#i shall sleep | Explore Tumblr Posts and Blogs

zephyrchama · 1 month

Text

Living together in a big house with one (main) (shared) bathroom means that mornings can be tough.

When you first arrived at the House of Lamentation, it was hard to fit in. It was really hard to get into the bathroom in the mornings and fight six demons for use of the sink. If more than two others were in there at the same time, they practically formed a living wall that blocked you out, forcing you to wake up extremely early or risk being late for school.

That got better over time though. You gradually managed to fit into the house's morning routine.

---

Lucifer has his morning routine down to an exact science. Usually he's fully dressed and has his hair brushed before leaving the bedroom. He might be running on pure muscle memory though - one time you handed him a warm washcloth for his face and he just stared at it in confusion for several seconds with a furrowed brow. He has no problems getting it himself, but this break in routine gave him pause. It took Lucifer a moment to realize what it was and to thank you.

If you get the chance to eat breakfast together, Lucifer likes to ask about your day. "What do you have planned? Remember, we have that meeting at five. Did you prepare for the ancient hex exam?" He might slide a bit of his food onto your plate before he goes, a way of returning the pleasant energy boost you always provide for him.

---

Mammon can hustle. Which means that Mammon can get up early if it benefits him in some way. A part time job, an early bird discount, a chance to slip past Lucifer's defenses and borrow some cash.

That doesn't mean it's easy. Waking up takes some serious effort. Mammon will stumble into the bathroom to do his business first thing in the morning, yawning with his eyes half closed and tugging up whatever pants he just tossed on for modesty.

The tsundere part of his brain takes a few minutes to kick in if he's just woken up. If he spots you, Mammon will demand a good morning hug and wrap his arms around you, deaf to your cries of "Mammon! Go wash your hands before you touch me!"

---

Leviathan is always groaning in the morning. He's probably not aware of it. He's probably muttering complaints but is too tired to actually speak the words properly. His blankets are always a tangled mess, wrapped unevenly around his feet and contorted around his body, but Leviathan can easily Houdini his way out of them when it's time to get up. If there's no event or livestream to wake up early for, he'll sleep in for as long as he can before starting the day with a nice shower.

He finds warm running water to feel so pleasant and you can often find Leviathan spacing out next to the faucet. He'll greet you with a sleepy "ah, morning," and accidentally splash you in an attempt to wave his hand. The embarrassment and slight panic from getting you a towel to dry off with is usually enough to properly wake him up, and he sheepishly exits the bathroom and guards the door until you've finished changing into dry clothes.

---

Satan can hardly even put his shirt on properly when fully awake.

The man's a sleepy mess when he tries to get dressed in the morning. He'll stay up all night to finish a book he's invested in, then stumble out of his room "ready to go" when it's time for breakfast. His pants are unzipped and the button is coming undone. He's only got one sleeve on and it's on the wrong arm, or the buttons on his shirt are all misaligned and half have been skipped over.

He doesn't protest anymore when you tidy him up. Some mornings he'll doze off while you straighten his tie and fall forward into you, then try to play it off as a hug. Satan doesn't want to let go though, you feel so much warmer on a chilly morning.

---

Asmodeus is a rare morning riser. Too much sleep is bad for the skin, he claims. If he has trouble getting up, he'll either go soak in his private tub for energy or seek you out.

"You have to hear what happened last night," he'll say, strolling into your room while there's still ten minutes left on your alarm. He sits on the edge of your bed, and if you try falling back asleep he pulls you up into a sitting position. "Listen to this, you won't believe it!"

Asmodeus isn't afraid to get touchy if it means you'll wake up faster and he gets your attention. He'll sit you in his lap, or press you against his side, or run his hands down your face and squish your cheeks with a mischievous smile.

When the main bathroom is too crowded to use you're free to borrow his, with the caveat he gets to style you for the day and you might be late when he gets overzealous.

---

Beelzebub can also be found awake in the mornings. The quiet hours before everyone else wakes up are best for stretching, taking jogs, and grabbing a pre-breakfast appetizer. He'll get spooked if he hears footsteps approach the kitchen and slam the fridge door shut in a hurry, but all is well when he sees you enter the room instead of Lucifer.

Beelzebub is a big guy who takes up a lot of space. When you run into each other in the bathroom and are rushing to get ready, it's easy to bump into him. On days he's still pretty tired, he might not even notice you bonk your head against his arm. That's fine though - you don't want him to notice you until he's brushed his teeth. After all, Beelzebub's morning breath is a potent magical weapon.

If you need the bathroom sink while he occupies it, Beelzebub is kind enough to nudge you in front of him (once you've confirmed his mouth is minty fresh). You both get to use the mirror this way, and you can both see each other's smiling faces.

---

Belphegor is the king of oversleeping. The powers of you and his twin combined are hardly enough on some days, but mostly the responsibility of waking him falls to you. You quickly learned it's best to wake him from behind his head, if you can manage to maneuver your way into a suitable spot to do so. Anywhere his limbs can easily grab you will result in being pulled into bed. He's like a sleeping kraken.

You suspect that Belphegor wakes up easier than he lets on, but he feigns ignorance. He insists he was totally fast asleep when you struggled to physically drag him down the hallway towards the bathroom, wrapping your arms tightly around his torso with all your strength. And when he clung on to your waist and nuzzled his head into your stomach. And when Beel came to help free you from Belphegor's clutches, but he rolled you under him and muttered "mine now."

Definitely fast asleep, doesn't remember a single thing.

1K notes · View notes

syneilesis · 4 months

Text

[fic] if only for a moment

if only for a moment

Love and Deepspace | Rafayel (Qi Yu) x Main-Character!Reader | T | 3.6k words | ao3 link (with correct formatting)

Rafayel waits. And waits. And waits.

A/N: Another LaD fic!! This time it's Rafayel. Several elements of this fic are inspired by and loosely based on his story anecdotes and bond story, plus that Deep Sea card line backdrop. So more spoilers in this one, I'm afraid. I think you need to be aware of them in order to follow the flow of the fic. But if not, here's what you need to know: basically Rafayel accepts a visiting professorship at the University of Linkon to reunite with the MC/you. And the prose poetry interspersed are loosely situated in the Deep Sea card lineup setting (you can search in YouTube for the scenes. This one is a brief glimpse of the scene). That princess/knight(??) dynamic is yum yum.

If possible, please read the version on AO3. I formatted the prose poems there as if they're really prose poetry, so I'd appreciate it if you check that out. (Though there isn't too much difference between the formatting here and there, I did make the effort of coding a little 🥺)

Anyhoo, hope you enjoy, and I am sO STOKED FOR THE OFFICIAL RELEASE. rip my wallet 💸😭

JUST LOOK AT THIS MAN AND BELIEVE

There’s a type of berry in a distant land that produces a rare shade of ink that matches the color of your eyes. It takes a hundred of them to create the right hue and volume for the art that he wants to make. It comes to him in a dream: endless desert, then fireworks of verdant sparks that coalesce into stem, leaf, and, finally, fruit. Rafayel remembers that land, so much different from the iridescent blue of ocean underwater, and the acrid gold of the barren desert. His mouth filled with the succulent sweetness of the dream, the lingering sandpaper roughness of the berries on his fingers. He already knows the name of the artwork even before he’s begun—Waiting, Missing. The ache in his bones gaining form, an intangible thing taking flesh.

Under the ocean surface, time is muted, a deafening thickness that surrounds you with its ambiguity. On land, however, it is linear, and fast, and in a matter of blinks, Rafayel’s visiting professorship nearly wraps up.

He’s only glimpsed you once or twice. Thrice at most. The university is big, but not big enough to warrant a dearth of fateful encounters. The first time he saw you it was at a coffee shop: walking along with your friends outside, your voice mellifluous and festive wafting through the trellis of the café entrance. You were talking about him—well, about Lemuria to be specific, but these days any talk of Lemuria inevitably draws in his name.

He’s committed your schedule to memory, and yet it just seems impossible to capture a moment with you. Even just a brush of shoulders, or of sleeves—an asymptote of contact. Just navigating around your orbit, but never truly meeting.

What would it be like—finally talking to you? You in front of him, face to face? Rafayel imagines the ache of waiting fading into the background until it’s completely gone. He yearns for that feeling, the release of it. A conclusion—or maybe even a beginning.

i. take my hand, he told you under the glow of the lustrous moon, the only source of light that contoured the secretive valleys of his face. i want to show your highness something. there was a country, he said, beyond the undulating monochrome of the desert, blanketed by lush trees and shrubberies and flowers that buildings were made in betwixt and around them—a nation of trailing and winding architecture, a marriage of the natural and the manmade. you wanted to ask why he’d planned on taking you there, and the only answer you got was a curt turn of his head and the profile of a masked man layered by shadows and distance. it would have been nice, you thought, if the moon poured light upon his hooded gaze.

Eventually he begins to frequent the café. Twice a week at first—he doesn’t want to come off strong right away, of course—and then making his way up until he’s hanging out there more than his own studio. He schedules his visits around your classes, always during the ones when the probability of you dropping by the café is high and he can ‘coincidentally’ be around the same area. It’s gotten to a point that Thomas calls him out on it, and nags at him to focus more on his painting. The next exhibit is immediately after his visiting professorship after all.

“From where I’m standing,” Thomas says, “you’re not painting at all.”

Rafayel ignores him.

Five minutes later, he says, “Not painting is part of the painting process.”

Thomas rolls his eyes, but he leaves him to it.

At the café, Rafayel attracts curious looks. A few attempt to approach him, but he pretends not to see them. They linger around the periphery, like moths to flame.

And then something happens: the entrance door chimes, and you swan into the coffee shop, earphones and denim overall skirt, the kind of rosy-cheeked image Rafayel finds on teen magazines, wide-eyed and earnest. You fall in line and order when it’s your turn, and your eyes sweep across the packed café searching for a vacant seat until they finally land on him.

Rafayel’s heart stumbles.

Up close, the baby fat on your cheeks still gives you the appearance of being younger than you actually look. You turn a polite smile his way, and his heart stutters again—but this time it is taken as a warning.

“Hi,” you say, tentative. Any hint of recognition absent. “Do you mind if I sit here?”

ii. you're counting the steps of your inevitable parting. you're at the edge of the desert, far away from your home and its familiar scents, oriented towards a direction that promised a future sad memory, the gentle warmth of his hand, the downward denial of his gaze. this longing that grew out of your bones, aching during cold, aching during heat, aching when he looked at you with such tenderness he had to hide it through the sharp tug of your joined hands, the long strides that opened up a lonely distance. intimacy was dangerous, knowing was dangerous, the bowels of his heart like a solitary flower on a high peak. what would you do to such loneliness?

Memory isn't always an infallible thing. The human brain cannot hang on to every moment of your life, though Rafayel wishes it were so. But still—to think that you would forget him, and it hasn’t even been a century. You were like a phantom thief stealing his heart in the night—no recourse, no resolution.

To wait is to be in agony, the burn of yearning locked within the heart. Rafayel has been waiting for a long time, and the only memory scorched in his heart is fire, the blaze and its blinding, all-consuming want.

What would you do to such want?

You have a blurry childhood, Rafayel discovers. After the first Wanderer descended on Earth, the incident strummed your memories like a stringed instrument that tired of the same chord, over and over. It had bothered you at first—not being in control of your own memories—but eventually you had learned to live with it.

“Grandma and Caleb—my childhood friend—helped me through the process,” you tell him, stirring your iced mocha with its straw. “I owe them a lot.”

Eyes cast down, but still the melancholy shadows remain in your expression. Rafayel folds his arms on the table, and leans closer.

Around them only a few people occupy the coffee shop at this time. How fortunate for Rafayel to catch you during your break while every other student is trapped in class lectures.

“There’s no use in dwelling upon what's already happened. Even sharks have to give up when their prey escapes. When you remember, it will be all the more joyous, no?”

The smile you give him is crooked, disbelieving.

“If I remember.”

“You’ll remember.” Because there’s no other choice, for you and for him. Rafayel cannot bear being shelved in the history of your smile and happiness. Waiting can only be endurable if there’s an endpoint.

In his studio, Rafayel begins his next painting.

iii. the berries tasted sweet, with an edge of sourness that clung to the bottom of the tongue. it had the exact shade of your eyes, a detail that rafayel brought up the moment he plucked it from the shrub. raising it to align with your eyes, comparing them with his artist's meticulous gaze. maybe when this is all over, i'll go back here again to extract ink from these berries, and paint a portrait of your highness using these to color your eyes. he never showed you any of his paintings, merely mentioned them in passing, and you constructed a dream of him from the throwaway words that left his covered lips. i'm not used to sitting for so long, you reminded him, and he glanced at you, then at the berry between his fingers. my memory is enough, then handed you the fruit.

In the few weeks of meeting with you Rafayel forgets that his visiting professorship is ending soon and he has to give out his last lecture. Thomas had asked him what his topic would be. At that point Rafayel had no answer. But now he has.

“I’ve been hearing you talk about Lemuria every now and then with your friends.” He props his cheek on his hand, tilting his head slightly and giving you a charming smile. “Interested?”

You blink. “How did you know?”

“Oh, I’ve seen you a couple of times here, and I happened to hear your friends chat about my lecture. Your points were almost accurate, I’m in awe.”

“The visiting professor—that’s you?!”

Rafayel pauses, the slosh of his drink nearly spilling on his frozen hand.

“You didn’t know?”

Sheepish, you say, “Honestly, I didn’t make the connection. Is that why plenty of people have been glaring at me as of late?”

He releases a frustrated sigh, eyes rolling heavenward.

“In any case, my final lecture is on Friday next week. It’s titled “Memory and Meaning in Lemurian Art”. Why don’t you drop by and listen, and you can tell me what you think afterwards.”

You retrieve your bullet journal to check your schedule. It’s colorful, filled with stickers and doodles that Rafayel finds endearing. Then the excited moue on your face drops into a frown, and Rafayel can foresee the next words that will come out of your downturned lips.

“I’m sorry,” you say guiltily, “but I have a major test that day, and I need to get a high score in order to pass the course.”

Rafayel exhales, long and weary, but ultimately shrugs off the apology. “What a shame, but I forgive you. Just don’t fail your exam or else my magnanimity would be all for nothing.”

He calls Thomas that night.

“I’ll disappear for a while once the professorship is over.”

“Hey, wait, what do you me—”

“You’ll be happy to know that this is for my next painting.”

A beat. “Okay … but for how long?”

“That’s the question, isn’t it?”

Then he hangs up.

He’s trying, he really does. The lecture ends to a resounding applause, and it’s mechanical how he answers the questions posed by the audience. But he’s trying, he’s trying. There’s no specter of you in the sea of faces in the auditorium. You’re at the other end of the university compound, sweating your way through your exam. He genuinely hopes you’d pass, for your sake.

Thomas had booked his flight to another country, where he’ll traverse to a land that he’d visited many times in his dreams and had woken up with a filmy, sweet-sour tang at the roof of his mouth. He’ll leave the morning after the closing dinner party the faculty has prepared for him. There isn’t time to pack much, and no time to tell you goodbye.

Rafayel guesses that it’s only fair: how would you feel waiting for him at that café, the chair across you empty, only the sunlight pooling from the window as your companion?

iv. parting, somebody once said, is such a sweet sorrow. much like those berries in that ever-green nation, a lingering sourness remained underneath, the sting of it reminding you every now and then. he was already mourned for even before he left. tell me what it's like—the ocean. he was elusive, untouchable in his grief. you'd heard through whispers, the story of his migration, the drowning before the drying, the unwanted journey. grief brought him to you and grief would steal him away from you, you knew, down to the cells of your body and the hopelessness in your blood. —and yet. and yet you wanted to have a taste of it, anyway.

The ever-green land is no longer green, or lush, or alive. Time corroded it into memory, sepia-faded, wizened. Past. The berries he’s searching for don’t grow here anymore. Everything here is empty, barren, helplessly so.

Rafayel hasn’t accounted for such development, but he should have known. Disappointment stings at his chest, and bitterly he turns away and stays at the next town over. At a family-run restaurant situated near the outskirts, he looks over the wide windows, across the highway road, beyond the jagged horizon. The painting won’t be finished, then. Another tragedy, pressed flat next to the forgetting, to the waiting, and his home.

The chef personally serves him his order and, after a shuffle of hesitation, brings up a question.

“Young man, you came from the direction of the old country, yeah?”

Rafayel meets his inquisitive gaze. “Yes, why?”

“It’s been a while since we had someone visiting that place. There’s nothing in there anymore, it’s been that way for years. Why did you go there?”

Rafayel is reluctant to say, but at the guileless set of the older man’s face, he concedes.

“I was looking for berries. The ones native there. They produce a shade that I need for my painting.”

At the mention of the fruit, the chef’s expression lights up. “Oh! I see, I see. You’re in luck, son. We grow them here at the farm. Plenty of those for everyone. How about I give you some? It’s rare meeting someone who still remembers the old country, it’s almost fate. How many did you say you need?”

Fate. Just like the time of your first meeting, as if the universe had gifted you to him. Just like the time of your parting, of your forgetting, of his waiting. Fate as a connection from you to him, red and burning brightly.

He doesn’t want to seem eager, but he knows he’s failed from the way the chef toothily grins at him.

“A hundred or so.”

The chef falters at that, jerking slightly back. But he accepts it with a nod, an avuncular smile making its way across his kind, powdery features.

“That sure is a huge number, but I think we can work something out.”

His painting takes a month to complete, inclusive of the time spent making the ink from the acquired berries. Sometimes, Thomas watches him paint, quiet in the background. His stays usually don’t last—a quick flash that Rafayel nearly misses, or deliberately ignores. But during the final stages of the painting process, Thomas hands him the exhibit details.

“I’m just thankful you’re on time for this one.” He sighs, relieved, then leaves.

Alone, Rafayel creates. Brushstroke after careful brushstroke, each varying by pressure and angle. He lets each layer of paint dry before moving onto the next. The berry ink—the color of your eyes—the solely different element of this painting. Center, central. The focal point. The beating heart. The years and years of waiting and longing. The form and the flesh. Alive.

This, too, is an endpoint.

v. can i see your face, just this once? your hands grazed his mask like a ghost wanting to touch. rafayel stayed still beneath your desirous fingers, observing, waiting, his own fingers twitching towards his dagger. even in the parting he could not let go of this distance. hopeless, hopeless. your highness would get nothing out of seeing my face. he's wrong, his eyes never left your face, and he's wrong. he didn't stop you from your grasping of his mask, and him—finally—bare and beautiful yet a little sad. you're wrong, you said, tracing his slightly parted lips with a trembling finger, you're wrong. it is everything to me.

The gallery is packed. No surprise there. It’s almost boring, in a way. Waiting, Missing hangs at the farthest hall in the floor, special and intimate as it should be. Thomas knows him well; otherwise, Rafayel would have whined at him to hell and back just so he could be granted this demand that is in reality a mandate.

He’s hiding from the throngs of journalists and art critics alike and sequesters himself in a corner that has a clear view of the painting. Loosening his collar and tie, Rafayel breathes and closes his eyes, leans tiredly against the wall. A few more minutes, and he’ll slink out of the building, reputation be damned.

He melts into the shadows whenever somebody passes by. He has neither time nor energy interacting with people today. Watching them through half-mast eyes, Rafayel stays in his secret place and studies with weightless detachment the people looking at the painting.

He’s made a bet with himself about the opinions of his followers and admirers. Who thinks what and why. It makes for great entertainment. The last time, a fresh-faced critic praised Rafayel’s technique as “innovative and a soul-rending reflection of the prodigy’s character.” He had laughed and laughed for hours until he couldn’t breathe any longer.

Another walks by, and before Rafayel retreats further into the corner, he glimpses a familiar gait and a familiar face.

His heartbeat races. He’s never told you that he’s holding an exhibit today. After the professorship Rafayel failed to maintain communication with you, convincing himself that it’s for the best that he protect you from afar that day onwards. It didn’t help that he had to leave as well. At the same time, you never made an effort of reaching out, and Rafayel thought that it was back to square one again, that waiting, that yearning.

But here you are right now, elegantly dressed, like someone gliding out of a dream. Rafayel swallows, his hands shake. You do not have someone else with you, and your eyes are brightly focused on Waiting, Missing, and for a fleeting moment your expression flickers into longing, strange and old and battered and sad, that it compels Rafayel to take a step forward—to you.

“Hey.”

The curious look vanishes; left no traces in your delighted face, as if it wasn’t there in the first place. “Rafayel!” you exclaim. “Long time no see! Congratulations on the exhibit; these are all beautiful.”

Outwardly he smirks, belying the torrential emotions he’s currently going through. He cants his head a little, works his charm on you. “Impressed? No need to hold back your compliments.”

Laughter, prismatic and crystalline. “Yes, yes. Especially this one—Waiting, Missing. What an interesting title. At the center, what paint did you use?”

Ah. Rafayel inhales before answering. “It’s actually ink. I had to make it from a hundred berries. It was a tedious process, but I wouldn’t use anything else. It has to be this, you see.”

“Whoa, no wonder you’d been radio silent all this time. You were creating this masterpiece.”

He hums, afraid that, if he speaks, he’d reveal too much.

“Well …” You throw a playful glance at him. “Shouldn’t we celebrate your success?”

His breath catches. “I—”

Before he manages to finish the sentence, a journalist calls out to him and that summons plenty more, swarming him with no chance of escape. It pushes you out of his peripheral vision, and Rafayel wants to shout your name, but you smile and gesture at him to entertain them first. You mouth, I’ll be back, and wander around other paintings some more.

When he finally succeeds in shaking the journalists off, he seeks you out and stumbles upon you near the exit, where there’s fewer people to pile on him.

“Excellent,” he says, sidling up beside you. You turn to him and smile, and there’s that lightning-flash of something again. For one unbelievably surreal instant, Rafayel thinks that despite your hazy memories, maybe you’d been waiting for him all this time, too.

And that thought emboldens him, moving closer and closer until your bodies almost touch. An asymptote of contact. But this time, he has mustered the courage to close that unbridgeable gap.

Rafayel offers you his hand. “Let’s get out of here?”

You stare at his hand then at his face, his eyes, and a meaningful moment stretches between you and him. But even before the idea of retracting enters his mind, you grab his hand joyfully, grinning ear to ear. His heart warms, full with everything.

You squeeze his hand, ready to go. “Lead the way, then!”

vi. a kiss is a greeting and a goodbye, and rafayel tasted of ferocious tides even if you'd seen them only in dreams. his eyes closed, as though savoring his last moments with you, guarded till the bitter end. would that i could ask you to stay—with me. but he shook his head—a final rejection. maybe in another life. there was nobody to watch you cry, in the after.

Rafayel is working on a new painting—a portrait this time. The model squirms on his couch, obvious about the discomfort of posing for too long. He huffs a laugh to himself, hidden by the canvas strategically placed between them.

“I heard that,” you grumble.

“Shush, you’re breaking my concentration.”

“If that already breaks your focus then I pity the rest of the art community.” A beat, then: “Is it done?”

“Patience, my dear muse. You need endure it a little more.”

“Hmph, fine. But after this you’re treating me to an all-you-can-eat buffet.”

“All right, all right.” He shakes his head, fond. “My muse, so demanding.”

Something sweet touches the edge of his tongue, succulent with a hint of tartness. Like longing. Except now, it’s layered with something new and exciting. Something like a new beginning.

In the far distance, the sea murmurs, lit fire by the setting sun.

#love and deepspace #love and deepspace fic #lad rafayel #lad qi yu #love and deepspace rafayel #love and deepspace qi yu #fic #my fic #rafayel x reader #qi yu x reader #lad rafayel x reader #lad qi yu x reader #love and deepspace x reader #love and deepspace spoilers #it's near midnight again i shall now sleep

440 notes · View notes