Tumgik
#i really liked this idea sorry lol
quirinah · 4 months
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she dun on my geon till i meshi
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falmerbrook · 11 days
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Falmer appearance and attire headcanons
(click on drawings for more details and notes!)
Hair
In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).
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In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.
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I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.
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The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.
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(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)
Materials
The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.
Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.
Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.
On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.
While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.
General Attire/Accessories
I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.
Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).
Some noise making accessories could include:
Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)
Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.
Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.
Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.
Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.
Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.
Necklaces with various materials dangling close together that jingle against each other.
Various materials can be tied into braids or the leather ties in their hair as well.
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Some textural accessories could include:
Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)
Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.
Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)
The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.
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Specific Falmer Subcultures
While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.
The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)
The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.
I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.
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Armor
I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).
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(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)
I do have a few thoughts about armor though.
Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.
So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.
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One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.
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That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.
All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.
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lunacias · 4 months
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these are the silt verses, and I name our disciples thus
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royaltea000 · 1 month
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cannot STAND this guy
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surreal-duck · 4 days
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master artist and his number one fan
guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*
and happy pride month 🏳‍🌈
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misc-obeyme · 19 days
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Spear Lessons
I had an idea, so I wrote it. A huge shout out to this guy's youtube where I watched his videos on how to use a spear multiple times in order to write this. Also I'd like to say that there are a lot of suggestive words when it comes to spears, but I swear this is entirely sfw.
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GN!MC x Raphael
Warnings: none, it's fluff
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You hefted your bag onto your shoulder more snugly as you made your way down the front stairs at RAD. You were finally done with classes and after school meetings. It was time to make your way back to the House of Lamentation.
You were thinking about what you would do when you got there as you walked through campus. You stayed on the path, following it as it wound through the grounds. Your thoughts were disturbed when something bright caught your eye.
You turned your head in that direction only to stop dead in your tracks.
It was Raphael and the glint from the gold of the diamonds in his hair had been what you had seen.
There was nothing unusual about seeing Raphael around campus, but you were entranced by what he was doing.
In his hands, Raphael held one of his infamous spears. It was no simple wood and iron spear, either. It looked like it was made of gold and steel, bright as the eternal Celestial Realm sun.
He was moving through a specific set of moves, holding the spear firmly, thrusting and lunging at imaginary opponents.
Your heart raced as you watched him. His footwork was precise but complicated, making him look like a deadly dancer. His face was as serious as it always was, composed and full of concentration.
Raphael turned in his routine and his eyes focused on your face. He stopped moving, looking at you over the shining tip of the spear.
You were wondering if you should say something when Raphael pulled the spear back, holding it at his side and standing straight out of his fighting stance.
"MC," he said. He didn't sound upset that you were watching him. He sounded just as he always did.
You were flustered, though, at having been caught. "I'm sorry," you said. "I didn't mean to stare at you or to interrupt. I was just curious." You couldn't exactly say that you were a little entranced by him, too.
Raphael cocked his head a little. "Are you interested in learning to use the spear, MC? I can show you the basics."
You blinked. You hadn't really thought about it, but now that he had suggested it…
"I would like that," you replied.
Raphael nodded. "We can start now, if you like."
You immediately shrugged off your book bag and left it in the grass. "Okay," you said.
Raphael gestured for you to stand in front of him. Then he handed you his spear. You took it reverently, especially because you felt like you were handling something holy.
"It isn't fragile," Raphael said, seemingly picking up on your sense of uncertainty. "Grip it firmly."
"Like this?" you asked, attempting to emulate how you had seen him holding it earlier.
"Your grip depends on how you intend to use it," Raphael said. "Let's start with the basic thrust move. For that you'll want your dominant hand closer to the base of the spear. It will be the one directing your thrusts."
You rearranged your hold a bit, to be closer to what you thought was correct.
Raphael studied your hold for a moment. "Now thrust the spear forward with both hands, without changing their position, and lunge forward with your front foot. Make sure to keep your stance a bit low to the ground."
You did as he instructed and then froze in place with the spear extended. The tip didn't quite reach Raphael, but it was inches away from his chest. He seemed unperturbed.
"That's good, MC," he said. "But your power is lacking. You need to put your dominant hand a little further back."
You readjusted your hand and tried again.
After several repetitions of the move where Raphael simply watched you, he held up a hand.
You stopped, still in a fighting stance, and waited.
Raphael circled around behind you. You figured he was looking at all the ways in which you were standing incorrectly.
And then you felt his hands on yours. And you realized he was standing close enough to put his arms around you and hold the spear with you.
"You need to hold it more on an angle, like this." Raphael's voice was right next to your ear and you tried not to think about the goosebumps that rose on your skin. He adjusted the angle of the spear.
"When you thrust, simply go straight forward. Be careful not to do this." He demonstrated by thrusting the spear, his chest pressing against your back as he did. It was clear that he was telling you not to let the spear go out from your body before it went forward toward your opponent.
"Keep it steady," Raphael said. "And step into the forward movement."
Raphael let go of you and stepped back. "Try it again," he said.
You were grateful he was behind you now, hoping it meant he couldn't see the blush on your cheeks. You had to take a breath before attempting the move again.
After your next attempt, you couldn't stop yourself from looking over your shoulder at him, for confirmation on whether or not you had improved.
Your heart nearly stopped when you saw the gentle smile on his face. He nodded in approval.
You spent another solid hour practicing this basic move with Raphael's spear. It started to feel like second nature, as if that beautiful shining weapon somehow belonged in your very own human hands.
When you realized you needed to get back to the House of Lamentation, you carefully handed Raphael back his spear.
He stood it upright beside him, smiling at you again. Your heart shuddered at the sight - he looked absolutely angelic when he smiled at you like that.
"You did well, MC," he said. "I think you have potential with the spear, if you'd like to continue training."
You shrugged at the praise. "I just had a really good teacher, that's all."
Raphael sighed and shook his head a little. "I think I was a bit too distracting for you. But you managed to improve despite that. You truly are remarkable, MC."
You blushed because it was pretty clear from this statement that he had been aware of the reactions you had attempted to hide.
To your complete astonishment, Raphael reached out and put his hand on your cheek. "This is what I mean," he said.
You fought to stop yourself from blushing even more, but it was a losing battle. "Um, I should get back…"
Raphael stepped away from you, then smiled and said, "If you keep practicing, you'll be able to put those brothers in their place in no time."
You laughed. It was such a hilarious image, you couldn't help it. "I can't wait to see the looks on their faces," you said.
You thanked Raphael and made a plan to continue your training at a later time. As you grabbed your bag, you stopped for a moment to watch as he fell into an elaborate routine once again. You wouldn't soon forget the feeling of his hands on yours or the sound of his voice, low in your ear. You rushed home with the golden glint of his spear still prominent in your mind.
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masterlist | Thank you for reading!
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risenshiney · 11 months
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💛🐶SCRIMBLY GOOD BOY HOURS
SKRUNKLY POTATO MOMENTS🐶💛
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crybaby-bkg · 5 months
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“Why is my stomach in knots?” you grumble to yourself as you look in the mirror, quickly blending in your makeup. your hands move faster than they should, your nerves already shot to shit and the stiff, hard to blend blush is really starting to irk you. you frown when Bakugou pops in behind you, his face next to yours as he takes you in.
“Whaddya so nervous for?” he asks you, dipping down to kiss the curve of your neck. he’s learned to avoid your face until you powder yourself up, and then he can go crazy. but you’re still blending something wet on your cheeks, and he doesn’t wanna upset you more than you already are.
“What if our date isn’t perfect?” you whisper, finally setting down your brush, your hands wringing in your lap. but bakugou reaches over your shoulders, grabs your palms in his, brings them to his face to kiss and kiss at, despite the barely dried concealer you had swiped on them. he hugs you to his chest, careful still of your face, frowns at the way you try to hide your blooming smile at his affection.
“‘Course it’s gonna be perfect.” He reassures you quietly, pecking the side of your neck. “You’re gonna be there with me; that’s all that matters.” You pout at him through the mirror despite your smile, watching his own face soften as he takes in your almost ready face.
“But what if my date tries to order for me, and won’t let me finish a sentence?” You sigh all melancholy, rolling your eyes into your head. You giggle when he bites at the curve of your shoulder, trying to get away but he holds you tight against his chest.
“Then I’ll beat his fucking ass.” Bakugou mutters into your skin, feeling brave enough to steal a kiss on your cheek. Him being brave—the thought makes you laugh to yourself. Bakugou afraid of scaring you, the love of his life, and being afraid of your wrath from fucked up makeup when he battles villains all day. You turn in your seat, wrapping your arms around his neck when he kneels on the floor behind your stool. He almost looks like he’s praising you, with the way his chin tilts up and his gaze is hyper focused on you and you only.
“You’re such a nerd.” You tease, tucking your chin to your neck when he squeezes your thighs in his hands. He leans forward to steal another kiss, despite the way you lean away and try to push his face from yours.
“Shuddup,” he murmurs, bypassing your hand to peck your lips. He stands when you swat at him, kissing the top of your head this time as he makes his way out of the room to start getting ready. As he leaves, he speaks over his shoulder with a huff,
“And finish your face already. Stop depriving me ‘n shit.” He grumbles. You don’t comment on how red his ears are, his admittance of wanting to kiss you again and again, how he always does. You only blow him a kiss, laugh at the way his shoulders hike and his huffing under his breath, and finally finish getting ready.
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acearadiamegido · 5 months
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@homestuckss pinch hit for @topfsecret !!
Reluctant face of the Alternian revolution Karkat is NOT quite used to having an entire security detail yet, and isn't sure why they're all dressed like sci fi adventure movie characters??
to which I would say, if you're gonna be planning an underground revolution against a spacefaring despot why WOULDN'T you dress for the occasion. c'mon.
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albino-parakeet · 1 day
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”A Dance With Toro”
Fighting a “meat-eating bull” is pretty metal.
Once again showing that I'm a person who draws the dinosaurs better than the characters lol.
Timelapse undercut:
Song used Distant Past by Everything Everything. (Oops the video is longer than the song so sorry for the silence for the last minute or so lol.)
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cockworkangels · 9 months
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thank you for the idea to paint eileen @caught-a-dragonfly :)
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cobaltfluff · 11 days
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persona boyfriends being cringe (1/3)
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jingledbells · 3 months
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theyre talking about stuff
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muzzleroars · 10 months
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Michael, the Ruined Prince
Michael, having used all of his power to seek out God, had failed as the Prince of Heaven. He had abandoned his people, absent for centuries on a fruitless search filled with unheard, increasingly desperate prayers and an unrelenting, bone-deep exhaustion that is now permanent. His grief grew day by day, and an angel in isolation begins to wither, to warp – they must be with one another lest they twist into their extremes, retreating into their divine purpose until it becomes self-destructive parody. And Michael had already been scarred long ago by his role in banishing Lucifer, by God’s own ever-mounting wrath that ate away at the mercy he was meant to feel alongside it. Michael had already been insular, something had already pulled at the seams of his soul, and now centuries of failure consume him. He would return to Heaven with nothing for his people. Nothing for the siblings he swore to protect.
So his final thought in a deeply troubled mind urged him to try one last time. That if he could not find God, then he must bring God to himself. He must sin, he must beg for punishment, and then God will come to deliver it onto him. Just as He once did to Lucifer. It disgusted him, to think he had to debase himself to be as the sinners he held nothing but vile contempt for ever since he couldn’t cope with the guilt of the first fallen angels. But his prayers have failed, his days of weeping have failed, he moved Heaven, Earth, and all of Hell to come up with empty hands. Less than that. Not even a feeling. So Michael, even as a Cherub who could not, did everything he could to replicate his memories of when he had witnessed God Himself tear the light from His angels. Michael had seen it every time, it was he that had to bind any fallen angel that survived it to their place in Hell. He knew, implicitly, what the ritual was even if God seemed to enact it in one beautiful, elegant motion. And he did just that. Imperfect pantomiming, flawed execution, but the same ritual as best as Michael could copy it. All to himself.
But only God and the high Seraphim can sever an angel from their light.
His soul was rent from his body. His light was torn to shreds by his inexperienced hands. The agony that it screeched resounded all the way back to Heaven in unintelligible, muted whispers of nauseous grief no one could understand. Michael felt himself die, but it was incomplete. He was left in a corpse, a body destroyed and succumbing to all it meant but with him still inside of it. God did not come, and Michael was trapped a ruined body, bereft of a soul, of his light, giving way to rot and deterioration yet fully functional. He could do nothing but take this as a sign from God, one that he will not be punished no matter his crime for being such a loyal servant. Even as his body falls apart, as plants begin to burst from his remains, he believes himself to be blessed – see how he grows God’s garden. See how his crown remains pristine. He adorns his exposed bones with gems and finery, ostensibly as thanks to God for keeping him alive, keeping him sinless when he had so despised his impending fall from grace. But. Michael is, in the back of his mind, highly aware of what he’s become. He knows he is rotting, he knows he is in a dead body, he knows, somewhere, God had nothing to do with it. It was just a mistake, it was just his own foolishness with catastrophic consequence. He is more noxious than a fallen angel now, a botch job shambling numbly back to Heaven when he feels the death of Gabriel.
Upon his return, he largely attempts to hide the rot of his body, at least from the citizenry – he cannot hide it from Raphael or Uriel, nor does he try. To Michael, it proves his devotion, it shows God’s still present love for him, and it is a testimony to how he cannot fall, that he can never lose his place in Heaven. Raphael begs for him to be healed, Uriel pleads reason to him, but neither had ever been as strong as Michael and ultimately, he is their leader. No matter the state he returns in, he is the Prince of the Archangels and truthfully...they both fear him now. He is not the Michael they loved, not the one that had been quiet and stoic yet still loving in return. The Michael that would have done anything for them, that never wanted to lose another like he lost Lucifer. He commands them now to join him in binding Gabriel, his tangible grief the only thing that seems to be left of who he had once been.
Internally, Michael sees their fear, he feels the crushing guilt of Gabriel’s fall, he is violently ill with one true look at himself. He had gone wrong a long, long time ago, when he lost Lucifer, and now all of that was being made manifest, but he can’t face it. As flesh falls away, he covers it more and more with jewels as if that could hide the decay he can feel spreading night and day, the only thing he feels now. He must retreat into his purpose, he must not allow such devastating failure to be his legacy. So he turns on Gabriel. Gabriel, whose light had been severed. Who walks freely in an abandoned Hell. Who still has a living, breathing body. Michael’s vitriol toward the damned hones in on Gabriel, consumed with being sure he is left nailed to the lowest pit in Hell for his treachery. All the love he once had turns to hatred and in it, the other three can see that Michael has been left shattered, that nothing in him truly believes God made him this way. God’s most loyal, left to rot.
Additional information:
Michael now always exudes the Odor of Sanctity, but there is a distinct undertone of mold to it
The opalescent webbing that runs through his body is the angelic brain - normally it is iridescent and transparent with a strange glow, but Michael's is opaque and dull
Michael now prefers walking, something noted as unusual when he returned to Heaven, but it's simply due to the fact that his body has been left entirely numb and so it's difficult to maneuver in the air properly
He is very protective of his crown and dragon-skin bag, as they seem to be the only things left uncorrupted on him
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fried-manto · 8 months
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What?
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hell0mega · 7 months
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"but it's pretty!"
trying something new after hearing what his crush's fave color was
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maybe it's working too well (bonus under the cut 👀):
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