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#i love the music it like scratches my brain
argoii-official · 23 hours
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which cards from the major arcana (tarot) do you all associate yourselves with? if you don't know how to answer, what's your favourite type of art?
i'm not very versed in tarot, my apologies! THE SEVEN'S FAVORITE ARTFORMS
percy - music, huge music guy! it scratches his brain the right way, what can i say
annabeth - she enjoys the intricacies of classic marble sculptures.
jason - he likes silly pencil doodles. it reminds him of a past he’s forgotten. (aka days where he was studying history with reyna and octavian.)
piper - also big on music! but because she tends to relate emotions and events with them, and it helps her a lot with releasing/remembering emotions.
leo - he likes paintings because he likes thinking about colour theory and how colours and mix and hhh science
hazel - she loves how much emotion goes into acting :)
frank - he thinks chinese silk embroidery is absolutely gorgeous! and it is! and his grandmother has it framed and in her house!
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occulee · 5 months
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OK but can we TALK about his vocal development because I've absolutely loved the grittier flairs he's been slowly adding [I think starting a bit subtle in ANRFTW] but oh my god he went full metal scream this time and! Holy SHIT it's so good!!
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theswedishpajas · 7 months
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Been listening to more VJ recently and it put my brain into top gear these past few days.
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Screenshot taken from the music video for Niet Naar Huis Toe by Vieze Jack on youtube.
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bonebuckets · 1 month
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semester hitting so bad I had to go back to my roots (listening to chonny jash)
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mooremars · 4 months
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Generally I think the 2023 Camelot cast recording does a very good job of conveying the onstage vibe of pretty much all the songs with the dialouge snippets. However in my heart of hearts I truly believe the Simple Joys of Maidenhood feels incomplete without the moment of Arthur realizing Guenevere has run away and right to him after she sings her intro. I'm sure I could choose many hills to die on for cast recording opinions but apparently the one I feel the most is a particularly good delivery of the word shit.
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wordsinhaled · 9 months
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whew. feeling some type of jumbled up blend of gender dysphoria + creative energy + existential angst + anxiety + fandom imposter syndrome + oversensitivity
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tvrningout · 4 months
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i see or hear alternative/punk rock content and arata screams at the top of his lungs to let him out
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dilfsuzanneyk · 7 months
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robert hilburn is such a funny song they just went "hey fuck this guy specifically"
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ivorypiano · 9 months
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joey hickman's proprietor appreciation post
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summerdazed · 27 days
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Here I am scrolling through the Baldwin IV tag while listening to sexyy red’s entire discography.
Don’t we just love the duality of man lmao
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thewhizzyhead · 5 months
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yo rhythm heaven fever's remix 9 has no right being THAT short of a remix cause damn that's remix is a BANGER
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sad--tree · 8 months
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my spotify search history atm is so funny lol its like, renowned canadian singer-songwriter leonard cohen! danish death/doom band konvent! whatever the fuck u would describe heilung as (wikipedia says "experimental folk" which, like, sure. but also its like some kinda ancient germanic/viking type of thing) ! classical chinese opera & folk songs ! cannibal corpse! harvest dawn from tes oblivion ost! celtic frost's A Dying God Coming Into Human Flesh! moist ! carmina burana! and so on & so forth ......
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septembersghost · 1 year
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Jess should I watch Elvis?
yes, if for austin's kinetic performance alone! (i might be in love w him, though that's not entirely new, just elevated.) and also good music. i've been listening to so much of elvis' stuff and the vintage music/artists i love in general for the past week and it's nourishing to my soul.
biopics can be a tricky thing, and for me the importance lies in centering/revealing the subject's humanity amidst their unique qualities and flaws, and exploring the story in a way that feels empathetic and not exploitative (hence the screaming i did over a different movie, which doesn't even deserve to be labeled as a biopic, that shall not be named this summer), which this did. i was telling a friend, and my mom and i have discussed this many times over the years, but there's something heartbreaking and haunting to me about the fact that certain artists become so indelible in pop culture, so larger than life in that way, that the image of them takes over from the person, even from the artistry, and they become a caricature or a cardboard cutout of themselves. an icon, but no longer remembered as flesh and blood. there are a number of legends from those golden days of hollywood that this has happened to, most notably perhaps being marilyn and elvis. the tragedy of their respective stories comes into play there too, fixing them forever as that ending, those specific images. how do you overcome the iconography, so detached from agency and personhood, to re-center a human being? to not re-victimize them or overly distort what happened, and yet still tell it in a way that's a compelling narrative and can take some fictional license? it has to be measured so carefully. what got me with austin's performance is - you can go to vegas and find an impersonator on every corner if you want. he wasn't doing an impersonation, he was finding the vulnerability and electricity in the actual person, and that makes all the difference.
i will say though, i've been sitting here contemplating - what does baz luhrmann put into his films that very specifically alters my brain chemistry, but always in a slow drip, sneakily inescapable way? i'll be like, well, that sure was a movie, and think i moved on, but then days later be obsessively tantalized about aspects of it. this has happened three times in my life, and previously i might've thought it was more of a symptom of my teen years, but no, it still apparently rings true. i don't even entirely understand why he made some of the frenetic directing choices he made or certain moments of the framing or whatever tom hanks was doing, but the themes it touches on regarding the power and influence of music and the social upheaval of the time and what creates an indelible legacy, and that center of humanness i mentioned that's existent in the portrayal, can i stop thinking about it? no, i cannot. so be warned it might make you feel unhinged <3
edit, 2/3/23: over a month later and two subsequent viewings, including on the big screen (gorgeous showstopping spectacular) and i just have to remark that my thoughts on the editing and on tom hanks' performance have radically changed, but i think it's because you need to see it more than once to even begin to absorb it. now that i fully understand those aspects of the film and have seen it in all its grandeur and its empathy, i appreciate the framing, and the art direction/editing/costuming/everything is so breathtaking. it's so clearly a work of love and passion on everyone's part and the pinnacle of baz's particular vision as a filmmaker in many respects. it has elvis' spirit in all of its essence. i stand by everything i said about austin (and then some, he is phenomenal), it's like he was meant to embody this, but as a whole i underappreciated the movie as a whole during this first viewing, and now...it's impacted me deeply and i'm grateful for that, i love it very much.
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ssoupcup · 1 year
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2econd 2ight 2elfie if there's any will wooders out there. this is a twitter thing but i love will wood and i must make it known.
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hella1975 · 2 years
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adding new music to my red flag murder playlist like god my psychology student coworker would love this....
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ohdarlings · 2 years
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twee indie music from the 00s has a special place in my heart
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