrats stances. my hs gov teacher described the difference in right vs left to us as "everyone's goal here is the betterment of mankind, they just think the best ways to do it are different" and that's literally the best way, to me, to describe what the difference in right vs left is regarding anarchism specifically. we got ESSENTIALLY the same opinion but the ways we think are the best ways to go about enacting said opinion are what makes us different. and something abt that is really painfully funny to me. envisioning a world where an-something is the major world thing, not capitalism.... and there's STILL right vs left... but The Anarchist Versions. christ.
sorry for the book i wrote in the tags. ignore typos I am NOT retyping any of that to fix them xoxo
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I've actually found a coherent (negative) criticism on Jingli.u's quest!! Wow!! It's in Chinese on weibo
This user said her behaviour is very double standard. That she criticises and condemns both Dan Fen.g and Yingx.ing severely for trying to bring back Bai.heng in any way, but then she goes to visit Bail.u and tells her that seeing her is better than any medicine. And the user is right! That's exactly why they did what they did (well, I've always been of the opinion that Dan Fen.g had more reasons going on based on the in game information), so why the insistent asking to Blade?
The user also says that Jingliu doesn't really behave at all like a friend, that while very believable that she loved and was close to Bai.heng, it's hard to believe the same thing when it comes to Yingxi.ng and Dan Fen.g. They said that nowadays we still see instances through the Xianzhou in which they are both spoken about in positive terms, that Yingxi.ng is talked about as a legendary furnace master, and we can even stumble upon good opinions on Dan Fen.g, but that Jingli.u never shows that kind of understanding for people in theory she loved, knew personally and was close to.
I don't agree entirely with this, I do think there was a lot of fondness from Jingliu shining through despite everything (especially towards Yin.gxing, in my opinion), but I do think it's a somewhat fair criticism. I loved how they mention that despite everything the Xianzhou's view on Yingxin.g and Dan Fen.g isn't just negative. They're right, and it's a detail I love.
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yesterday, i learned that one of my acquaintances from church is like, gleefully and unreservedly supportive of the gazan genocide despite going to a church where every sermon for the past few weeks has been about the horrors and tragedy of said genocide. like, i could not fucking believe how hilarious he seemed to think it is that innocent palestinians are dying, just grinning and laughing and shaking his head and rolling his eyes when my pastor and i expressed horror at the innocent people being killed. just remembering it makes me choke up with anger.
anyway, i'm going to be very stupid and try to talk to him about it this coming sunday. i'll use all my teacherly tricks to try and gently lead him to feel one single scrap of empathy for the victims of israel's civilian massacre, but lbr: he'll probably respond with the same amount of glee and condescension as last night and it's going to end with me making me a scene at church.
but i know i shouldn't. so here are some things i should NOT say, no matter how angry he makes me:
i've always hated the sound of your voice, even before you said such horrible things. you say everything with such condescension. when you read the gospels in church, i have to hide my face behind my program to hide my grimacing. you make the words of christ himself sound like a grift of some oily used car dealer who thinks he's smarter than he actually is. i pity you for going through life with such a voice, and pity you even more for thinking it charming.
it baffles me that you'd allow something as basically human as compassion for the suffering of others to be so utterly sanded away by propaganda. it's pathetic that you could laugh at innocents dying. you've let yourself be lobotomized by a clumsy surgeon and style yourself wise with the icepick still sticking from your skull.
i've always thought your face looks like an easter island head sculpted from a raw chicken breast.
see? none of those would be productive, no matter how truly they express my feelings about this person.
thus: people of faith, pray that god grants me the wisdom and restraint to not light this motherfucker up in the middle of coffee hour. amen.
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baked a cake from scratch, fed the dogs and the father, cleaned the kitchen, wrapped christmas presents. wearing a beige sweaterdress and black ballet flats, hair in bun. reading a profile on hilaria baldwin…the cottagecore tradwife in me is winning i fear
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I actually do have very complex thoughts about many different things, it’s just a bit challenging to connect the inner voice to the outer voice sometimes </3
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some of u bitches gotta stop tagging stuff as roguelike on steam if it doesnt have PERMADEATH and PROCEDURAL GENERATION with GAMEPLAY THAT RELIES ON GENERATED STRUCTURES then i dont want to even BEGIN to hear it
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