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#i need other opinions
propertyofsamcollins · 9 months
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I can't decide so I'm asking for your wisdom
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saytrrose · 3 months
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Tell me what everyone thinks of this mix rn
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I'm debating changing my url, probably to something wizard and or plague doctor related to make my association with said communities more obvious at first glance. On the other hand, I kinda like my current url, I need other opinions.
If you have a url suggestion for me just shove it in the comment or reblogs, I'll see it.
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falmerbrook · 1 month
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Oblivion has the weirdest aesthetic choices going on. Everything is super bright and saturated, the characters look silly and almost bordering on cartoonish, and the voice acting and delivery tends to be pretty silly. The whole things has such a strong classic fantasy vibe compared to the other tes games, but also there's a bunch of realistic gore and rotting corpses and really dark questlines with gross visuals (for the quality of those visuals). it's such a weird game.
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wenellyb · 2 years
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White French people hate it when they get a taste of their own medicine. 
I was discussing with one of my colleagues and she told me how she was planning to go to Senegal for the holidays because she thought it was a good way for her kids to see more diversity and people who don’t look like them (ie Black People).
So I told her it was a good idea because I was 4 the 1st time I saw a White person (and I cried btw...) And she was so shocked, like she couldn’t understand that some Black kids have never seen White people in their lives but somehow doesn’t think twice about the fact that her kids are in a similar situation.
Another time, I was talking to someone else about how I arrived in France when I was young but had lived in many African countries growing up (RDC, Kenya , Gabon, Center African Republic...).
And then that person proceeded to go on a tirade about how I must have felt so lucky to arrive in France, and how I should have been relieved to arrive in a developed country like France, blablaba. I just told him “not really”, because growing up I was told that France was amazing and so wealthy, but the first time I saw homeless people was when I arrived in Europe, so I didn’t really understand why people always talked about Europe like that. And again, the guy was shocked, just because I didn’t say my life in Africa was miserable and sad, and because I said that Europe was from what I had heard as a child.
If you’re going to bring your assumptions without knowing, I’ll retort with mine ( the view of an 8-9 year old). I don’t understand how someone can feel so entitled and assume something about your situation without asking first. I’m sorry the only thing you know about Africa is that one documentary you watched in middle school but leave me alone.
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shiraishi--kanade · 12 days
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"It's so embarrassing to admit I only create art for validation" did paleolithic humans not paint for other humans to see. Does a child making their first drawing to show their parents makes it any less valuable. Do gardens arranged for the visitors' eyes make the roses any less beautiful. Do love poems written for one person alone to hear make your heart ache less. You're fine
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Isn’t it funny that you never see anyone throwing a hissy fit over the inclusion of flora not native to Medieval Europe in Tolkien or other fantasy works.
Tomatoes, tobacco, POTATOES, tea and sugar, are all perfectly acceptable and normal for Tolkien to have included in Middle earth, but depict a single character with brown skin, and suddenly it’s not realistic, and WHAT ABOUT OUR HERITAGE.
Forget that we don’t analyze the heritage of white actors playing these rolls to make sure they’re from the proper culture to represent Tolkien’s extremely English story. Has a single person ever complained that Frodo and Sam were played by Americans when Hobbiton is CLEARLY based on rural England?
According to some, Hobbits can grow food and other crops that were only introduced into Europe through the violence of imperialism, but to have the hobbits look like the people who originally grew those crops is sacrilegious.
Medieval Europe, which wasn’t as homogenous as people think anyways, is only ever trotted out to justify hating the inclusion of black and brown characters.
If Sam can wax poetic about potatoes, he can look like came from Peru, like potatoes did.
And if that idea bothers you, maybe examine why.
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beigale-shtuchim · 29 days
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Israeli people: Iran attacking Israel was bad
Iranian people: Iran attacking Israel was bad
Jessica from New Jersey: yasss queen go Iran!!! Globalize the intifadaaa from da river to da seaa 🙈👱🏻‍♀️🧣 (pretend this is a kaffiyeh idk they sure do love their cultural appropriation)
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political opinion: fingers should have more joints
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uncanny-tranny · 1 year
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Sometimes, I'm sad about the hobbies I have abandoned or have been too intimidated to pick up. But... what good is it, to just beat myself up over that? My bass is sitting in the corner, patiently waiting, and so is everything else. My life isn't over, and I've got nothing to answer to. I'm wading through a sea of time, and I'll pick up the seashells that interest me, and it's okay to put one back in the sand. The current's waves will bring it back to me if that is to be destiny. I can not hate myself into productivity, so I must swim on.
I think the same can apply to anybody. It's okay if you have dropped something, such as a hobby or passion. Human beings are like that sometimes, it isn't reasonable for you to beat yourself into submission. You, too, can not hate yourself into being a well-rounded person. You must cultivate it like you would a garden - with patience, time, and care.
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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I know the gang wants a sex scene, but after this ???
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I want a RAW, X-RATED, EXPLICIT, HOUR LONG, PAINFUL, TEARRY CUDDLING SCENE for these lesbians. Would greatly appreciate it.
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lonicera-edulis · 3 months
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Finally figured out a design for Perry. And this piece can be concidered an art for HobbitCember Prompt Challenge, Shire Fashion.
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stinkybrowndogs · 4 months
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The only “pet influencers” I respect are the group of little old ladies who take their little yappy terrier dogs to the streets of New York to find rats for them to kill.
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🫡
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gold-dust-angel · 1 year
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Hmm so it turns out many people consider Ava a bad protagonist and find her annoying??? And that the show is slow??? And that it endorses disability erasure???
I hardly ever fall in love with main leads especially 'the chosen one' types and yet Ava was so easy to get behind and even relatable and I love her so much. And god I wish the show was even slower and it had more episodes like I wanted to see the dynamics between the sisters in depth, Ava and Bea's relationship progressing, little lost moments, their quiet times, their training sessions, them joking around and being normal idk. It still went by too fast?
And I might be wrong here but to me it wasn't disability erasure. Ava's disability is very much a part of her throughout. It's why she spends half the season running away because she hasn't lived yet. It's why she can't give up the halo either. It's why she can't drain the halo too much or can't fight as good as other warrior nuns (minus not being trained yet of course). It's her deepest fear. And it is so fundamental to her and Bea's relationship too like Bea touching her after that fight with Crimson, Bea reassuring her, Bea understanding her fears and hesitance....her disability is a very much constant presence throughout the narrative even though under the surface and ahhhhh I want to scream so bad rn.
I'm straight up not having a good day today and then finding out about these shitty opinions about this beloved sunshine of a character—
Are people allowed to have opinions I don't agree with? Yes.
Do I want to hit them on the head with a stick despite? Also Yes.
Now I'm wondering am I biased because I've read way too many fics and post analysis' and therefore see more depth than there was? Does it even matter?
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medicaldoctordana · 9 months
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