Honestly I was planning to make a long post describing why I love the Rowdyruffs so much even though they're A) canonically misogynistic and shitheads (largely due to season 5-6 which I ignore for the most part anyways), and B) underdeveloped. But all my mind can keep going back to is the realization that I like the Rowdyruffs for the same reason that I love Jasper from Steven Universe. Okay, nutty statement, hear me out.
I love the idea of characters who are fucked, or at least could be read as potentially fucked, and can be interpreted as fucked over in some fashion, particularly those that don't get too much development. I love absolutely diving into these characters to the point of it being arguably insane and far past the point of "me thinking too deep" about shit. I love seeing the potential of how they're similar or how they could have been similar to their counterparts (the Puffs for the Ruffs and Amethyst for Jasper), I love delving into the idea of how they could change for the better and the immense amount of work that would take. I love seeing how their relationships with their counterparts and how they play into one another could develop during their self improvement. I love the fucked up parallels and how there's some sort of tragedy to them regardless of how light it's treated if you think about it.
They're sad fucked little characters that the existence of inherently allows for so much wild character and world building that I cannot sink my fangs into deep enough. I love the idea of growth and overcoming and forgiveness and kindness even if they don't become these infallible good guys. I love the idea of both Jasper and the Ruffs becoming found family with their counterparts and I love the idea of them intrinsically understanding one another in ways that others can't. I love the six unit found family dynamic of the Ruffs and Luffs specifically and how many individual, duo, triple, etc dynamics it allows for. I love breaking down characters to their very essentials and making them rebuild and relearn everything they know. I love the idea of characters that either have an air of tragedy around them, or could be interpreted to overcoming their adversaries, making their amends, and bettering themselves.
And honestly, given the choice between Jasper and the Ruffs, I think the Ruffs would be the more likely to actually have a chance. I don't think they'd become superhero good guys (for a variety of nuanced reasons that depend both on canon and my self indulgent AU, they'd lean towards neutrality), but they're also five/six years old and have a lot of time to change.
Honestly, I think this bleeds into why I love Color Code and Quartz Sisters so much too. Yes I've talked about general found family here and that is applicable, but I want to talk about why I love the Reds/Blues/Greens as couples and Jasper/Amethyst as sisters so much. I love the parallels, I love the growth and the learning, I love the idea that people can truly change, I love the idea of understanding of perspectives of people who you'd think are total opposites but in reality share so much in common. I love building off of that and smashing canon and fanon together like a fucked up inventor creating my own stories about growth, redemption, love (all types! familiar, platonic, romantic, etc.). I love overcoming what is written to be fate and loving the people you were destined to despise. Jasper with Amethyst, and the Ruffs with the Puffs, not only existing together but caring about and loving one another is such a massive defiance of fate and what is expected of them, these dynamics inherently have so much weight behind them to get to that point, so much work and history to get where they were to say you could love people you were told to hate. It's defiance, it's revolution, it's carving your own fate and proving shit isn't sent in stone.
The Ruffs, to me, allow me to do all that and are absolutely a blast to work with. Much like Jasper. I love these shithead kids I am squeezing them like stress balls.
Also I legit just find them funny but that doesn't have to do with my passionate rant about how fate isn't set in stone and how I love seeing people better themselves even if said betterment more so lines up with what's "right" as opposed to what's "good".
Anyway, relevant lyrics from Pollyanna because it's not only just a bop but gives me feels:
tl;dr: I'm a sap who love parallels and growth. Also I quite literally just ended up making a long post as to why I like the Ruffs and their potential, I just shoved why I like Jasper and her's too in there.
I don't know if this is even comprehensible I'm writing this at 4 in the morning and scheduling it to be posted later today.
Should specify that just because I love growth doesn't mean that I want their counterparts to play therapist for them (which I see a lot of in both PPG/RRB fics and Quartz Sister fics 😅), they need to work through their own shit. Of course they can be supportive and help but I feel like so much fiction gets how to actually support characters going through their own redemption arcs/rehabilitation/domestication/whatever and just have counterparts play therapist instead which fucking sucks.
I know for a fact this won't convince Rowdyruff and Jasper haters given that so much of my obsession relies in fanon and "what ifs", I just want to give my perspective as a person who adores these characters and has them (along with the Powerpuffs and Amethyst) as comfort characters.
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The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.
"You're not going."
"Come on! I haven't thrown up in an hour!"
"The drive to the venue is an hour and a half."
"Steve-"
"And if you throw up in my car-"
"Oh my God-"
"I'll kill you."
Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.
"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.
He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.
"I'd need a big ass headstone to fit all of that," Dustin snaps.
"Your big-ass ego would demand no less, shithead," Steve shoots back.
"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.
He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.
(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)
"Did she just swear jar you?" Dustin asks from over the phone.
"You baited me into it."
"I did no such thing."
Steve rolls his eyes. "You're not coming, though, are you?"
Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."
"Sorry dude."
"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."
Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.
"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"
"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."
"All I'm saying-"
"I know what you're gong to say, which means you know my answer. I don't date."
Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.
"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.
"Five more minutes," Anna tries.
"Nope. Clean up and roll out."
"Hi, Anna," Dustin says through the phone.
"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"
Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"
"Can you, can you tell Daddy I should get five more minutes?"
Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.
"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."
Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.
Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.
But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.
Success by all metrics, really.
Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.
They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.
He tries not to feel too disappointed. He fails miserably.
The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.
At the top, there's a messily scrawled phone number. Underneath, it says:
Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.
-Eddie
Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-
Hang on.
He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-
No way. No way in hell.
It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-
"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.
Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.
Some days, he thinks he ended up with a clone, not a kid.
"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."
Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.
"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."
Okay, maybe Steve is a less permanent resident of denial than he thought.
"So, thank you to Miss Anna, who did great at headbanging for her first time-"
Anna whips around so fast, her forehead nearly collides with Steve's jaw.
"And to Steve, who's a big fan of American Psycho."
At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.
Because what the fuck is happening right now?
His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.
Please, God, don't let this traumatize my kid, Steve thinks.
Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.
When the song ends, she turns back to Steve.
"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.
"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.
The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.
And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.
Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.
Eddie is. Uh. Yeah. Really doing it for him.
Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.
He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.
Sweet Jesus.
"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"
The crowd, including Anna and Steve, cheer as they exit and the lights go up.
Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.
Naturally, Steve calls him back. "Who died?"
"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"
"Swear jar, Uncle Dusty!" Anna says.
"Sorry," Dustin says. "But Steve. Answers. Now."
"How do you even-"
"Instagram live. Is Eddie the guy you were telling me about yesterday?"
Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.
"Yeah," Steve says. "He is."
"The one who flirted with you, and you forgot to ask for his number."
"Well, I have it now."
"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.
"He left me his number on the seat."
"Text him."
"I was going to, until I saw that you called me sixteen times."
"Jesus Christ, Eddie Munson was flirting with you."
Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."
"Have you looked at him?"
"Wow, Dustybuns, I didn't know you were homophobic."
"I think it's the complete opposite of homophobic to try to get you laid."
"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.
"Text-"
Steve hangs up the call. "Can I have a gummy bear?"
"No," Anna says, mouth full, in her seat, legs swinging.
"I bought them."
She shrugs. "You gave them to me. Mine now."
Steve stares. She stares right back.
He sighs and opens a new pack of gummy bears.
With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:
I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.
He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.
Because it's totally not like a literal rockstar is going to text him back. Right?
Part 3!!
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By the grace of Robin Buckley, Steve gets into college.
She's his first real friend and it's because he knows her, loves her, learned to be a better person from her, that he's able to smile politely and take the hand of his new roommate. His long-haired, tattooed, dressed in all black roommate, who has already put up dark and menacing posters of bands Steve has never heard of and a bedsheet banner with the words "Corroded Coffin" painted on the fabric.
"Eddie Munson," his roommate says.
"Steve Harrington."
"Good to meet you, roomie." Eddie smiles so big it makes dimples pop. It's a good look. "Parents on the way with the rest of your stuff?"
"Oh, er--just me, actually."
Eddie's smile doesn't waiver. "Need some help?"
Normally, Steve would say no, but he just spent the last hour unloading Robin's stuff. "That would be great, thanks."
So, they work together to get Steve moved in, and as they work, he learns more about his roommate. He is a weirdo, an oddball, fundamentally strange, but Steve can't help but be charmed.
Eddie puts on music, something aggressive with loud guitars and drums, and Steve unpacks. He pulls out a picture of himself with the kids during one of their game nights, displaying it carefully on his desk.
"Wait," his new roommate says. "You? And the dnd children?"
Steve laughs. "They're the kids I babysit. You play that nerd game?"
Eddie's nose wrinkles. Something in the back of Steve's mind notes that it's cute. "Nerd game? Dnd is So. Much. More. It's--it's storytelling and strategy and--" Eddie stops, blinking at Steve. "You're fucking with me, aren't you?"
"Little bit," Steve smiles.
"I can't believe you know dnd. That you babysit nerds. You look like such a jock," Eddie shakes his head in disbelief.
"I am a jock," Steve agrees. "And I love those dorky little shitheads. I tolerate the game."
"Steve Harrington. You're just full of surprises, aren't you?"
"Guess so." The smiles they share are wide and sweet, bringing out Eddie's dimples in way that makes Steve long to touch.
After that, they're inseparable. Robin and Eddie and Steve. They study, eat, go to parties, hangout; anything, as long as they're together.
---
Three weeks into the semester, as Steve gets dressed after swim practice, he pulls a shirt out of his bag that doesn't belong to him. It's a black tee, Metallica logo front and center. He chuckles, puts it on. It's soft from wear and smells of laundry detergent and Eddie--cigarettes and leather and some kind of sweet musk. The scent puts him at immediate ease.
He meets Robin and Eddie for lunch. They were early, already have their food and seats, so he walks over to drop off his backpack. Eddie gives him a bright, dimpled smile, but within seconds his mouth is falling open a little, the tips of his ears turning bright red.
"You alright, man?" Steve asks.
Eddie startles, grabs his cup, jamming the straw into his mouth to chew at the plastic."You're--my shirt?" he says.
"Oh, shit. Sorry. Grabbed it by accident. I'll wash it for you."
His roommate flushes pink. "N--no, you don't have to worry about it."
He wants to question Eddie further--he's being so weird--but Robin interrupts. "Dingus! Go get food. Hurry up!"
He does as he's told, but when he comes back, Eddie is even redder than before, and Robin has a wide smirk across her face.
"What is going on with you two?" He asks as he puts his tray down.
Neither of them answer, andEddie launches into a passionate re-telling of some music student drama, so Steve let's himself be distracted.
---
It's mid-October and Steve's coming home from the gym, the one place that Robin and Eddie refuse to accompany him. As he nears his room, he hears music. It's not heavy metal, but something soft and slow and acoustic.
He tries to be quiet as he unlocks the door and enters, doesn't want to disturb Eddie, doesn't want him to stop playing. He never practices when Steve is home, says he doesn't want to be a bother with the noise.
Eddie's sitting on his bed, guitar in hand. There's a battered notebook open next to him, a pencil held between his teeth. He hums a bit, pauses to jot something down, and goes back to playing.
He looks beautiful, Steve thinks, bent over his guitar.
Steve is just about to announce himself when Eddie stops playing again. He writes something in the notebook before resting his head in his head. "Pathetic, Munson. Get it together," he mutters.
"Hi!" Steve says. It startles Eddie, who jumps and almost drops the guitar.
"Stevie!" Eddie stumbles to his feet. "I--uh--you're home!" His face is crimson.
"You're really good, man," Steve says. "I'd love to hear more sometime."
"Uh-huh, uh-huh," Eddie nods his head, grabbing for the notebook and slamming it closed. "Sure thing." He stuffs his feet into his Reeboks. "I gotta--I gotta go. Back soon."
Eddie stumbles out their door, notebook clenched firmly in hand.
He is so weird.
---
In mid-November, Robin gets invited to a party by a cute girl. They all go.
Steve isn't trying to hook up. He hasn't slept with anyone since they started school, too caught up with Robin and Eddie. But there's a girl, wavy brown curls and wide green eyes (he has the fleeting thought that they should be deep brown, that it's wrong that they aren't), and she's smiling at him.
Flirting with her is easy.
He doesn't know what breaks his concentration, but he turns to face the rest of the room, eyes falling on Eddie. Eddie who is watching him, his deep brown eyes swimming with hurt, with anger.
It sends a shock of pure panic up his spine. "Eddie!"
Eddie turns on his heel, disappearing in the crowd. Steve follows, but by the time he navigates through the partygoers, his roommate is nowhere to be found. He hurries back to their dorm, heart pounding in his ears, mouth dry.
It's dark in the room, though, and for a second he thinks Eddie isn't home, after all. But he turns on the light, illuminates the rigid lump under Eddie's quilt.
"Eddie?" Steve says, voice soft.
He doesn't respond, though Steve can tell he's awake. He tries again, but Eddie curls deeper under his covers.
Steve spends the night wondering what he did to hurt Eddie so bad.
---
They're back to normal after Thanksgiving. Steve is so relieved he doesn't even ask.
They stay up all night every night studying for finals. By the time Steve's last test rolls around, he's giddy and frantic. He grabs his textbook, shoves a notebook into his backpack, gets to the English building with just enough time to take a last look at his notes.
Only, he flips the notebook open and it's not his English notes. It's song lyrics.
Steve should close it. Put it back in his backpack. It's private. But he's already reading the lyrics written there. They're sexy. The song's about a guy, one Eddie seems to be totally gone for.
A line catches his eye, "need you on every surface in our room." He reads it again and again until the only thing he can see is the phrase, "our room." His whole body is warm, heat pooling, and he's chubbing up in his jeans in the middle of his English class.
Steve flips the pages, anything to get his mind off of that song, and that's when it hits him like a ton of bricks. All those weird moments--the t-shirt, the song, Steve flirting with a girl-- Eddie likes him.
Steve wants to rush to the dorm, wants to confess everything, even starts to stand, but--he has a final to take.
He makes himself close the notebook, but catches sight of another song as he does. It's a love song. It's plaintive and yearning and wanting. And every lyric is for him, about him, about things they did together. It's also unfinished, breaking off mid-way through the second verse.
He doesn't know how he missed it before, but as the professor hands out the test paper, Eddie is all he can think of.
---
When he finally gets back to the room, he finds Eddie's frantic, hair frizzed around his skull. All his bedding is on the floor, the drawers of his wardrobe pulled open.
"Eddie?" Steve asks.
"Have you seen my notebook?"
"What?" Steve's heart drops.
"The black one? It's kind of beaten up?"
"I--uh, yeah. Sorry, Eds. Accidentally grabbed it on my way to class." He pulls his backpack from his shoulder, unzipping it.
"Did you--did you read it?" Eddie's voice shakes, his face painfully red.
Steve doesn't know what to say, what to do. He wants Eddie. Has for a long time, just hadn't been able to put it together. And he doesn't know how to fix what's spiraling out between them.
"Eddie," he says. Can think of nothing else, hopes his desperation is clear in his voice. "Please." He closes the distance between them, slowly, carefully. Cups Eddie's chin in his hand.
They stare at each other, Eddie's eyes wide with shock. Steve can feel the other man's breath on his face, smell the tobacco and sweet musk scent of him.
"Every surface of our room, huh?" Steve asks.
Eddie's cheeks flush. He turns away, bashful. "Something like that."
"And if I want it too?" Steve whispers.
The words hang between them for several beats, before they both move to close the lingering distance between them. Their mouths slip together, like it's nothing, like they do this all the time. Steve grasps at Eddie's curls, fists a hand into his t-shirt, totally lost to the rhythm of the kiss, the easy slip of Eddie's tongue in his mouth.
Eventually, the come up for air, both pink cheeked and panting.
"You're full of surprises, Steve Harrington." Eddie breathes.
"Just wait," Steve smirks, moves in to nip at Eddie's bottom lip. "We have so many surfaces."
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