#i love to essentially make two separate posts in one by having the actual post content be something only semi related to my tags.

[katnissgirlsmakedo]

literally arthur. don’t ask me to explain. if you don’t get it thats your problem.

#sneak peek into my silly little arthur playlist that i titled with a quote from hustlers but should have titled with something funnier like #did beth successfully queer arthur pendragon from bbc merlin by making this playlist #but i’m too attached to the hustlers quote now even though it doesn’t make sense #btw this is my second arthur playlist. i have the main one and then this one specifically for gender-y things #like i’ve told you. one of my favorite hobbies is analyzing bbc merlin through a queer feminist lens #if i met arthur i could convince him to change his pronouns to he/they #i love to essentially make two separate posts in one by having the actual post content be something only semi related to my tags. #Spotify #arthur

[fatesundress]

⭑ made with love. draco malfoy x reader

summary. it's winter, you’re sick, and draco is extremely rational a terrible, doting mess about it.

tags. fluff! so much fluff! married couple, gn!reader, lots of banter, post-hogwarts with one fleeting mention of the war, draco's anxiety is whetted by a common cold, he basically treats the reader like they hung the moon in the sky and also have the power to yank it down at any given moment. he's very grumpy. but so so in love.

note. my sweet anons!! i tried on three separate occasions to write the requests in my inbox but sometimes i need to be in the depths of hell (ovulation week) to manage smut. i'm sorry. i've made some progress i swear! but the draco hyperfixation came out of NOWHERE and unfortunately i had to indulge in it. also thank you so much for 200! :’)

word count. 1.6k

You are deplorable.

With a fever temperature of 40° and explicit instructions to stay in bed, you’re discernibly not in bed when he makes it home from the apothecary, a jumbled mess of the blankets he’d swathed you in left in your place. Your slippers are absent. Your slippers — in two feet of snow. Your coat is gone too, at least; ridiculously thick and unnecessarily long, though now he’s thankful for it.

Draco paces. Then he sets the Pepperup Elixir over a flame at his desk to keep warm, pours two drops of Sleeping Draught into a mug for your tea, and paces again.

He should have insisted on binding rings for your wedding, he thinks. Something to trace you in emergencies. There’s little to do without them as you’ve evidently either taken the Floo or Apparated, and, in truth, he can’t remember the last time he’s been this nervous. In school, perhaps? During the war? You have him comparing his nerves over a bad cold to those he felt during war. The insanity of that is actually not lost on him, if that counts for anything.

But you are deplorable, and his. His almost as much as he is maddeningly, irremediably yours.

How he allowed an aliment like this to infect him goes against all evolutionary sense. It’s a fever of its own. Incurable despite knowing its cause, and probably festering worse than yours.

And then the fireplace hisses and out you stumble with soot on one cheek and frost on the other, the neck of your coat zipped up to swallow half of your face. In an arm shoved deep in your pocket, a bag swings from the puffy coat crease of your elbow, and Draco baulks. It’s a muggle grocery bag — translucent enough that he can see the square imprint of your favourite sleepy-time tea, a chocolate bar, cans of what he thinks are soup, and — a lemon? Yes. A big miserable lemon that you’ve deigned was worth almost killing yourself over.

Draco does not hear whatever excuses escape your chattering teeth as he plucks your hand from its pocket, puts the bag down, pulls off your coat while you slap at his hands and insist you can do it yourself, and only because he thinks you’d hex him to oblivion if he tried, leads you with a hand on your back to the bedroom rather than hauling you into his arms and carrying you.

“A lemon,” he says, and is aware by the severity of his tone he might as well be saying a gun, or a missile, or a milk crate of Living Death cartons. “You forayed into a snowstorm for a lemon. Do you think I’m incapable of reading a grocery list? I just Flooed —”

“I got more than a lemon,” you huff in a weak voice.

It is appalling that that’s what you take from his admonishment.

Your snow-soaked slippers are tossed aside as you tumble into bed. Draco bundles you in blankets and holds his wand out to take your vitals. You roll your eyes all the while, but once the cold wears off he’s sure you’ll be burning hotter than you were this morning.

He shakes his head. “Lemons are common stock in apothecaries, you know. The shavings are essential in Weedosoros antidotes.”

“Yes, but they’re always so dry.”

“And chocolate — they sell it at Téa’s across the street for the magizoologists. Did you know that?”

“Hmph. No Cadbury, though.”

“And I’ve already warmed the Pepperup and poured you Sleeping Draught, despite your urgency for this —” He pulls the box of tea from your grocery bag, impressed with an image of a little bear with a red nightcap, a steaming cuppa, and a plate of biscuits — “Inarguably superior muggle panacea —”

“I never claimed it was a panacea —”

“Of which we should have distributed to St. Mungo’s en masse. In fact, I should owl them now so they’re informed the Sleeping Draughts are ineffective by comparison —”

“You’re insufferable —”

“Imagine all the orphans without rest —”

“Actually ridiculous —”

“You’re ridiculous. And I hate this bear. Look at his hat. Bloody Gryffindor.”

“Do you know what the wizarding world is lacking? — If you’re concerned enough to make a donation, Mr Malfoy?”

You think it’s hilarious to call him that. He does well not to mention you are, by law, also a Malfoy, and his money is your money to donate as you please.

“What is that?”

“Soup,” you say. “Canned soup — canned with love.”

“We are lacking soup canned with love,” Draco repeats, just to be sure.

“Yes.”

“I’ll be sure to write the Minister.”

“Do.”

“Only if you stay in bed.”

“Hmmm… mmmm… well. Hm.”

“Incorrigible,” he mumbles, brushing the damp from your face before getting up to fix your tea. (He kisses your cheek for good measure, big sop that he is. You do well not to mention it.) “Don’t move or I’ll cast wards on the fireplace.”

“Oh! Cast wards on the doors, too. I might go for a walk.”

He glares at you from the archway. Your answering laugh is broken by a coughing fit, and you look reluctantly glum when he raises a told-you-so brow.

Draco mutters about how ridiculous you are through the kitchen and back, as he steeps your tea, heats your soup, unstoppers the Pepperup Elixir, pours it in an old shot glass from a trip to Italy (you have no graduated plastic cups lying around), squeezes the big stupid lemon in your tea, carries it all to your bed on a tray and realises, still muttering, that these are a lot of steps. But Draco balances the tray without an utterance of magic. It’s rather impressive. You should be sorely sorry.

You are, instead, asleep.

You’re splayed across the bed like something Baroque, limbs fascinatingly posed: half under the blankets and half stubbornly poking out despite his fervent tucking, head nuzzled into the pillow with a slight frown. If Draco were any better with a camera he’d take a picture. Instead he takes careful steps to your bedside, placing the tray on the nightstand and sitting as close as he can manage without disturbing the (once more, revolutionary) arrangement of your legs. It feels criminal to wake you. His fretful anger that you’d gone out in the cold is whittled to a humiliatingly thin and empty husk, and all that remains is mushy adoration. Damn you for that; you look ridiculous anyhow.

Draco kisses your cheek again. Your nose. Your forehead. He traces an invisible portrait of your face with his fingers, as if he’s ever drawn anything better than nasty stick figures on crumpled parchment in school. You, though, he thinks he knows well enough by memory to try.

You stir, not too far from consciousness that it’s a challenge to find it again, but far enough to be audibly vexed by his summons to the surface.

Draco means to berate you in that way he's so good at — chin pointed and scowl permanently etched — but you grumble with a sick, hoarse voice and he falters in a pathetic display. “You forgot your love-suffused muggle soup,” he whispers, one hand cupping your cheek.

“Ugh.”

“Heinous, I know. Sit up for me?”

“Magic word.”

There’s his scowl. “Alohomora.”

“Not that magic word.”

“Imperio.”

“Unforgivables, Draco Malfoy?”

“Hmm, Locomotor Wibbly?”

You sink further into the bed, pulling the uppermost blanket over your head inch by inch. 

“Please,” he says, with profound displeasure.

You sit up and smile.

Draco sighs and lays the legs of the tray out over your lap. You regard his service with sleepy content, one of your hands travelling to his face in what his heart surges to appreciate is an honest thanks after his several near-heart attacks, and then your gaze finds the medically expert Pepperup in an Italian shot glass and it falls.

You groan. “Draco…”

His name says, quite plainly, please don’t make me.

Draco has enough self-respect to at least deny you this. “Wards.”

That says, quite plainly, I was not joking about the fireplace.

You look as though you’re contemplating the severity of two horrors, but it passes fleetingly, with one curse under your breath and a sour expression as you down the shot of Pepperup like… a shot. Burning Ogden’s that scrunches your face up until you shake it away with a blagh noise. 

Come to think of it, Draco's choice of glass is much more appropriate than some medical cup.

“Better?”

You shudder. “I will be.”

“Good. Have your love soup and stupid lemons.”

And then, when he isn’t expecting it, your hot palm finds the place it left off; Draco’s healthily warm, sharp cheek, the soft fuzz of hair beside his ears before your fingers card through the longer strands and you hum like he’s your favourite thing to hold onto.

He melts, eyes fluttering shut. You’re sick, and wholeheartedly deplorable, but you’re safe, and it’ll be alright.

“Draco?”

“Mm.”

“The soup.”

He opens his eyes. “The soup?”

“You know it was canned with love.”

“I trust you wouldn’t have bought it otherwise.”

“And,” you say, thumb flush over his bottom lip as you smile a groggy, self-satisfied smile, “it was made with love, too, right?”

He rolls his eyes, and kisses you nonetheless. “You never cease to ask absurd questions.”

#draco malfoy #draco malfoy x reader #draco malfoy x you #draco malfoy fluff #draco malfoy imagine #draco malfoy fic #draco malfoy fanfiction #harry potter fanfiction #wizarding world

[pascallatte]

Y/n L/n | In The Bag

Pairing: Pedro Pascal x Actress!reader

Summary: dive in on what you have in your bag, some might be yours and some might be not.

Date: August 2018

A/N: wanted to try the Vogue stuff (1 of ~) so here's a tryout, also a little tbt cause I lost the fic I was supposed to post today😵‍💫. basically, this is some sort of filler atm so without further ado enjoy reading and stay tuned for more!!!

You were sitting on the couch wearing a white silk dress that your stylist had prepared for you to wear. The video featured you showing off your prized headphones before cutting back to you sitting down.

“Hola Vogue, soy Y/n L/n, y esto es “¿Qué hay en mi bolso?" But since they told me to speak in English then I’ll have to speak in English…” looking directly at a camera smiling while placing the bag in front of you.

“This bag is very old, by old like really old. It was given to me by my mama when I got my role in Pirates of the Caribbean. It’s from a small shop, near our place in Madrid and it’s been with me ever since.” You explained the history of your bag of choice when asked off-screen.

“And as you can see it is a very big bag so I have most of my personal stuff here. It’s not the cleanest but it’s organized, just the way I like it,” beckoning the camera to come to take a look at the inside, which was in fact organized.

Setting the bag down on the table, you stretch your arms in exaggeration, “Ok!! Let’s dig in…my bag.” Reaching in you take out a small green purse, “Ah so this is my “legal things” purse, like all my IDs and cards are here- you’ll be seeing a lot of purses by the way. It’s how I separate things for easy access.” Opening up the purse, you pull out a card given to you by a brand and your license.

Showing your license to the camera, “Look this was taken, let’s say about 7 to 8 years ago, and you can still see the cheeks that I’ve tried the hardest to lose, but well it’s still here,” you said shrugging placing it back in the purse. “But hey, I’m actually happy it stayed it gives me the youthful look, most lose when they....age,” you said whipping your head to the camera.

“Next are these glasses most of you see me wearing if I’m out and about. These rectangle sunglasses actually come in a.. pouch I think? And these reading glasses in a hard case that I totally lost so they’re just sitting on top of my bag so they don’t get squished.”

You tried the sunglasses on and posed for the camera silly, before shaking your head and laughing. “Oh I actually- the sunglasses come in a pair, so the other one is with my partner, obviously. But he doesn’t really wear it since he prefers those big ones,” crossing your arms and looking at the camera straight-faced.

The video cut to you pulling out a wristlet, “ok, so here we have the wallet that I just bought, 'cause I really didn’t lose my old one, it just disappeared.” Opening up the wallet, you showed the insides towards the camera, it shows cards, receipts and a very well hid picture behind one of the cards that the camera was able to detect. “So, I don’t really keep any cash on me, just these cards cause bills are too bulky, I do keep my coins though.”

“Do I prefer coin purses or wristlets?” You said, repeating their question. “Uhmmm I love a good coin purse, but wristlets do come in handy and I can like slip it in somewhere easily.”

“Makeup and lady essentials that I won’t be showing you, sorry,” you bring out a see-through pouch with your balm, sunscreen, and powder inside. “I don’t really wear make-up if I’m not working so I have this…” you paused thinking what it was called, “.. tinted lip balm- I have two actually I just left the other one at home. I also got this sunscreen to keep the skin safe from the sun and of course, wrinkles, 'cause we don’t want that.” You said, squeezing some of it in your hand. 

“Lastly, we have this powder that was given to me a few months back. And it’s useful when you want to look put together in a rush or like look fresh, so thank you to whoever gave this to me,” cheekily as you waved the powder around.

“Okk, what else do we have here- oh!” You exclaimed looking around, wondering if you can show it. Deciding to, you brought out a cap that clearly did not belong to you and fans would know whose it was. “Ok, so we have this cap that I didn’t know was in my bag, until now. I don’t really wear any head accessories but he does so, let’s just say it’s their essential, not mine,” you said placing the cap that was noticeably big on you, on your head bopping around.

“Next is, MY must bring. Drumroll please,” joking, before pulling out a camera. “My camera, I am the sort of person that wants to look back on moments I love so this camera is really the best. Usually, I would use my phone but I got this as a present. At that time since I was debating whether to buy one, so they just said here you go, your very own camera. And yeah, I’ve had this for about a year now” Looking through the viewfinder you took a picture of the crew showing it to them afterwards.

“Photos? You’re asking me if you can see some?” Shyly you nodded, and moved to show the small screen, you’re back facing them. “This was the latest one, like a few days ago in a party, then us having a drink at home, and-“laughing to yourself as you saw the picture,”-and this picture that I really can’t explain what was going on.” It was basically a picture of you laid up on the floor wearing clothes that were significantly bigger and longer on you, a fake moustache drawn on your face and your hair stuck in all different places.

“Brief explanation Ummm, let’s just say it was a fun night that led us to do weird things, one being this photo,” you giggled to them, which you nodded before placing it down on the table.

“Now, these are my headphones, I got them last June and they’re really helpful when you like some quiet time or you just really have to focus on work. I don’t really like those wired ones, different to what someone prefers, since I wreck and lose them easily so these headphones are my best and safest options.”

Snickering, you brought out a half-eaten bag of chips, “here, my friends are the chips I’ve had in my bag since last week. Why I haven’t finished it is because it’s too hot for me to handle. My friends laugh at me for they claim it isn’t spicy at all- it is.” You pop one in your mouth before offering it to the people you’re with.

“I mean, I’m not a big fan of chips and spicy food, but I’d enjoy it from time to time.” You said popping a final Cheeto in your mouth.

The video cuts to you bringing out something big from your bag. “And this pouch, this pouch actually takes up almost half the space in my bag, so let’s see what’s in it,” you pulled out a big cream pouch, which looked heavy to say even on camera.

“I have all sorts of chargers here my phone charger, headphones, iPad charger surprisingly,” you mumbled, knowing all too well you don’t own one, “and some cord I don’t know its use.” Placing it on the table you pull back your hand before sticking it in the pouch once again, “this is a small hair brush I keep in my bag, it’s supposed to be in the makeup bag, not sure how it got here so-yeah this brush cause we don’t want our hair to be tangled.”

“I also have these perfumes in my bag don’t ask who owns who, they both have this vanilla scent on them which we love to use when we go out on a walk and that’s actually the reason I have it in here.” You said, reading the labels on the bottles you have on each hand. One that was really used and the other barely.

“Lastly I have this hair clamp and silly socks. When it gets too hot I put my hair up and when it’s cold I got some warmers on my feet. The funny thing is that this hair clamp has been missing for a couple days now, and finding it here in my bag just makes me laugh at myself for not checking it properly.”

Leaning back on the chair, legs cross you beam up at them, “Well vogue, that’s what I have in my bag. I’m sorry that took me too long but thank you for spending time with me it’s a pleasure. Bye Bye!!” Waving to the camera, you blow a final kiss before the video ends.

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅⋅•⋅⊰⋅•⋅⊰∙∘☽༓☾∘∙

Taglist: @benonlinear @t-stark35 @heyitsme-2 @elleeeee21 @holmesstrange @tagakalat @flyestvenustrap @oldermenaremyreligion @cherryred444 @hobiismyhopeu @ilovehotdadsandshit @djarinsstuff @guacala @avengersheart @pukka-latte @lilvampirina (the ones in bold are the blogs that I can't seem to tag, so please inform me if you aren't getting tagged. thank you!!)

#pedro pascal x actress!reader #pedro pascal imagine #pedro pascal fluff #pedro pascal x you #pedro pascal x y/n #pedro pascal x female reader #pedro pascal fanfiction #pedro pascal x reader

[39oa]

(nonsensical hrpf data exercise) degree centrality graphing & other archive insights

intro/prior work

hello 🙇‍♀️ i'm not sure this post will make any kind of sense at all, but i love analyzing ao3 data and i especially find it fascinating in the realm of sports/hrpf because of the amount of player- and team-related attributes that offer dimensionality to fandom analysis when examined in parallel with archive metrics. i've already kind of done hrpf overviews on two separate occasions over the past year or so, but my method of collection differed in each instance and also always gave me new things to chew on and potentially explore, such as expanding on the link between player talent and shippability and whether high-draft picks have more fic written for them on average.

i most recently examined player data based on aggregated relationship counts since 2022, but this was a limited snapshot meant to piece together recent ficdom trends (see top ships since 01/01/22) and not be representative of fandom overall. basically, things i want to visualize/talk about now are:

hockey is so widespread as a sports fandom because there are 32 teams in the league, which when compared to a community like f1 makes it difficult to succinctly summarize primary relationships for. there is no self-contained grid of 20 drivers that remains generally fixed within a season, where every move in/out of that "roster" is highly reported upon and instrumental to fandom makeup, but instead a more amorphous network of malleable rosters featuring high-variance cascading orders of character visibility; in short, the difference between the most and least popular driver in f1 fandom is not the same as the difference between sidney crosby and that one ahl lifer who was called up to your 4th line two months ago because your team is utterly decimated and gunning for bedard.

Still: because rosters are so malleable and trades happen with some amount of frequency, and because hockey is still an "insular" ecosystem in terms of geographic accessibility and junior-age development (for better or worse; mostly for worse, but that's neither here nor there), players intrinsically have a low degree of separation between one another, whether it be as teammates now or as friends growing up in the ohl, ntdp, etc. i therefore wanted to take that a step further and look at it through fic metrics especially: can we use a summary of ficdom's real, tangible output and visualize it through a similar network? (+ where and how does that network differ from player connections in practice?)

back to the impact of draft pick # and assessments of talent relative to popularity, i also wanted to look at the most "successful" ships in ficdom from this network and evaluate the different distributions and impacts of their respective attributes. are certain player positions more popular? which nationalities are the most commonly shipped?

etc. But let's just get into it.

process

getting any kind of information from a 60%-locked fandom on ao3 is a nightmare and introduces a myriad of data-collecting limitations, so i do feel it important to disclaim that what i present in this post functions more in the realm of Approximate Interpretation and Potential Correlation than any actual 100% objective representation of fandom metrics.

a perceived limitation i have with character tagging metrics on ao3 is that they don't exactly reflect shippability; that is, if q.hughes is tagged as a character in a n.hischier/j.hughes fic, it gets attributed to his character tag but doesn't actually say anything about how many Relationship Fics exist for him on a whole. my best solution for this was essentially uncovering most of a player's relationships and summing their individual fic counts to create an approximate # of "relationship fics" for each player. so any kind of shippability graph going forward will use that metric.

i used ao3's relationship tag search and filtered by canonical in the men's hockey rpf fandom and only pulled relationship* fics ("/" instead of "&") with a min. of 20 works. ao3's counts are... Not the most accurate, so my filtering may have fudged some things around or missed a few pairings on the cusp, which again is why all the visuals here are not meant to show Everything in the most exact manner but function more so as a "general overview" of ficdom. although i did doublecheck the ship counts so the numbers themselves are accurate as of time of collection.

(*i excluded wag ships, reader ships, threesomes to make my life easier although i know this affects numbers for certain players, hc/gm ships, and any otherwise non-NHL Player ship. for ex., this eliminated anna kasterova/evgeni malkin, tyler brown/tyler seguin, and kyle dubas/william nylander, just to name a few)

all ship data was collected march 16, 2023.

PART 1. SC87 ship networking

when i first began this exercise i tried graphing ships for all the first-overall picks from 2003-2022 because i wanted to get an overarching sense of their connections. however, doing so made me realize that sidney crosby was by and far the most-connected node in the graph (and basically all hrpf in general) with a degree of 11, and that he was centering one huge component to which only two ships failed to connect (op/kj and slaf/xhekaj). basically:

so then i was like, right! let me instead use sidney crosby as my sole starting node, map out all ships with 20+ works from him specifically, take the players he connects to and map out their corresponding ships (excluding sid) and just keep iterating until i basically reach a final child node. through this, i yielded 112 ships and 98 unique players, with my final connecting node coming 9 degrees of separation away through brady tkachuk ↔ tim stützle/quinn hughes. unfortunately i can't actually host this little code snippet anywhere lol but i also wrote an input to check the pathways between any two players which was kind of fun:

here is the actual network graph with colors from automatically generated clustering, which doesn't really mean much but i thought was one nice way of presenting it. the edge width refers to the sum of fics for each ship and the node size refers to the degree, or number of ships, for each player.

i then also joined my player set with a dataset that included draft year, drafted team, position, etc... and through that color-coded the graph with the team each player was originally drafted to (i always struggle between using current team and draft team because which one matters more is super contextual, but... using draft team made my life easier this time so i hope it's still interesting.) here i only included colors for 13 teams that had 3+ players each:

→ [full-size graph]

we can do a bit more analysis based on this specific sidcros network, like which players are the "most-shipped" or overviewing cross-team shipping tendencies:

but! of course, not ALL big hrpf ships lead back to sc87. using him as a central node essentially just helped me filter out excess "noise" when searching for relationship tags on ao3, because now i could exclude anyone connected to him at all (note: the relationship fics from my set equaled upward of 19,000 works, accounting for 60.4% of the entire men's hockey rpf archive) and hit other significant tags more efficiently.

through this method, i singled out a new set of 76 ships and 134 unique players (notice the significant decrease in overlap), which i then combined with my sid ships to create one massive set of Hockey Ships With Over 20+ Works On Ao3 that i could analyze holistically. no idea if this makes any sense but bear with me:

PART 2. general ship insights

i won't bore people with endlessly listing out ship rankings but here's the previous top chart with the new ships slotted in:

now for some overall player analysis!

first i wanted to look at how attributes like draft round, nationality, and position (F/D/G) are represented in the player set.

the nationality distribution is pretty close to all active nhl players this season, so there aren't major disparities there. however, the vast majority of players 1) were drafted in the first round and 2) are mostly forwards, with the forwards also seemingly reflecting the general philosophy of faster development/higher recent-round representation. we can take this overview a step further and actually examine the fic averages for each characteristic as a proxy for measuring shippability/ficdom popularity.

first, i scatterplotted all players by their draft pick and number of fic to (try and) show the heavy skew toward top picks (inspired by the gar draft pick value curve and other similar plots). this is... well, limited in many ways, and if i had an actually adequately large dataset i could specifically plot averages per distinct pick number and try to present something there, but the problem is that a lot of these later pick numbers only have like one player so there's way too much variance LOL.

but just for the sake of this exercise i excluded j.benn as an outlier and grouped fic averages by round (left below). again, noting the sample sizes, let's just say that first rounders on average seem to have the most fic written about them, even if it's not a particularly shocking insight. we can also try creating a histogram for "shippability" by draft year, binning here for every 2 years, to see which draft years appear to have had the most success (right below). note the peaks around 2005 and 2015, aka the sc87 and cm97 ~Generational Years~ 🤔

i've also been interested in figuring out which positions are commonly preferred—since centers are so often the faces of a franchise and are essentially the most sought-after position, and since goalies occupy a positionally static role/are less oriented toward contact (and the presumed homoeroticness thereof) in the way skaters are, is that reflected in the fic metrics as well? turns out: yes.

some ship analysis

learning more about player data in a vacuum is fun, but we also have all of this relationship data that lets us examine how different characteristics interact with each other, which is meaningful as well! for example, we know that forwards are heavily represented in the dataset, but is center4center the most common combination? or is there love for a franchise center and his beloved winger or the team's dependable 1d?

(fought for my life trying to figure out how to map this properly so please accept a horrible bar chart instead) as it turns out, the most common combination is centers/wingers, followed afterward by centers/centers. i don't know whether this really means much to me because i'd like to dissect the combos even further (is C/C more often 1C 2C or cross-team rivalry 1C shipping? are C/W usually linemates? etc.) but 🤷‍♀️ here's a graph.

i also distributed ships by their nationality combination, displaying to the surprise of no one a heavy preference (a whopping 66.4%!) for north american-exclusive shipping. i also thought stacking by "draft year" (= averaging the draft year between both players for each ship) offered some interesting insight into usa4usa shipping having slightly younger representation. also i do think usa/germany being singlehandedly driven up this chart by one family is remarkable and hilarious LOL.

also in the realm of draft year analysis, i wanted to look at draft year differences and whether fandom preferences seem to lie by way of same-age-ish pairings and In-Class Bicycling so to speak. graphing ships by these differences spanned a range of 20 years, with the oldest "age" (draft) difference being 20 years between zdeno chara and charlie mcavoy. overall, of 175 ships with a drafted player, 60.5% were drafted within 2 years of each other (18.2% in the same draft), and only 5% had a draft difference of 10 or more years.

then, of those 32 ships drafted within the same year, i distributed their counts by year to see which draft classes featured the biggest in-class clusters, leading us again to the Famed Class of 2015:

closing thoughts

i'll stop here :saluting_face: something else i had on the agenda that i don't really know how to adequately explore with this dataset is basically stanley cup champion stuff, e.g. looking at players and ships and fic counts from winning teams and how/whether a sort of "winning bias" has been trending down as of late (see the relative success of ships from teams like phi/ana compared to tbl/stl)—temporal data is so particular and difficult to wrangle with ao3 though so i'll have to let this one percolate a little bit.

finally, another thing (!) that i love examining is captaincy and how it often helps inform shippability; C/A/guyswithletters shipping obviously generously overlaps with being drafted early, high-impact players, some positional stuff like Young Star Center having the role foisted onto him, etc. and many of these aspects are immediately identifiable in top ships like 8771, 1634, 1386... just to name a few obvious ones. unfortch i don't really have the time or space to look at that here but it's something i'm still interested in maybe expanding on, and i also never ended up collecting actual skater *performance* data which would be super fun to eventually get to, e.g. mapping ficdom output to not just background identifiers like draft year/pick but also 1) actual tangible evaluations of player goals/points/(salary?!?)/etc. and 2) some dimension of draft outperformance/underperformance, which is pertinent for scenarios like late-round picks who have defied career expectations (see outlier jbenn having a shit ton of lifetime fic) AND early-round picks whose trajectories have not panned out as expected for whatever reason; often the ~tragic~ frustration of being a bust actually invites more narrative focus and scrutiny, but at the same time ficdom trends have pointed themselves to being attracted to many historic, talented, generational, and so on players, who more often than not are also winners, which potentially posits a need for some sustained line of access/visibility to high-expectation players significantly before they're regarded as "busts" in order to organically grow and generate initial interest that can survive the renewed reality of their situation. but who knows

again, i don't know whether any of this even makes sense or is interesting to literally anyone at all, but i personally enjoyed just dicking around graphing shit and getting to join a ton of tables together for absolutely no reason lol. that's all!

#(extremely long post warning) #*m #stats #>guy who needs to reflect

[epicbuddieficrecs]

Weekly Recap | March 11th-17th 2024

That premiere guys!!!!! Was so good!!!!! I'm so excited to be FINALLY be a part of the fandom while the show is actually airing! 😃 Can't wait to read all the amazing fics that are gonna be spawned from season 7!

Speaking of that, I would like to encourage everyone to use the relevant Ao3 tags when writing fics based on S7 content! Not everyone can watch the episodes as they air, so tags are really essential for people who don't want to get spoiled! (I could even make a separate post about it? a sort-of "how to tag" post?). In case you want to block some tumblr tags, my main tags for S7 are #911 season 7, #911 on abc, or #911 spoilers.

(Posting this one day early cause I don't feel like waiting until tomorrow! Enjoy! 😆)

Complete

i find peace in your smile by goforeddie/@iltrpls (A/B/O AU | 1K | General): They’ve been courting for a few months now. It’s agonizingly slow, but it’s still the best time they’ve ever had. You might think that after six years of walking on eggshells around each other, half a decade of “will-they-won’t-they” they wouldn’t be taking such a slow time with courting, but it's precisely everything that they’ve been through that makes them appreciate things a little better.

Birthday Flowers by Tizniz/ @tizniz (Pre-Buddie | 2K | General): OR: Buck gets Eddie flowers for his birthday. 

🔥 if i need to rearrange my particles — i will for you. by dylaesthetics (Post-S6, Identity Porn | 45K | Teen): OR Buck joins a support app for first responders and matches with a firefighter who has PTSD and a kid who likes giraffes, apparently.

Lime Jell-O by rainbow_nerds/ @rainbow-nerdss (S7E01: Abandon 'Ships | 3K | Teen): Eddie Diaz didn't panic. Or, well... Maybe he did. Sometimes. But he was working on it.

take the bed warmed by the body by lecornergirl/ @clusterbuck (Getting Together | 2K | Teen): It’s three parts bravado and one part reminder. He thinks about it, sometimes, his first shift at the 118—he doesn’t think either of them quite knew how much they’d meant it when they’d promised to have each other’s backs. He definitely hadn’t known, then, that he’d wake up one day and wonder why Buck isn’t in his bed. Because that’s what’s missing. He has a vague memory of falling asleep with his head resting against Buck’s shoulder, their legs tangled together.

Taken Space by Wildgirl93/ @wildlife4life (S7E01 Coda | 1K | General): Eddie and Marisol talk about the space that has already been taken.

Feel Like I Landed On The Moon by Tizniz/ @tizniz (Canon Divergent | 1K | General): OR: Eddie is pining for Buck while in Texas.

Fractals from the Lightning Bolt by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (One Shots Collection | 98K | Not Rated): A collection of oneshots, some originally posted on tumblr. Each chapter is individually rated.

53. A Dream You've Had Before (Explicit) 54. We're Definitely All Sluts Here (Explicit)

if you love someone by chronicallystendan (Pre-Buddie | 1K | General): Buck and Eddie both internally panic when a song comes on the radio that seems to be talking directly to them.

adventures of firehose and eightpack by brewrosemilk/ @gayhoediaz (Social Media fic | 1,5K | Mature): Or: Eddie stumbles upon Buck's old twitter account.

Two, Three Times in a Row by Leslie_Knope (PWP | 6K | Explicit): “We could’ve gone again.” Eddie snorts. “I’m old. You expect me to get it up twice?” “Yes,” Buck says, like it’s a given, like duh. “I could get you to do it right now.” The entire world pauses, and Eddie actually feels it, the bolt of arousal slinking down his spine all the way to his toes. He wets his lips. “Right now?”

WIP

🔥 miracles under your sighs and moans by napricot (Sex Pollen, PWP | 1/2 | 13K | Explicit): When Eddie gets exposed to an experimental aphrodisiac on a call, he realizes there’s only one person he trusts to help him get through it: Buck.

🔥 because we'll all arrive in heaven alive by callmenewbie/ @puppyboybuckley (Post-S6, Disaster Fic | 9/10 | 63K | Explicit): During a search and rescue, Eddie disappears without a trace, leaving Buck to grapple with the sudden possibility of a life without him.

~

if you know anyone that is not tagged, please tag them in the comments!

#buddie #buddie fic rec #buddie fanfiction #buddie fanfic #buddie fic #epic buddie fic rec

[yanderes-galore]

Hii! Happy birthday!

I have a really interesting idea. What if, somehow, Williams darling and him share a Springlock suit as Springtrap? Like, both of their bodies and souls are inside? If that makes sense? I just want a concept :>

Sure! This essentially ended up as an aftermath to this fic right here

Yandere! William + Darling in Springtrap Idea

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Sadism, Death/Murder, Post-Springlock failure, Manipulation, Forced relationship.

Honestly, I love this idea.

In one of my Springtrap fics I actually had set up this idea.

At the end of one of my fics Darling was springlocked so Springtrap/William could keep them.

This concept would essentially be the aftermath of that.

You see, if William can persist in Springtrap, so can you.

In fact that's probably what William was aiming for.

He likes you so much he wants you immortal with him.

Two “lovers” sharing a rabbit shaped coffin.

I'd imagine there's all sorts of spirit interactions between you.

He brought you here because he's fallen for his prey while you were on the job.

Meanwhile you're simply the poor victim.

You see everything he sees… you hear his voice and his interactions.

Unfortunately you're also a passenger to his murders.

I'd like to imagine this is something similar to the Stitchwraith (even if I don't know much about it).

William is the dominant spirit in the suit, so you're mostly "allowing" him to walk around.

William no doubt teases you and taunts you.

There's probably some twisted form of flirting in there.

He calls you “love” and all sorts of pet names.

You can only seethe when he does.

You often express your hatred of him, something he ignores.

Sure, you can be mad, not like you can leave him.

I doubt there'd be any affection other than words.

You share the same body now… so all you can do is talk.

William is overjoyed by this situation.

Now you're both immortal.

He can have a companion during this situation… a cute one, too.

I expect you'd end up living through the first fire (FNAF 3) and only separated from him during the second fire (FNAF 6).

Thankfully you're long gone when Help Wanted and Security Breach roll around.

Until then you're forced to persist.

William offers company, you try to ignore it.

Unfortunately there's no ignoring a spirit who's stuck to you.

While William is the primary spirit, maybe your personality shines through in Springtrap at times.

You try to spare Night Guards but William manages to take control shortly after.

This is your own personal hell.

You're stuck with a lovesick murderer for… what, years?

It's only during FNAF 6 that you get your true afterlife.

While you move on, William will be given the hell he deserves.

You wait for that moment eagerly.

You can't wait to watch him suffer and laugh at him… the perfect karma for trapping you with him.

#yandere five nights at freddy's #yandere fnaf #yandere fnaf 3 #yandere fnaf pizzeria simulator #yandere fnaf 6 #yandere springtrap #yandere william afton

[anderscim]

bagel’s drdt death predictions but they’re all based on character relationships and assumptions (lots of assumptions)

//spoilers for drdt ch1 + ch2 pt. 1

//long, long wall of text warning (nearly 4k words am i right 😭)

i mean, the title explains it all.

there’s really nothing else other than my unhinged predictions which will likely be wildly incorrect compared to the actual outcome in DRDT

so, as always, take this with a grain of salt

alright, let’s get straight into it.

arturo and j:

obviously these two have a… very interesting dynamic. they’re constantly at odds with each other, and this worsened especially after arturo found out about j’s family through her secret.

arturo is following j around and she hates it. arturo constantly crosses j’s boundaries, idolizes her, places her in his own “perfect image” that she doesn’t want to be a part of, and she (justifiably) hates it.

meanwhile, arturo sees j as one of the “beautiful people” that he idolizes and tries to get close to in order to improve his self value, possibly in an attempt to resolve his own insecurities. (okay i don’t think i’m gonna talk about this later so i’m gonna say it now. but based on the fact that arturo seems very attached to “societally valuable” things and people (major brands, celebrities, etc.) and the fact that he instantly pushes away things he sees as “ugly,” arturo may actually be trying to preserve a certain image of himself and/or his ego by surrounding himself with valuable things—which could be due to holding some sort of insecurity that he can’t be as “valuable” as others without those factors surrounding him constantly. maybe because he sees himself as “ugly.” just a thought. not justifying his actions though. idk)

but though i love j with all my heart… i’m very, very scared that she’s going to be the culprit for this chapter.

except for the possible motive, there’s actually a suspicious amount of logical conclusions and reasonings one can make that point to j being the culprit.

this isn’t my post, but i’m going to put this here because u/Difficult-Parfait627 on reddit explained the logic significantly better than i could have:

i also saw some theories on j’s secret weapon (the remote) possibly opening trapdoors that only she could access, so that’s definitely another possible advantage.

aside from that, i find it intriguing that MonoTV makes specific mention of this detail regarding the playground:

it would be very, very interesting if this proved to be foreshadowing of some sort regarding arei’s murder. whether it would just be the height of the room that plays into a factor of the case, or the fact that the movie screening room and the playground are only separable by a single wall, or both—that, i don’t know. but seeing multiple prevailing theories it could be possible that this is more important than we think.

not only this, but during the trial j constantly pointed fingers at many people and jumped from suspect to suspect—which is exactly what min did as well, and might be an indication that j is desperate to pin the crime on someone else.

though i’m probably wrong

revision: the following is… likely incorrect (_ _;) i’ll keep what i originally said here for the sake of it, but just know that arturo is more likely to double down and shun himself even further from any guilt if this theory proves to be true. here’s a reblog chain ft. @/aquariiium that explains it really well!

but if j is the culprit for this case, it could actually lead to character development for arturo. after all, if j gets caught, he would probably blame himself—if he didn’t get so worked up over eden and the reveal of his secret, if he didn’t let j overhear the conversation—she might’ve not committed a murder. i think he might feel intense guilt that he let j die—especially since he’s so (unhealthily) attached to her.

don’t know man. just trying to give him redeeming qualities here lmao

essentially, i think j might die this chapter as the culprit for arei’s murder, and arturo will survive for at least the next few chapters. whether he’ll be a victim/killer in the last few chapters i’m unsure about at this current moment, but bear with me

side note: it would be absolutely cruel if whoever the killer is, they get a quiet execution in a way that reflects arei’s body discovery ;-; also tbh i’m probably wildly wrong about all of this. for you guys who say the true culprit is someone else (especially people who think it’s levi, eden, or whit), i see you and i do see why that’s definitely a possibility. take all of my theorizing with a grain of salt lmao

whit and charles:

(sorry i couldn’t find a proper CG for them haha)

ah, one of my favorite dynamics. i love these two so much

it’s cool to see how they’re actually quite open with each other now, compared to the beginning where they were established as near-total opposites of each other (mainly looks at the free time event)

but as it goes with many ships in danganronpa…they’ll probably end in tragedy. unfortunately

i believe i made a really brief analysis earlier on how whit deals with grief by completely deflecting his true sentiments through the use of humor, and i think as of now this still holds true. whit’s bottling up his grief, and sooner or later he’ll have to come to terms with it.

whit has developed an understanding for charles, though, and seems to be genuinely considerate towards him. plus, he’s willing to admit to any mistakes he makes and is very open about it to charles, which indicates how close they actually are

charles struggles with not only his hemophobia + necrophobia (fear of blood and fear of corpses/things associated with death), but with the pity from others that result from it.

he really, really hates being pitied. we actually saw this earlier in the FTE between charles and whit as well—he seemed very worked up with how whit was “belittling” charles to make teruko laugh. obviously whit figured this out, admitted what he did, and eventually became more considerate of charles’ feelings. charles notices this and decides to open up to him.

👆 this line is so cute btw

i think though, especially because they’re so close to each other it’ll really impact their characters when tragedy strikes. personally i’m more scared that charles is going to die (as a victim) because plot-wise it would force whit to come to terms with his grief—the grief over not just his mother but the participants of the killing game—that he has pushed into the back of his mind for a long time.

but at the same time charles surviving is also definitely a possibility given his importance in the plot right now—and not only that, if whit dies, i think he would have a clear moment of feeling ashamed of himself for not even being able to look at his partner’s body and being unable to come to terms with whit’s death until later.

either way, one of them is definitely doomed to die, and the other is probably going to be a survivor.

for me, regardless of who bites the dust, they’re going to be a chapter 3 death. i personally believe this because it would give both of them time to cope and face their grief in their respective character arcs over the next few chapters—but also because i think chapter 4 is going to be surrounding a separate character dynamic.

nico, ace, and hu:

yes, it’s the “two people who absolutely hate each other and the one person that stands in between” trio.

as already established within the series, nico and ace hate each other. i don’t even need to put screenshots as proof—plus nico literally attempted to murder ace.

and by the way, for those of you who said other people manipulated nico into doing it, i think that would be very contradictory with what the series is trying to get at. nico is their own independent person—and they’ve tried to solidify that fact. this specific murder attempt was to probably establish that nico has their own limits, despite how much they are infantilized by others. if it’s true that someone manipulated nico, i feel like it would… just take away from nico’s individuality and turn them into someone to be pitied upon.

not only that, even nico established themselves that they have a tendency to be agressive.

there’s not much to analyze here, but it definitely is a strong indication that nico does have their own limits and will not act all innocent-like if those boundraries are crossed. it’s interesting though, because this kinda makes nico a foil to ace. while ace is “all bark and no bite,” and/or accusing and insulting everyone 24/7 but never acting upon it, nico is the opposite: not the type for words but will genuinely act if they are pushed hard enough.

i genuinely think nico attempted to murder ace on their own accord. plus, it would fit perfectly with one of the themes from this chapter

anyways—though i’m not going to condone her for infantilizing nico—there’s one person who’s kinda been keeping both of them in check. (or moreso, keeping ace in check) quite literally, hu defending nico, despite the fact that her way of doing so was really flawed, temporarily stopped their conflicts with ace from escalating in a short amount of time. at least until ace almost got murdered though.

the thing is, hu sees things in black and white. she trusts a little too much into nico and she thinks they desperately need to be protected. meanwhile, she essentially antagonizes ace, and didn’t seem to attempt to sympathize with the fact he almost got murdered. she didn’t make many attempts (especially during the second chapter) to genuinely understand their “grey areas,” instead jumping to what she knows. and… it’s understandable why she does this, but regardless, it’s one of her greatest flaws. however, that flaw is exactly what humanizes hu. she cares immensely about others, even if that means trusting them too much. she puts it on herself to help anyone she can. she wants others to rely on her, even if that means she inadvertently forces the role of “the damsel in distress” onto them as a result. though it doesn’t exactly justify her actions, i felt it was still important to bring up. (by the way i actually like hu, plus i love the concept of a really flawed but sincere mother figure. i don’t hate hu at all lmao i think she’s a really good character)

especially as of ch2 ep11, hu seems to show possible signs of change after getting called out by david. his so-called “betrayal” (by throwing hu’s personal impression and expectations of himself out the window) might begin a development arc allowing hu to see past her… i guess… her biases.

but, i’m scared that hu’s character arc would end (whether abruptly or gradually) in the middle of the series, rather than continuing to the very last episode of DRDT—and that she’ll get killed/executed before she can truly develop and leave the killing game with a new perspective.

additionally, as far as i can tell i don’t expect nico and ace to ever make up during the killing game—because in traditional danganronpa, that never seems to be an actual occurrence. not only that, but the whole tension surrounding their situation has already gone too far—neither of them will probably ever forgive each other after how far this conflict went (especially ace, who almost got killed by nico). i personally think hu, though the way she went about this was not exactly the best, acted as a “mediator” of sorts between ace and nico by throwing herself in and breaking up each conflict. if hu dies, their relationship will completely fall apart and their arguments will likely escalate past the point of no return—which seems to be a perfect setup for a murder case. personally i’d put hu as a chapter three death (regardless of victim or culprit), nico and ace’s dynamic escalating to a breaking point during chapter four, and either nico or ace dying in chapter four (with the other one surviving the killing game). my personal opinion as for who dies is nico, but mainly because i think ace might actually be a survivor.

ace and levi:

oh no i wasn’t done talking about ace yet, did you seriously think i would stop talking about him after all of that? plus i. didn’t give ace a proper character analysis in that previous section

ace and levi’s relationship is very unique as well. at first, ace and levi felt at least relatively comfortable around each other—which was really rare for someone like ace, who’s essentially scared of everything and holds many insecurities that prevent him from easily trusting people/processes/objects.

over time during chapter 1, ace and levi get closer to each other. ace develops a feeling of safety when around levi, since to him, he seems like one of the only few people who don’t just see him as a coward.

and that was true for a while, at least, until this happened.

this blog post by @thefandomenchantress explains the effects of levi’s dialogue here better than i ever could. go read this. please but essentially—the death threat is really important because it essentially shattered ace’s sense of security around levi, but the fact that levi out of all people called ace a coward really seals the deal for him. this is my interpretation, but ace probably felt that levi was more non-judgmental than the others and was also one of the few people that saw past his insecurities. so levi specifically targeting one of his largest weaknesses, probably hurts a lot.

not only that, but ace genuinely seems to believe that this is what levi actually thinks about him. though he focuses on the death threat here, i think it still holds true that he’s really paranoid of levi and thinks he actually hates ace, despite their dynamic in the first chapter.

on the other hand, levi regrets threatening and insulting ace in the first trial, and makes attempts to apologize and make up with him. he even asks teruko for advice here.

since ace is really insecure, it’s really difficult to make him actually forgive levi. ace’s paranoia makes him believe that others are out to “get him” and cause him harm, especially when it comes to people who bluntly pointed out his insecurities in the past. and as a person who genuinely hates those parts of himself and wants to get rid of his paranoia, it makes ace act really aggressive when people begin pointing out those issues again. after all, they’re reminders of what he thinks he is.

👆this quote is actually from an earlier point, and is ace talking about why he still races despite being scared of horses. but it’s representative of how he hates his own reputation and his insecurities that are connected with it—which he desperately doesn’t want people to see. that’s why ace is so aggressive. it’s because he feels he needs to bluff and act all “strong” to prevent people from targeting his insecurities.

the reason why i actually believe ace would be a survivor is because of some personal unhinged interpretations i have for chapter four. like i mentioned earlier, i personally believe that the current conflict between nico and ace will reach its climax during chapter four, which will likely also be a major part of the murder case during that chapter. and uh. if we go by traditional danganronpa patterns we know which character is probably doomed during that chapter (that is, assuming DRDT still follows a similar equation). though i admit the stereotype of “buff character dies during fourth chapter” is a bit overused—the thing is, if the conflict between nico and ace does actually reach its climax during that chapter, it actually makes sense relationship-wise for levi to play a major part of it. getting into major “this is probably wrong” territory here despite the fact that ace is currently distrusting towards levi right now, i think there’s still some part of him that harbors more personal feelings towards levi (whether that’s positive or negative)—i don’t think ace would be attacking levi so much otherwise. he probably feels like he was betrayed by levi, likely due to their changes in character dynamic during the first chapter. i also find it interesting how ace has always harbored a feeling of resentment towards nico—and i personally feel that this is because nico also reminds ace of one of his insecurities. they represent something that ace hates about himself, or they represent the antithesis of this insecurity—as for what specifically, i’m not sure, but it likely has something to do with ace’s paranoia. that’s probably why he attacks nico so much—because they remind him of something he hates about himself.

if both of them die, in the same chapter, i think ace would start doubting himself. all that would be left are people who have already seen how insecure he is. i think he’d lose his “purpose” and “relationships” in some ways, in that case—which would actually be a great setup to his secret quote: “i don’t know what to do with myself anymore.” ace markey existential crisis at 3 anyone /j

okay but. like. idk what i was even trying to say there. just take all of that with a grain of salt

okay, finally:

david:

(okay he’s literally just his own category at this point.) (i like to psychoanalyze him independently because i uh. have so much to say about him)

if you couldn’t already tell from my multiple theory posts about david, i have a considerable amount of interpretations regarding his character:

his current demeanor doesn’t reflect his true personality, but it’s not exactly like he’s a constantly optimistic person either

he’s not actually manipulating everyone into making the worst decisions. even his plan, though it wasn’t foolproof, was probably better than any of the options the cast had. however he did try to preserve his own image a little while presenting the plan since he’s trying to hide his depression

(both of those bullets are linked to other theory posts i made that elaborate more on these points)

either way, david is currently established as the “antagonist” character for this series, which was especially solidified after his breakdown in ch2 ep11. i think we all know what usually happens to the antagonist character in chapter 5.

however—david, unlike other canon danganronpa antagonists (especially nagito and kokichi from goodbye despair and killing harmony), has different motivations. rather than acting fully evil and/or cynical in an effort for the “greater good,” to me, he just… seems like he’s acting cynical and manipulative because that’s who he thinks he actually is. he’s playing a glorified version of his self-doubts and insecurities. so, to be completely honest, i think rather than him acting in a way to throw everyone off and ultimately end the killing game, i think david’s just in the middle of a breakdown and is acting suicidal. he’s actually pretty smart, so unless he was really emotional/desperate, i don’t think his lying would be as obvious as it is now. i think he honestly would’ve thought about it more (/lh) if he was genuinely attempting to end the killing game through lying and making everyone vote wrong. plus, we have already seen in chapter one that david doesn’t really… think straight when he’s emotional. we saw this during xander’s trial with the way he kept accusing teruko and thought she was the culprit despite the gradual accumulation of evidence that proved her innocence. (i think it’s general consensus that david actually did care about xander—and arei actually—and was therefore pretty emotional regarding their deaths, but i will make a post on that later if necessary.)

if david really is breaking down and acting suicidal in the second trial, i think it would fit if the plot decided to pull some irony and… y’know, have the one person who wants to die the most actually be a survivor. i really have no backing to this (and tbh i think i’m saying this because i want david to live LMAO), and i don’t exactly have any concrete evidence that establishes david as an antagonist character that doesn’t follow canon danganronpa antagonist traditions, but even then i still think it would be pretty cool if that happened.

god. this was. unhinged.

okay but watch me be entirely wrong on this lmao

i hope you guys could actually understand that entire wall of text because i don’t even know what i was writing halfway through also i didn’t put chapter 5/6 here because i literally have no idea what’s going to happen. it’s just going to be full of plot twists and i know it

i also didn’t exactly put a clear amount of killers/survivors so they don’t exactly. match up. plus i didn’t actually do a thorough analysis on veronika, rose, eden, teruko, etc so i’m probably going to have to go through those if i genuinely feel like doing a proper death order. (something is telling me rose and veronika are both going to get significant character development though, especially in the later chapters. we don’t have too much information on either of them yet (moreso veronika than rose) so i’m kinda waiting until we get more scenes to make assumptions about those two in particular)

but in summary:

j might die this chapter, arturo’s going to get significant character development as a result

no matter what, charwhit is absolutely doomed and one of them is going to die in the third chapter while the other is a survivor

hu will probably die in the third chapter, leading the conflict between nico and ace to escalate and reach a climax during the fourth chapter

(of course, this is assuming drdt follows traditional danganronpa and has a double murder during the third chapter. i’m not too much of a fan of the trope myself, but for the sake of organization)

nico and levi, who ace has the most personal (mostly negative) emotions towards at the current moment, will probably die during the fourth chapter leading ace to have an existential crisis and get character development (and will have to navigate his way to the end)

david is a non-traditional antag so he might die during chapter 5, but i personally see it more ironic and fitting to see him survive until the end seeing his current emotions and character

anyways.

i know there’s a lot of you who are significantly better at analyzing certain characters than i ever could so please please don’t hesitate to correct me if there’s an assumption i made that’s incorrect, and/or if you have anything i said that you could refute

plus i didn’t like. rewatch the entire series to make this i just had a long train of thought and searched for certain scenes that fit the most to what i was saying even if my assumptions weren’t correct

and as always. take this all with a grain of salt

(no but seriously, feel free to voice your opinions on this as well! i’ll definitely listen to them)

#bagel’s train of thought #drdt #danganronpa despair time #j rosales #arturo giles #charles cuevas #whit young #nico hakobyan #hu jing #ace markey #levi fontana #david chiem #despair time #okay but. this is nearly 3.8k words holy shit #sorry about that #i really went overboard 😭

[odditycircus-2002]

Shang Tsung x Medusa!Reader Part III: Aftermath

PREV

FIRST

For some reference, this takes place around MK11: Aftermath Story Mode. What happened between that and the last post is up to you to decide. Oh and in this scenario, Sindel isn't a villain (Let's be honest that ret-con did her dirty), rather she'll be aware of what she's doing BUT, you, the reader basically are controlling her like a puppet. While perhaps unnecessary, I suggest reading my other posts to understand what's happening here. Now, on with the show!

You were tossed in the Void similarly to Shang Tsung, Fujin, and Night Wolf because you, too, refused to take Kronika up on her offer. That and you were taken first before them as Kronika's Insurance so that your husband would complete her Crown of Souls. In fact, your entire existence was made and written so that you were essentially a carrot on a stick for Shang Tsung.

Understandably, you're more than a little bitter about this being true. Still, whether or not your love for Shang Tsung changes(Though, let's be honest, you were bemused and absolutely jubilant when you found your DEAD husband not dead and alive), that doesn't stop you from conspiring with one another to bring Kronika to her knees. A fact that Fujin and Night Wolf suspected while trapped within the Void, without knowing you two are married.

Then again, how would anyone really know? The demigod brothers were used to your glamor and mask that made you look more human rather than your gorgon form.

Plus, it helped that while Shang Tsung still wore his wedding ring, you kept yours on a cord around your neck, hidden beneath your clothing.

In front of the others, such as Lui Kang's allies, you two also acted formally with one another, with brief and curt exchanges if you needed to interact. Leaving others to believe you both used to be in Shao Khan's court.

Shang would be adamant about not needing your medicine or help whenever he gets injured in any battles you face. Yet, you wouldn't have any of it, you just got back your husband, and you are sure as FUCK not gonna lose him again.

"Shang, you old fool, you're useless to anyone if you can barely walk or see straight!"

Although, you didn't let any of your actual concerned sentiment seep out from you; instead, you just assure Shang that he can "pay" you back later. This works in both your favor as Shang Tsung openly healing you can also be seen as chipping away his tab with you.

While neither Night Wolf nor Fujin suspected your marriage to Shang Tsung, they still were wary of both of you. So they would try and keep you physically separated. Shang Tsung's honesty track record is abysmal at best, and you're already known to be a notorious dealmaker that lives in a cave.

Still, when both of you can slip by their watchful gaze, you'd both would exchange hushed, tender, and encouraging words to one another. Yet, words aren't enough for you to express just how much you've missed his presence. His company has always been far more entertaining and fulfilling than any souls you've bargained with or stone slaves you kept in your cave as security.

Shang Tsung can only use many words to express his pride in you. He would make many promises and vows to you to give all you desire in his new Era, to make up for all the years he's lost with you.

Despite a few hiccups regarding restoring Sindel to life, mainly in the form of you turning one Tarkatan to stone and shattering another, the process was successful thanks to you, Shang, and Fujin. Or so it seemed.

You took the liberty of briefly snatching the Jinsei Fujin collected to add just a few drops of venom you specially made to those that can't hold up their end of the bargain into the bottle. So whether Sindel realized it or not, you pulled the strings.

Funny, some of you almost felt bad for what you'll put Sindel through. Here's a loving and heroic woman who lost her husband and realm to Shao Khan, then her life to ensure Earthrealm's protection. Only for that sacrifice to be reduced to meaningless when Quan-Chi resurrected her to force her to act on Shao Khan's will, including brutally murdering the very people she tried to protect. Only for her leash to be passed to Shinnok and Quan-chi after her second death at the hands of Night Wolf. Finally, after years as a pretty little puppet, she has restored memories and body. Now reunited with her daughter and able to apologize for leaving her alone with Shao Khan as a young child. Well, almost being a keyword here.

You first had her free the man she hated the most, her "husband" Shao Khan, from his imprisonment. You can imagine her horror when her body started moving beneath the Kolosseum, without being prompted. When she tried to open her mouth to shout for help, you made sure no words could escape her. The next time she opened it again, well it was to let out her banshee scream, peeling back the flesh of his Shokan guards. You give her some reprieve by letting her kick Shao Khan in the face, hard. Enough to break his nose and a few spikes of his.

You laughed through your enchanted crystal when Queen Sheeva saw the gruesome scene before her, with horror and disbelief in her eyes. Sindel could only get a few words out, insisting that she was not in control of herself, before you had her let out another scream and put the Shokan Queen out of commission before quickly using Sindel as your mouthpiece to spin a tale to convince the rest of the Shokan that Kitana Khan was to blame and to swear loyalty to her to avenge Sheeva. Sindel could only watch the scene unfold from her eyes in horror.

You have to give it to the former Queen. She fought hard against your control, thrashing against her invisible strings harder than anyone before her to the point it seemed physically painful. Even managing to snap out of your control briefly to rectify her actions before you ultimately took back her strings. You chalk that one up to her willpower and the fact she made no soul-binding contracts with you.

The pieces began to fall into place after using Sindel to explain to Shao Khan the plan you and Shang Tsung had concocted to restore them both to their rightful place. With Sindel as your puppet, Shao Khan was slowly able to take back Outworld's armies. And because you were in a good mood, you allowed her some control over her voice again, enough so she may speak her true thoughts and motives. Apologizing in tears for all she's done and wishing she was stronger, letting her daughter know she loves her more than she'll ever know. There were still tears in Sindel's eyes when you retook her voice to command Kitana to be put in chains. Nobody on the other side knew it was you except for Shang Tsung, not when you were fighting alongside Raiden and Fujin against the Netherrealm's army.

When Shang Tsung tricked Fujin into finally giving him the crown, his first move after putting it on was to embrace you in his arms and unabashedly passionately kiss you. He ran his fingers through your snakes that affectionately curled into his touch with your arms wrapped around his neck.

"Fujin, Raiden, I believe you're familiar with my wife?"

Saying you had a diabolical grin on your face, made more evil-looking by your boar-like tusks jutting from your upper lip, would be an understatement.

After feasting on Fujin and Raiden's souls, you turned them into stone to preserve them for later. However, that's when Sindel finally broke free of your control, first to briefly brawl with Shao Khan for harming her daughter before you pulled her into combating you. In the end, you not only beat Sindel in combat but, to ensure she can't do anything further, have her look into your gaze and turn to stone.

"Do not worry, your Excellency. I can reverse the spell later and make it so she's devoted to you for all eternity. "

Not surprisingly, both you and your husband betrayed Shao Khan and drained him of his life force until he was nothing but a barely breathing husk of what he once was.

When Shang Tsung defeats Kronika, and before he starts working on the Hourglass, he takes your wedding off from the cord around your neck to lovingly put the jade and nephrite ring in its rightful place on your hand. You both share a loving kiss before he starts getting to work, well before Fire God Lui Kang arrives.

If your husband wins, he makes good on all those promises he made you earlier, including making you a throne of your own right beside him. Because you had such fun with Sindel and Shao Khan, they, too, become your personal servants, similar to Shang Tsung with Raiden and Fujin. While Kronika is long gone, Shang Tsung is forever grateful that she made you. You are his Empress, his equal in power and mind, his beloved wife. Now, there'll be no one in all of existence that can ever separate you two.

If Lui Kang wins, you can only fall to your knees amongst the dust that once was Shang Tsung. Lui Kang would look upon you with pity as tears start pouring from your eyes, a first for you in eons. You touch your damp cheeks before closing your eyes, taking a breath, and looking toward the Fire God with a strained smile.

"Can I please join my husband too?"

"Are you sure, Y/N?"

"I'm certain, he was my life after all. Whether or not I wanted him to be."

Lui Kang acquises to your request. You whisper "thank you" as you turn into dust and join your husband.

In the Fire God's new Era, he will ensure you turn out differently and, hopefully, kinder. And to keep you and Shang Tsung as separate as possible. However, even if you manage to meet through oceans of time, then at least it'll be your choice whether or not you fall for the Sorcerer.

Playlist while writing this:

"Poor Unfortunate Souls" by Pat Carrol

"Judas" by Lady Gaga

"Momento Mori" by Fish in a Birdcage

"Mary on a Cross" by Ghost

"Queen of White Lies" by The Orion Experience

"Look what you made me do" by Taylor Swift

"I'm the Bad Guy" by Andy Bean and Noel Wells

#mortal kombat #mortal kombat x reader #shang tsung x reader #Shang Tsung #Mk11 #Mk11 Aftermath #fujin mortal kombat #nightwolf #mk x reader

[wellofdean]

Just wanted to split this off from this post about why Mary Winchester is excellent because it's getting so long, but I wanted to respond to these tags from @kayliemalinza :

#sometimes i feel people hate john for reasons that while valid in our universe less valid in the spn universe#but mary gets it way worse#<-- prev tags yessss#also doing the math wasn't she like 28 when she died#i'm glad they didn't recast and of course samantha smith looks her own age#but mary is in fact YOUNGER THAN SAM AND DEAN AT THIS POINT#they are not children#and the tags copied above i think explains so sos ooo much#bc so many fans glommed onto dean because of similar family issues#and that means they are struggling as much as dean is in s12#and just can't disconnect that quite yet#but god#GOD how she struggles with that emotional intimacy#she was raised as a hunter you don't think she's chockablock full of maladaptive coping mechanisms too?

Because I whole-heartedly agree with this. John Winchester was not a good father in some major, major ways, and Sam and Dean had a childhood straight out of a...well, a horror/fantasy genre show...but I think people forget that Sam and Dean also do truly love John and truly are more or less at peace with their memory of him later in the series, and there has to be a reason for that, too. It's not that he's a mustache-twirling villain; it's complicated. He loved them, but he wasn't always able to do it right. They love him, but he hurt them and made the what they are, which is a double-edged sword.

It's really natural that we all identify with Dean, and get angry at people who hurt him, but I think it's important to realize that Dean processes his anger about Mary leaving pretty quickly, because it's not really anger and resentment, it's confusion, disappointment and hurt. And I think Dean is grown enough to own his own feelings, and able to accept that she needs time and space, and he's not such a child that he isn't capable of separating his legitimate feelings from her legitimate needs. It takes him time, but he gets there, because, and this is another conversation, Dean is really very reflective and emotionally intelligent, actually.

I also do agree that a lot of fans, in identifying with Dean, map their own feelings about their parents onto Mary, and dislike her for reasons that have nothing to do with the story being told on Supernatural, which is essentially a very healing one. Since I'm a Gen-X old, and the mother of an adult son, I actually had a pretty different experience, and as much as I love Dean, in this storyline, I identified a lot with Mary.

On the one hand, she has to be so proud of her two big, beautiful, brave and heroic sons, but at the same time she does not know them! They don't need her, and they are trying to protect her from the things she feels they should have been protected from, and at the same time, as adult men who are still, in some way, motherless boys, they are hungry (especially Dean) for her to be something that she never had a chance to grow into. I loved it that her own exigencies were too strong to LET her stay. I loved that she could not accept the role of mother that had been stolen from her, and could not sit still to let it just kind of settle on her shoulders.

It made me think that (aw yeah!) there was a difference between John's sainted white nightgown conception of his dead wife (his motivation to be what he was), and Dean's memory of her as the cutter off of crusts from his sandwiches, or the mother that he comforted when she was sad, and he was just a little man. I'm so glad that Mary turned out to be so much more than that. She is a woman with her own competencies, her own damage and baggage, and her own ideas about how to make things right, who doesn't agree with her sons all the time, who makes mistakes, who fucks the wrong guy, still loves her problematic husband, and can't actually cook, thank you very much. I love that her own disorientation and her own will are so strong that she really can't allow who she actually is to be subsumed into the communal role of 'mother'.

I think that socially, we don't really think about what we ask of mothers, or how hard we judge them. We underestimate what they give up of themselves to satisfy that role. My son was born when I was really young, and fellas, IT WAS HARD under more or less perfectly normal circumstances, to make the transition from being just me to being a mother. My magnificent son is amazeballs, and is a human being that I am so fucking proud to have made out of my very own actual body and raised to be the excellent human he is, and we are really close, but I was not always prefect, and even now when he is a grown adult, I still chafe against the perception of me as 'his mother' and not just ME all the time. One of the very greatest things about my son is his incredible ability to let me live, and make space for the fact that I am also a person, and not just his mother, and I am so, so grateful to him for that, so....

Yeah. As much as I didn't want to see Dean hurt, I LOVED Mary, and love that they wrote her as her a full human being and not a tropally perfect mother. I loved seeing her as a flawed parent that deserved her adult children's understanding and mature love, who deserved her own space and her own processes. What's more, I loved seeing Dean process his feelings about her, and seeing him become a son who was capable of loving a real human woman who happened to be his mother. So... yes. I love her.

Mary Winchester forever. A+.

#Mary Winchester #Supernatural #spn #dean winchester #sorry y'all for another long ass post about this #but #I just have a lot of fucking feelings about Mary ok?

[aspoonofsugar]

Chemical Weddings: Bumbleby

So, it is Spring (the season of love :P), so I feel like writing short metas on some of RWBY's chemical weddings. Let's start with Bumbleby, since they have just celebrated their first year anniversary!

WHAT IS A CHEMICAL WEDDING?

A chemical wedding is a motif used in alchemical stories (aka stories, with symbols related to alchemy). It is a metaphorical union between characters and it represents two opposites coming together. Think of it as a motif that comments on a relationship and describes how it changes throughout a narrative. It shows how two characters' bond develops and how they integrate qualities of each other. Even if it is called "wedding", the union doesn't necessarily have to be romantic, but often it is. Like in RWBY's case.

RWBY uses chemical weddings to develop romantic relationships. How does the series do it? This meta by @hamliet explains it perfectly:

It uses some alchemical imagery (like plates from alchemical texts as reference)

It employs elemental motifs (water, fire, air and earth), which are keys to alchemy

It integrates other symbolism, like romantic subtext or fairy tale references

Both hamliet and I have already talked about RWBY ships and chemical weddings, so this short meta is just a quick review of Bumbleby's ones, with some integrations.

Here are Bumbleby's posts, that I am going to reference:

Worthy

Yang's Goldilock allusion

Blake's Jungle Book allusion

Now, let's dig into Bumbleby's three weddings.

BUMBLEBY'S WEDDINGS

Bumbleby's weddings make use of this imagery:

This picture represents a (violent) union of opposites. Mercurius (a spirit representing change) beheads the Solar King (red) and the Lunar Queen (white), so that they can start their process of transformation. It is a union through destruction (solvet). This is the key to read Bumbleby's evolving relationship, which keeps growing through a series of metaphorical deaths.

This is the first and most violent one:

Luckily, neither Blake nor Yang get beheaded, but they still suffer physical wounds by their antagonistic Mercurius aka Adam:

Blake is impaled and scarred

Yang loses her right arm

Obviously, the physical hurt mirrors their psychological one, which is a consequence of Bumbleby facing their shadow. The Jungian Shadow is everything a character represses. In Blake and Yang's case, they live happily at Beacon, while ignoring their respective issues:

Blake's past with Adam

Yang's abandonement by Raven

Still, these two traumas come back and go in the way of their new-born relationship. They can't be together if they do not integrate their repressed shadows, to this first wedding marks a separation.

Both girls go through individual developments, where they face their shadows. In particular, Blake integrates Ilia and fights Adam, while Yang faces Raven. The result of this integration is a reunion, which happens through a second death. Specifically Adam's (once again their antagonistic Mercurius):

Blake and Yang come together to kill Adam, which is a traumatic experience for both. Moreover, they still suffer damage, as Blake's weapon symbolically breaks:

Still, Gambol Shroud gets repaired and its new form symbolyzes Blake and Yang's integration:

Blake and Yang live through destruction and become stronger and more united thanks to it. Not only that, but Bumbleby's second wedding marks an exchange of vows:

Blake: I don't have a choice. I have people who actually care about me, and I promised I'd never leave them again. So I'm not dying now.

Blake: I… I am not going to break my promise, I swear.

Blake opens the final fight with Adam by announcing her vow and confirms it by the end of it. Essentially, Blake and Yang promise to be there for each other, which is the main purpose of a romantic wedding. A promise of sharing both happy and hard times.

Their vow is sealed by them killing Adam, which ties into Blake's Jungle Book allusion. In the story, Mowgly can't leave the jungle unless a bull is sacrificed, so Bagheera kills one for him. Here, Blake has to kill a Bull Faunus, so that she is free from her previous bond with Adam and can step into a new relationship with Yang. It is a violent union, which starts with a promise:

I made a vow I'm not alone Not dying now we're protecting our own

This promise is fully fulfilled in volume 9, where Blake and Yang find a metaphorical Ever After. They confess their love, while surrounded by the four elements and symbolically consume their wedding. They are bees, who get together and make the flowers bloom through their honey. This third wedding is a non violent one because both Blake and Yang have grown mature enough to embrace the other. They can finally stay together and integrate completely. That said, even if they are now worthy of each other, the shadow still pops up:

Blake and Yang consume their wedding and are finally together. And yet, when thay are at their happiest, Ruby's shadow conquers her and she risks her life, without Blake and especially Yang being able to help her. Not only that, but before attempting suicide, Ruby lashes out specifically at Blake and Yang's union:

Ruby: Smiles all around! Maybe even finally get our feelings sorted out! Good for you, by the way. We’re all so happy for you!

Why is that so?

TOO HOT, TOO COLD, JUST RIGHT

It has to do with a motif deat to Yang's arc: too hot, too cold and just right. This symbolism comments the entirity of Yang's development, but when it comes to Bumbleby's bond specifically, we have...

Too hot- first wedding:

Blake and Yang face off against Adam, while fire and flames burn everything around them.

Too cold- second wedding:

Blake and Yang win against Adam while surrounded by water, which washes away their enemy and trauma.

Just right - third wedding:

Blake and Yang kiss while on a platform in the sky (air), which is full of flowers (earth). Air and earth come together, just like Blake and Yang. Two opposites find balance (and avoid falling):

You fell And suddenly I did too While the world was dying Didn't know how to not lose you again Hands down Heart wide I've only ever known the fight But I'll catch you This time I'll never let you out of my sight

And yet, no matter how much Blake and Yang grow and integrate with each other. Outside of their control, bad things will still happen. Like Ruby going through a personal struggle. Like Atlas falling. The point of Bumbleby ending up together isn't that they will be happy ever after. Rather it is that they will be each other's ever after and will face both good things and bad things together. This is the point of the archetype their ship embodies.

BUMBLEBY = THE SHADOW

Each main ship in RWBY represents a Jungian Archetype. Bumbleby is the shadow:

Their story is commented by a:

light and shadow motif

Beauty and Beast allusion, where beauty represents the light and beast the shadow

In alchemy, the shadow is linked to the Nigredo phase (Blake's phase) and to destruction. So, the bees' love story explores these themes. Thankfully, RWBY is an optimistic story and after a symbolic death comes a symbolic rebirth.

NEVERMORE

Nevermore Nevermore You'll torture my heart and my head Nevermore Nevermore Will I be afraid Nor will I run away It's behind me Freedom is finally here You may have taken the lead but I'll even the score You won the battle you won't win the war Not now and Nevermore

In RWBY, there seems to be a chemical wedding (usually the second), that employs a Nevermore:

This Grimm symbolizes grief and it pops its ugly head in weddings because RWBY characters overcome grief and pain through love.

In Bumbleby's case, the Grimm doesn't appear directly, but it is still present thanks to their shared song Nevermore, which alludes to both Beauty and Beast's Evermore and to Poe's Poem the Raven:

“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the Raven “Nevermore.”

In Poe's poem, the lament "nevermore" is a symbol of a loss impossible to overcome. In Bumbleby's song, the battle cry "nevermore" shows how both girls are ready to fight for what they have left. It is not about finding an ideal evermore, but to give up on love and hope nevermore.

#rwby #bumbleby #rwby meta #rwby alchemy #rwby chemical weddings #yang xiao long #blake belladonna

[nellasbookplanet]

Book recs: many worlds, portal fantasy edition

A typical portal fantasy follows a human from our world who steps through a portal into a magical land (think of narnia). But there are many fun variations of this trope! Sometimes it's the magical people who come to our world; sometimes we get to follow people who have returned from their adventures and are seeking for new meaning; sometimes our world isn't involved at all. As might be assumed, most portal fantasies are fantasy stories, but some lean more toward magical realism, others toward sci-fi. It's a fun spectrum!

I'm separating portal fantasies from alternate timelines/parallel worlds type stories (which will get their own rec post soon-ish). I also generally do not include stories where the character travels to fairyland/land of the dead/etc as those feel like a genre of their own to me, but the lines between them sometimes blur and this is, obviously, a subjective list.

(Titles marked with * are my personal favorites)

Other book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books

For more detailed info on the books, continue under the cut.

The Magicians (Magicians trilogy) by Lev Grossman*

You may not have heard of this book, but you have probably heard of the scyfy series of the same name that crashed and burned a few years ago. This is the book it’s based on (pros: it doesn’t end in the same way; cons: it doesn’t feature the juggernaut ship of the show in any major way). For the uninitiated: features what is essentially a (secret) magic university for tormented geniuses. When he finds magic isn't enough to grant him happiness, main character Quentin goes digging into the truth surrounding his favorite childhood books searching for meaning, and finds out that the magical other world they describe might not be so fictional after all.

Stray (Touchstone trilogy) by Andrea K. Höst*

Young adult told through diary entries. Including this as a portal fantasy is a bit of a stretch, but essentially: Cassandra unkowingly walks through a wormhole and lands herself on another planet, where she has to survive on her own until she is rescued. Soon she finds herself embroiled in a war between creatures from dreamlike other dimensions and the people who saved her. Skirts the line between scifi and fantasy (it has psychic space ninjas!), but generally feels mostly like sci-fi. Absolutely fantastic worldbuilding.

In Other Lands by Sarah Rees Brennan*

Young adult. Kids who can walk between our world and a magical one get recruited into a magical school that trains them either to be fighters or sort-of diplomats. Our lead decides that fighting is stupid and that he’s going to peacefully solve every conflict ever, all while being the most delightfully obnoxious little brat possible and getting incolved in the most bisexual love triangle imaginable. Very good, funny, and heart-felt coming of age story.

NPCs (Spells, Swords, & Stealth series) by Drew Hayes*

This one only counts as a portal fantasy on a technicality and on the fact that I love it and this is my list. Follows a group of DnD players whose characters immediately die, forcing them to make new characters, and, parallel to their adventures, a group of NPCs from the fantasy world who find themselves forced to take the place of a party of recently deceased adventurers. The two parties do cross path on occasion, but there aren't actually any portals involved as all characters (mostly) stay in their respective world. A fun and light-hearted adventure that turns a lot of the expected tropes of the genre and of character archetypes on their heads.

The Time of the Dark (The Darwath series) by Barbara Hambly

1982 classic. Medieval history student Gil and biker Rudy are complete strangers, but when they get mixed up with a wizard from another world the two must work together to survive and get back home. Fairly traditional fantasy with its fair share of issues, but! It has cool swordswomen, creepy lovecraftian monsters and also mammoths!

The Twelve Kingdoms by Fuyumi Ono*

Young adult, light novel. Yoko Nakajima is a regular high school student, or at least she was one until a strange man showed up in her school, swore allegiance to her and whisked her away to another world. As the two get separated, Yoko is stuck on her own in a strange world, hunted by humans and demons alike as she travels in search of a way home. Absolute high point of isekai literature, with an incredible main character and really cool and unique worldbuilding (also available as an anime, however I have yet to watch it and can't speak to its quality just yet).

Peter Darling by Austin Chant*

Novella. An older Peter Pan returns to Neverland after years spent in our world, only to find that everything is different. Before he knows it, he finds himself working with his lifelong enemy, Captain Hook. Very gay and very trans, with interesting takes on toxic masculinity. Made my heart ache in the best of ways.

A Curse so Dark and Lonely by Brigid Kemmerer

Young adult. A retelling of beauty and the beast, where 'beauty' is a girl brought in from our world to a fantastical one and the narrative focuses a lot on what actually happens to the kingdom when the royal family suddenly disappears, and whether it’s even possible to fall in love with someone you know is deliberately trying to seduce you to break a curse. This is part one of a trilogy, however I'm only really recommending the first book as the second did not work for me at all.

The Golden Compass (His Dark Materials trilogy) by Philip Pullman

Young adult/middle grade, fantasy but has a lot of sci-fi aspects as well. Already well-known and for good reason, the His Dark Materials trilogy starts as what seems a pretty typical fantasy with some cool unique aspects (everyone has a soul-bound animal only they can speak to as their best friend!), and soon veers into a truly one of a kind story. It has magical portals, it has strange worlds with equally strange inhuman creatures, it has physics, it has god murder, it has gay angels, it has tragedy, and it’s very much worth your time.

Every Heart a Doorway (Wayward Children series) by Seanan McGuire*

A tumblr favorite, the Wayward Children novellas feature a school open to children who have returned from adventures in other realms and now have trouble adapting back to regular life. Some installments are set in our world, others follow children as they have their otherworldly adventures. The main characters vary between books, but are generally pretty diverse with among others asexual, trans, intersexual and sapphic leads. Both funny and dark, it takes a closer look at the trauma many endure growing up different.

Otherside Picnic (Otherside Picnic series) by Iori Miyazawa

Sapphic light novel with a surreal and episodic horror vibe. Following the directions of an urban legend, university student Sorawo finds her way to a reality populated by horrifying creatures from ghost stories and modern urban legends (of which I'm sure you'll recognize many). Here she teams up with fellow explorer Toriko, both to both find out more about this strange world and to help Toriko find a missing loved one. Also available as a manga and (one season of) an anime.

Last Bus to Everland by Sophie Cameron

Young adult. Brody is dealing with a lot, but it all gets a little easier when he meets Nico, who shows him how to access Everland, a magical land where he feels less out of place. But when the doors to Everland start disappearing, Brody must choose which world is really home. I'd categorize this less as fantasy and more as coming of age with a fantasy slant. It's also very gay.

The Starless Sea by Erin Morgenstern

Surreal and fairy tale-esque, The Starless Sea is stories within a story, following graduate student Zachary as he finds a strange book which, in-between other tales, tells a story from his own childhood. Trying to find out how this came to be, Zachary gets involved with a pink-haired woman and a handsome man who are doing their utmost to protect a strange, otherworldly library available only through magical doors. It's a book hard to put in words, but which I once described as "romantic without being a romance while stile having a love story at it's core", and which can be summed up only as "an Experience". It's also quite gay!

The Memory Theater by Karin Tidbeck

Listen, there’s a whole bunch of Swedish portal fantasies I read growing up that I'm dying to include here, but I'm not because they’re not available in English. The Memory Theater however is available, and is very good. Two children who were stolen into an otherworldly realm that wants them dead fight return to earth, and are followed by one of their captors across universes. The story has the feel of a dark fairy tale, and their captors, while not fey, are very reminiscent of them.

The Ten Thousand Doors of January by Alix E. Harrow*

Historical young adult, more magical realism than fantasy. In the early 20th century, January is living under the care of her father's employer while he travels the world searching for valuables and secrets. But both her father and her caretaker are keeping something from her, something about her own family's history. When she one day stumbles upon a strange book, one that speaks of other worlds, she finally sets out to find the truth. However, there are those seeking to stop her and destroy the doors between worlds, no matter what.

The Hollow Places by T. Kingfisher*

Horror rather than fantasy. After having divorced, Kara moves to stay with her uncle and help him run his museum of curiosities, until one day she discovers a hole in the wall of his house. The hole leads to a strange bunker, and beyond that, a dark and dangerous world beyond her understanding. In the company of a friend, she goes to explore this world, but quickly comes to regret her decision to do so.

The Unspoken Name by A.K. Larkwood*

The sort of portal fantasy you get when all the worlds connected by portals are fantasy worlds, and none of them are ours. The portals themselves become simply a part of the worldbuilding that the characters use to travel between fascinating places, and it's all really cool. It follows Csorwe (lesbian orc assassin whom I love), who grew up in a cult, indoctrinated as a child sacrifice to a god. But on the day she was meant to die, she instead chose to follow a powerful wizard and train to become his loyal servant and sword. Aside from being an excellent fantasy, it's also a close look at the hard path of unlearning indoctrination and the search for love and validation where you'll never find it, and learning to live for yourself.

Odin's Child (the Raven Rings trilogy) by Siri Pettersen

Norwegian (vaguely Norse mythology inspired) young adult. Fifteen-year-old Hirka grew up thinking she simply lost her tail to a wolf attack, but one day she finds out she never had one: she's an Odin's child, a human, sent from another world and rumored to spread rot and ruin wherever she goes. To keep her secret safe, she goes on the run, but there are forces hunting for her, wanting to use her in their war. This reads mostly as a fairly typical epic fantasy, with the portal aspect not playing a major role until the second book.

The Barbed Coil by J.V. Jones

1997 classic. Tessa is a young woman with little going for her, until she stumbles upon a strange ring that transports her to a magical and dangerous other land. Here she meets Ravis, a mercenary who takes it upon himself to protect her, and discover her own special abilities, which she must use against an evil king whose mind has been corrupted and taken over by his crown, the Barbed Coil.

Skeen's Leap (Skeen trilogy) by Jo Clayton

1986 classic. While most portal stories are fantasy, this one has a distinct sci-fi flavour. Skeen is master thief wanted in a myriad solar systems, until her spaceship gets stolen and she's stranded on a backwater planet. Here she hears rumors of ruins leading to a strange other land. Hoping for treasure enough to get her off-planet, Skeen goes in search of this place, but finds herself stuck and unable to get back. This one has a unique, almost stream of consciousness prose that takes a while getting used to, but rewards you with a one of a kind experience.

Inkheart (Inkworld trilogy) by Cornelia Funke

German middle grade/young adult, in which the fantastical other worlds are those told of in books. Young Meggie's father has the ability to, when he reads, bring things and people out of the books, or put other people into said books. However, once having done so, he knows of no way to put anyone back where they belong. Now, years after he accidentally brought the terrible villain Capricorn and his henchmen out of their book, he and his daughter must evade them at all costs or be forced to bring further horrors out of the page and into the world.

Bonus AKA I haven't read these yet but they seem really cool

An Accident of Stars by Foz Meadows

A teenage girl accidentally follows a worldwalker from her world to a magical realm on the brink of civil war. I believe this on has both a major polyamorous relationship and ace/aro characters?

The Sleeping Dragon (Guardians of the Flame series) by Joel Rosenberg

1983 classic. A group of college dnd players find themselves transported to the magical realm they previously thought just a game.

The Wandering Inn by Pirateaba

Webnovel. After having been transported to a magical world, Erin decides to, rather than become a warrior or a mage, start running an inn.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The Marked Girl by Lindsey Klingele, The Summer Tree by Guy Gavriel Kay, Child of a Hidden Sea by A.M. Dellamonica, Spellsinger by Alan Dean Foster, The Shattered Gates by Ginn Hale, The Awakening by Nora Roberts, Daughter of Smoke and Bone by Laini Taylor.

#extra bonus rec if you like critical role: #go read Things That Gods Despise by dawl_and_dapple #(and also maybe my fic The World's Between us) #i didnt includ neil gaimans coraline her bc i assumed most people know if it already #(and also i ran out of space) #but if you haven't heard of it consider this another rec lmao #anyway. i may be slightly obsessed with this genre #please recommend me more books (or fics!) if you know of any!! #nella talks books #book recs

[mamawasatesttube]

I don't know that much about superboy so forgive me if this is a silly question but what's the deal with Magdalene Visaggio?

not a silly question, dw!! if you haven't read many kon comics it probably doesn't look particularly noteworthy but OOF. OOF.

the tl;dr of it: despite being paid to write him once, she also hasn't read kon comics and it really, really, really shows. i'm talking geoff johns levels of flagrant disregard for the existing character - maybe even worse than geoff? which i say only because i know geoff did read sb94 even if he didn't act like it. but that's off topic; this isn't a geoff hatepost. this is a magdalene hate post.

under a cut for length, lets goooo!

so we start out with her canonizing supermartian. already off on the wrong foot - that's a ship out of yja the tv show which is a completely separate continuity from main comics and a completely different kon than main continuity kon. despite supposedly knowing that, she still shoves them into a relationship in main continuity, despite them never having actually interacted on page in main continuity.

she then goes on to characterize kon as angry and entitled and uncaring, and also in high school again. not only does she directly contradict all of his preboot existing characterization (which is important because kon-el never got reset during flashpoint - he was in another universe and thus dodged that bullet. current kon-el is canonically the same kon-el as pre-flashpoint/postcrisis kon-el.), but also she directly contradicts both young justice (2019) and superboy: man of tomorrow, which are in current continuity, leading one to really wonder if she has read a single comic kon appeared in at all. it's also worth noting that the asshole with anger issues characterization is, once again, much truer to the young justice animated tv show than any comic kon.

also worth noting is that the infamous red hair dye streak? well, uh...

yeah..............

on her twitter, she once said something about kon-el not being a good name because it's "still a name someone else gave him", called him "the jason todd of the superfamily", and insisted that the meaning of a trans narrative is "burning down your life and reevaluating your place within it":

kon-el is a name gifted to him to signify his acceptance into his family (superboy (1994) #59) and he was so overjoyed to receive it that he cried. overall, the superfam are very supportive and loving, and introducing strife just to make him run off and live with jinny hex instead of them just because she thinks one can't transition and retain previous relationships is... not it, lol.

her pitch also contained some outrageously egregious christianity bullshit, like villains named "saint", "shepherd", and "savior", as well as direct comparisons between clark and jesus christ. this is... sorry i really just have to say this is Fucking Cringe. i guess the more polite way to put it would be "incredible gauche" (considering the jewish origins of the superfam) but i just can't call it anything else. This Fucking Sucks Dude. i won't even get into the weirdness about genetic bullshit she leans into by introducing kon's "brother" who's also part luthor, part superman, but "luthor-dominant" (lol?) (do you know how genes work even a little bit).

she has quoted the one panel from reign of the supermen where kon says "don't ever call me superboy" a few times, claiming it's the first thing he ever said and no one listened. to me this essentially reads as her going "i've read one of his appearances and i would like to throw out the like 200 issues of character development he had since then in favor of making him my own self-insert to explore MY transition and religious trauma".

basically she doesn't seem to know how to write a story that's not about herself. as a trans person with a positive relationship with my given name (because as a first-gen kid of two diasporic immigrants, it provides an important tie to my family's cultures, to me) and with trans friends who involved their parents in picking new names and so on and so forth, i honestly find it very reductive and white to insist there's only one trans narrative and only one good way for trans characters to be named. i also find her putting her own christian religious trauma into a superfam story off-putting and . well. fucking cringe. i understand and respect that that is her story, but it sure ain't universal and i won't be able to respect her as a writer until it becomes clear she gets that.

#answers #noon-shadows #i feel like i'm still forgetting something i wanted to mention which is ridiculous bc this is already so long #but oh well maybe if i remember i'll come back to add it! #kon

[delta-pavonis]

Hiii, I would love to know about you dreamling inception au :0

So I actually have two separate concepts for this NEITHER OF WHICH I CAN FIND THE TUMBLR POSTS FOR, but I have one of them copied to that doc in the picture for this meme, so here it is:

The King of Dreams is starting to get angry with the humans meddling in his realm via this PASIV device. At first it was cute, like a toddler with Play-Doh in the presence of Rodin or a sand castle at the feet of the Leshan Giant Buddha. It is easily contained and barely needs monitoring. Then humans start layering dreams, one within another within another within another. It is stressful for Lord Morpheus' dreams and nightmares, requiring three, four, five of them at once to maintain stability. Further, they start to subvert the very essential function of dreams, twist them into something no longer helping humans, but in some cases outright harming them. Dream decides that he must move to protect his creations and humanity at large. He enters some of the layered dreams himself. Enter a dream architect, one Hob Gadling, who not only is in-demand for the most elite and elaborate cons, but creates some of the most beautiful things Dream has ever seen in the Dreaming. They're usually in the background of the dreams he builds, little things, a new constellation here, or a piece of artwork there, an absolutely perfect sunrise, or a devastatingly graceful willow tree.  Hob takes his time with each of these bits, a sort-of signature of his, a little private gift to himself. Except a dark figure starts appearing in the dreams he builds, always in the background when the dream has been made its most complicated, when they are actively using it to run a job. And he is always always looking at Hob's signature.  The Stranger starts appearing more and more often in Hob's work. No one else on his team sees the man in black and Hob thinks he might have truly knocked his last screw loose. Until this... being... his Stranger... not only allows Hob to approach, but speaks to him…

Alternatively, a version that is more crossover than AU, would be canon Hob becoming a dream architect...

PASIV technology was developed while Dream was in the fishbowl and shit hits the fan-ola when he gets out to find humans mucking around in his realm, digging shit up, moving things around, just making an absolute mess of the place. He is able to get most of them out when the ruby breaks and he is able to rebuild his realm, but Dream is worried that new technology will soon allow humans to invade once again. Feeling a strong tug at someone(s) interfereing with the Dreaming, Dream storms into the manufactured dream to give the interlopers a piece of his mind and possibly to rip them to shreds, but finds only Hob, gently creating these sweet little pieces of dreams that he doesn't have any purpose for yet, but just loves building dreams so much that sometimes he goes under with the PASIV just to create. Dream realizes it is Hob far sooner than Hob realizes that he is being watched, which means Dream gets to observe how carefully and artfully Hob crafts things of dreamstuff. It is... stunning... to see someone care for the Dreaming almost as much as Dream himself does. He pretty much falls in love then and there. Now what does he do about all the other humans he does not want to have access to his realm?

#Pavonis writes #WIP Tag Game #Dreamling #Sandman/Inception AU

[spectrum-core]

hi if you don’t mind me asking I’d love to hear more about serrated duo parallels?

Alright, just to make sure we are on the same page because I'm not sure if many people know who am I even talking about when I say serrated duo, I mean this pair of goofballs who I love very much.

Fuckass essay about them and how this thing even came to be (which is not what you asked for but it's still important I think) under the cut, as a warning though this is EXTREMELY long, i'm also writing it assuming the readers have played ruina to completion, have at least glanced at the ruina artbook once and are decently familiarized with the pjm universe and its terminology.

"But Spec", you may (and reasonably so) say, "these guys show up in different story tiers, one is a glorified ranged attack tutorial with a minor lore exposition attached to him and the other doesn't even have anything going on due to being a general reception, what the hell".

So let's get into this, more meticulously organized than some essays I've submitted for my uni classes because I care that much about these guys (don't be like me and do your uni projects, please).

Table of contents:

How the fuck did this even come to be 1.1. Me yapping about character dessign

Liwei as a character 2.1. The surface 2.2. Emotional internal nature 2.3. Resentment

Dong Hwan as a character (sorry can't separate him into many categories bc there's NOTHING THERE man i'm absolutely grasping for straws here i KNOW it, but please bear with me)

Summarizing parallels

If you don't feel like sitting through my attempts to contextualize how this ship came to be and me desperately grasping for straws, feel free to skip all the way down to part 4

1.- How the fuck did this even come to be

Honestly the whole thing started as a sleep deprivation shitpost I rolled with because yeah i like these two guys a lot (if you read that one post talking among other things about why I like liwei so much in the first place, the short reply also applies to dong hwan and... Yeag, the only thing that's better than one hot guy is two hot guys and so on).

There was also an interesting aspect about this because maybe it's just me but based of liwei's dialogue lines and keypage text he suggests not trusting, or even liking/admiring/looking up to, high graded fixers (despite feeling that he's supposed to). With an emphasis put into colors because, I mean, he fucking died because he met one at the wrong moment, but I feel it's a general thing he feels for grade 2s and above.

With this in mind, putting him to interact with a grade 1 is... at the very least it has the potential to put them into a funny mutual vitriol kind of dynamic with lw constantly thinking "what's the deal with this guy? does he expect me to praise him just for having a high grade? well, tough luck, i'm no bootlicker" and dh constantly thinking "what's wrong with this man? is he unable to recognize greatness even if it punched him in the face...? should i punch him in the face?", but it becomes far more interesting when you try to imagine (and, with dong hwan being an absolute background character we can only assume things of from extremely vague hints, pretty much all we can do about him is imagining) what made them both special enough for each of them to think "wait, hold on, i actually like this guy" of the other.

After the initial shitpost stage was over, we (the guy who came up with serrated duo while sleep deprived and me) started talking about why we liked both characters and we essentially concluded that, at least dessign wise, they are the same type of guy (ofc I also added a couple of characters I like and who fit the criteria to my post but this post isn't about them).

1.1.- Me yapping about character dessign

On top of that, if you pay attention specifically to liwei and dong hwan in there, you can notice that there's a pretty neat balance of common and contrasting themes in their dessigns, almost in a two sides of the same coin way, so here's a non exhaustive list:

both characters have a primarily monochrome/dark aesthetic going on, with their eyes being the primary colored element that stands out in their dessigns (yeah, you could say that dh has brown hair too but it's a dark shade of brown that doesn't catch the eye nearly as much as the bright-yet-deep shade of red of his eyes)

on top of that, liwei's eyes are blue while dong hwan's are red (i thought they were reddish brown at first but that's just an effect of the transparency, if you separate the sprite in it's different parts, you'll notice his eyes are actually red), which happens to link with a certain trope about two-sides-of-the-same-coin pairs... (will elaborate on this later trust me).

despite the previously mentioned similar monochrome aesthetic, there's a clear contrast between their styles and how they wear their clothes, with liwei having a much more "only informal if it's more practical that way" type of look, with a focus on practicality over trying to stand out too much (for the most part at least, he was dessigned with the idea of a cool guy in mind after all), while dong hwan is essentially wearing a business suit in the most fucked up way possible (really, what the fuck dong hwan), which of course makes his dessign incredibly memorable. To further elaborate on this (and to add details that don't really follow this formal until unpractical/informal AND unpractical pattern): -Liwei's clothes stay in similar shades of grey and black giving him a more uniform look, while dong hwan uses more contrasting shades in his clothing (despite wearing primarily black clothes, that light grey shirt absolutely stands out, and by extension he does) -Liwei wears long boots, while dong hwan wears regular shoes -Liwei wears a long coat, while dong hwan wears a short jacket -Liwei has a fully buttoned dress shirt with a tie, dong hwan wears his shirt unbuttoned, in an universe where clothes are basically like armor this is essentially him saying that he's confident that his opponents won't be able to hit him in the chest, or that even if they did he wouldn't get too hurt from it, and it's a dessign detail that absolutely stands out in an universe where most characters only show skin in their head, neck and hands at most, as we know since its stated in multiple keypages and cutscenes, if a character shows more skin than the absolutely bare minimum, then that means that A. they are inmensely strong, and B. they are even more confident in their capacities, with this being a tactic to intimidate potential enemies for many factions -Liwei wears fingerless gloves while dong hwan wears regular gloves, while at first glance this detail seems to subvert the pattern, let's be real here... have you tried to hold any object and using it properly with gloves? unless you're wearing latex gloves or something made of very thin fabric that shit's absurdly hard, of course i assume there's weird city tech involved in dh's gloves but at least that's my own personal impression of that particular contrast)

and going back to common but not really details: both characters have something noteworthy in their ears (this is most likely just a result of the characters being visible as chibis in game so the best way to give them memorable dessigns is by slapping somewhat unique stuff in their faces and heads BUT IM GRASPING FOR STRAWS HERE OK) with liwei's earpiece (which serves a practical function) and dong hwan's earrings (which look cool as hell, going in line with both characters' general priorities)

similarly, both have something in their opposite eyes, with liwei partially covering his right eye with his hair and dong hwan having the scar going through his left eye.

the right-left motif is actually very relevant in their dessigns. You see, most character sprites in ruina switch the hand in which they're holding their weapons for certain frames (or at least, this is not uncommon to see), either for rule of cool, clearer silhouettes or whatever reasons. However, in every frame in which liwei is visibly holding his knife, he holds it with his left hand (and when he uses his pistol he holds it with both hands), suggesting that he may be left handed. On the other hand (see what I did there?), dong hwan consistently holds his knife with his right hand, in every. single. frame. of his sprite, suggesting that he's right handed instead.

And of course, both of them have elements in their opposite legs too, with liwei having these two stupid fucking belts (affectionate) in his right leg while dong hwan has... whatever the fuck that thing is, in his left leg.

Of course I'm not here saying that they were given contrasting dessigns on purpose, but all these details end up making both of them looking really cool when put together, specially with how their dessigns emphatize their personal preferences and priorities, something I will elaborate upon in each character's section later.

2.- Liwei as a character

Liwei is one of my favorite pjm characters as a whole, yes i like him more than ayin, yes i like him more than angela, yes i like him more than carmen, yes i like him more than dante, yes i like him more than your favorite sephirah/patron librarian/sinner, no im not saying i think any of these characters is bad or poorly written and in fact i think pjm has made an amazing job with protagonists so far catching my interest even with characters i thought i wouldn't vibe with at all, but i have a thing for unremarkable background guys.

As you may have guessed, this means that i have a lot, and i mean A LOT to say about him.

This also means that I have a very specific interpretation of him, this interpretation, while clearly taking bases from what we can see of him in game, is entirely fanmade and i'm not trying to claim this is what anyone intended to convey with him, but it's what makes sense for me.

This interpretation also strays away from some other fan characterizations I've seen of him. So if you think he's actually, at his core, a serious, formal, emotionally detached and unbearably professional, even outside work hours, guy who's deeply dedicated to the honorable task of murder and who is in good terms with the shi association or holds them in high regard? sorry, but for me he's nothing like that.

2.1- The surface

"But Spec", you may say again, "he does act emotionally detached during his cutscene, he even says that people die all the time! are you sure you are actually reading this character right?"

Of course I'm not, I'm just saying that I'm reading him in a way that makes enough sense to me, but I do have reasons to believe that the serious and emotionally detached attitude is an akward mixture of a facade he puts up to be taken seriously by others and an incredibly unhealthy coping mechanism, so let's start by analyzing his artbook profile...

Wait a minute, is that..?

Ok, I'll see myself out and continue writing the actual character analysis this is what people are here for.

Anyway, going back to the character profile, you may be inclined to see it and assume "well, that actually just proves that he's a serious and formal dude" at first, until you realize that artbook profiles, due to their in-universe explaination being that they were compilled by roland and angela from the information they could take out of the guests' books, are most likely to be about what the guests perceive themselves as/would say to describe themselves rather than what they actually are when looked at from an outsider's perspective. Further proof of the artbook profiles being subjective comes from how the profiles change almost erratically for distortions and ego users, with people in the middle of both states simply not knowing how to describe themselves, the fact that we lack any information about the agents of the head as they were never booked, or how characters such as tomerry have...

This, which I mean, it's very clear that's just tomerry talking about themselves.

Now, liwei's personality traits, or at least what he'd use to describe himself, are "Meticulous, Efficient, and Sharp". We know that he has to be efficient at the very least, considering the nature of his job and guns in universe, the same thing goes for meticulous, we can assume he wants to do things the right away so that he gets paid, sharp as a personality descriptor can take multiple meanings and frankly i don't know which was the original korean word used to describe him so i can't tell which is the right one but most of them seem pretty accurate, at least when looking at him from a surface perspective.

To be honest, I don't think any of the traits mentioned there is precisely wrong, I simply don't think that they are the main or core ones, but they are the traits liwei tries to show, at least.

Another interesting detail is that all full stop fixer artbook profiles have food related items for the likes and and dislikes sections, except for stephan disliking dangerous jobs.

Not particularly noteworthy for this category in particular but still tangentially linked to a point that I believe is also a core characteristic of all three full stop fixers and that is key to understand all three of them, their dynamics and the choices they make during their reception: they are Poor As Shit, because guns and bullets are expensive of course, we also get to see this in stephan's obssesive fixation in money (come on nobody actually checks their bank account as a hobby... right, guys?), and of course this ties in with wanting to be seen as someone serious and professional people will trust with their money AND with the idea of them having the need to maximize efficiency to... well... you... you know... not end up even worse than they actually are.

2.2- Emotional internal nature

Alright, and here we dwell into the actually spicy part of the essay, at least for liwei's character: the moments in which the mask of a professional and emotionally detached guy cracks and he shows his more emotional, and mostly caring, side. This is focused in the way in which he treats stephan and tamaki (compared with how several other faction leaders treat their underlings).

While I should probably need to read all the dialogue in the game to make sure this is a particularly notorious detail, something that inmediately caught my attention is... the fact that liwei never uses a single honorific when refering to other people, neither he's bothered by stephan's more informal speech and the fact that he doesn't refer to him by any honorific or title either (sure, you could say this is because they were in a life or death situation but also y'know, it says something about you that the people below you don't feel the need to use formalities when talking to you), the only person he calls by title instead of first name is... well, the blue reverb, whose real name we can assume he didn't know, with also him being someone perfectly capable of killing not only him but the guys standing beside him as well, you'd want to be as respectful as possible when talking to a guy like that and trying to negotiate.

(even then he doesnt use any sort of honorific towards him, at least in the english translation of the text, he simply refers to him by title)

He neither uses any title or honorific when talking to angela, despite keeping a formal/respectful attitude, i honestly believe that he is genuinely formal and respectful but... you know, that's not the beginning and end of who he is.

Of course, this isn't a major point, but I think it's worth mentioning considering how important honorifics can be to establish the speaker's relationship with the people a message is directed to, they can be used to distance oneself from others. So in a way it could be seen as him putting himself at an "equal" position relative to stephan and tamaki, as opposed to trying to assert that he's their superior (at least in the context of the mission they were working in, since his title is merely fixer, not operator, president, director or anything implying some form of leadership on his end).

Another extremely important detail is his inmediate first reaction once argalia shows up and ruins their plan is... not coming up with a plan b, not trying to fight him in any way, not doing anything about trying to save what little money they can, he quite literally tells stephan "forget about money, we need to survive now".

His initial reaction is directly just yelling at his team to run away, and this stays consistent once he:

Notices that stephan and tamaki are beginning to argue over the future of their mission and how much money they lost.

Realizes that they can't outrun argalia as long as they're wielding their heavy (and again, extremely expensive) equipment. This says a lot as it shows that he cares enough for the people under his care to let the office go bankrupt if it means they can live.

Needless to say, stephan and tamaki refuse to do so and while he clearly isn't precisely happy about the inevitable confrontation with argalia, he doesn't argue about this, he does understand their concern about money, he's not like the other authority figures who will ignore their underlings' concerns at best and ditch them once they outlive their usefulness at worst (at least, that's what i imagine he thinks as he makes these choices).

Not to mention, once they are in a, if only slightly, safer situation in the library, his inmediate response is trying to comfort stephan and tamaki, things dont look good but theyre at least alive, for now.

And there's this line which... doesn't seem to fit at first glance with the idea of him wanting his office to survive at all costs... right?

That is until you realize that he says that line during yet another argument between stephan and tamaki, as an attempt to get them both to calm down, this could also fit in with him trying to keep or restore the cynical, stoic and serious act, but then again we get to see his more emotional and sincere side once he:

Gets killed, quite literally saying that he didn't want to die yet, at least to me this line alone is enough to pretty much confirm that he didn't really mean it when saying that trying to delay their deaths was pointless, but if you need more, he also acts against that same line when he...

Sees his allies die, and inmediately starts freaking out.

Wins the reception, in which case his inmediate first concern is, again, not money, lost ammunition or anything, but rather if stephan and tamaki are okay and if they will be safe once they return.

I don't think that line was him fully lying though, it does say something about him that makes enough sense to me and fits with the rest of the characterization: that his cynism runs much, much deeper than stephan's.

Tl;dr he is extremely caring and emotional deep inside, and even though he tries to suppress that side of himself it always finds a way to show itself, I feel like in other contexts this makes him prone to emotional outbursts and generally make him an unpleasant person to be around... save for people who are already familiar with his personality quirks and the fact that he is Like That.

2.3- Resentment

Of course, this dissonance between the person he tries to pretend to be to fit in/keep his job and the person he actually is made him grow a pretty strong disliking of... well, everything he considers related to the fact that he has to act like that to get enough money to feed the people in his office.

I also feel like he feels genuine guilt over the fact that his job is essentially just glorified murder, I have no base for this other than the more detached way in which he refers to the church of gears, it almost feels like hes forcing himself to not care because its them or him and his office, and that he has genuine self-hating tendencies because of it (which he also uses his stoic act to hide, he doesn't want to worry his office and become a burden to them, after all), in a way he may be trying to overcompensate by being nice to his office to feel like there's people he can help/protect.

But this hatred towards himself also manifests in the form of hatred towards anything he can blame over him being the way he is and working the job he has.

As I said before, I don't think liwei likes colors, or most high grade fixers for that matter, you may also extend this to figures of authority, influential organizations or even the city's society as a whole (and honestly? i do personally, i don't think he's actually capable of forming any particularly healthy bond with people outside his office because of this, and even then saying that the relationships he has with his office are healthy is... generous to put it softly, this is not to say that he secretly hates the other people in the office, but rather that he fears that they may secretly hate him, because he's the highest graded member of the office, he hates people sitting above him so it only makes sense that people below him hate him for being above them, right?), and of course I'm not saying this because I'm projecting or because I think it's cool and edgy and sad but I actually have bases for this from what I can see in the game.

The first example of him not trusting high grade fixers AND influential organizations being one of the very first things he says when being introduced: that having an important person, from an important organization, belonging to an important section of said organization, approach him and give him a request was shady as fuck.

And he turned out to be right, as Yujin was planning for him and his office to get sent to the library and die there so she could read their books and find some passage saying shit like "well we were found by the blue fucking reverb and our only choice was to come here and die even though we were royally fucked either way life sucks see you all in hell my final message 🖕🖕🖕🖕🖕" so she could use that on her favor.

In this topic too, I'm personally firmly opposed to the idea of full-stop office being affiliated to the shi association and this is the hill i'm willing to die on, but I digress.

We see this same resentment on an even deeper level in his keypage where he talks about colors (and we can assume this view extends to other high graded fixers, and to a lesser extent to the hana association), he doesn't sound like he wants to become a color, he doesn't sound like he even likes the concept of colors being a thing that exists in the first place.

The most important lines from these fragments to me being the following:

"A color is the dream [...] of all fixers who wish for freedom.", freedom is a VERY relevant concept in project moon and ruina makes a very clear point about how nobody is free in the city, roland says it, most plot relevant guests say it, some patron librarians say it too... a huge part of the story is how angela comes to terms to the fact that turning human wont grant her freedom and how she ultimately becomes free by embracing her nature as a machine (so free indeed that the head decides to kick her and the entire library out of the city, not only shes a machine that acts like a human, which is already a major city wide taboo, she made a choice that no human in the city should ever make). Essentially, liwei seems to see colors (and im assuming that by extension high graded fixers) as the ultimate example of an impossible aspirational class (think of these "self made" enterpreurs who received extremely generous financial support from their rich parents to start massive companies as the closest irl equivalent, except that obviously not the same, i will elaborate more on this later).

"They put forward the colors as great and successful people that other fixers will look up to. They dream of earning wealth and fame, and to be free like them one day." Why would he be talking in third person here if he too admired colors, or wanted to be like them, or thought that were free in any way? Also that separation between money and fame (something that colors objectively do have since they can afford exclusive high tech weapons and armor) with freedom (something that is debatable, but liwei seems to assume colors don't have) feels too much like a deliberate choice to further push towards that point of him seeing colors as not only an impossible goal to achieve for the average fixer but also that the ideal of a color as someone who is free is something impossible to achieve even if one were to become a color.

"Colors are assigned by the 'Hana Association'. [...] The title of a color is forcibly given to fixers who qualify essentially. Can a fixer be truly happy with freedom that was forcefully handed to them?" This particular fragment, specially the last sentence, is absolutely key for Liwei's characterization, and the final and most important part of him saying "wait, no, colors aren't free, because nobody is" to me. It is also worth noting that this fragment can be read in multiple ways, all of them are important and accurate for his characterization.

He thinks that the responsability and risks that come with being handed the title of a color are far greater than the prestige that comes with the title, can you really say that someone who cant afford to decline requests due to being contacted by the most important organizations in the city, whose closest friends or family WILL be regularly targetted by rivals either to extort them for money or just try to attack them to the point in which most high graded fixers abandon any personal attachment to others, who will have to see the horrible things that happen in the city in an almost day-to-day basis and will likely have to do even worse things in the name of corporate interests is free? Can you really call it freedom if you can't refuse it? Essentially he is saying "actually every single aspect of being a color is terrible and to make matters worse that life is forced on them after they go through extreme miseries in the hopes for a better life but all they get is more of the same if not even worse, they aren't free and shouldn't be refered to as such."

He thinks that in order to become a color (or any highly graded fixer, really), you must essentially lose yourself, which is to say abandoning all friendships or familiar bonds, only keeping shallow interactions with people, desensitizing themselves to whatever horrifying shit they may have to see, abandon all sense of morality as they never know what their next request will be and "im sorry but i dont do xyz, it does against my personal morals" isnt an argument that will work in a place like the city, this also fits into the whole "actually having a much more chaotic emotional side he's trying his absolute hardest to supress but failing" theme mentioned in point 2.2., someone who is so deeply emotional and whose actions are ultimately defined by what is the most likely to keep the people around him alive is obviously not going to like the idea of keeping his distance to them, or to dispose of people with lower grades than him because they were supposed to be expendables anyway.

I don't remember the exact quote and i dont feel like looking for it but in one of gebura's cutscene she claims that all power in the city only serves to strike those below but never up. You have to climb to get stronger and then you'll only be able to assert dominance (through violence) over people weaker than you are, and she grew to dislike this, as she wanted to protect others but was never able to do so because of how the city was dessigned.

Of course, liwei reached the same conclusion but he took the much simpler but much more unhealthy approach of assuming "well, if things are like that, then that must mean that everyone in a position of power (over me) must be responsible for this".

Of course this also comes with the side effect of him being as caring for the rest of the office as he can because he doesn't want to be like other figures of authority as i mentioned in point 2.2, but thats not to mean that things are all fine in the office, i feel like there are several moments in which he internally curses his position of authority but not quite (bc i don't think he's actually The Big Guy In Charge of the office, really), most obviously the aforementioned moment in which he yells at tamaki and stephan to drop their guns so they can run away and live when they clearly dont want to, i feel like at moments like that he feels like they only do things because he tells them to and they "can't argue" (except that they do, fortunately for him the enviroment in the office is healthy enough for the rest of full stops to not abuse this fact, but the "what if"s are absolutely eating him from the inside). As ironic as it sounds his earnest desire to not be Like The Others is the same thing stopping him from being the perfect and efficient leader he wishes to be, and he probably isn't sure of which thing he values more than the other (it's staying true to his own morals and keeping the people under him safe).

However, there's a key detail here that's worth noting: liwei has a tendency to treat everyone else as equals, sure he is formal and respectful when doing so (pressumably even when talking to people he'd rather never interact with if we assume his conversation with argalia was actually how he is and not him just walking on eggshells to not get killed) but he doesn't bother trying to make a clear distinction of who is above and below him, no matter what their title and rank may be, and for people who are used to being looked up to by everyone else this will be seen this as him insulting them in some way, it may come from a sincere desire of him to come off as insulting while not breaking any (major) social convention in an act of malicious compliance or just the type of person he is, that's up to you to determine.

"But how the hell does any of this relate to dong hwan?" we'll get there right now.

3.- Dong Hwan as a character

This is kinda... the hardest point to talk about, because sure I can yap all I want about him but... it's hard to without going "Source: I made it up" too much.

So, looking at his combat sprites you may notice one thing: he is unbelievably hot for real what the hell he has an incredibly smug aura, most people who care about him to some extent i've seen tend to depict him as a very prideful person, and honestly i dont think differently either.

HOWEVER, i feel like despite this he's still a levelheaded guy who can aknowledge his own flaws. On top of that, i think he's a pretty charismatic guy and he's capable of noticing other people's strenghts, and he'll let people know about their own strenghts too.

Also, to contrast with his smug and cheerful exterior, his combat lines depict him as someone very serious when at work, he doesn't even react emotionally to getting killed.

His first "on kill" line is also particularly interesting, as it shows that he prefers to work on his own (unlike everyone's favorite monochrome moody boy), which makes sense considering that he comes alone to the library when you fight him, he may belong to a one-man office (which is the closest a fixer can do to be fully independent, as far as we are aware).

His keypage story also fits this more serious and analytical personality but not much of it is particularly noteworthy from a character analysis perspective, it doesn't say much that you couldn't notice from his combat lines anyway.

Another important factor to me and to contrast him to liwei is... okay, this may be the fact that he's a solo fight and he is, pressumably, an independent fixer, so he's not titled as a member of a particular organization, instead his title (for him, his reception, his keypage and his book) is "dong hwan, the grade 1 fixer", which i mean, again, is most likely just so we dont fight this guy with zero context on who he is and what hes even doing in the library in his own is he stupid? but i like to imagine that the in universe explaination is that he has tied his perception of himself and his own self worth to his grade, to the point in which using both his name and grade is what comes naturally to him when introducing himself, since books are essentially physical manifestations of the soul, then it just makes sense then that his book will give both his name and grade the same importance. This may come from a need to compensate for something else and i actually like to imagine that's the case because it adds yet another layer of parallels with liwei (source: trust me).

Another point is... remember that I mentioned how food was a very consistent thing in the full stops' likes and dislikes sections in the artbook? this point is also not relevant but dong hwan is frequently assumed to be the owner of that pub that shows up at that short side story about roland and angelica which i never watched because i Literally Can Not Care about angelica sorry, but, hey, it's a cute detail, i think he should cook for the full stops.

I feel like there's something to be said about dh's red eyes because in pjm when a character has red eyes you know that means one thing: they will be a big deal, but dong hwan, other than looking incredibly fucking cool and carrying me through the snow queen suppression (FUCK THE SNOW QUEEN ALL MY HOMIES HATE SNOW QUEEN) and star of the city tier 1 (thank you dong hwan i love you dong hwan)… he is rather unremarkable on the grand scheme of things, he's a general reception so you don't even need to defeat him to beat the game, and he only serves to give us some insight on who the fuck was the vermillion cross, and even then he does a terrible job at explaining who he was other than "well, he was a guy i guess" and honestly, the relevance of both liwei and dong hwan is ALSO an important factor in these parallels, as with one being the guy who introduces the concept of colors and the other being the guy who introduces one particular color fixer by casually mentioning being friends with him, both feel like characters who would be much more narratively important in any other story, but here they... aren't.

4.- Summarizing Parallels

Aka the part you may want to skip to if you don't care about me analyzing characters with little background info about them.

So, basically a list of personality (and background, i guess) traits they have in common and how they're different:

Both characters are putting some sort of facade, with liwei trying to act serious and stoic so he's taken seriously while dong hwan... i dont think he even knows what the facade he's putting even is, he's been putting an act for so long that his mask became his true self

In both characters' cases, the first impression they give isn't really the kind of person they truly are (in lw's case this is a deliberate choice and in dh's case i assume that's just the type of person he is), HOWEVER, while liwei acts serious and analytical (and to some extent he is), his true self is far more emotional and prone to form deep bonds with people, while dong hwan has a more passionate, smug and cheerful external attitude but he's much more serious and levelheaded deep down

Both characters have different, conflicting views about their grades, however these differences ultimately lead to both of them being able to treat each other as equals, or as close to that as possible in the city, i feel like liwei can see dong hwan as someone of worth so to speak for reasons unrelated to his grade, while dong hwan does see liwei as a good person (well, good is a subjective term specially in a place like the city) and far better at teamwork than most people in the city, in a way both value something in the other that the other never stopped to consider "hey this is actually a good thing i have"

Both characters are (pressumably?) trying to compensate over something, with liwei putting his professional and formal act to compensate for his sentimental self while dong hwan puts a strong emphasis on his high grade for... who knows, really, i just like this parallel being there because i think it adds a lot

Both have problems forming relationships, with liwei being a generally unpleasant person but being capable of forming deep, meaningful relationships with the people capable of seeing through it, while dong hwan is a charismatic guy liked by almost everyone he's met, but whose relationships tend to be shallow

Not really a personality thing but both characters have a thing for being remarkably unremarkable guys, dong hwan is obviously forgotten by most ruina playes because he's a general reception and the biggest impression liwei leaves in most players is "OH SHIT HE HAS A GUN", even though both are pretty intentionally dessigned with the intention of making them look cool however ive very rarely come across full stop or liwei fans (by which i mean people who like them particularly instead of "actually the entire pjm cast is cool and that includes them) and dong hwan fans are.... yeah, i think ive met like, 4 of them at most (thanks guys i owe you my life)

Something about their combat styles including their passives, liwei's only visible passive is called Concentration and gives him extra strenght for the first turn of a fight, after which he relies in the fact that his attacks weaken the enemy, so he comes off as the sort of guy who prefers to keep his distance and figure out the opponent's weak spot(s) (something he canonically is good at doing) to keep an upper hand at combat, however despite this he's still lacking in both strenght and technique, being only a grade 4 (which i mean let's be real the grades go from 9 to 1 and i feel like a majority of fixers are in the lower grades so he's still pretty much above average but he isnt doing all the cool shit you see the stronger characters do, because that's not the kind of character he is). On the other hand dong hwan's passives have much more cooler sounding names (Fervor, Carver of Scars, Toughness...), all of them focused on either inflicting bleed (status ailment that gradually makes the opponent lose hp)/buffing him against enemies with bleed or buffing him as he gains emotion levels, and his focus is just inflicting bleed like crazy, as well as delivering harder blows against people with bleed, prioritizing raw damage over strategy (but likely being able to figure out an opponent's weaknesses as well, brute strenght alone are most likely not enough to get you far in a world where the powerful people are INSANELY strong bc physical enhancements are commonplace)

I feel like in a way both admire each other, liwei admires dong hwan's capacity to keep a cool head at all times when at work and not letting his feelings have too much weight over his desicions, but dong hwan admires how honest liwei is about himself as well as his capacity to work in a team taking in consideration what will be best for the team as a whole even if it's perjudicial for him in particular.

In Conclusion

Your honor, two of them

#library of ruina #anon #spec-reply #this isnt probably very coherent #and probably not very exhaustive either #but i started writing this 10 hours ago and ive only stopped to eat and i barely proofread this anyway here you go anon #.🔫

[elkian]

I've probably said this before, but I absolutely love the Body Improvement Club in Mob Psycho 100, both in general and in what they bring to the story.

Early in the series, we're introduced to the Telepathy Club, essentially a hang-out gang for three disaffected tweens (their fourth member having just quit), only one of whom cares at all about telepathy for real. Lacking appropriate numbers, they're at immediate risk of losing their club room space. Enter Shigeo (Mob) who has actual psychic powers.

Ultimately the story closes with the Body Improvement Club taking the clubroom, but since they're constantly jogging, lifting, etc., they graciously allow the remaining Telepathy Club members to use the space.

Sidenote: I've seen a very interesting point about how Tome's motivations and inner monologue are given way more space than all of the BIC's combined, because she's trying to scam Shigeo while the BIC is just chillin', and Shigeo volunteers to join them unasked. Anyways, the focus here is on the buff bois.

The Body Improvement Club is full of unfeasibly jacked middle-schoolers, and one would be forgiven for assuming it's chock-full of stereotypical jocks. However, the BIC is actually full of nascent himbos. Every member of the club is constantly decent (if a little skewed in perceptions due to the Gainz being their core focus). This is really refreshing, especially with how they interact with Shigeo.

Shigeo starts the series as, well, a boilerplate bonafide wimp. He has no muscle mass, faints after a couple meters of sprinting (whether he actually has anemia or if that was a catch-all that didn't translate is uncler to me), can barely lift one of the smallest weights, etc. He starts out as the standard psychic minmaxer - absurdly powerful PSI, wet tissue body.

In fact, we only encounter a handful of psychics who have any physical prowess, and at least two of them (Teru, and the muscle dude from the mid-Claw arc) are implied or explicitly using their psychic powers to bolster their phsyical body.

(Sidenote, this is why Serizawa fanart of him being jacked is so damn funny to me - he went from stagnant shut-in to VIP in the Psychic Power Is The Only Thing That Matters Gang. When, exactly, was he hitting the gym?)

Shigeo doesn't, according to a significant chunk of the cast, need anything except his ESP. It's ridiculous for him to start weight training and jogging when he could just use his brain boost to do it!

And I think that's a big part of why I like the Body Improvement Club and their involvement in the series so much. Because MP100 is a story about becoming more than the lottery of birth, pushing yourself and improving yourself and learning to connect with other people.

And Shigeo not only improves his physical body by participating in the club, but constantly exemplifies this core theme by doing so.

(And in the epilogue he is 200% beef with his normal head on top, it's hilarious.)

But the real kicker here is how the other tweens in the club treat him. Because the "Improvement" part of "Body Improvement Club" is not tacked on for show. Every time Shigeo makes any kind of milestone, the entire club celebrates him. They are completely genuine in this, celebrating his accomplishments just as much as he is. It's not only endearing, but extremely encouraging, and not just to Shigeo. Watching a kid who struggled to pick up a gallon of milk become super buff in the end is funny, yes, but it's also a great way to end the seres. Not only did his effort matter, but his effort was recognized by the people around him.

Hell, in essence, I've just predicted the Separation Arc (spoilers) - because while there's multiple elements involved, what I remember really kicking this off is Reigen dismissing Shigeo's social life - something he has absolutely struggled to achieve at all. Something that, in the beginning, Reigen was supposed to be teaching Shigeo to improve at.

That isn't this post, though. My point is the Body Improvement Club.

ONE could have written the BIC as standard jocks whose encouragement was sarcastic or outright cruel, but he refused to take that easy route and instead made them a major element in Shigeo's growth. The message of the Body Improvement Club is the message of the series as a whole, in a way - that the effort one puts in (with the help of a good friend of five) matters much more than whatever you were born with. That striving to improve is essential to life, and worthwhile friends will celebrate your accomplishments. The Body Improvement Club is full of boys who are already tough and strong, but every single one of them praises Shigeo for his progress, no matter how it might compare to their own.

And I mentioned that Shigeo is buff in the epilogue, but I think it's worthwhile to note that this isn't just a visual gag. His buffness is revealed as he's discussing the trajectory of the club with one of the other members, in the next school year - and the other member acknowledges that the presence of the then-small, skinny, weak Shigeo had a useful effect on the image of the club. Because there was more than just a wall of beef already there, tentative newcomers could feel more secure in joining and improving theirselves, as was the club's goal. It's difficult to join a group of people you perceive as way more talented than you already - Shigeo's noted obliviousness to unspoken trends is actually a huge boon here, as it helped him volunteer without thinking this. But it wouldn't have been possible for him to improve without the goodwill of his peers.

Anyways, I love the Body Improvement Club and will never shut up about it, goodnight.

#mp100 #elk text

[willthewise7]

Byler Theory - Two Halves, One Heart

Before I begin my analysis, this theory builds on the concepts analysed by @CauseINeedYou on TikTok. So credit for them for that.

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As mentioned above, CauseINeedYou discussed how the tracks of “Being Different” and “You’re The Heart” actually merge together perfectly. In addition to this, there are whale song effects used in both songs which, once put together, sound like they are calling to each other. How beautiful is that? The music production behind the current season was phenomenal. 

The tracks therefore could potentially imply that both of these tracks represent two separate halves which, once put together, make a whole. Metaphorically, therefore, this could represent both Mike and Will together. Therefore, Will was half right, Mike is part of the heart. What Will does not realise is that he is also part of the heart. To Mike, Will is actually the heart, whilst Will believes Mike is. Both are clueless to each other, and by no fault of their own. 

As you can see above, within the GIF image, Will reveals to Mike the painting that he made for him. In this scene he points to the heart with a crown, saying how he has a coat of arms, alongside a heart. Will says how Mike is the heart and that he essentially inspires people. Later in this scene, Will masks his own feelings by using El, so that Mike is unaware of Will’s true feelings for him. Essentially implying how Mike makes him feel like he’s not a mistake at all, again implying that Will thinks that he is a mistake, which is painful. But, however, when he’s with Mike he feels whole. That’s because the heart is complete. Will and Mike complete the heart, they are both two halves of a whole. They complete the equation. 

The way that I believe that they will tie this together in season 5 is not only beautiful, it will also be a masterpiece. The Duffers have stated in several recent interviews how the “coming of age story” of Will is “far from over” and that there is still “a lot more” to tell. This includes Will’s self acceptance and realisation that he is indeed not a mistake at all, he is quite the opposite. They hint, however, at more than just Will’s journey as if it'll intertwine with others. Noah commented recently that Mike has also been going through problems, which I believe intertwine with Will’s arc. Why else would they specifically focus on Mike as Will’s love since season 1? They could have handled Will’s coming out arc without including Mike. However, they chose to include him as the one he truly loves. This is no coincidence. 

Season 5 I believe, therefore, will focus on handling Will accepting himself and coming out to those he loves. Additionally, we will get to see more scenes from Mikes perspective and the troubles that he has been dealing with this whole time. I do truly believe that Mike loves El, or loved El, but simply platonically. I’ll get to that in another post, but for now let’s focus on Mike and Will. 

Now that I have produced many theories, notably Will Byers Powers and The Neverending Story, both merge into this theory. As mentioned in my previous theory, which you can see back in my posts, I explained how Will has powers which he is currently either unaware of or are dormant. Potentially, in order for Will to discover these powers, he needs to find them from within himself. This is how I believe they could tie both his coming of age arc and supernatural arc together. To realise his powers he needs to overcome his internal demons, quite literally. Will finally accepting himself and finding his internal strength could, potentially, allow him to realise his full potential. Mike could also factor into this equation. As they are both the heart combined, perhaps they need to form together in order to end this Neverending Story. Maybe the heart really is a significant detail, just as Will’s painting depicts. 

Before you say that this sounds too cheesy, I’d like to point out how the whole story of Stranger Things is literally based on friendship and love. Winona Rider herself even said this at the Season 4 premier. This story is about fighting for and with the ones you love, the power of love and friendship. The supernatural element is the main focus but love is intertwined into every fabric of the story. Without love and friendship, El would not have been able to defeat Vecna twice, albeit Vecna technically wasn't properly defeated both times. But this I believe is because El needs both Mike and Will to complete the equation. Mike to realise his own feelings and talk to Will, and Will to accept himself. Will essentially finding power and inspiration from Mike, just like he said in the van. 

In terms of Will and his powers, he is paralleled to Henry Creel multiple times in the story. Both are called sensitive kids, both think that they are different and both believe that they essentially are a mistake. 

There is a stark contrast, though, between both Henry and Will. Henry takes his anger out on people and chooses to be, essentially, evil. Will, on the other hand, decides to be good and to be self-sacrificial. So, despite Vecna likely trying to use Will for his bidding and using him, Will will fight back. There is simply too much good within Will for him to be converted to evil. 

Going back to Will and his connection to the Upside Down, time froze the day that he went missing. The Duffer Brothers have essentially implied that this is a focal point of the whole lore of Stranger Things and that Will is going to be a main focus. Thus, it is likely that he was targeted for a reason. Either he was targeted because he saw himself in Will and thought he could convert him, or he knew he had some sort of dormant natural power like him and therefore could use them. There is a reason that he was left alive and not killed, alongside the supposed demorgorgon being able to move the latch. Way too many coincidences there. Vecna needs Will to take over and defeat El. One way in which he could consume them from Will, potentially. 

Vecna will not, however, be able to use Will. As I said, there is too much good in him. He now also has a strong platonic bond with El, as his sister. To defeat Vecna and to put an end to the Upside Down, Will needs to realise his powers and to accept his true self. Mike, therefore, also holds the key in being able to unlock this power that Will has. Two halves forming together to complete the heart, fulfilling the equation. Once this happens, Will can help El to defeat Vecna for good. He will not be able to withstand the power of both El and Will together.

Remember that in the Hellfire Club Campaign a roll of 11 was simply not enough to defeat Vecna. This season Vecna was only temporarily defeated, Will confirmed he was still alive in the cabin scene. A roll of 20 was, however, enough to defeat Vecna. As I've analysed in my previous theory, both Will and Mike both had size 10 roller skates at the roller rink, potentially foreshadowing? There are a lot of hidden details in Stranger Things, this could be one of them. Implying that Mike can help Will, which in turn will help El. Overall, therefore, completing the equation and defeating Vecna. It is likely, therefore, that we will see a Will and El power duo in season 5, once Will has discovered his potential powers. 

Finally, to conclude, to end the story Mike and Will need to form together in order to complete the heart. Two halves equals a whole. Mike giving Will the love and inspiration to accept that he’s not a mistake will allow him to discover not only his true self, but also his powers and potential. Will can then team up with El to defeat Vecna once and for all. El is very powerful which we have seen this season, so imagine the damage both El and Will could do. In the end, the power of love and friendship will prevail, which is a key underlying theme in the show. The heart really is the key.

#byler #byler season 4 #byler s4 #byler is real #byler theory #byler is endgame #byler proof #byler evidence #will byers #mike wheeler #will byers has powers #will byers is gay #stranger things 5